1
00:00:01,100 --> 00:00:04,204
(audience chattering, laughing)

2
00:00:04,270 --> 00:00:07,107
-(tapping microphone)
-(audience quiets)

3
00:00:07,207 --> 00:00:09,409
NARRATOR:
Ladies and gentlemen,

4
00:00:09,509 --> 00:00:13,130
we now ask for
your complete attention.

5
00:00:13,790 --> 00:00:16,160
If you want to sing,
laugh, clap,

6
00:00:16,182 --> 00:00:19,185
cry, yawn, boo or fart,

7
00:00:19,185 --> 00:00:21,955
please, do it in your head,

8
00:00:22,550 --> 00:00:23,423
only in your head.

9
00:00:23,523 --> 00:00:24,758
(microphone feedback)

10
00:00:24,858 --> 00:00:28,194
You are now kindly requested
to keep silent

11
00:00:28,261 --> 00:00:32,532
and to hold your breath until
the very end of the show.

12
00:00:32,599 --> 00:00:36,870
Breathing will not be tolerated
during the show.

13
00:00:36,936 --> 00:00:41,141
So, please take a deep,
last breath right now.

14
00:00:41,241 --> 00:00:43,443
(audience inhales deeply)

15
00:00:43,543 --> 00:00:44,744
Thank you.

16
00:00:48,481 --> 00:00:50,383
(record player hissing)

17
00:00:50,450 --> 00:00:56,623
Underneath the moonlight

18
00:00:56,723 --> 00:01:01,728
My good friend Pierrot

19
00:01:06,933 --> 00:01:08,935
(static crackles)

20
00:01:12,720 --> 00:01:14,740
(static crackling)

21
00:01:23,183 --> 00:01:24,517
(lighter clicking)

22
00:01:36,763 --> 00:01:38,298
(electrical buzzing)

23
00:01:38,365 --> 00:01:41,201
(amp humming)

24
00:01:41,301 --> 00:01:43,870
(plays rock riff)

25
00:01:43,970 --> 00:01:45,638
(drums play)

26
00:01:47,507 --> 00:01:50,510
(saxophone and drums warming up)

27
00:01:52,450 --> 00:01:54,347
(chords warbling)

28
00:01:54,447 --> 00:01:57,650
-(guitars strumming)
-(woman vocalizing)

29
00:01:57,717 --> 00:01:59,786
WOMAN:
Ah, ah.

30
00:01:59,853 --> 00:02:02,220
♪ ♪

31
00:02:03,857 --> 00:02:06,192
Nastya, it’s going to start.

32
00:02:06,292 --> 00:02:08,828
(female chorus warming up)

33
00:02:08,895 --> 00:02:11,164
(guitars playing random chords)

34
00:02:12,198 --> 00:02:13,800
So...

35
00:02:13,867 --> 00:02:15,702
may we start?

36
00:02:15,802 --> 00:02:18,204
RUSSELL:
So may we start?

37
00:02:18,304 --> 00:02:20,306
RON:
High time to start

38
00:02:20,373 --> 00:02:22,575
(cymbal roll plays)

39
00:02:25,450 --> 00:02:27,247
One, two, three, four!

40
00:02:27,347 --> 00:02:29,416
(piano plays upbeat rhythm)

41
00:02:36,222 --> 00:02:38,658
(tambourine joins in)

42
00:02:43,960 --> 00:02:44,931
So may we start?

43
00:02:47,233 --> 00:02:49,235
-So may we start?
-So may we start?

44
00:02:51,438 --> 00:02:53,273
It’s time to start

45
00:02:55,575 --> 00:02:57,344
-High time to start
-High time to start

46
00:03:00,213 --> 00:03:02,782
They hope that it goes the way

47
00:03:02,882 --> 00:03:04,584
-It’s supposed to go
-It’s supposed to go

48
00:03:04,684 --> 00:03:08,455
There’s fear in them all
but they can’t let it show

49
00:03:08,555 --> 00:03:12,726
They’re underprepared
but that may be enough

50
00:03:12,792 --> 00:03:16,396
The budget is large
but still it’s not enough

51
00:03:16,463 --> 00:03:17,731
So may we start?

52
00:03:17,797 --> 00:03:20,433
May we start, may we,
may we now start?

53
00:03:20,533 --> 00:03:22,200
So may we start?

54
00:03:22,102 --> 00:03:24,738
May we start, may we,
may we now start?

55
00:03:24,804 --> 00:03:26,720
It’s time to start

56
00:03:26,139 --> 00:03:28,808
May we start, may we,
may we now start?

57
00:03:28,908 --> 00:03:30,210
High time to start

58
00:03:30,276 --> 00:03:33,446
May we start, may we,
may we now start?

59
00:03:33,546 --> 00:03:36,160
We’ve fashioned a world,
a world

60
00:03:36,116 --> 00:03:37,617
Built just for you

61
00:03:37,717 --> 00:03:40,153
A tail of songs and fury

62
00:03:40,253 --> 00:03:41,721
-With no taboo
-With no taboo

63
00:03:41,788 --> 00:03:43,890
We’ll sing and die for you

64
00:03:43,957 --> 00:03:45,625
-Yes, in minor keys
-Yes, in minor keys

65
00:03:45,725 --> 00:03:48,328
And if you want us
to kill, too

66
00:03:48,428 --> 00:03:49,662
-We may agree
-We may agree

67
00:03:49,763 --> 00:03:50,964
So may we start?

68
00:03:51,310 --> 00:03:53,767
May we start, may we,
may we now start?

69
00:03:53,833 --> 00:03:55,135
So may we start?

70
00:03:55,235 --> 00:03:57,804
May we start, may we,
may we now start?

71
00:03:57,904 --> 00:03:59,105
It’s time to start

72
00:03:59,172 --> 00:04:02,800
May we start, may we,
may we now start?

73
00:04:02,108 --> 00:04:03,343
High time to start

74
00:04:03,443 --> 00:04:06,680
May we start, may we,
may we now start?

75
00:04:06,780 --> 00:04:10,917
So close all the doors
and let’s begin the show

76
00:04:10,984 --> 00:04:13,219
The exits are clearly marked

77
00:04:13,319 --> 00:04:14,954
Thought you should know

78
00:04:15,210 --> 00:04:18,958
The authors are here
so let’s not show disdain

79
00:04:19,250 --> 00:04:20,360
The authors are here

80
00:04:20,460 --> 00:04:23,863
And they’re a little vain

81
00:04:23,963 --> 00:04:28,201
A little vain

82
00:04:29,135 --> 00:04:30,670
Now...

83
00:04:30,770 --> 00:04:35,475
The music resounds
and all the flames are lit

84
00:04:35,542 --> 00:04:40,213
So, ladies and gents,
please shut up and sit

85
00:04:40,313 --> 00:04:43,316
The curtain of our eyelids

86
00:04:43,383 --> 00:04:45,485
Lazily rise

87
00:04:45,552 --> 00:04:49,220
But where’s the stage,
you wonder

88
00:04:49,890 --> 00:04:50,790
Is it

89
00:04:50,857 --> 00:04:52,158
Outside

90
00:04:52,225 --> 00:04:54,160
Or is it within?

91
00:04:54,227 --> 00:04:56,896
-Outside? Within?
-Outside? Within?

92
00:04:56,996 --> 00:05:00,533
Outside? Within?

93
00:05:00,633 --> 00:05:02,702
So may we start?

94
00:05:02,802 --> 00:05:05,505
May we start, may we,
may we now start?

95
00:05:05,572 --> 00:05:06,873
So may we start?

96
00:05:06,973 --> 00:05:09,642
May we start, may we,
may we now start?

97
00:05:09,709 --> 00:05:10,977
It’s time to start

98
00:05:11,440 --> 00:05:13,713
May we start, may we,
may we now start?

99
00:05:13,813 --> 00:05:15,215
High time to start

100
00:05:15,281 --> 00:05:17,684
May we start, may we,
may we now start?

101
00:05:17,751 --> 00:05:19,386
-So may we start?
-(saxophone joins in)

102
00:05:19,486 --> 00:05:22,220
May we start, may we,
may we now start?

103
00:05:22,880 --> 00:05:23,523
So may we start?

104
00:05:23,590 --> 00:05:26,226
May we start, may we,
may we now start?

105
00:05:26,292 --> 00:05:27,827
-It’s time to start
-May we start

106
00:05:27,894 --> 00:05:30,263
-May we, may we now start?
-(siren whoops)

107
00:05:30,363 --> 00:05:32,980
-High time to start
-May we start

108
00:05:32,198 --> 00:05:34,501
-May we, may we now start?
-(siren whoops)

109
00:05:34,567 --> 00:05:36,360
OFFICER (over speaker):
Don’t try to start.

110
00:05:36,102 --> 00:05:37,771
-May we now start
-OFFICER: Don’t try to start.

111
00:05:37,871 --> 00:05:40,206
-May we now start
-May we now start

112
00:05:40,273 --> 00:05:41,941
-(saxophone playing)
-May we now start

113
00:05:42,420 --> 00:05:43,743
-Bye, Henry.
-Bye, Henry.

114
00:05:43,843 --> 00:05:45,745
-(motorcycle engine starting)
-May we now start

115
00:05:45,845 --> 00:05:47,130
Bye, Henry.

116
00:05:47,800 --> 00:05:48,381
Good luck!

117
00:05:48,448 --> 00:05:50,884
(car engine starting)

118
00:05:50,950 --> 00:05:52,452
BOY:
Bye-bye. Bye.

119
00:05:52,552 --> 00:05:54,554
-RUSSELL: Bye, Ann.
-RON: Bye, Ann.

120
00:05:55,689 --> 00:05:57,123
Bon voyage.

121
00:05:57,223 --> 00:05:59,626
-RUSSELL: Bon voyage.
-WOMAN: Bye.

122
00:05:59,726 --> 00:06:01,428
-Bye-bye.
-Bye.

123
00:06:01,528 --> 00:06:03,630
(horn honking)

124
00:06:03,129 --> 00:06:05,980
Bye-bye.

125
00:06:05,165 --> 00:06:07,600
(car engine humming)

126
00:06:18,311 --> 00:06:20,580
(gentle,
intriguing music begins)

127
00:06:28,321 --> 00:06:30,957
RUSSELL and CHORUS BOYS:
True love always finds

128
00:06:31,570 --> 00:06:34,600
Always finds

129
00:06:34,127 --> 00:06:37,630
-A way
-A way

130
00:06:37,731 --> 00:06:43,670
-Afraid
-But true love often goes

131
00:06:43,770 --> 00:06:45,772
-Afraid
-Astray

132
00:06:45,839 --> 00:06:48,575
Astray

133
00:06:48,641 --> 00:06:50,810
♪ ♪

134
00:06:57,450 --> 00:07:00,220
True love always finds

135
00:07:00,320 --> 00:07:02,622
Always finds

136
00:07:02,689 --> 00:07:06,359
-A way
-A way

137
00:07:07,560 --> 00:07:10,330
But true love often goes

138
00:07:10,397 --> 00:07:13,633
Often goes

139
00:07:13,700 --> 00:07:17,303
Astray, astray

140
00:07:18,705 --> 00:07:22,142
(chorus vocalizing)

141
00:07:33,190 --> 00:07:35,422
(Ann vocalizing)

142
00:07:42,362 --> 00:07:44,531
(low, audience chatter)

143
00:07:44,597 --> 00:07:47,367
(grunting rhythmically)

144
00:07:56,276 --> 00:07:59,813
(audience shouting, whistling)

145
00:07:59,879 --> 00:08:02,882
(audience clapping
rhythmically)

146
00:08:02,982 --> 00:08:06,286
MAN:
Come on! Come on, Henry!

147
00:08:06,386 --> 00:08:09,456
AUDIENCE (chanting):
Henry! Henry! Henry!

148
00:08:09,556 --> 00:08:12,192
-WOMAN: Henry, I love you!
-Henry! Henry!

149
00:08:12,258 --> 00:08:15,595
(dramatic music plays)

150
00:08:15,695 --> 00:08:17,697
(audience laughing)

151
00:08:17,764 --> 00:08:19,899
Yes, laugh, laugh, laugh.

152
00:08:19,999 --> 00:08:22,235
(man talking low in distance)

153
00:08:27,374 --> 00:08:29,376
(gentle music begins)

154
00:08:29,442 --> 00:08:31,578
(breathes deeply)

155
00:08:31,644 --> 00:08:32,846
One, two, three, four, five,

156
00:08:32,912 --> 00:08:34,381
six, seven, eight, nine, ten.

157
00:08:34,447 --> 00:08:36,750
One, two, three, four, five,
six, seven, eight, nine, ten.

158
00:08:36,850 --> 00:08:38,184
One, two, three, four, five,

159
00:08:38,251 --> 00:08:39,753
Six, seven, eight, nine, ten.

160
00:08:39,853 --> 00:08:44,240
One, two, three, four, five,
six, seven, eight, nine, ten.

161
00:08:44,900 --> 00:08:46,593
-Ladies and gentlemen,
-(upbeat music plays)

162
00:08:46,659 --> 00:08:48,561
are you ready?

163
00:08:48,628 --> 00:08:50,263
-AUDIENCE: Yeah!
-No.

164
00:08:50,330 --> 00:08:52,866
No one is ever ready for

165
00:08:52,932 --> 00:08:56,360
a mildly offensive evening
with...

166
00:08:56,102 --> 00:08:58,271
The Ape of God.

167
00:08:58,338 --> 00:09:00,440
(whistling, cheering)

168
00:09:00,507 --> 00:09:03,476
Here for his triumphant
new show,

169
00:09:03,576 --> 00:09:08,314
the world infamous
Henry McHenry!

170
00:09:08,415 --> 00:09:10,350
(audience cheering loudly)

171
00:09:10,450 --> 00:09:12,619
♪ ♪

172
00:09:16,790 --> 00:09:19,125
(audience continues cheering
loudly)

173
00:09:22,796 --> 00:09:25,650
(applause, cheering, whistling)

174
00:09:29,836 --> 00:09:31,838
-(Henry coughing)
-(cheering)

175
00:09:31,938 --> 00:09:34,107
(whistling)

176
00:09:34,941 --> 00:09:37,277
WOMAN:
Love you, Henry!

177
00:09:37,344 --> 00:09:39,279
(Henry coughing)

178
00:09:39,346 --> 00:09:41,514
(audience quiets)

179
00:09:43,516 --> 00:09:46,152
(audience laughter)

180
00:09:46,252 --> 00:09:48,355
(coughing)

181
00:09:51,291 --> 00:09:53,259
-(coughing continues)
-(scattered laughter)

182
00:09:53,326 --> 00:09:55,628
-(hawking loudly)
-(audience groans)

183
00:09:59,366 --> 00:10:01,134
Oh, this smoke shit.

184
00:10:01,201 --> 00:10:03,403
(scattered laughter)

185
00:10:06,139 --> 00:10:08,375
(slurping liquid through teeth)

186
00:10:09,409 --> 00:10:10,643
(laughter)

187
00:10:10,710 --> 00:10:13,546
What is this ****ing smoke
supposed to mean anyway?

188
00:10:15,849 --> 00:10:18,918
I think I’m getting
allergic to it.

189
00:10:19,190 --> 00:10:21,421
Wish they’d use
laughing gas instead.

190
00:10:21,521 --> 00:10:22,889
(scattered laughter)

191
00:10:22,989 --> 00:10:25,325
Would make my life easier.

192
00:10:25,392 --> 00:10:27,761
Or even better,

193
00:10:27,861 --> 00:10:29,129
cyanide gas.

194
00:10:29,195 --> 00:10:31,998
(laughter)

195
00:10:32,650 --> 00:10:34,567
So... I’m here to make
you laugh tonight.

196
00:10:34,668 --> 00:10:37,904
(audience whooping, applauds)

197
00:10:38,672 --> 00:10:40,173
Yes, laugh, laugh, laugh.

198
00:10:40,240 --> 00:10:41,441
(scattered laughter)

199
00:10:41,541 --> 00:10:43,209
I’m not sure
I can do it tonight.

200
00:10:43,309 --> 00:10:44,411
(audience aahing)

201
00:10:44,511 --> 00:10:47,213
Not sure I should even try.

202
00:10:47,313 --> 00:10:49,820
(audience groaning)

203
00:10:49,182 --> 00:10:52,519
Making people laugh
is a disgusting...

204
00:10:52,585 --> 00:10:54,688
(laughter)

205
00:10:54,754 --> 00:10:57,257
...deceitful trick anyway.

206
00:10:57,357 --> 00:10:58,692
Yes. Why should I activate

207
00:10:58,758 --> 00:11:01,161
Your ventromedial
prefrontal cortex

208
00:11:01,227 --> 00:11:03,430
So your 15 facial muscles
will contract

209
00:11:03,530 --> 00:11:05,732
So your ****ing
zygomatic muscle will react

210
00:11:05,799 --> 00:11:08,168
While your epiglottis
half-closes your larynx

211
00:11:08,234 --> 00:11:09,569
Clap

212
00:11:09,636 --> 00:11:13,106
(applause, cheering loudly)

213
00:11:13,206 --> 00:11:15,208
Yes, why the **** should I?

214
00:11:16,743 --> 00:11:18,211
Why should I make you...

215
00:11:18,278 --> 00:11:20,613
HENRY and CHORUS GIRLS:
Laugh, laugh, laugh

216
00:11:20,714 --> 00:11:23,383
But don’t make me,
don’t make me, don’t make me

217
00:11:23,450 --> 00:11:25,185
Can’t stand to hear you

218
00:11:25,251 --> 00:11:27,654
Laugh, laugh, laugh

219
00:11:27,754 --> 00:11:30,390
’Cause you bore me,
you bore me, you bore me

220
00:11:30,457 --> 00:11:32,580
I’ll still make you

221
00:11:32,125 --> 00:11:34,494
Gasp, gasp, gasp

222
00:11:34,594 --> 00:11:37,230
But don’t worry, don’t worry,
don’t worry

223
00:11:37,297 --> 00:11:39,299
You probably will not

224
00:11:39,399 --> 00:11:41,634
Choke, choke, choke

225
00:11:41,735 --> 00:11:44,137
Kick the bucket, kick
the bucket, kick the bucket

226
00:11:44,237 --> 00:11:46,506
-Kick the bucket
-(raspy choking)

227
00:11:46,606 --> 00:11:49,900
(cheering and whistling)

228
00:11:58,284 --> 00:11:59,953
(audience quiets)

229
00:12:00,200 --> 00:12:01,654
(exhales)
Huh.

230
00:12:01,755 --> 00:12:04,157
(scattered chuckles)

231
00:12:04,257 --> 00:12:05,592
Well, of course,

232
00:12:05,658 --> 00:12:08,294
I’ve heard the rumors, too.

233
00:12:08,395 --> 00:12:10,130
They say my show kills.

234
00:12:10,230 --> 00:12:11,297
(laughter)

235
00:12:11,398 --> 00:12:14,100
But relax, see my contract?

236
00:12:14,167 --> 00:12:15,602
Save your breath.

237
00:12:16,870 --> 00:12:18,304
Says so here:

238
00:12:18,405 --> 00:12:20,273
(nasally): "Mr. Henry McHenry
is not allowed

239
00:12:20,340 --> 00:12:21,941
to make the public
laugh to death."

240
00:12:22,800 --> 00:12:24,277
-(raspy choking)
-(laughter)

241
00:12:29,516 --> 00:12:32,352
Can’t make your alveoli
pop tonight.

242
00:12:32,452 --> 00:12:36,623
No dislocated jaws,
no belly explosions.

243
00:12:36,690 --> 00:12:39,993
-However, asthmatics,
-(upbeat music plays)

244
00:12:40,600 --> 00:12:42,562
keep your inhalers in position!

245
00:12:42,662 --> 00:12:44,497
-Okay?
-AUDIENCE: Okay!

246
00:12:44,564 --> 00:12:46,466
-Ready?
-AUDIENCE: Ready!

247
00:12:46,533 --> 00:12:47,734
Laugh.

248
00:12:47,834 --> 00:12:51,171
Ha-ha-ha-ha-ha, ha-ha-ha,
ha-ha, ha-ha

249
00:12:51,237 --> 00:12:55,750
Ha-ha-ha, ha-ha, ha-ha,
ha-ha-ha-ha

250
00:12:55,175 --> 00:12:58,745
Ha-ha-ha-ha-ha, ha-ha-ha,
ha-ha, ha-ha

251
00:12:58,845 --> 00:13:01,548
Ha-ha-ha, ha-ha, ha-ha,
ha-ha-ha-ha

252
00:13:01,648 --> 00:13:02,682
Okay, shut up.

253
00:13:02,749 --> 00:13:05,185
(orchestra plays dramatic music)

254
00:13:11,858 --> 00:13:14,260
(music transitions
to gentle melody)

255
00:13:23,236 --> 00:13:25,405
♪ ♪

256
00:13:30,430 --> 00:13:31,845
-(laughter)
-Yes.

257
00:13:31,911 --> 00:13:33,790
Why did I become a comedian?

258
00:13:33,179 --> 00:13:34,547
(echoing): Why did I
become a comedian?

259
00:13:34,614 --> 00:13:36,850
To entertain some balding men?

260
00:13:36,916 --> 00:13:39,552
To bring a touch of levity
to tragic times?

261
00:13:39,619 --> 00:13:41,488
-Not me.
-(laughter)

262
00:13:41,554 --> 00:13:43,890
To bring some joy
to those who have none?

263
00:13:43,957 --> 00:13:46,926
To cast a skeptical eye
toward common knowledge?

264
00:13:47,270 --> 00:13:48,928
-Uh-uh. -(echoing): Why did I
become a comedian?

265
00:13:49,290 --> 00:13:50,897
To make you notice what you’ve
always surely noticed,

266
00:13:50,964 --> 00:13:52,866
never noticing you noticed
until I ask you:

267
00:13:52,932 --> 00:13:55,301
-"Have you ever noticed?"
-Why did I become a comedian?

268
00:13:55,402 --> 00:13:57,570
-Sure, but not only that.
-Why did I become a comedian?

269
00:13:57,637 --> 00:13:59,372
To convey with a smile

270
00:13:59,439 --> 00:14:03,143
these deep-seated feelings
of hatred and humiliation

271
00:14:03,243 --> 00:14:05,311
we all seem to be sharing?

272
00:14:05,412 --> 00:14:06,579
-When...
-(upbeat music plays)

273
00:14:06,646 --> 00:14:09,282
All the Catholics
hate the Muslims

274
00:14:09,382 --> 00:14:11,751
And the Muslims
hate the Catholics

275
00:14:11,818 --> 00:14:13,987
And the Tutsis hate the Hutus

276
00:14:14,870 --> 00:14:16,289
And... everybody
hates the Jews

277
00:14:16,389 --> 00:14:19,590
(laughter and applause)

278
00:14:22,395 --> 00:14:25,980
-MAN: So, why, Henry?
-WOMAN: Yes, why, Henry?

279
00:14:25,165 --> 00:14:26,466
Why?

280
00:14:26,566 --> 00:14:28,668
AUDIENCE: Yes, why did you
become a comedian?

281
00:14:28,768 --> 00:14:31,400
-For the money?
-For the money?

282
00:14:31,104 --> 00:14:32,672
Oh, no, no.

283
00:14:32,772 --> 00:14:37,100
No, I’ve come from poverty
and severity

284
00:14:37,110 --> 00:14:39,813
and now have reached big money
and obscenity.

285
00:14:39,913 --> 00:14:41,648
So why did you become
a comedian?

286
00:14:41,748 --> 00:14:43,850
-For the fame?
-For the fame?

287
00:14:43,950 --> 00:14:46,119
-Oh, no, no.
-(audience gasps)

288
00:14:46,186 --> 00:14:49,122
Though fame is like a flame,

289
00:14:49,189 --> 00:14:51,257
glorious,

290
00:14:51,324 --> 00:14:52,625
superfluous.

291
00:14:52,692 --> 00:14:54,327
So nice being famous
for being infamous.

292
00:14:54,427 --> 00:14:57,497
Okay, but why did you become
a comedian?

293
00:14:57,597 --> 00:14:59,132
-Fear of death?
-Fear of death?

294
00:14:59,199 --> 00:15:00,367
Oh, no, no.

295
00:15:00,467 --> 00:15:02,836
’Cause you see, I have sympathy
for the abyss.

296
00:15:02,936 --> 00:15:04,871
(murmuring): What did he say?
What is "abyss"?

297
00:15:04,971 --> 00:15:07,807
A-B-Y-S-S!

298
00:15:07,874 --> 00:15:09,209
You illiterates.

299
00:15:09,309 --> 00:15:11,978
(scattered chuckling)

300
00:15:12,450 --> 00:15:15,150
That’s why I must never...

301
00:15:15,115 --> 00:15:17,951
never cast my eyes
towards the abyss.

302
00:15:19,986 --> 00:15:22,155
♪ ♪

303
00:15:25,959 --> 00:15:28,280
Lady, that’s quite an abyss
you’ve got.

304
00:15:28,128 --> 00:15:30,300
-(high-pitch tittering)
-(audience laughing)

305
00:15:30,130 --> 00:15:32,866
So why, why did you become
a comedian?

306
00:15:32,966 --> 00:15:34,234
For the women?

307
00:15:34,334 --> 00:15:36,636
Oh, no, well...

308
00:15:36,703 --> 00:15:37,737
Okay, let me explain.

309
00:15:39,506 --> 00:15:41,741
(piano plays gentle melody)

310
00:15:51,384 --> 00:15:53,386
You see...

311
00:15:53,486 --> 00:15:56,589
my serial ***** days are over.

312
00:15:56,690 --> 00:15:58,240
(scattered chuckling)

313
00:15:58,910 --> 00:15:59,759
Because, well...

314
00:15:59,859 --> 00:16:02,262
I’ve, I’ve just met someone.

315
00:16:02,362 --> 00:16:04,330
(audience whoops)

316
00:16:04,397 --> 00:16:06,399
Someone so...

317
00:16:08,680 --> 00:16:10,737
It all went so fast.

318
00:16:10,837 --> 00:16:13,606
I just moved into her tiny
hidden palace,

319
00:16:13,707 --> 00:16:16,420
’cause, yes, she’s a queen.

320
00:16:16,109 --> 00:16:18,244
And now,

321
00:16:18,345 --> 00:16:20,800
I’m engaged.

322
00:16:20,180 --> 00:16:22,682
(audience whooping, applauds)

323
00:16:23,717 --> 00:16:25,685
I know, I know.

324
00:16:25,752 --> 00:16:28,188
Marrying a girl when you’re
as young and green as me,

325
00:16:28,254 --> 00:16:30,957
it’s like...
swimming the Atlantic

326
00:16:31,570 --> 00:16:33,760
with a concrete block
tied to your left testicle.

327
00:16:33,860 --> 00:16:36,429
(laughter)

328
00:16:36,529 --> 00:16:38,898
Well, yes, now, I’m engaged.

329
00:16:40,133 --> 00:16:42,302
Copped out in my early age.

330
00:16:42,402 --> 00:16:45,138
So who, you ask, would marry me?

331
00:16:45,238 --> 00:16:47,407
Who would be the least likely?

332
00:16:48,708 --> 00:16:51,711
No, this ain’t a joke so far:

333
00:16:51,778 --> 00:16:53,947
-Yes, Ann Defrasnoux,
-WOMAN: Oh, no!

334
00:16:54,470 --> 00:16:55,949
-the opera star.
-(laughter)

335
00:16:56,490 --> 00:16:57,751
What?

336
00:16:57,817 --> 00:16:58,985
What’s wrong, lady?

337
00:16:59,850 --> 00:17:01,554
Ann and me, you disagree?

338
00:17:01,621 --> 00:17:03,723
What is it, blasphemy?

339
00:17:03,790 --> 00:17:06,590
Why, is she too...

340
00:17:06,126 --> 00:17:07,160
perfect?

341
00:17:07,260 --> 00:17:08,628
AUDIENCE:
Yes, yes, yes

342
00:17:08,728 --> 00:17:12,332
And I, some loathsome insect?

343
00:17:12,432 --> 00:17:13,967
Yes, yes, yes

344
00:17:14,670 --> 00:17:15,335
Okay, I’ll accept that.

345
00:17:15,435 --> 00:17:16,469
(scattered laughter)

346
00:17:16,569 --> 00:17:18,505
(laughter fades)

347
00:17:18,605 --> 00:17:20,807
(gentle melody plays)

348
00:17:23,810 --> 00:17:26,246
HENRY (voice-over):
First time I fell in love...

349
00:17:28,181 --> 00:17:30,183
...woke up next to the girl...

350
00:17:31,651 --> 00:17:33,860
...rushed out to buy myself

351
00:17:33,153 --> 00:17:36,856
the biggest motorbike
I could find

352
00:17:36,956 --> 00:17:39,325
and escaped

353
00:17:39,426 --> 00:17:41,194
fast and far.

354
00:17:41,294 --> 00:17:43,697
(singing aria)

355
00:17:43,797 --> 00:17:46,433
HENRY: But Ann the soprano
has changed me.

356
00:17:46,499 --> 00:17:48,635
(singing aria)

357
00:17:48,702 --> 00:17:50,303
I have changed.

358
00:17:52,305 --> 00:17:54,341
How?

359
00:17:54,441 --> 00:17:56,843
I’m still not sure.

360
00:17:56,943 --> 00:17:59,179
Time will tell.

361
00:17:59,279 --> 00:18:01,214
What I see in her

362
00:18:01,314 --> 00:18:02,716
is obvious.

363
00:18:03,950 --> 00:18:06,353
What she sees in me,

364
00:18:06,453 --> 00:18:08,688
hmm...

365
00:18:08,788 --> 00:18:10,457
it’s a little more puzzling.

366
00:18:11,191 --> 00:18:13,193
♪ ♪

367
00:18:13,293 --> 00:18:15,128
HENRY: Wish that she could
be here now

368
00:18:15,195 --> 00:18:17,300
But she’s at
the opera tonight

369
00:18:17,130 --> 00:18:20,567
Opera, where everything
is sacred

370
00:18:20,667 --> 00:18:21,801
Amen!

371
00:18:21,868 --> 00:18:23,403
First she dies
and dies and dies

372
00:18:23,503 --> 00:18:25,705
And then she bows
and bows and bows

373
00:18:25,805 --> 00:18:27,741
She’ll be bowing now till dawn

374
00:18:27,841 --> 00:18:29,676
Ann, dear, I love you so

375
00:18:29,743 --> 00:18:31,845
But all that bowing’s got to go

376
00:18:31,911 --> 00:18:33,913
Take a last bow, enough

377
00:18:34,140 --> 00:18:36,149
Make it seem more off the cuff

378
00:18:36,216 --> 00:18:37,550
(scattered laughter, applause)

379
00:18:37,650 --> 00:18:39,986
WOMAN:
But, Henry, you didn’t answer:

380
00:18:40,530 --> 00:18:41,821
why?

381
00:18:41,888 --> 00:18:43,890
AUDIENCE: Yes, why did you
become a comedian?

382
00:18:43,990 --> 00:18:45,992
So, why did you become
a comedian?

383
00:18:46,590 --> 00:18:49,195
Yes, why did you
become a comedian?

384
00:18:49,262 --> 00:18:50,997
Hey, Henry?!

385
00:18:51,640 --> 00:18:52,565
Why?

386
00:18:52,665 --> 00:18:54,670
I’ll tell you why.

387
00:18:58,171 --> 00:19:00,600
To disarm people.

388
00:19:02,509 --> 00:19:04,911
(quietly):
Make them laugh.

389
00:19:07,747 --> 00:19:09,549
It’s the only way I know
to tell the truth

390
00:19:09,616 --> 00:19:11,384
without getting killed.

391
00:19:15,422 --> 00:19:16,856
Anyway, every ****in’...

392
00:19:16,923 --> 00:19:20,393
-(automatic gunfire)
-(audience screaming)

393
00:19:20,460 --> 00:19:23,697
-(gunfire, screaming continue)
-(man laughing loudly)

394
00:19:23,763 --> 00:19:25,699
(gunfire stops)

395
00:19:25,765 --> 00:19:27,434
-(man continues laughing)
-(scattered screams)

396
00:19:27,534 --> 00:19:29,302
(audience exclaims)

397
00:19:29,402 --> 00:19:31,705
-MAN: Oh, shit.
-(audience murmuring)

398
00:19:32,639 --> 00:19:34,908
WOMAN:
Henry, you *******!

399
00:19:34,974 --> 00:19:36,576
-(murmuring continues)
-(man chuckles)

400
00:19:36,643 --> 00:19:38,912
HENRY:
Ooh.

401
00:19:38,978 --> 00:19:40,980
MAN:
**** you, Henry!

402
00:19:44,317 --> 00:19:45,652
See, I, too, can die.

403
00:19:45,752 --> 00:19:46,986
(scattered chuckles)

404
00:19:47,870 --> 00:19:49,155
And then...

405
00:19:49,255 --> 00:19:50,623
bow.

406
00:19:50,724 --> 00:19:52,959
(cheering loudly)

407
00:19:54,600 --> 00:19:55,962
Okay, well,
that’s it for tonight.

408
00:19:56,620 --> 00:19:57,630
AUDIENCE:
Oh, no, no, no!

409
00:19:57,731 --> 00:20:00,467
Oh, yes, yes, ’cause I’m sick
and tired of making you...

410
00:20:00,567 --> 00:20:03,236
Laugh, laugh, laugh

411
00:20:03,303 --> 00:20:06,239
But don’t leave me, don’t
leave me, don’t leave me

412
00:20:06,306 --> 00:20:07,907
Can’t bear to hear you

413
00:20:07,974 --> 00:20:10,143
Laugh, laugh, laugh

414
00:20:10,243 --> 00:20:13,146
’Cause you bore me,
you bore me, you bore me

415
00:20:13,246 --> 00:20:14,848
But I need to hear you

416
00:20:14,948 --> 00:20:17,283
Clap, clap, clap

417
00:20:17,350 --> 00:20:20,860
Yes, I’m ****y,
I’m ****y, I’m ****y

418
00:20:20,153 --> 00:20:21,621
Want each one of you to

419
00:20:21,688 --> 00:20:24,124
Clap, clap, clap

420
00:20:24,190 --> 00:20:28,361
Like a loony, like a loony,
like a loony, like a loony

421
00:20:28,461 --> 00:20:30,363
We promised that you’d laugh

422
00:20:30,463 --> 00:20:32,132
We promised
that you’d laugh

423
00:20:32,198 --> 00:20:35,702
We promised that you’d laugh,
laugh, laugh, laugh

424
00:20:35,802 --> 00:20:38,204
Laugh, laugh, laugh

425
00:20:38,304 --> 00:20:41,410
’Cause he’s Henry,
he’s Henry, The Henry

426
00:20:41,141 --> 00:20:45,145
He didn’t make you
choke, choke, choke

427
00:20:45,211 --> 00:20:47,847
Or kick the bucket, kick the
bucket, kick the bucket

428
00:20:48,140 --> 00:20:49,749
-(audience cheering loudly)
-He needs to hear you

429
00:20:51,170 --> 00:20:54,854
Wants each of you
to clap, clap, clap

430
00:20:54,954 --> 00:20:56,690
So let’s hear it,
let’s hear it

431
00:20:56,790 --> 00:20:59,192
Let’s hear it, let’s hear it!

432
00:20:59,292 --> 00:21:01,294
(song ends)

433
00:21:13,306 --> 00:21:15,709
(applause and cheering)

434
00:21:19,179 --> 00:21:22,515
(audience cheering,
shouting "Bravo!")

435
00:21:25,485 --> 00:21:27,487
WOMAN:
Ann, we love you!

436
00:21:37,497 --> 00:21:39,699
(people clamoring nearby)

437
00:21:45,538 --> 00:21:47,440
(clamoring continues)

438
00:21:47,540 --> 00:21:50,377
-Ann, please, look this way.
-Ann, please.

439
00:21:52,879 --> 00:21:54,581
Give us a smile!
Over this way! Over this way!

440
00:21:54,681 --> 00:21:56,282
-Ann, you’re looking great!
-Thank you!

441
00:21:56,383 --> 00:21:58,385
(clamoring continues)

442
00:22:05,625 --> 00:22:07,227
(clamoring quiets)

443
00:22:07,293 --> 00:22:09,362
(camera shutters clicking)

444
00:22:18,538 --> 00:22:20,940
(crowd exclaims)

445
00:22:21,410 --> 00:22:22,709
How did the show go?

446
00:22:24,110 --> 00:22:26,312
I killed them...

447
00:22:26,413 --> 00:22:28,815
destroyed them...

448
00:22:28,915 --> 00:22:30,483
murdered them.

449
00:22:32,520 --> 00:22:33,319
Good boy.

450
00:22:33,420 --> 00:22:35,922
And your gig?

451
00:22:35,989 --> 00:22:38,158
I...

452
00:22:38,258 --> 00:22:40,627
I saved them.
(laughs softly)

453
00:22:40,727 --> 00:22:44,297
Well, you die so magnificently.

454
00:22:44,397 --> 00:22:46,933
Honey, you’re always dying.

455
00:22:47,000 --> 00:22:49,602
MAN:
Ann, Henry, how about a smile?

456
00:22:49,669 --> 00:22:51,404
-Over here!
-How ’bout a smile, Ann?

457
00:22:51,471 --> 00:22:53,907
-Give us a smile, Ann!
-How ’bout a smile, please!

458
00:22:53,973 --> 00:22:55,275
Give us a smile, please!

459
00:22:55,342 --> 00:22:56,843
Henry, please

460
00:22:56,943 --> 00:22:58,345
In the frame, in the frame

461
00:22:58,445 --> 00:23:00,246
-Henry
-(shutters click rhythmically)

462
00:23:00,313 --> 00:23:02,816
Helmet off, Henry

463
00:23:02,916 --> 00:23:05,452
In the frame, Henry

464
00:23:05,518 --> 00:23:08,355
Helmet off, Henry

465
00:23:08,455 --> 00:23:10,590
-How ’bout a smile, please
-How ’bout a smile, please

466
00:23:10,657 --> 00:23:13,426
-Give us a smile, please
-Give us a smile, please

467
00:23:13,493 --> 00:23:14,994
Henry. your helmet

468
00:23:15,950 --> 00:23:17,430
-How ’bout a smile, please
-Take off your helmet!

469
00:23:17,497 --> 00:23:19,499
Give us a smile, please.

470
00:23:20,300 --> 00:23:22,302
(birds chirping)

471
00:23:27,107 --> 00:23:29,275
♪ ♪

472
00:23:47,160 --> 00:23:48,228
(lighter clicking)

473
00:23:56,636 --> 00:23:58,838
(birds continue chirping)

474
00:24:05,679 --> 00:24:08,810
(dramatic intro plays)

475
00:24:16,890 --> 00:24:18,525
♪ ♪

476
00:24:22,696 --> 00:24:29,569
We love each other so much

477
00:24:31,204 --> 00:24:38,178
We love each other so much

478
00:24:39,713 --> 00:24:43,550
We’re scoffing at logic

479
00:24:43,616 --> 00:24:46,286
This wasn’t the plan

480
00:24:47,454 --> 00:24:54,294
We love each other so much

481
00:24:55,962 --> 00:25:02,302
We love each other so much

482
00:25:04,370 --> 00:25:10,910
We love each other so much

483
00:25:12,946 --> 00:25:16,416
Counterintuitive, baby

484
00:25:16,483 --> 00:25:19,819
And yet we remain

485
00:25:20,720 --> 00:25:27,560
We love each other so much

486
00:25:29,396 --> 00:25:33,660
Counterintuitive, baby

487
00:25:33,133 --> 00:25:37,170
And yet we remain

488
00:25:37,270 --> 00:25:42,976
We love each other so much

489
00:25:43,760 --> 00:25:45,645
(driving rock beat plays)

490
00:25:50,483 --> 00:25:55,755
We love each other so much

491
00:25:58,124 --> 00:26:03,530
We love each other so much

492
00:26:06,599 --> 00:26:10,270
So hard to explain it

493
00:26:10,337 --> 00:26:13,600
So hard to explain

494
00:26:14,774 --> 00:26:20,947
We love each other so much.

495
00:26:21,140 --> 00:26:22,282
(song ends)

496
00:26:36,830 --> 00:26:38,498
(turns off engine)

497
00:26:38,565 --> 00:26:40,834
(coyotes barking in distance)

498
00:26:54,714 --> 00:26:57,170
(distant thunder rumbling)

499
00:27:01,521 --> 00:27:03,490
(gentle melody plays)

500
00:27:03,556 --> 00:27:05,725
(frogs croaking)

501
00:27:20,974 --> 00:27:22,575
-Tied the knot...
-for "Show Bizz News,"

502
00:27:22,642 --> 00:27:23,810
bringing you the latest

503
00:27:23,910 --> 00:27:27,113
on Ann and Henry’s
whirlwind romance.

504
00:27:27,180 --> 00:27:29,983
The two stars, both at the
pinnacle of their careers,

505
00:27:30,830 --> 00:27:32,118
have officially tied the knot.

506
00:27:32,185 --> 00:27:34,254
Tied the knot.

507
00:27:35,455 --> 00:27:38,792
(instruments warming up)

508
00:27:49,636 --> 00:27:51,805
♪ ♪

509
00:27:57,711 --> 00:27:59,946
(piano plays melody)

510
00:28:04,651 --> 00:28:07,530
(instrument warm up continues)

511
00:28:11,558 --> 00:28:14,694
I’m an accompanist,
I’m an accompanist.

512
00:28:14,794 --> 00:28:17,997
I’m an accompanist for Ann,
for Ann.

513
00:28:18,640 --> 00:28:21,670
Ann’s the one with the genius,
the grace.

514
00:28:21,167 --> 00:28:24,804
I’m the one with
the technical expertise.

515
00:28:24,871 --> 00:28:28,508
Ah, the tease, ah, the tease

516
00:28:28,575 --> 00:28:31,544
of being so near, so far

517
00:28:31,644 --> 00:28:33,380
from the star...

518
00:28:33,480 --> 00:28:35,480
from the stars.

519
00:28:35,148 --> 00:28:37,751
But someday
I’ll join them ’cause

520
00:28:37,851 --> 00:28:41,187
I’m a conductor,
I’m a conductor,

521
00:28:41,254 --> 00:28:44,924
I’m a conductor,
conductor at heart.

522
00:28:45,250 --> 00:28:47,761
It’s a temp job I’m doing.

523
00:28:47,861 --> 00:28:51,765
This should only be seen
as a means to an end.

524
00:28:51,865 --> 00:28:54,901
In the end, in the end

525
00:28:55,100 --> 00:28:56,903
-I’ll lead orchestras,
-(audience applauds)

526
00:28:57,300 --> 00:28:58,605
near and far.

527
00:28:58,705 --> 00:29:02,175
Every bar, every bar

528
00:29:02,242 --> 00:29:04,844
will bear my own signature,

529
00:29:04,911 --> 00:29:08,140
but I’m an accompanist
for the present

530
00:29:08,810 --> 00:29:09,349
for Ann.

531
00:29:09,416 --> 00:29:10,850
That’s what I do.

532
00:29:11,951 --> 00:29:13,920
I’m an accompanist.

533
00:29:14,200 --> 00:29:15,722
For the present.

534
00:29:15,789 --> 00:29:17,223
For Ann.

535
00:29:17,290 --> 00:29:19,893
But now,
let’s listen to her sing.

536
00:29:21,361 --> 00:29:23,596
(gentle orchestral music plays)

537
00:29:25,310 --> 00:29:27,233
(rhythmic whooshing)

538
00:29:33,606 --> 00:29:36,443
(dramatic music plays,
cymbals crash)

539
00:29:47,921 --> 00:29:50,323
(orchestra quiets)

540
00:29:51,791 --> 00:29:53,626
(gentle melody playing)

541
00:30:12,946 --> 00:30:16,516
ANN:
There’s a chill in the air

542
00:30:16,616 --> 00:30:20,687
On this night

543
00:30:20,787 --> 00:30:24,524
Where is the moon

544
00:30:24,624 --> 00:30:27,627
Where is the starlight?

545
00:30:27,694 --> 00:30:31,164
Bearings lost, we’re adrift

546
00:30:31,264 --> 00:30:35,268
On this night

547
00:30:35,335 --> 00:30:39,390
Where is the moon

548
00:30:39,139 --> 00:30:42,709
Where is the starlight

549
00:30:42,809 --> 00:30:47,213
Tonight?

550
00:30:49,783 --> 00:30:53,720
Afraid, don’t know why

551
00:30:53,820 --> 00:30:57,123
Where is the moonlight?

552
00:30:57,190 --> 00:31:00,994
Afraid, don’t know why

553
00:31:01,610 --> 00:31:04,397
Where is the starlight?

554
00:31:04,497 --> 00:31:08,168
Afraid, ’fraid of you

555
00:31:08,234 --> 00:31:10,670
-Something about the look
-(rumbling)

556
00:31:10,737 --> 00:31:15,909
In your eyes

557
00:31:31,858 --> 00:31:34,160
Hurry, dawn

558
00:31:34,227 --> 00:31:40,233
I need help, I need light

559
00:31:40,333 --> 00:31:43,837
Cut short the night

560
00:31:43,903 --> 00:31:47,730
I am in danger

561
00:31:47,173 --> 00:31:50,677
Though I thought
that I knew him

562
00:31:50,744 --> 00:31:54,748
I’m wrong

563
00:31:54,848 --> 00:31:58,418
I don’t know him

564
00:31:58,518 --> 00:32:01,855
He is a stranger

565
00:32:01,921 --> 00:32:06,426
Tonight

566
00:32:08,862 --> 00:32:13,330
Afraid, don’t know why

567
00:32:13,990 --> 00:32:16,236
Where is the moonlight?

568
00:32:16,302 --> 00:32:20,306
Afraid, don’t know why

569
00:32:20,407 --> 00:32:23,576
Where is the starlight?

570
00:32:23,643 --> 00:32:27,480
Afraid, ’fraid of you

571
00:32:27,580 --> 00:32:30,383
Something about the look

572
00:32:30,450 --> 00:32:36,456
In your eyes

573
00:32:45,980 --> 00:32:47,500
♪ ♪

574
00:32:51,137 --> 00:32:53,840
(motorcycle engine revving)

575
00:32:59,346 --> 00:33:01,781
♪ ♪

576
00:33:09,155 --> 00:33:10,490
-Hi.
-Hi.

577
00:33:17,497 --> 00:33:19,666
♪ ♪

578
00:33:22,202 --> 00:33:24,104
ANN:
I am love

579
00:33:24,170 --> 00:33:26,506
A fickle thing,
a finite thing

580
00:33:26,606 --> 00:33:28,441
I am love

581
00:33:28,508 --> 00:33:32,345
Do not approach me

582
00:33:33,346 --> 00:33:35,448
(Ann screams)

583
00:33:35,515 --> 00:33:37,717
♪ ♪

584
00:33:37,817 --> 00:33:39,886
I was love

585
00:33:39,986 --> 00:33:42,489
A gruesome thing,
a gruesome thing

586
00:33:42,555 --> 00:33:46,626
I was love

587
00:33:46,693 --> 00:33:49,996
And now I’m dying

588
00:33:50,630 --> 00:33:55,680
Dying, dying, dying, dying

589
00:33:56,703 --> 00:34:03,677
Dy... ing

590
00:34:03,743 --> 00:34:06,413
♪ ♪

591
00:34:08,140 --> 00:34:09,883
(song ends)

592
00:34:09,983 --> 00:34:12,152
(applause)

593
00:34:14,354 --> 00:34:16,756
(applause continues)

594
00:34:27,330 --> 00:34:29,436
(applause continues)

595
00:34:37,777 --> 00:34:40,213
(applause continues)

596
00:34:52,258 --> 00:34:56,262
(audience cheering,
shouting "Bravo!")

597
00:35:03,403 --> 00:35:05,805
(applause, cheering continues)

598
00:35:12,412 --> 00:35:13,813
(applause, cheering fades)

599
00:35:13,913 --> 00:35:15,648
(musical chiming)

600
00:35:15,749 --> 00:35:17,250
CHORUS:
Newborn girl

601
00:35:17,317 --> 00:35:18,985
CONNIE:
And, in "Show Bizz News,"

602
00:35:19,850 --> 00:35:22,550
anonymous sources report
that the singing and laughter

603
00:35:22,122 --> 00:35:24,791
around the Defrasnoux-McHenry
household

604
00:35:24,891 --> 00:35:27,293
will soon be drowned out
by the cries

605
00:35:27,394 --> 00:35:29,162
-of a newborn girl.
-(camera shutter clicking)

606
00:35:32,899 --> 00:35:35,902
(baby cries)

607
00:35:37,937 --> 00:35:39,390
(snip)

608
00:35:39,105 --> 00:35:40,874
(baby crying)

609
00:35:40,940 --> 00:35:44,177
She’s out of this world

610
00:35:44,244 --> 00:35:46,446
Out of this world

611
00:35:46,546 --> 00:35:51,184
Welcome to the world, Annette

612
00:35:51,251 --> 00:35:54,387
She’s out of this world

613
00:35:54,454 --> 00:35:56,456
Out of this world

614
00:35:56,556 --> 00:36:01,728
Welcome to the world, Annette

615
00:36:01,795 --> 00:36:07,367
-She’s out of this world
-Out of this world

616
00:36:07,434 --> 00:36:12,205
Welcome to the world, Annette

617
00:36:12,272 --> 00:36:17,877
-She’s out of this world
-Out of this world

618
00:36:17,944 --> 00:36:23,783
Welcome to the world, Annette.

619
00:36:26,920 --> 00:36:29,890
(birds chirping)

620
00:36:35,895 --> 00:36:38,980
(baby chatters nearby)

621
00:36:51,478 --> 00:36:53,913
(Annette grunting)

622
00:37:09,162 --> 00:37:11,598
-♪ ♪
-(birds chirping)

623
00:37:19,639 --> 00:37:21,875
HENRY (voice-over):
This is a baby.

624
00:37:23,810 --> 00:37:25,645
This is my baby.

625
00:37:27,180 --> 00:37:29,382
(crickets chirping)

626
00:37:35,722 --> 00:37:37,657
HENRY (voice-over):
Tonight,

627
00:37:37,724 --> 00:37:40,226
while she’s singing and dying,

628
00:37:40,326 --> 00:37:43,863
I’m baby... sitting.

629
00:37:43,963 --> 00:37:46,320
(echoing):
Sitting, sitting, sitting.

630
00:37:47,333 --> 00:37:49,690
-(glass shatters)
-(audience laughter)

631
00:37:49,169 --> 00:37:51,571
(laughter continues)

632
00:37:53,173 --> 00:37:57,577
ANN:
Dy... ing.

633
00:37:57,677 --> 00:37:59,879
(laughter continues)

634
00:38:02,549 --> 00:38:04,500
-(laughter stops)
-(gentle music plays)

635
00:38:04,150 --> 00:38:07,354
CHORUS:
Something’s about to break

636
00:38:07,420 --> 00:38:10,523
But it isn’t clear

637
00:38:10,590 --> 00:38:15,610
Is it something we should cheer?

638
00:38:15,161 --> 00:38:19,566
Is it something
we should fear?

639
00:38:21,701 --> 00:38:24,437
Something’s about to break

640
00:38:24,537 --> 00:38:28,441
But it isn’t clear

641
00:38:28,541 --> 00:38:32,879
Is it something we should cheer?

642
00:38:32,946 --> 00:38:37,217
Is it something
we should fear?

643
00:38:37,283 --> 00:38:38,885
(Annette coos)

644
00:38:38,952 --> 00:38:42,789
Something’s about to break

645
00:38:42,889 --> 00:38:46,226
But it isn’t clear

646
00:38:46,292 --> 00:38:50,630
Is it something we should cheer?

647
00:38:50,730 --> 00:38:54,634
Is it something
we should fear?

648
00:38:54,734 --> 00:38:56,736
(music fades)

649
00:39:03,376 --> 00:39:05,245
NEWSMAN (on TV): Crews faced
a major battle yesterday

650
00:39:05,311 --> 00:39:07,280
in Simi Valley,
northwest of Los Angeles,

651
00:39:07,380 --> 00:39:08,948
where flames came
dangerously close

652
00:39:09,490 --> 00:39:11,451
to the Ronald Reagan
Presidential Library

653
00:39:11,551 --> 00:39:12,786
and to nearby neighborhoods...

654
00:39:12,886 --> 00:39:15,955
ANN: Oscar,
I feel like sleeping now.

655
00:39:16,560 --> 00:39:17,991
Please wake me up
before we get there.

656
00:39:18,910 --> 00:39:19,159
OSCAR:
Sure.

657
00:39:19,259 --> 00:39:21,261
NEWSMAN:
Judy, what do you see there?

658
00:39:21,327 --> 00:39:23,163
NEWSWOMAN:
Well, good morning.

659
00:39:23,263 --> 00:39:24,664
This fire is raging right now.

660
00:39:24,764 --> 00:39:26,766
You can see the vortex
of flames,

661
00:39:26,833 --> 00:39:30,170
smoke and wind blowing
in our direction.

662
00:39:30,270 --> 00:39:32,720
Imagine what it’s like
for firefighters

663
00:39:32,138 --> 00:39:34,841
to approach flames like that.

664
00:39:34,941 --> 00:39:36,409
NEWSMAN:
Despite an all-out assault,

665
00:39:36,476 --> 00:39:38,345
the flames still managed
to jump the freeway,

666
00:39:38,445 --> 00:39:40,580
forcing nearby neighborhoods
to be evacuated.

667
00:39:40,647 --> 00:39:42,782
The fire quickly consumed
this barn,

668
00:39:42,849 --> 00:39:45,151
where volunteers helped
rescue animals...

669
00:39:45,251 --> 00:39:47,654
-♪ ♪ -(newsman continues
indistinctly)

670
00:39:50,290 --> 00:39:52,292
(newsman continues indistinctly)

671
00:39:52,359 --> 00:39:54,694
♪ ♪

672
00:40:00,100 --> 00:40:02,936
CHORUS:
Six women have come forward

673
00:40:05,205 --> 00:40:07,807
Each with a similar story

674
00:40:09,642 --> 00:40:13,480
Subjected
to Henry McHenry’s abuses

675
00:40:14,981 --> 00:40:17,650
Witnesses to his violence

676
00:40:19,352 --> 00:40:21,187
REPORTERS: Why now?

677
00:40:22,220 --> 00:40:23,623
Why now?

678
00:40:24,691 --> 00:40:27,160
Each of us has come forward

679
00:40:27,227 --> 00:40:29,462
All with a similar story

680
00:40:29,529 --> 00:40:32,650
Subjected to his abuses

681
00:40:32,165 --> 00:40:34,200
Witnesses to his violence

682
00:40:34,300 --> 00:40:37,804
And his anger, his anger

683
00:40:37,871 --> 00:40:39,500
Six women have come forward

684
00:40:39,720 --> 00:40:40,907
Each of us have come forward

685
00:40:41,700 --> 00:40:44,144
-Each with a similar story
-All with a similar story

686
00:40:44,210 --> 00:40:46,813
Subjected to his abuses

687
00:40:46,880 --> 00:40:48,848
Witnesses to his violence

688
00:40:48,915 --> 00:40:51,751
And his anger, his anger

689
00:40:53,860 --> 00:40:54,754
JOURNALISTS:
-But why? -Why only now?

690
00:40:54,854 --> 00:40:56,322
-Why only now?
-Why come forward now?

691
00:40:56,389 --> 00:40:57,891
-Yes, but why only now?
-Yes, why?

692
00:40:57,991 --> 00:41:00,600
Why only now?

693
00:41:00,160 --> 00:41:04,330
I, I fear for Ann

694
00:41:04,397 --> 00:41:06,866
She must be warned

695
00:41:06,933 --> 00:41:09,769
McHenry is not

696
00:41:09,869 --> 00:41:12,405
Not what he seems

697
00:41:12,505 --> 00:41:15,175
-So charming that I
-Why?

698
00:41:15,241 --> 00:41:18,440
-A woman with sense
-Why come forward now?

699
00:41:18,111 --> 00:41:20,680
I quickly became

700
00:41:20,747 --> 00:41:23,830
A moth to a flame
(sobs)

701
00:41:23,183 --> 00:41:27,354
A moth to a flame

702
00:41:27,420 --> 00:41:29,422
-Six women have come forward
-Each of us have come forward

703
00:41:29,522 --> 00:41:33,259
-Each with a similar story
-All with a similar story

704
00:41:33,360 --> 00:41:35,729
Subjected to his abuses

705
00:41:35,795 --> 00:41:38,640
Witnesses to his violence

706
00:41:38,131 --> 00:41:40,967
-And his anger, his anger
-(horn honking)

707
00:41:41,735 --> 00:41:43,737
His anger

708
00:41:43,803 --> 00:41:46,773
-His anger
-(horn honking)

709
00:41:46,873 --> 00:41:50,210
His anger!

710
00:41:50,276 --> 00:41:51,778
-(gasps)
-NEWSMAN: The cause of this fire

711
00:41:51,878 --> 00:41:53,113
has not yet been determined,

712
00:41:53,213 --> 00:41:54,748
but Southern California Edison
utility

713
00:41:54,814 --> 00:41:57,550
did say that it started near
one of their power lines

714
00:41:57,617 --> 00:42:01,221
and they had not returned power
at the time the fire started.

715
00:42:01,287 --> 00:42:03,256
(newsman speaks indistinctly)

716
00:42:03,323 --> 00:42:05,759
NEWSWOMAN: All right.
Thank you very much...

717
00:42:05,825 --> 00:42:08,261
(crickets chirping)

718
00:42:25,512 --> 00:42:27,681
(tenor singing)

719
00:42:29,749 --> 00:42:31,951
(tenor and Ann singing)

720
00:42:38,124 --> 00:42:40,427
(dramatic music plays,
cymbals crash)

721
00:42:43,363 --> 00:42:45,832
(Ann singing)

722
00:42:45,932 --> 00:42:48,101
(tenor singing)

723
00:42:49,269 --> 00:42:52,872
-(dramatic music plays)
-(Ann singing)

724
00:42:52,972 --> 00:42:55,308
(chorus singing
"Toreador Song" from "Carmen"

725
00:42:59,346 --> 00:43:02,682
(Ann repeating note over sparse,
minor-key harmony)

726
00:43:09,823 --> 00:43:12,892
(Ann singing dramatic aria)

727
00:43:14,961 --> 00:43:17,864
-(coughs, gasps)
-(orchestral crescendo playing)

728
00:43:21,134 --> 00:43:22,635
(coughing)

729
00:43:22,702 --> 00:43:24,471
(music swells)

730
00:43:24,537 --> 00:43:26,973
(music fades)

731
00:43:27,974 --> 00:43:30,210
(motorcycle engine humming)

732
00:43:32,345 --> 00:43:34,748
-(upbeat music plays)
-(audience whistling)

733
00:43:37,250 --> 00:43:39,520
ANNOUNCER:
And now,

734
00:43:39,152 --> 00:43:43,323
here in Vegas,
for the very first time...

735
00:43:43,390 --> 00:43:45,492
The Ape of God,

736
00:43:45,558 --> 00:43:49,396
Mr. Henry McHenry!

737
00:43:49,496 --> 00:43:51,731
(audience cheering, whistling)

738
00:43:55,680 --> 00:43:57,237
♪ ♪

739
00:44:02,208 --> 00:44:04,377
(coughing)

740
00:44:09,249 --> 00:44:11,418
(coughing)

741
00:44:12,419 --> 00:44:14,354
-(whooping)
-Henry!

742
00:44:14,421 --> 00:44:16,220
Whoo! Yeah!

743
00:44:16,890 --> 00:44:20,193
-MAN: Henry!
-(audience cheering)

744
00:44:20,260 --> 00:44:21,761
HENRY:
****ing idiotic smoke.

745
00:44:21,861 --> 00:44:23,960
(scattered laughter)

746
00:44:23,196 --> 00:44:24,698
(banging on door)

747
00:44:24,764 --> 00:44:26,599
Have you no sense
of proportions?!

748
00:44:26,700 --> 00:44:28,435
(scattered laughter)

749
00:44:28,535 --> 00:44:29,936
(audience quiets)

750
00:44:35,108 --> 00:44:38,878
Having to be funny here,
it’s like...

751
00:44:38,945 --> 00:44:41,314
...trying to enjoy a blow job
in a gas chamber.

752
00:44:41,414 --> 00:44:42,716
(laughter)

753
00:44:42,782 --> 00:44:43,883
MAN:
Ah, man.

754
00:44:43,950 --> 00:44:45,885
MAN:
That was not funny, Henry.

755
00:44:45,952 --> 00:44:47,620
(audience quiets)

756
00:44:56,296 --> 00:44:58,131
You’re right, not funny.

757
00:44:59,733 --> 00:45:00,734
(sighs)

758
00:45:00,800 --> 00:45:01,901
I’m so...

759
00:45:04,637 --> 00:45:06,473
...too ****ing tired.

760
00:45:17,250 --> 00:45:19,252
-(metallic squeak)
-(scattered chuckling)

761
00:45:20,687 --> 00:45:23,523
I knew it. I should’ve cancelled
the show tonight.

762
00:45:23,623 --> 00:45:26,260
AUDIENCE:
No, no, no!

763
00:45:26,126 --> 00:45:27,994
Yes, yes, yes.

764
00:45:28,940 --> 00:45:29,529
(laughter)

765
00:45:29,629 --> 00:45:31,310
You see, my house was...

766
00:45:32,532 --> 00:45:34,701
...broken into last night,

767
00:45:34,801 --> 00:45:37,303
and, mm, *******s
stole all my jokes.

768
00:45:37,370 --> 00:45:39,205
(laughter)

769
00:45:39,305 --> 00:45:40,707
No, the truth is...

770
00:45:43,443 --> 00:45:46,312
...now that I have
my own soprano

771
00:45:46,379 --> 00:45:49,215
-(applause)
-and baby...

772
00:45:50,984 --> 00:45:52,652
...I’m not sure I have it
in me anymore

773
00:45:52,719 --> 00:45:54,521
to make sad people laugh.

774
00:45:54,621 --> 00:45:56,156
(audience exclaims)

775
00:45:56,222 --> 00:45:59,590
No, the truth is, this morning,

776
00:45:59,159 --> 00:46:00,827
something happened.

777
00:46:02,162 --> 00:46:05,665
I-I... No, no, I can’t say.

778
00:46:05,732 --> 00:46:07,834
No, the truth is I’m sick.

779
00:46:07,901 --> 00:46:10,403
Being in love makes me sick.

780
00:46:10,503 --> 00:46:11,905
Sick!

781
00:46:16,476 --> 00:46:19,790
Well, the true truth is...

782
00:46:19,179 --> 00:46:20,580
this morning...

783
00:46:23,416 --> 00:46:24,851
I, um...

784
00:46:27,821 --> 00:46:29,723
I killed... (low): my wife.

785
00:46:29,823 --> 00:46:31,891
-What? What was that?
-(audience murmuring)

786
00:46:31,991 --> 00:46:33,727
-WOMAN: Louder!
-MAN: Louder, Henry!

787
00:46:33,827 --> 00:46:36,162
-Can’t hear you back here.
-Your mic, Henry!

788
00:46:42,402 --> 00:46:44,170
I killed my wife.

789
00:46:44,237 --> 00:46:46,239
(audience exclaims)

790
00:46:51,411 --> 00:46:53,413
Yes, laugh, laugh, laugh.

791
00:46:54,447 --> 00:46:56,490
Laugh, laugh, laugh.

792
00:46:57,217 --> 00:46:59,252
So, I’ve said it:

793
00:46:59,352 --> 00:47:01,870
I killed my wife.

794
00:47:01,187 --> 00:47:03,723
(audience murmuring nervously)

795
00:47:03,790 --> 00:47:04,958
I didn’t mean to.

796
00:47:06,526 --> 00:47:08,528
God knows I didn’t mean to.

797
00:47:09,729 --> 00:47:11,698
She woke up,

798
00:47:11,765 --> 00:47:13,533
so beautiful.

799
00:47:15,769 --> 00:47:17,971
-♪ ♪
-She looked at me and smiled.

800
00:47:18,710 --> 00:47:19,973
That smile.

801
00:47:20,730 --> 00:47:23,309
She is-- was--
a very shy person, you see,

802
00:47:23,410 --> 00:47:26,913
and I know,
I knew this shy smile

803
00:47:26,980 --> 00:47:29,115
meant she wanted to ****.

804
00:47:29,215 --> 00:47:31,951
But this time,
I pretended not to get it.

805
00:47:32,520 --> 00:47:35,755
And I kept on pretending
and so she said it,

806
00:47:35,822 --> 00:47:37,457
ever so shyly:

807
00:47:39,920 --> 00:47:40,493
"Please, Henry.

808
00:47:42,462 --> 00:47:43,897
**** me, Henry."

809
00:47:45,465 --> 00:47:47,967
And I could see the effort
in her smile,

810
00:47:48,680 --> 00:47:50,236
for her to ask that,

811
00:47:50,303 --> 00:47:52,272
to say those dirty words,

812
00:47:52,339 --> 00:47:55,975
to be wicked and bold,
so out of character.

813
00:47:56,760 --> 00:47:59,112
With that very shy smile
I loved so much.

814
00:47:59,179 --> 00:48:00,847
But I couldn’t answer,

815
00:48:00,947 --> 00:48:02,782
I couldn’t meet her desire.

816
00:48:02,849 --> 00:48:05,318
’Cause, yes,
being in love makes me sick.

817
00:48:05,418 --> 00:48:06,753
Sick!

818
00:48:06,820 --> 00:48:09,122
I had been sleepless
all night, you see,

819
00:48:09,189 --> 00:48:11,958
suffocating,
suffocated by love.

820
00:48:12,250 --> 00:48:13,259
A wreck.

821
00:48:13,326 --> 00:48:14,994
Absolutely no desire left.

822
00:48:15,950 --> 00:48:17,197
WOMAN:
Come on, Henry, drop it, please!

823
00:48:17,297 --> 00:48:19,466
-WOMAN: Yeah.
-(audience murmuring)

824
00:48:19,532 --> 00:48:22,102
What? Am I letting you know more
than you care to know about me?

825
00:48:22,168 --> 00:48:23,603
Mm-hmm.

826
00:48:26,206 --> 00:48:27,374
About her?

827
00:48:29,175 --> 00:48:30,343
***?

828
00:48:34,314 --> 00:48:35,382
Death?

829
00:48:38,518 --> 00:48:40,353
Yes, no desire left.

830
00:48:41,821 --> 00:48:43,156
Zero.

831
00:48:44,570 --> 00:48:46,326
So I was looking for something,

832
00:48:46,393 --> 00:48:49,362
anything to
change the subject,

833
00:48:49,462 --> 00:48:51,998
to spare us both this horrible,

834
00:48:52,650 --> 00:48:54,134
dreadful moment of rejection.

835
00:48:54,200 --> 00:48:56,836
That’s when the idea
came to me.

836
00:48:56,903 --> 00:49:00,373
I remembered how extremely
ticklish she is-- was--

837
00:49:00,473 --> 00:49:02,842
especially on the soles
of her feet.

838
00:49:02,909 --> 00:49:05,578
So I thought: I’ll tickle her,

839
00:49:05,679 --> 00:49:07,800
to change the subject.

840
00:49:07,180 --> 00:49:08,415
So I grabbed her legs,

841
00:49:08,515 --> 00:49:10,830
locked both of her feet
under my arms

842
00:49:10,183 --> 00:49:11,685
and started to tickle them.

843
00:49:14,540 --> 00:49:16,560
I could see in her eyes
she understood it all.

844
00:49:16,156 --> 00:49:17,924
(grunting)

845
00:49:18,240 --> 00:49:19,693
Why I was doing
what I was doing

846
00:49:19,759 --> 00:49:21,261
to change the subject.

847
00:49:21,361 --> 00:49:23,630
(grunting)

848
00:49:23,163 --> 00:49:25,498
And it seemed impossible
she would laugh this time.

849
00:49:25,565 --> 00:49:27,670
She was hurt.
(grunting)

850
00:49:27,167 --> 00:49:28,835
And ashamed. (grunting)

851
00:49:28,902 --> 00:49:30,103
And sad and confused.

852
00:49:30,203 --> 00:49:31,438
(grunting)

853
00:49:31,538 --> 00:49:33,940
But I persisted,
I tickled gently...

854
00:49:37,877 --> 00:49:39,913
(grunting)

855
00:49:40,130 --> 00:49:41,514
"Stop it, Henry."

856
00:49:43,249 --> 00:49:44,884
It wasn’t working.

857
00:49:44,951 --> 00:49:46,386
So I tickled stronger.

858
00:49:48,621 --> 00:49:53,259
(giggling)

859
00:49:53,360 --> 00:49:54,761
I tickled madly.

860
00:49:55,562 --> 00:49:59,466
(laughing)

861
00:49:59,566 --> 00:50:00,867
I tickled wild.

862
00:50:00,934 --> 00:50:03,703
(grunting)

863
00:50:03,770 --> 00:50:05,972
(laughing hysterically)

864
00:50:09,576 --> 00:50:10,977
(screams)

865
00:50:21,721 --> 00:50:22,956
Ann?

866
00:50:23,990 --> 00:50:25,258
Ann.

867
00:50:27,600 --> 00:50:29,295
Ann? Ann!

868
00:50:32,232 --> 00:50:34,467
(breaths loudly into microphone)

869
00:50:37,671 --> 00:50:39,239
No, no, no, Ann!

870
00:50:39,305 --> 00:50:42,142
(panting rhythmically)

871
00:50:42,242 --> 00:50:43,476
Ann!

872
00:50:44,678 --> 00:50:45,945
Ann!

873
00:50:47,447 --> 00:50:48,915
(sobs)
No!

874
00:50:48,982 --> 00:50:51,418
(sobbing)

875
00:50:51,484 --> 00:50:53,253
No, Ann!

876
00:50:58,158 --> 00:50:59,426
No!

877
00:51:12,172 --> 00:51:13,873
I had tickled her to death.

878
00:51:13,973 --> 00:51:16,976
-(audience murmuring)
-(scattered applause)

879
00:51:17,430 --> 00:51:18,978
(sobbing)

880
00:51:19,450 --> 00:51:21,614
(audience quiets)

881
00:51:21,681 --> 00:51:23,783
I then tried to kill myself.

882
00:51:23,850 --> 00:51:26,520
The same way, tickling myself.

883
00:51:26,152 --> 00:51:28,555
(scattered chuckles)

884
00:51:28,655 --> 00:51:31,570
(gasping sobs)

885
00:51:34,327 --> 00:51:36,730
(cries)

886
00:51:39,320 --> 00:51:41,340
You know, but it didn’t work.

887
00:51:41,134 --> 00:51:43,136
(audience murmuring)

888
00:51:58,918 --> 00:52:01,254
This is how I killed my wife.

889
00:52:01,354 --> 00:52:03,230
WOMAN:
Enough. I’m out.

890
00:52:04,324 --> 00:52:05,725
MAN:
You’re sick!

891
00:52:05,825 --> 00:52:08,610
(audience chattering, grumbling)

892
00:52:09,896 --> 00:52:11,398
MAN:
That’s ****ed up.

893
00:52:11,498 --> 00:52:13,199
AUDIENCE:
That was sick!

894
00:52:13,266 --> 00:52:14,734
You’re sick!

895
00:52:14,834 --> 00:52:16,690
Poor Ann!

896
00:52:16,169 --> 00:52:17,404
Poor Annette!

897
00:52:17,504 --> 00:52:18,538
(shouting, whistling)

898
00:52:18,605 --> 00:52:20,106
HENRY:
I sense some animosity.

899
00:52:20,206 --> 00:52:21,441
Am I right, or is it me?

900
00:52:21,541 --> 00:52:24,411
You must’ve bitten something
bitter in your cradle!

901
00:52:24,511 --> 00:52:25,779
Bitten, bitter, cradle!

902
00:52:25,879 --> 00:52:27,781
So why did I become a comedian?

903
00:52:27,881 --> 00:52:29,449
You’re not! You’re not!

904
00:52:29,549 --> 00:52:30,583
Not anymore!

905
00:52:30,684 --> 00:52:32,352
So why did I become a comedian?

906
00:52:32,419 --> 00:52:33,753
***hole! ***hole!

907
00:52:33,853 --> 00:52:35,388
Sick, sick, sick!

908
00:52:35,455 --> 00:52:37,891
-MAN: ***hole!
-Okay.

909
00:52:37,957 --> 00:52:40,226
-Go home!
-Ready?

910
00:52:40,293 --> 00:52:41,461
Laugh!

911
00:52:41,561 --> 00:52:45,650
Ha-ha-ha-ha-ha, ha-ha-ha,
ha-ha, ha-ha

912
00:52:45,131 --> 00:52:48,401
Ha-ha-ha, ha-ha, ha-ha,
ha-ha-ha-ha

913
00:52:48,468 --> 00:52:51,404
Ha-ha-ha-ha-ha, ha-ha-ha,
ha-ha, ha-ha

914
00:52:51,471 --> 00:52:52,972
We promised that you’d laugh

915
00:52:53,730 --> 00:52:54,708
We promised
that you’d laugh

916
00:52:54,774 --> 00:52:58,144
We promised that you’d
laugh, laugh, laugh, laugh

917
00:52:58,244 --> 00:53:00,747
-Laugh, laugh, laugh
-(audience booing)

918
00:53:00,814 --> 00:53:02,482
’Cause he’s Henry, he’s Henry...

919
00:53:02,582 --> 00:53:06,486
Okay, everybody, thank you
very much, but enough already.

920
00:53:06,586 --> 00:53:07,921
Have a good night!

921
00:53:07,987 --> 00:53:10,590
Kick the bucket, kick the
bucket, kick the bucket

922
00:53:10,657 --> 00:53:13,226
He needs to hear you
clap, clap, clap

923
00:53:13,293 --> 00:53:14,928
-(loud thud)
-(audience exclaims)

924
00:53:14,994 --> 00:53:17,897
’Cause he’s Henry, he’s Henry,
The Henry

925
00:53:17,964 --> 00:53:19,632
(singing continues indistinctly)

926
00:53:19,733 --> 00:53:21,735
(upbeat rhythm plays)

927
00:53:28,475 --> 00:53:31,444
You used to laugh

928
00:53:31,511 --> 00:53:34,481
But now you sure ain’t laughing
at me no more

929
00:53:34,581 --> 00:53:36,820
You used to laugh

930
00:53:36,149 --> 00:53:37,584
(rhythmic clapping)

931
00:53:37,650 --> 00:53:40,487
But now you sure ain’t laughing
at me no more

932
00:53:40,587 --> 00:53:42,922
What’s your problem?

933
00:53:42,989 --> 00:53:45,425
What’s your ****ing problem?

934
00:53:46,326 --> 00:53:49,950
What’s your problem?

935
00:53:49,162 --> 00:53:52,432
Your ****ing problem?

936
00:53:52,499 --> 00:53:55,602
-Do you think I care?
-Henry, Henry, we’ve had enough

937
00:53:55,668 --> 00:53:58,438
Do you think I care
what you all think of me now?

938
00:53:58,505 --> 00:54:01,508
-Do you think I care?
-Henry, Henry, we’ve had enough

939
00:54:01,608 --> 00:54:04,444
Do you think I care
what you wimps think of me now?

940
00:54:04,511 --> 00:54:06,846
-What’s your problem?
-(buzzing)

941
00:54:06,946 --> 00:54:10,183
What’s your ****ing problem?

942
00:54:10,283 --> 00:54:13,530
-What’s your problem?
-Henry, Henry, we’ve had enough

943
00:54:13,153 --> 00:54:15,722
-Your ****ing problem?
-Henry, Henry, we’ve had enough

944
00:54:15,822 --> 00:54:17,991
My dear public

945
00:54:18,580 --> 00:54:19,693
Get off, get off,
get off the stage

946
00:54:19,793 --> 00:54:21,628
My dear public,
you ****ing headless beast

947
00:54:21,695 --> 00:54:22,829
You’re makin’ me sick

948
00:54:22,896 --> 00:54:25,465
Get off, get off,
get off the stage

949
00:54:25,532 --> 00:54:26,733
-You ruthless
-Get off, get off

950
00:54:26,833 --> 00:54:28,635
-Unpredictable beast
-Get off the stage

951
00:54:28,702 --> 00:54:30,804
-It’s your problem
-Get off, get off

952
00:54:30,870 --> 00:54:32,372
-****, it’s not my problem
-Get off the stage

953
00:54:32,472 --> 00:54:34,474
Get off, get off,
get off the stage

954
00:54:34,541 --> 00:54:36,476
-It’s your problem
-Get off, get off

955
00:54:36,543 --> 00:54:38,345
-Get off the stage
-Your ****ing problem

956
00:54:38,411 --> 00:54:40,914
Get off, get off,
get off the stage

957
00:54:41,140 --> 00:54:44,184
Get off,
get off, get off the stage

958
00:54:44,250 --> 00:54:47,153
Get off, get off,
get off the stage

959
00:54:47,220 --> 00:54:49,389
Get off,
get off, get off the stage

960
00:54:49,489 --> 00:54:51,224
-Well, you better laugh
-Get off, get off

961
00:54:51,324 --> 00:54:52,726
Get off the stage

962
00:54:52,826 --> 00:54:55,495
Or I’ll get the hell
right off of this stage

963
00:54:55,562 --> 00:54:57,530
-If you don’t laugh
-Get off, get off

964
00:54:57,597 --> 00:54:58,998
Get off the stage

965
00:54:59,650 --> 00:55:00,700
-You gonna feel, feel, feel
-Get off, get off

966
00:55:00,767 --> 00:55:01,935
-The fire of my rage
-Get off the stage

967
00:55:02,350 --> 00:55:03,203
We used to laugh

968
00:55:03,269 --> 00:55:05,105
-You got a problem
-What’s your problem?

969
00:55:05,205 --> 00:55:08,341
-A big old problem
-What’s your ****ing problem?

970
00:55:08,408 --> 00:55:11,440
-You got a problem
-You’ve got a problem

971
00:55:11,111 --> 00:55:12,779
A big old problem

972
00:55:12,879 --> 00:55:17,617
-A big old pro...
-(audience booing)

973
00:55:17,717 --> 00:55:19,219
...blem!

974
00:55:19,285 --> 00:55:21,521
(booing continues)

975
00:55:28,728 --> 00:55:31,598
Ha, ha!

976
00:55:31,698 --> 00:55:34,701
Ha, ha! Ha, ha!

977
00:55:35,468 --> 00:55:37,804
Ha, ha, ha!

978
00:55:37,904 --> 00:55:40,874
Goddamn it! ****ing damn it!

979
00:55:40,940 --> 00:55:42,942
****!

980
00:55:43,777 --> 00:55:46,790
God, ****, damn it, ****!

981
00:55:46,146 --> 00:55:48,581
(birds chirping)

982
00:55:52,452 --> 00:55:54,721
Henry, I’m worried about you.

983
00:55:56,723 --> 00:55:58,580
I’m worried.

984
00:56:05,165 --> 00:56:09,369
But she didn’t want to be there

985
00:56:09,469 --> 00:56:13,273
She didn’t want to be there

986
00:56:13,340 --> 00:56:17,177
She didn’t want to be there

987
00:56:17,277 --> 00:56:20,280
At all

988
00:56:21,715 --> 00:56:24,718
She had the voice

989
00:56:24,818 --> 00:56:27,821
Of a goddess

990
00:56:29,622 --> 00:56:32,292
Strings, winds and horns

991
00:56:32,359 --> 00:56:35,280
Inside her chest

992
00:56:37,797 --> 00:56:40,667
Hour after hour

993
00:56:40,734 --> 00:56:44,738
She would struggle

994
00:56:44,838 --> 00:56:48,341
Till her voice became

995
00:56:48,408 --> 00:56:51,344
Her royal realm

996
00:56:53,480 --> 00:56:57,183
She wanted just to be there

997
00:56:57,250 --> 00:57:01,870
Only wanted to live there

998
00:57:01,187 --> 00:57:04,257
Really wanted to live there

999
00:57:04,357 --> 00:57:07,594
Forever more

1000
00:57:09,763 --> 00:57:12,532
She headed west

1001
00:57:12,599 --> 00:57:16,269
The wild direction

1002
00:57:16,369 --> 00:57:20,273
No longer plain

1003
00:57:20,373 --> 00:57:23,430
No longer plump

1004
00:57:25,612 --> 00:57:29,282
The men were on her doorstep

1005
00:57:29,382 --> 00:57:33,286
Many men were on her doorstep

1006
00:57:33,386 --> 00:57:36,589
Her voice had brought her beauty

1007
00:57:36,690 --> 00:57:39,693
And set her free

1008
00:57:41,695 --> 00:57:43,763
But she never listened
to those men

1009
00:57:43,863 --> 00:57:45,465
-Who came and whispered:
-(toilet flushing)

1010
00:57:45,565 --> 00:57:47,400
"You’re a flame to me,
a flame to me

1011
00:57:47,467 --> 00:57:49,602
A flame to me, a flame to me"

1012
00:57:49,703 --> 00:57:51,705
She was a queen,
didn’t need a king

1013
00:57:51,771 --> 00:57:53,373
Who’d put her brand-new palace

1014
00:57:53,440 --> 00:57:57,544
In jeopardy, in jeopardy,
in jeopardy

1015
00:57:57,610 --> 00:58:03,616
A queen should never
be a moth to a flame

1016
00:58:04,150 --> 00:58:06,586
♪ ♪

1017
00:58:07,821 --> 00:58:10,423
I have a wonderful gift,

1018
00:58:10,490 --> 00:58:12,592
and a beautiful child.

1019
00:58:12,659 --> 00:58:14,260
People adore me,

1020
00:58:14,327 --> 00:58:16,996
and I adore this man, but...

1021
00:58:17,970 --> 00:58:21,167
Something’s wrong.

1022
00:58:33,446 --> 00:58:34,781
(Annette grunts)

1023
00:58:34,848 --> 00:58:35,849
Annette.

1024
00:58:35,949 --> 00:58:37,951
(grunting)

1025
00:58:42,188 --> 00:58:44,524
♪ ♪

1026
00:58:44,624 --> 00:58:46,459
That’s it, Annette.

1027
00:58:49,162 --> 00:58:54,934
Just keep right on walking

1028
00:58:56,202 --> 00:59:02,108
One foot then the other

1029
00:59:02,175 --> 00:59:03,610
(Annette grunts)

1030
00:59:06,880 --> 00:59:11,117
La, la-la-la,
la-la, la-la, la

1031
00:59:11,184 --> 00:59:15,210
La, la-la-la, la-la,
la-la, la

1032
00:59:15,121 --> 00:59:19,325
La, la-la-la,
la-la, la-la, la

1033
00:59:19,392 --> 00:59:23,229
La, la-la-la, la-la,
la-la, la

1034
00:59:23,329 --> 00:59:26,900
La, la-la-la,
la-la, la-la, la

1035
00:59:27,000 --> 00:59:28,735
La, la-la-la, la-la

1036
00:59:28,835 --> 00:59:30,470
-La-la, la
-(Annette giggling)

1037
00:59:30,537 --> 00:59:33,973
La, la-la-la,
la-la, la-la, la

1038
00:59:34,400 --> 00:59:37,143
La, la-la-la, la-la,
la-la, la

1039
00:59:37,210 --> 00:59:40,480
-La, la-la-la,
la-la, la-la, la -(giggling)

1040
00:59:40,547 --> 00:59:43,650
La, la-la-la, la-la,
la-la, la

1041
00:59:43,717 --> 00:59:46,686
-(giggling) -La, la-la-la,
la-la, la-la, la

1042
00:59:46,753 --> 00:59:49,823
La, la-la-la, la-la,
la-la, la

1043
00:59:49,889 --> 00:59:52,726
La, la-la-la,
la-la, la-la, la

1044
00:59:52,826 --> 00:59:55,528
La, la-la-la, la-la,
la-la, la

1045
00:59:55,595 --> 00:59:58,980
La, la-la-la,
la-la, la-la, la

1046
00:59:58,198 --> 01:00:00,700
-(giggling)
-La, la-la-la...

1047
01:00:00,767 --> 01:00:01,768
Whoo!

1048
01:00:01,868 --> 01:00:03,937
(crickets chirping)

1049
01:00:04,370 --> 01:00:05,380
(kisses)

1050
01:00:07,774 --> 01:00:09,676
(Ann chuckles softly)

1051
01:00:09,743 --> 01:00:11,745
(kissing)

1052
01:00:13,113 --> 01:00:14,848
(coyotes barking in distance)

1053
01:00:14,914 --> 01:00:16,182
(kissing, chuckling)

1054
01:00:21,121 --> 01:00:23,560
(distant barking continues)

1055
01:00:23,123 --> 01:00:25,558
(dramatic music plays)

1056
01:00:28,428 --> 01:00:31,310
HENRY:
What goes up

1057
01:00:31,970 --> 01:00:33,700
Must come down

1058
01:00:33,767 --> 01:00:37,704
-My star’s in decline
-(clattering)

1059
01:00:37,771 --> 01:00:39,205
Hah!

1060
01:00:39,272 --> 01:00:41,908
Once profound

1061
01:00:41,975 --> 01:00:44,644
For a clown

1062
01:00:44,744 --> 01:00:49,482
My star’s in decline.

1063
01:00:49,582 --> 01:00:51,785
-(Henry breathing heavily)
-(song ends)

1064
01:00:51,885 --> 01:00:54,421
(musical chiming)

1065
01:00:54,487 --> 01:00:57,557
Connie O’Connor here
for "Show Bizz News"

1066
01:00:57,624 --> 01:01:01,795
with exclusive news that Ann,
Henry and Baby Annette

1067
01:01:01,895 --> 01:01:05,398
will be travelling
on their yacht next week.

1068
01:01:05,465 --> 01:01:08,501
Could it be in the hope of
saving the couple’s marriage?

1069
01:01:08,601 --> 01:01:10,470
And could the problems be due
in large part

1070
01:01:10,570 --> 01:01:12,500
to the growing discrepancy

1071
01:01:12,105 --> 01:01:13,673
between their
respective success?

1072
01:01:13,773 --> 01:01:16,843
CHORUS: Respective success,
respective success

1073
01:01:16,943 --> 01:01:19,679
-CONNIE: We wish them the best.
-We wish them the best.

1074
01:01:20,513 --> 01:01:22,782
(wind howling)

1075
01:01:22,849 --> 01:01:25,118
(thunder crashing)

1076
01:01:31,491 --> 01:01:34,527
CHORUS: A storm is rolling in,
a storm is rolling in

1077
01:01:34,627 --> 01:01:37,530
A storm is rolling in,
a storm is rolling in

1078
01:01:37,630 --> 01:01:40,633
A storm is rolling in, a storm
is rolling in

1079
01:01:40,700 --> 01:01:43,536
A storm is rolling in,
a storm is rolling in

1080
01:01:43,636 --> 01:01:44,971
A storm is rolling in

1081
01:01:45,380 --> 01:01:46,873
-A storm is rolling in
-(toy rattling)

1082
01:01:46,973 --> 01:01:48,508
A storm is rolling in

1083
01:01:50,643 --> 01:01:53,460
(gentle melody plays)

1084
01:01:59,786 --> 01:02:02,822
I will calm the sea

1085
01:02:02,889 --> 01:02:05,291
Baby, don’t fear

1086
01:02:05,358 --> 01:02:08,361
I will stop the storm

1087
01:02:08,461 --> 01:02:10,830
Sleep, baby, sleep

1088
01:02:10,897 --> 01:02:14,340
The world revolves round you

1089
01:02:14,134 --> 01:02:19,539
My little innocent

1090
01:02:22,142 --> 01:02:25,145
Sleep a perfect sleep

1091
01:02:25,211 --> 01:02:27,681
I’m always here

1092
01:02:27,747 --> 01:02:30,650
Dream a perfect dream

1093
01:02:30,717 --> 01:02:33,153
-And never fear
-(thunder crashing)

1094
01:02:33,219 --> 01:02:36,423
Thunder, rain nor lightning

1095
01:02:36,523 --> 01:02:41,940
My little innocent

1096
01:02:44,364 --> 01:02:49,936
All of the danger that I feel

1097
01:02:50,360 --> 01:02:55,442
I will dispel it
with some magic

1098
01:02:55,542 --> 01:03:01,140
Alakazam, I’ll change the reel

1099
01:03:01,810 --> 01:03:06,586
Look at the happy family dancing

1100
01:03:06,686 --> 01:03:09,789
We’ll look back and laugh

1101
01:03:09,889 --> 01:03:12,292
That crazy night

1102
01:03:12,392 --> 01:03:15,228
As we walk a path

1103
01:03:15,295 --> 01:03:17,731
Neath city lights

1104
01:03:17,797 --> 01:03:21,340
The lights will shine on you

1105
01:03:21,101 --> 01:03:26,973
My little innocent.

1106
01:03:38,318 --> 01:03:41,870
-Henry!
-(wood creaking)

1107
01:03:41,154 --> 01:03:43,423
Henry!

1108
01:03:43,490 --> 01:03:48,428
Henry, where are you?

1109
01:03:51,398 --> 01:03:53,566
(thunder crashing)

1110
01:03:54,968 --> 01:03:56,770
(wind howling)

1111
01:03:59,139 --> 01:04:00,306
Henry?

1112
01:04:02,676 --> 01:04:03,843
Henry?

1113
01:04:05,612 --> 01:04:06,946
-(gasps)
-Ann.

1114
01:04:07,130 --> 01:04:09,616
(dramatic intro plays)

1115
01:04:09,683 --> 01:04:11,184
Are you drunk, Henry?

1116
01:04:12,118 --> 01:04:13,353
Whoa.

1117
01:04:13,453 --> 01:04:15,210
I’m not that drunk.

1118
01:04:15,121 --> 01:04:17,290
-Let’s waltz.
-(thunder crashing)

1119
01:04:17,357 --> 01:04:20,126
But I’ll kill my voice out here.

1120
01:04:20,193 --> 01:04:22,262
Henry, a storm is rolling in.

1121
01:04:22,328 --> 01:04:23,496
I’m well aware of that, my dear.

1122
01:04:23,596 --> 01:04:25,432
Let’s waltz in the storm!

1123
01:04:25,498 --> 01:04:27,434
CHORUS: A storm is rolling in,
a storm is rolling in

1124
01:04:27,500 --> 01:04:30,937
A storm is rolling in, a storm
is rolling in

1125
01:04:31,400 --> 01:04:32,272
Henry, you’re drunk

1126
01:04:32,339 --> 01:04:33,973
-Henry, you’re drunk
-A storm is rolling in

1127
01:04:34,400 --> 01:04:35,608
-I’m not that drunk
-A storm is rolling in

1128
01:04:35,675 --> 01:04:37,110
-I’m not that drunk
-(thunder crashing)

1129
01:04:37,177 --> 01:04:40,146
Hey, where’s Annette?
Where did she go?

1130
01:04:40,213 --> 01:04:43,149
Annette’s asleep,
she’s safe below

1131
01:04:43,216 --> 01:04:46,553
Henry, you’re not the man I know

1132
01:04:46,653 --> 01:04:47,887
I’m not that drunk

1133
01:04:47,987 --> 01:04:51,291
I’m not that drunk,
I’m not that drunk

1134
01:04:51,358 --> 01:04:52,859
-I’m not that drunk
-Henry,

1135
01:04:52,959 --> 01:04:54,627
you’re not the man I know.

1136
01:04:54,694 --> 01:04:56,863
We’ll catch our death
in this rain.

1137
01:04:56,963 --> 01:04:58,898
Henry, stop fooling around.

1138
01:04:58,998 --> 01:05:02,100
We could slip, we could drown.

1139
01:05:03,903 --> 01:05:05,138
Whoa!

1140
01:05:05,205 --> 01:05:07,574
-Henry, don’t fool around
-(laughing)

1141
01:05:07,674 --> 01:05:11,110
There’s a storm, settle down

1142
01:05:11,770 --> 01:05:13,913
Careful, hey! What if we fell?

1143
01:05:14,140 --> 01:05:16,983
-No one could survive
these swells -(scoffs)

1144
01:05:17,500 --> 01:05:20,220
You’re quite drunk,
let’s calm down

1145
01:05:20,320 --> 01:05:23,323
When we’re safe,
you can be a clown

1146
01:05:23,390 --> 01:05:26,559
What has gotten into you?

1147
01:05:26,659 --> 01:05:29,729
-What has gotten into you?
-(thunder crashing)

1148
01:05:30,764 --> 01:05:34,367
With this storm and this sea

1149
01:05:34,434 --> 01:05:37,671
I feel scared, look at me

1150
01:05:37,737 --> 01:05:40,373
Comfort me, hold me tight

1151
01:05:40,440 --> 01:05:44,244
Oh, what a terrible,
terrible night

1152
01:05:44,344 --> 01:05:46,460
(thunder crashing)

1153
01:05:46,112 --> 01:05:47,747
(Ann coughing)

1154
01:05:47,847 --> 01:05:49,582
My voice, Henry.

1155
01:05:49,683 --> 01:05:51,718
Is nothing sacred to you?

1156
01:05:51,785 --> 01:05:54,187
Oh, God knows
everything is to you.

1157
01:05:54,254 --> 01:05:55,555
Always trumpeting values

1158
01:05:55,622 --> 01:05:57,457
The sacred values

1159
01:05:57,557 --> 01:06:00,560
-And then dying, dying
-(thunder crashing)

1160
01:06:00,627 --> 01:06:02,395
Dying!

1161
01:06:02,462 --> 01:06:04,531
And then bowing,
bowing, bowing

1162
01:06:04,597 --> 01:06:06,299
(Ann gasping)

1163
01:06:06,399 --> 01:06:08,635
-♪ ♪
-(thunder crashing)

1164
01:06:11,370 --> 01:06:13,273
(whimpers softly)

1165
01:06:13,373 --> 01:06:16,409
ANN:
Henry, stop it, stop it now!

1166
01:06:16,476 --> 01:06:19,646
We’re gonna fall, gonna die!

1167
01:06:19,746 --> 01:06:22,315
What has gotten into you?

1168
01:06:22,415 --> 01:06:24,840
Think of Annette!

1169
01:06:24,150 --> 01:06:25,418
(yells)

1170
01:06:32,580 --> 01:06:34,461
♪ ♪

1171
01:06:34,561 --> 01:06:37,731
Henry, help me! Pull me out!

1172
01:06:37,797 --> 01:06:40,900
Where are you? Help!

1173
01:06:40,967 --> 01:06:44,270
(fading):
Henry, I’m almost out of air!

1174
01:06:44,337 --> 01:06:47,173
There’s so little I can do

1175
01:06:47,273 --> 01:06:50,760
There’s so little
I can do

1176
01:06:50,143 --> 01:06:53,413
There’s so little I can do

1177
01:06:53,480 --> 01:06:56,516
There’s so little
I can do

1178
01:06:56,616 --> 01:06:59,850
♪ ♪

1179
01:06:59,152 --> 01:07:02,255
There’s so little I can do

1180
01:07:02,322 --> 01:07:05,458
(thunder crashing)

1181
01:07:05,525 --> 01:07:09,696
There’s so little I can do.

1182
01:07:12,265 --> 01:07:14,667
(somber music plays)

1183
01:07:23,376 --> 01:07:25,378
(music fades)

1184
01:07:27,614 --> 01:07:29,616
(water splashing)

1185
01:07:40,660 --> 01:07:42,662
(Henry breathing heavily)

1186
01:07:52,505 --> 01:07:54,140
(kisses)

1187
01:08:08,521 --> 01:08:10,924
HENRY (quietly):
We gotta go, gotta go, gotta go.

1188
01:08:13,727 --> 01:08:15,729
(waves lapping on shore)

1189
01:08:15,829 --> 01:08:17,530
♪ ♪

1190
01:08:17,597 --> 01:08:22,268
We washed ashore

1191
01:08:22,369 --> 01:08:24,871
Annette

1192
01:08:24,938 --> 01:08:29,509
On some island

1193
01:08:29,576 --> 01:08:34,347
Somewhere

1194
01:08:36,683 --> 01:08:42,856
Your mother’s gone, Annette

1195
01:08:44,290 --> 01:08:51,264
I’ll take care of you

1196
01:08:52,866 --> 01:08:54,340
(kissing)

1197
01:08:54,100 --> 01:09:00,774
Help is on the way

1198
01:09:00,874 --> 01:09:02,609
Annette

1199
01:09:03,476 --> 01:09:07,470
Someone’s heard

1200
01:09:07,113 --> 01:09:13,286
Our calls

1201
01:09:13,386 --> 01:09:17,724
In the meantime

1202
01:09:17,791 --> 01:09:21,628
Stars line up

1203
01:09:22,762 --> 01:09:29,736
They line up for you

1204
01:09:32,172 --> 01:09:34,607
(Henry panting)

1205
01:09:44,840 --> 01:09:46,286
(grunting, panting)

1206
01:09:56,262 --> 01:09:59,990
(waves lapping on shore)

1207
01:10:03,169 --> 01:10:05,839
(Annette vocalizing)

1208
01:10:05,939 --> 01:10:08,341
(panting)

1209
01:10:11,544 --> 01:10:13,980
(Annette continues vocalizing)

1210
01:10:18,785 --> 01:10:21,187
(continues vocalizing)

1211
01:10:29,863 --> 01:10:32,132
(chuckling)

1212
01:10:32,198 --> 01:10:35,350
-(gasping breaths)
-(continues vocalizing)

1213
01:10:35,135 --> 01:10:37,537
Somehow I’m imagining
Annette is singing.

1214
01:10:39,806 --> 01:10:42,809
Just as the light of the moon

1215
01:10:42,876 --> 01:10:44,711
lit her beautiful face.

1216
01:10:45,845 --> 01:10:47,514
How foolish.

1217
01:10:47,580 --> 01:10:49,315
(continues vocalizing)

1218
01:10:49,382 --> 01:10:51,184
How very foolish I can be.

1219
01:10:51,251 --> 01:10:54,521
(audience laughter)

1220
01:10:54,587 --> 01:10:56,523
Now, I can hear the...

1221
01:10:56,589 --> 01:10:59,192
stars laughing at me.

1222
01:10:59,259 --> 01:11:01,895
In the morning I’ll be...

1223
01:11:01,995 --> 01:11:04,597
free of all these
hallucinations.

1224
01:11:04,698 --> 01:11:07,100
(vocalizing stops)

1225
01:11:11,710 --> 01:11:13,273
(waves lapping on shore)

1226
01:11:16,900 --> 01:11:18,211
(ominous music plays)

1227
01:11:24,500 --> 01:11:26,453
♪ ♪

1228
01:11:40,633 --> 01:11:45,305
I will haunt you, Henry

1229
01:11:46,639 --> 01:11:52,979
For the rest of your life

1230
01:11:53,790 --> 01:11:58,752
Through Annette, I’ll haunt you

1231
01:11:58,818 --> 01:12:04,991
Her voice will be my ghost

1232
01:12:05,910 --> 01:12:09,796
I am no longer love

1233
01:12:09,896 --> 01:12:15,969
I am now revenge

1234
01:12:21,641 --> 01:12:24,770
(waves lapping on shore)

1235
01:12:34,587 --> 01:12:36,990
(grunts quietly)

1236
01:12:41,961 --> 01:12:44,364
♪ ♪

1237
01:12:46,800 --> 01:12:51,705
I will haunt you, Henry

1238
01:12:51,805 --> 01:12:58,111
I’ll die day after day after day

1239
01:12:58,178 --> 01:13:04,317
I will haunt you, Henry

1240
01:13:04,384 --> 01:13:11,224
Night after night after night.

1241
01:13:11,324 --> 01:13:13,326
(waves lapping)

1242
01:13:16,896 --> 01:13:18,531
We are the police
and we have got

1243
01:13:18,631 --> 01:13:20,367
-Some routine questions
-(phone ringing)

1244
01:13:20,467 --> 01:13:23,636
You’re not suspected, but
we have to ask some questions

1245
01:13:23,703 --> 01:13:27,140
It won’t take long, how ’bout
some coffee with your questions?

1246
01:13:27,207 --> 01:13:30,543
It won’t take long, we don’t
have very many questions

1247
01:13:30,643 --> 01:13:32,212
Not many questions

1248
01:13:32,312 --> 01:13:35,648
Can you describe the night
and how your wife went missing?

1249
01:13:35,715 --> 01:13:38,251
There was a storm and I looked
up and she was missing

1250
01:13:38,351 --> 01:13:42,155
And did you try at all
to dive in and to save her?

1251
01:13:42,222 --> 01:13:45,825
The sea was rough, and with
Annette, how could I save her?

1252
01:13:45,892 --> 01:13:49,262
The storm was very strong,
there was no way to save her

1253
01:13:49,362 --> 01:13:52,832
And anyway, I had Annette,
I had to save her

1254
01:13:53,833 --> 01:13:55,101
I had Annette.

1255
01:13:55,201 --> 01:13:58,838
We heard the rumors
that you’re somewhat of a raver

1256
01:13:58,905 --> 01:14:01,608
Were there some problems
between you that made you waver?

1257
01:14:01,708 --> 01:14:05,712
That is an insult, I loved Ann,
was always faithful

1258
01:14:05,779 --> 01:14:09,820
How ’bout that comic piece in
which you said you killed her?

1259
01:14:09,182 --> 01:14:12,352
Was that a prank or
something more, an aspiration?

1260
01:14:12,419 --> 01:14:15,455
Everybody knows my acts
are full of provocation

1261
01:14:15,555 --> 01:14:19,292
Well, that ’bout wraps it up,
we sure are grateful, Henry

1262
01:14:19,392 --> 01:14:22,862
It now seems clear to us
there is no guilty party

1263
01:14:22,929 --> 01:14:26,132
It was an act of God,
that is our firm conclusion

1264
01:14:26,232 --> 01:14:27,600
It was an act of God

1265
01:14:27,701 --> 01:14:29,469
-And pardon the intrusion.
-(song ends)

1266
01:14:29,569 --> 01:14:31,438
(indistinct
police radio chatter)

1267
01:14:31,538 --> 01:14:33,940
-(sirens wailing in distance)
-(people murmuring)

1268
01:14:35,775 --> 01:14:37,277
WOMAN:
Yeah, that’s him.

1269
01:14:51,825 --> 01:14:55,929
Sure, I’ve sinned
in all your eyes

1270
01:14:55,995 --> 01:15:01,101
But one thing you cannot deny is

1271
01:15:01,167 --> 01:15:05,605
I’m a good father,
I’m a good father

1272
01:15:05,672 --> 01:15:08,608
I’m a good father, am I?

1273
01:15:09,976 --> 01:15:13,847
My Annette will ask someday

1274
01:15:13,947 --> 01:15:16,783
-"Where is my mother?"
-GIRL: Mommy! Daddy!

1275
01:15:16,850 --> 01:15:19,185
I will say that

1276
01:15:19,285 --> 01:15:21,287
I’m a good father

1277
01:15:21,354 --> 01:15:25,258
I’m a good father,
I’m a good father

1278
01:15:25,325 --> 01:15:27,160
But she’s gone

1279
01:15:27,961 --> 01:15:30,363
I’m a good father

1280
01:15:30,463 --> 01:15:32,665
Mother and father

1281
01:15:32,766 --> 01:15:35,969
-I’m a good father, am I?
-(song ends)

1282
01:15:36,360 --> 01:15:38,538
♪ ♪

1283
01:15:38,638 --> 01:15:40,974
(Consuelo speaking Spanish
faintly)

1284
01:15:50,550 --> 01:15:52,185
Hi, Consuelo.

1285
01:15:52,285 --> 01:15:54,154
How’s my Baby Annette?

1286
01:15:54,220 --> 01:15:56,556
Much better. No more fever.

1287
01:15:56,656 --> 01:15:59,492
Oh, thank you so much.

1288
01:15:59,559 --> 01:16:01,227
You’re welcome, Mr. McHenry.

1289
01:16:02,729 --> 01:16:04,831
Uh... see you tomorrow?

1290
01:16:04,898 --> 01:16:06,666
Yes. Have a good evening.

1291
01:16:06,733 --> 01:16:07,734
You, too.

1292
01:16:07,834 --> 01:16:09,636
CONSUELO:
Bye-bye, my love.

1293
01:16:09,703 --> 01:16:11,871
♪ ♪

1294
01:16:15,542 --> 01:16:17,377
(Henry gasps)

1295
01:16:17,477 --> 01:16:19,312
Look at what I got for you.

1296
01:16:19,379 --> 01:16:20,547
(Annette grunting softly)

1297
01:16:20,647 --> 01:16:22,916
-What is it?
-(opening package)

1298
01:16:23,883 --> 01:16:25,685
What is it, Annette?

1299
01:16:25,752 --> 01:16:27,387
(gasps)

1300
01:16:27,487 --> 01:16:30,423
What is that?

1301
01:16:30,523 --> 01:16:32,920
Look at that.

1302
01:16:34,594 --> 01:16:36,960
Are you excited?

1303
01:16:39,432 --> 01:16:41,868
(lamp playing gentle music)

1304
01:16:46,906 --> 01:16:48,508
Annette,
isn’t it magical that...

1305
01:16:48,575 --> 01:16:50,844
(Annette vocalizing to music)

1306
01:16:54,914 --> 01:16:56,583
(music and vocalizing stop)

1307
01:16:57,751 --> 01:17:00,200
(gentle music resumes)

1308
01:17:01,254 --> 01:17:02,889
(Annette vocalizing to music)

1309
01:17:02,956 --> 01:17:04,457
Unbelievable

1310
01:17:05,692 --> 01:17:06,926
Amazing

1311
01:17:08,280 --> 01:17:10,130
It’s really happening

1312
01:17:10,230 --> 01:17:12,766
She sings

1313
01:17:12,866 --> 01:17:14,868
She’s a miracle

1314
01:17:16,269 --> 01:17:19,806
When the light shines on her

1315
01:17:19,906 --> 01:17:21,641
Astounding

1316
01:17:21,741 --> 01:17:24,477
Unbelievable

1317
01:17:24,577 --> 01:17:26,813
Amazing

1318
01:17:26,913 --> 01:17:29,315
(continues vocalizing)

1319
01:17:30,650 --> 01:17:33,319
It’s really happening

1320
01:17:34,921 --> 01:17:38,124
It’s really happening

1321
01:17:38,224 --> 01:17:40,960
-To me.
-(song ends)

1322
01:17:41,610 --> 01:17:43,463
(crickets chirping)

1323
01:17:48,635 --> 01:17:50,937
(thunder rumbling softly
in distance)

1324
01:18:01,247 --> 01:18:03,583
(orchestra playing classical
music, chorus singing along)

1325
01:18:06,653 --> 01:18:09,989
It’s a fast-changing world.

1326
01:18:10,900 --> 01:18:14,661
And I am now the conductor
of the city’s finest orchestra.

1327
01:18:14,761 --> 01:18:16,529
No longer
the self-deprecating accompanist

1328
01:18:16,629 --> 01:18:18,465
from such a short while ago.

1329
01:18:20,600 --> 01:18:22,602
Ann would be proud of me.

1330
01:18:24,371 --> 01:18:28,808
I do have my suspicions, though,
about why she isn’t alive.

1331
01:18:31,611 --> 01:18:33,213
And doubts, too,

1332
01:18:33,313 --> 01:18:36,149
about something else, but...

1333
01:18:36,216 --> 01:18:37,517
Excuse me a minute.

1334
01:18:37,617 --> 01:18:39,853
(music swells)

1335
01:19:06,513 --> 01:19:08,715
(music continues quieter)

1336
01:19:10,216 --> 01:19:14,387
Henry has invited me
to his place tomorrow...

1337
01:19:14,487 --> 01:19:18,580
...to discuss a matter that he
says concerns Annette and Ann.

1338
01:19:22,429 --> 01:19:25,732
As awkward as it is
for me to attend,

1339
01:19:25,832 --> 01:19:29,669
anything that concerns Ann
and the future of Annette

1340
01:19:29,736 --> 01:19:32,380
is something that concerns me.

1341
01:19:33,406 --> 01:19:35,750
Excuse me one more time.

1342
01:19:35,175 --> 01:19:37,510
(music swells)

1343
01:19:49,289 --> 01:19:51,224
(music continues quieter)

1344
01:19:51,291 --> 01:19:53,293
My love for Ann has never died.

1345
01:19:56,290 --> 01:19:58,865
Neither has my regret

1346
01:19:58,932 --> 01:20:01,267
that our affair

1347
01:20:01,368 --> 01:20:02,936
was only an affair.

1348
01:20:05,538 --> 01:20:09,209
I had been hoping for so long.

1349
01:20:09,275 --> 01:20:13,113
Then at a time when she was in
despair, we started an affair.

1350
01:20:13,213 --> 01:20:15,715
But the very next week,
she met Henry.

1351
01:20:15,782 --> 01:20:18,318
That was the end of it,
the end of me.

1352
01:20:18,418 --> 01:20:20,860
I’ll always regret that.

1353
01:20:20,153 --> 01:20:23,656
I deeply miss her--
her warmth, her voice.

1354
01:20:23,757 --> 01:20:25,458
I miss Ann. Excuse me.

1355
01:20:25,558 --> 01:20:27,961
(music swells dramatically)

1356
01:20:40,674 --> 01:20:42,676
(music ends)

1357
01:20:42,776 --> 01:20:45,178
(crickets chirping)

1358
01:20:59,250 --> 01:21:00,360
THE CONDUCTOR:
Thank you.

1359
01:21:12,639 --> 01:21:13,707
Hey, Henry.

1360
01:21:13,807 --> 01:21:16,209
Thanks for coming by

1361
01:21:16,309 --> 01:21:19,450
My Conductor friend

1362
01:21:19,145 --> 01:21:21,681
Got something to show you

1363
01:21:21,781 --> 01:21:24,351
That will blow your mind

1364
01:21:24,451 --> 01:21:27,200
Follow me upstairs

1365
01:21:27,120 --> 01:21:29,689
As a friend of mine

1366
01:21:29,789 --> 01:21:32,125
You deserve to see this

1367
01:21:32,192 --> 01:21:35,610
It will blow your mind

1368
01:21:35,161 --> 01:21:37,797
Careful with the stairs

1369
01:21:37,864 --> 01:21:40,300
Have no fear, my friend

1370
01:21:40,367 --> 01:21:43,136
I’m not gonna play

1371
01:21:43,203 --> 01:21:45,171
Any trick of mine

1372
01:21:45,238 --> 01:21:47,407
♪ ♪

1373
01:21:55,810 --> 01:21:57,484
-Henry, what are you do...
-Shh.

1374
01:21:57,550 --> 01:21:59,986
(lamp playing gentle music)

1375
01:22:02,856 --> 01:22:05,191
(Annette vocalizing to music)

1376
01:22:17,270 --> 01:22:19,706
(vocalizing continues)

1377
01:22:23,877 --> 01:22:25,450
Can you believe it?

1378
01:22:25,111 --> 01:22:26,446
I just can’t believe it.

1379
01:22:26,546 --> 01:22:28,715
-Can you explain it?
-I can’t explain it.

1380
01:22:28,782 --> 01:22:31,551
-Is it really happening?
-I don’t know what to think.

1381
01:22:31,618 --> 01:22:33,530
Is it really happening?

1382
01:22:33,119 --> 01:22:34,754
I really don’t know
what to think.

1383
01:22:34,854 --> 01:22:36,589
To us?

1384
01:22:36,690 --> 01:22:38,725
-How ’bout a drink?
-I need a drink.

1385
01:22:38,792 --> 01:22:39,793
(music stops)

1386
01:22:39,893 --> 01:22:41,940
A strong drink.

1387
01:22:41,194 --> 01:22:44,464
HENRY: Here’s my plan,
my sweet Conductor

1388
01:22:44,564 --> 01:22:47,133
We three travel round the world

1389
01:22:47,233 --> 01:22:49,636
She performs with you conducting

1390
01:22:49,736 --> 01:22:52,405
Backing her around the world

1391
01:22:52,472 --> 01:22:55,108
All the world
deserves to see this

1392
01:22:55,208 --> 01:22:57,744
It’s our moral duty, right?

1393
01:22:57,811 --> 01:23:00,580
Well, what do you think,
Conductor?

1394
01:23:00,647 --> 01:23:03,817
Am I wrong or am I right?

1395
01:23:03,917 --> 01:23:06,453
If you would consent

1396
01:23:06,553 --> 01:23:08,988
To be there for her

1397
01:23:09,890 --> 01:23:11,791
Your fame will grow greater

1398
01:23:11,891 --> 01:23:14,394
Two hundred percent

1399
01:23:14,461 --> 01:23:16,996
We would tour the world

1400
01:23:17,970 --> 01:23:19,766
Show her to the world

1401
01:23:19,833 --> 01:23:22,335
Millions would go wild

1402
01:23:22,435 --> 01:23:25,710
Cherishing the child

1403
01:23:25,138 --> 01:23:27,674
This is really exploitation.

1404
01:23:27,774 --> 01:23:29,843
-No, not really
-Sure it is.

1405
01:23:29,943 --> 01:23:32,512
This is really exploitation.

1406
01:23:32,612 --> 01:23:35,150
-No, not really
-Sure it is.

1407
01:23:35,115 --> 01:23:37,917
You know what my future
looks like

1408
01:23:37,984 --> 01:23:40,520
From a money point of view

1409
01:23:40,620 --> 01:23:43,123
With the income from performance

1410
01:23:43,189 --> 01:23:46,292
She could have a future, too

1411
01:23:46,359 --> 01:23:48,328
-You’re exploiting her, Henry.
-No, not really.

1412
01:23:48,428 --> 01:23:51,431
-You’re exploiting Annette.
-No, not really!

1413
01:23:51,498 --> 01:23:53,967
Please make up your mind

1414
01:23:54,340 --> 01:23:56,803
Please make up
your mind

1415
01:23:56,870 --> 01:23:59,172
Please, Conductor friend

1416
01:23:59,272 --> 01:24:01,374
We cannot waste time.

1417
01:24:01,474 --> 01:24:03,877
♪ ♪

1418
01:24:06,112 --> 01:24:07,547
(song ends)

1419
01:24:07,647 --> 01:24:10,160
-(crickets chirping)
-(coyotes barking in distance)

1420
01:24:22,495 --> 01:24:24,497
♪ ♪

1421
01:24:33,573 --> 01:24:36,900
HENRY:
I have the same dream

1422
01:24:37,243 --> 01:24:38,912
Every night

1423
01:24:40,347 --> 01:24:42,849
Every night the same dream

1424
01:24:46,720 --> 01:24:48,722
Adrift

1425
01:24:50,230 --> 01:24:52,920
On an angry sea

1426
01:24:53,593 --> 01:24:57,970
And in a moment of rage

1427
01:24:57,197 --> 01:24:58,698
And stupidity

1428
01:24:59,933 --> 01:25:01,601
I kill

1429
01:25:02,902 --> 01:25:04,904
The one I love

1430
01:25:07,107 --> 01:25:11,111
Ann, forgive me

1431
01:25:13,713 --> 01:25:14,948
Ann

1432
01:25:16,950 --> 01:25:18,785
I beg you

1433
01:25:20,253 --> 01:25:21,855
Ann

1434
01:25:23,256 --> 01:25:29,362
Forgive me

1435
01:25:31,698 --> 01:25:34,100
♪ ♪

1436
01:25:39,439 --> 01:25:42,976
I have the same dream

1437
01:25:43,760 --> 01:25:45,780
Every night

1438
01:25:46,379 --> 01:25:49,549
Every night the same dream

1439
01:25:52,585 --> 01:25:54,587
She’s here

1440
01:25:55,822 --> 01:25:59,259
Lying by my side

1441
01:25:59,325 --> 01:26:02,629
An exercise

1442
01:26:02,729 --> 01:26:05,899
In futility

1443
01:26:05,965 --> 01:26:08,968
Did I kill

1444
01:26:09,690 --> 01:26:12,472
The one I love?

1445
01:26:12,572 --> 01:26:17,811
There’s no forgiveness

1446
01:26:19,312 --> 01:26:21,810
Ann

1447
01:26:22,415 --> 01:26:25,618
I beg you

1448
01:26:25,685 --> 01:26:28,855
There’s no

1449
01:26:28,955 --> 01:26:31,591
Forgiveness...

1450
01:26:31,658 --> 01:26:35,929
(screaming)

1451
01:26:35,995 --> 01:26:38,164
♪ ♪

1452
01:26:54,214 --> 01:26:55,882
(door creaks)

1453
01:27:01,354 --> 01:27:03,523
♪ ♪

1454
01:27:11,164 --> 01:27:13,566
(orchestra playing
dramatic music)

1455
01:27:24,544 --> 01:27:26,980
(dramatic music continues)

1456
01:27:32,652 --> 01:27:35,822
ANNOUNCER:
You’ve read about her

1457
01:27:35,889 --> 01:27:38,892
You’ve heard about her

1458
01:27:38,992 --> 01:27:41,594
But nothing will have
prepared you for

1459
01:27:41,695 --> 01:27:44,931
What you’re about to see

1460
01:27:45,865 --> 01:27:48,101
Nothing will have prepared you

1461
01:27:48,201 --> 01:27:51,871
For what you’re
about to see and hear

1462
01:27:52,872 --> 01:27:54,874
Tonight

1463
01:27:55,875 --> 01:27:58,878
-(cheering, applause)
-Tonight

1464
01:28:00,246 --> 01:28:03,616
Ladies and gentlemen, welcome

1465
01:28:03,717 --> 01:28:06,953
To the premiere performance of

1466
01:28:07,530 --> 01:28:08,888
Baby Annette

1467
01:28:10,123 --> 01:28:12,959
Baby Annette

1468
01:28:13,793 --> 01:28:15,862
I am Henry McHenry

1469
01:28:17,263 --> 01:28:19,766
I am Henry McHenry

1470
01:28:20,900 --> 01:28:23,303
♪ ♪

1471
01:28:28,408 --> 01:28:29,943
Cynics among you may doubt

1472
01:28:30,430 --> 01:28:32,112
that what you’re about to see
is real.

1473
01:28:33,646 --> 01:28:36,883
That it is not faked
in some way.

1474
01:28:36,950 --> 01:28:38,785
Let me assure you it is real.

1475
01:28:39,919 --> 01:28:42,756
Annette is a miracle.

1476
01:28:45,580 --> 01:28:47,600
Miracles do exist.

1477
01:28:48,161 --> 01:28:51,564
Without further ado

1478
01:28:51,631 --> 01:28:54,734
-I introduce to you
-(applause)

1479
01:28:54,801 --> 01:28:56,469
Baby Annette

1480
01:28:58,710 --> 01:29:00,306
Baby Annette

1481
01:29:00,407 --> 01:29:02,575
♪ ♪

1482
01:29:14,870 --> 01:29:16,489
(dramatic music pauses)

1483
01:29:22,996 --> 01:29:25,265
(orchestra playing gentle music)

1484
01:29:41,381 --> 01:29:43,817
(vocalizing to music)

1485
01:30:03,737 --> 01:30:06,720
(vocalizing continues)

1486
01:30:12,979 --> 01:30:15,181
(audience, murmuring)

1487
01:30:17,851 --> 01:30:20,587
(vocalizing continues)

1488
01:30:32,899 --> 01:30:35,680
(music builds)

1489
01:30:47,614 --> 01:30:49,916
(music and vocalizing
continue quieter)

1490
01:31:12,472 --> 01:31:14,908
(music swells)

1491
01:31:16,376 --> 01:31:19,713
-(cheering, applause)
-(people shouting "Annette!")

1492
01:31:19,779 --> 01:31:21,781
(cheering, shouting continue)

1493
01:31:21,881 --> 01:31:23,149
GIRL:
We love you, Annette!

1494
01:31:23,249 --> 01:31:26,419
-MAN: Exploitation!
-MAN: It’s exploitation.

1495
01:31:26,486 --> 01:31:28,888
-(music fades)
-(cheering, shouting continue)

1496
01:31:28,955 --> 01:31:29,956
GIRL:
I love you!

1497
01:31:30,560 --> 01:31:32,792
-GIRL: Annette!
-GIRL: We love you!

1498
01:31:32,892 --> 01:31:34,394
GIRL:
Annette!

1499
01:31:34,461 --> 01:31:36,296
We love you, Annette!

1500
01:31:37,664 --> 01:31:39,966
(crowd chattering excitedly)

1501
01:31:40,660 --> 01:31:43,303
Annette and me

1502
01:31:43,403 --> 01:31:46,673
And The Conductor are three

1503
01:31:46,773 --> 01:31:48,241
We’re traveling round the world

1504
01:31:48,308 --> 01:31:49,809
We’re traveling
round the world

1505
01:31:49,909 --> 01:31:51,277
We’re traveling round the world

1506
01:31:51,344 --> 01:31:52,946
We’re traveling
round the world

1507
01:31:53,130 --> 01:31:54,314
We’re traveling round the world

1508
01:31:54,414 --> 01:31:55,749
We’re traveling
round the world

1509
01:31:55,815 --> 01:31:57,450
(jet engine whooshing)

1510
01:31:57,517 --> 01:31:58,785
♪ ♪

1511
01:31:58,852 --> 01:32:00,687
PILOT: Ladies and gentlemen,
please make sure

1512
01:32:00,787 --> 01:32:03,690
your seats are
in the upright position.

1513
01:32:03,790 --> 01:32:04,991
We’ll be landing...

1514
01:32:05,910 --> 01:32:07,260
BOTH:
Shortly

1515
01:32:09,129 --> 01:32:10,864
Here in Madrid

1516
01:32:10,964 --> 01:32:12,432
CROWD:
We love Annette

1517
01:32:12,499 --> 01:32:13,833
Here in Paris

1518
01:32:13,933 --> 01:32:15,335
CROWD:
We love Annette

1519
01:32:15,435 --> 01:32:16,970
-Here in London
-(excited chatter)

1520
01:32:17,370 --> 01:32:20,440
We love Annette, we love Annette

1521
01:32:20,507 --> 01:32:21,708
We love Annette

1522
01:32:21,808 --> 01:32:23,610
-We love Annette
-(applause, excited chatter)

1523
01:32:23,677 --> 01:32:25,211
We love Annette

1524
01:32:25,311 --> 01:32:28,148
We love Annette, we love Annette

1525
01:32:28,214 --> 01:32:30,183
-(Annette vocalizing)
-We love Annette

1526
01:32:30,283 --> 01:32:32,485
We love Annette, we love Annette

1527
01:32:32,552 --> 01:32:35,550
(fading):
We love Annette...

1528
01:32:35,155 --> 01:32:37,791
(vocalizing continues)

1529
01:32:42,280 --> 01:32:43,396
(seagull chirping)

1530
01:32:43,496 --> 01:32:45,732
CROWD:
Bon voyage

1531
01:32:46,399 --> 01:32:48,568
Bon voyage

1532
01:32:49,302 --> 01:32:51,705
Bon voyage

1533
01:32:52,405 --> 01:32:55,308
Bon voyage

1534
01:32:55,375 --> 01:32:58,780
Bon voyage

1535
01:32:58,178 --> 01:33:01,247
HENRY and CROWD:
Bon voyage

1536
01:33:01,348 --> 01:33:04,840
Bon voyage

1537
01:33:04,184 --> 01:33:06,860
Bon voyage

1538
01:33:06,186 --> 01:33:08,355
(cheering, shouting)

1539
01:33:08,421 --> 01:33:09,989
We’re traveling round the world

1540
01:33:10,560 --> 01:33:11,524
We’re traveling
round the world

1541
01:33:11,591 --> 01:33:13,590
We’re traveling round the world

1542
01:33:13,159 --> 01:33:15,610
-We’re traveling round
the world -(crowd cheering)

1543
01:33:15,161 --> 01:33:16,396
We’re traveling round the world

1544
01:33:16,496 --> 01:33:18,231
Bon voyage

1545
01:33:18,331 --> 01:33:19,733
Here in Stockholm

1546
01:33:19,833 --> 01:33:21,201
-We love Annette
-Bon voyage

1547
01:33:21,267 --> 01:33:22,535
Here in Cuba

1548
01:33:22,602 --> 01:33:23,603
-We love Annette
-Bon voyage

1549
01:33:23,703 --> 01:33:25,372
Here in Tokyo

1550
01:33:25,438 --> 01:33:27,607
-We love Annette
-Bon voyage

1551
01:33:27,707 --> 01:33:31,110
-We love Annette,
we love Annette -Bon voyage

1552
01:33:31,770 --> 01:33:33,246
-We love Annette
-Bon voyage

1553
01:33:33,346 --> 01:33:34,514
We love Annette.

1554
01:33:34,581 --> 01:33:36,583
(song ends)

1555
01:33:40,854 --> 01:33:43,356
What a beautiful,
beautiful night, huh?

1556
01:33:49,863 --> 01:33:52,198
Hey, my friend, would you look
after Annette while I go out

1557
01:33:52,265 --> 01:33:55,468
and let off just
a little bit of steam?

1558
01:33:55,568 --> 01:33:57,971
Sure, Henry,
I’ll look after Annette.

1559
01:33:59,272 --> 01:34:00,907
(kisses, blows)

1560
01:34:06,246 --> 01:34:08,648
(piano playing gentle melody)

1561
01:34:28,401 --> 01:34:32,472
We love each other

1562
01:34:32,572 --> 01:34:35,750
So much

1563
01:34:40,246 --> 01:34:44,250
So hard to explain it

1564
01:34:45,652 --> 01:34:49,890
So hard to explain

1565
01:34:51,791 --> 01:34:55,128
We love each other

1566
01:34:56,629 --> 01:34:59,299
So much

1567
01:35:04,871 --> 01:35:08,842
We love each other

1568
01:35:08,942 --> 01:35:10,944
So much

1569
01:35:14,714 --> 01:35:17,717
We love each other

1570
01:35:18,985 --> 01:35:20,820
So much

1571
01:35:28,610 --> 01:35:32,232
Speak soft when you say it

1572
01:35:34,134 --> 01:35:36,636
Speak soft

1573
01:35:36,703 --> 01:35:39,390
When you say

1574
01:35:43,900 --> 01:35:47,130
We love each other

1575
01:35:49,150 --> 01:35:52,919
So much.

1576
01:35:55,989 --> 01:35:58,158
(song ends)

1577
01:36:04,230 --> 01:36:07,330
Look so great to me

1578
01:36:07,100 --> 01:36:09,703
But will I ever be

1579
01:36:09,769 --> 01:36:12,272
-Lovable again?
-(song ends)

1580
01:36:18,545 --> 01:36:20,213
(night birds calling)

1581
01:36:20,280 --> 01:36:22,148
(coyotes howling)

1582
01:36:22,248 --> 01:36:25,510
(crickets chirping)

1583
01:36:25,118 --> 01:36:27,287
(coyotes howling, barking)

1584
01:36:27,387 --> 01:36:29,589
(motorcycle approaching)

1585
01:36:31,891 --> 01:36:33,927
(howling)

1586
01:36:33,993 --> 01:36:36,329
♪ ♪

1587
01:36:39,999 --> 01:36:42,402
(coyotes continue howling,
barking in distance)

1588
01:36:42,469 --> 01:36:45,710
I’m feeling
just a little bit drunk

1589
01:36:46,606 --> 01:36:50,343
I’m feeling
just a little bit tipsy

1590
01:36:50,443 --> 01:36:51,444
Shit.

1591
01:36:51,511 --> 01:36:53,680
Where, you might ask, did I go?

1592
01:36:55,315 --> 01:36:58,651
That would be
none of your business

1593
01:37:00,186 --> 01:37:01,955
Where’d I put my house keys?

1594
01:37:15,769 --> 01:37:18,400
So glad to be back at home

1595
01:37:18,104 --> 01:37:19,806
(door closes)

1596
01:37:19,873 --> 01:37:23,209
Hey, Mr. Conductor friend,
good to see you

1597
01:37:24,344 --> 01:37:26,112
Thanks for watching Annette

1598
01:37:28,381 --> 01:37:30,116
How is Annette?

1599
01:37:30,183 --> 01:37:31,351
She’s fine.

1600
01:37:31,451 --> 01:37:32,886
(small piano playing)

1601
01:37:32,986 --> 01:37:35,722
There’s my little Annette

1602
01:37:37,570 --> 01:37:40,226
There’s my little Annette

1603
01:37:41,227 --> 01:37:43,563
How’s my little Annette?

1604
01:37:45,365 --> 01:37:48,201
How’s my little Annette?

1605
01:37:48,301 --> 01:37:51,671
(small piano playing
"We Love Each Other So Much")

1606
01:37:53,173 --> 01:37:55,575
(Annette vocalizing to music)

1607
01:37:57,711 --> 01:37:59,879
♪ ♪

1608
01:38:17,597 --> 01:38:18,998
How does she know that song?

1609
01:38:19,650 --> 01:38:20,900
You had no right

1610
01:38:21,000 --> 01:38:23,269
You had no right
to teach her that

1611
01:38:23,370 --> 01:38:25,710
You had no right

1612
01:38:25,171 --> 01:38:26,940
You had no right at all

1613
01:38:27,400 --> 01:38:29,209
You had no right

1614
01:38:29,275 --> 01:38:31,778
You had no right
to teach her that

1615
01:38:31,878 --> 01:38:33,279
You had no right

1616
01:38:33,380 --> 01:38:35,915
You had no right at all

1617
01:38:36,160 --> 01:38:39,190
That song was our song,
Ann’s and my song

1618
01:38:39,850 --> 01:38:41,955
That was our song,
that song was our song

1619
01:38:42,550 --> 01:38:44,290
Ann’s song and mine

1620
01:38:44,391 --> 01:38:47,394
That was our song

1621
01:38:48,461 --> 01:38:51,464
That was our song

1622
01:38:52,465 --> 01:38:53,800
No!

1623
01:38:53,900 --> 01:38:58,138
No, Henry,
I wrote that song for Ann.

1624
01:38:58,238 --> 01:38:59,572
What?

1625
01:38:59,639 --> 01:39:02,742
So I had every right to teach it
to my star pupil, Annette.

1626
01:39:02,809 --> 01:39:05,245
HENRY:
Yeah, bullshit.

1627
01:39:05,311 --> 01:39:08,948
You’d think you were her father

1628
01:39:09,490 --> 01:39:12,619
You’d think you were her father

1629
01:39:12,719 --> 01:39:15,655
You’d think you were her father

1630
01:39:15,755 --> 01:39:17,991
Maybe... I am.

1631
01:39:18,910 --> 01:39:20,930
I think I am.

1632
01:39:20,160 --> 01:39:23,897
This can’t be true,
this can’t be true

1633
01:39:23,963 --> 01:39:25,398
Sorry, Henry.

1634
01:39:25,465 --> 01:39:28,168
You see, before you came along,
Ann and I...

1635
01:39:28,268 --> 01:39:29,803
This can’t be true

1636
01:39:29,903 --> 01:39:31,805
Could this be true?

1637
01:39:31,905 --> 01:39:36,509
No one must know this
or I’ll lose my daughter

1638
01:39:36,609 --> 01:39:38,345
No one must know this

1639
01:39:38,445 --> 01:39:41,614
Or I’ll lose my child

1640
01:39:41,681 --> 01:39:43,850
♪ ♪

1641
01:39:55,161 --> 01:39:57,464
Well, let’s put Annette to bed

1642
01:39:57,530 --> 01:40:00,266
and then go by the pool
and talk it over, okay?

1643
01:40:00,333 --> 01:40:01,334
(song ends)

1644
01:40:32,532 --> 01:40:34,200
(whispers):
Good night, Annette.

1645
01:41:00,930 --> 01:41:02,328
♪ ♪

1646
01:41:02,395 --> 01:41:03,897
You see, my friend...

1647
01:41:07,434 --> 01:41:08,935
(grunts)

1648
01:41:09,350 --> 01:41:12,380
Henry, don’t fool around

1649
01:41:13,273 --> 01:41:15,275
The water must be freezing.

1650
01:41:15,375 --> 01:41:17,770
You wouldn’t want me to...

1651
01:41:17,177 --> 01:41:19,879
drown, would you?

1652
01:41:19,946 --> 01:41:21,214
I don’t know.

1653
01:41:22,749 --> 01:41:24,250
What was I about to say?

1654
01:41:24,351 --> 01:41:26,286
Shall we talk

1655
01:41:26,386 --> 01:41:28,355
As you’d asked?

1656
01:41:28,421 --> 01:41:32,559
I can’t stay,
can you make it fast?

1657
01:41:32,625 --> 01:41:36,296
Not to be impolite

1658
01:41:36,396 --> 01:41:40,330
But it’s been a long, long night

1659
01:41:40,100 --> 01:41:42,769
Hey! Henry, no!

1660
01:41:42,869 --> 01:41:45,271
Stop fooling around.

1661
01:41:45,372 --> 01:41:47,107
You’re quite drunk

1662
01:41:47,207 --> 01:41:49,209
Let’s both sit down

1663
01:41:49,275 --> 01:41:52,545
What is it you need to say?

1664
01:41:53,480 --> 01:41:54,981
Sit down, Henry

1665
01:41:55,810 --> 01:41:56,449
Oh! Watch it! Hey!

1666
01:41:56,549 --> 01:41:58,218
Shh!

1667
01:41:58,284 --> 01:41:59,986
Okay, this isn’t funny anymore.

1668
01:42:00,860 --> 01:42:01,988
-Not the least bit
funny anymore! -Shh!

1669
01:42:02,880 --> 01:42:03,223
-Get your hands off me.
-Shh!

1670
01:42:03,289 --> 01:42:04,424
Get your hands off of me.

1671
01:42:04,491 --> 01:42:05,759
What are you trying to do to me?

1672
01:42:05,825 --> 01:42:06,826
What are you trying--

1673
01:42:06,926 --> 01:42:08,428
What are you trying to do to me?

1674
01:42:08,495 --> 01:42:09,796
Stop it. Just stop it.

1675
01:42:09,896 --> 01:42:11,598
Just stop it, stop it, stop it.

1676
01:42:11,664 --> 01:42:14,401
Okay, okay. Okay, okay.

1677
01:42:14,467 --> 01:42:15,502
Stop it.

1678
01:42:15,602 --> 01:42:17,700
Oh! Stop, stop.

1679
01:42:17,137 --> 01:42:18,505
(grunting)

1680
01:42:21,741 --> 01:42:24,444
(gasping):
Henry, it’s freezing

1681
01:42:24,511 --> 01:42:28,948
Hen... ry, I’m going down

1682
01:42:31,251 --> 01:42:34,354
I won’t tell a single soul

1683
01:42:34,454 --> 01:42:38,910
Even you can’t be this cold

1684
01:42:39,993 --> 01:42:41,261
(coughs)

1685
01:42:41,327 --> 01:42:44,970
So it was you

1686
01:42:44,164 --> 01:42:45,432
After all

1687
01:42:45,498 --> 01:42:46,599
No.

1688
01:42:46,666 --> 01:42:49,200
(water splashes, then calms)

1689
01:42:53,473 --> 01:42:54,541
No.

1690
01:42:55,775 --> 01:42:58,445
(gasping)

1691
01:42:58,511 --> 01:43:00,480
If only

1692
01:43:00,547 --> 01:43:04,170
I had gotten Ann

1693
01:43:04,117 --> 01:43:05,218
To love me more

1694
01:43:05,318 --> 01:43:07,654
(water splashes)

1695
01:43:07,721 --> 01:43:11,524
There’s so little I can do

1696
01:43:11,624 --> 01:43:13,260
There’s so little

1697
01:43:13,126 --> 01:43:15,962
-I can do -THE CONDUCTOR:
If only I’d gotten Ann

1698
01:43:16,290 --> 01:43:19,132
-To love me more
-There’s so little I can do

1699
01:43:19,199 --> 01:43:20,400
If only I...

1700
01:43:20,500 --> 01:43:23,200
There’s so little I can do

1701
01:43:23,690 --> 01:43:24,537
If only...

1702
01:43:24,637 --> 01:43:27,400
♪ ♪

1703
01:43:40,186 --> 01:43:41,388
(song ends)

1704
01:43:46,526 --> 01:43:48,928
-(night birds calling)
-(crickets chirping)

1705
01:44:13,219 --> 01:44:14,287
Annette.

1706
01:44:15,889 --> 01:44:17,570
You’re awake.

1707
01:44:31,705 --> 01:44:33,106
(lamp crashes)

1708
01:44:47,320 --> 01:44:49,656
(whispering): Everything
will be all right now.

1709
01:44:52,325 --> 01:44:53,993
I promise, Annette.

1710
01:44:56,830 --> 01:44:58,565
(musical chiming)

1711
01:44:58,631 --> 01:45:00,900
-(chorus vocalizing)
-Connie O’Connor here

1712
01:45:00,967 --> 01:45:02,902
-for "Show Bizz News"
-(cameras clicking)

1713
01:45:02,969 --> 01:45:06,406
with the shocking announcement
that Henry McHenry

1714
01:45:06,473 --> 01:45:10,477
has decided to end
Baby Annette’s singing career.

1715
01:45:12,345 --> 01:45:13,446
CHORUS:
Never again...

1716
01:45:13,513 --> 01:45:14,781
CONNIE:
Before they move to Europe,

1717
01:45:14,848 --> 01:45:16,683
she will give
one last performance

1718
01:45:16,783 --> 01:45:18,151
to be announced shortly.

1719
01:45:18,251 --> 01:45:19,686
CHORUS:
Never again...

1720
01:45:19,786 --> 01:45:22,489
CONNIE: The baby will never
perform again after that.

1721
01:45:22,589 --> 01:45:23,957
CHORUS:
Never again

1722
01:45:24,240 --> 01:45:25,959
-Never again.
-(song ends)

1723
01:45:26,260 --> 01:45:28,461
(crowd cheering faintly
in distance)

1724
01:45:31,331 --> 01:45:33,666
♪ ♪

1725
01:45:39,305 --> 01:45:42,208
Ladies and gentlemen, welcome

1726
01:45:42,308 --> 01:45:43,777
CHEERLEADERS:
Welcome!

1727
01:45:43,843 --> 01:45:47,514
Welcome to
the Hyperbowl halftime show

1728
01:45:47,614 --> 01:45:50,950
-Wow! -To the thousands
who are here in attendance

1729
01:45:51,170 --> 01:45:55,221
-Welcome! -And the millions
who are watching at home

1730
01:45:55,321 --> 01:45:57,524
At home!

1731
01:45:57,624 --> 01:46:00,193
Ladies and gentlemen, welcome

1732
01:46:00,293 --> 01:46:01,828
-Welcome!
-(crowd cheering)

1733
01:46:01,895 --> 01:46:05,732
Welcome to
the Hyperbowl halftime show

1734
01:46:05,832 --> 01:46:09,169
To the thousands
who are here in attendance

1735
01:46:09,235 --> 01:46:10,670
Welcome!

1736
01:46:10,737 --> 01:46:14,341
And the millions
that are watching at home

1737
01:46:15,375 --> 01:46:17,143
Ladies and gentlemen,

1738
01:46:17,210 --> 01:46:20,180
please welcome our cherished

1739
01:46:20,246 --> 01:46:22,315
Baby Annette.

1740
01:46:22,382 --> 01:46:24,217
(crowd cheering)

1741
01:46:24,317 --> 01:46:27,320
♪ ♪

1742
01:46:27,387 --> 01:46:30,256
GIRL: I love you, Annette!
I love you!

1743
01:46:30,357 --> 01:46:32,325
ANNOUNCER:
As you all know by now,

1744
01:46:32,392 --> 01:46:36,620
this will be
her last public appearance.

1745
01:46:36,896 --> 01:46:39,599
So, ladies and gentlemen...

1746
01:46:39,699 --> 01:46:41,670
darkness.

1747
01:46:42,502 --> 01:46:45,338
Then a very sweet, soft light.

1748
01:46:45,405 --> 01:46:47,907
-(rock music begins)
-(crowd cheering)

1749
01:46:48,800 --> 01:46:51,945
And then, for all eternity,

1750
01:46:52,450 --> 01:46:55,150
Baby Annette!

1751
01:46:55,810 --> 01:46:57,517
(rock music
and cheering continue)

1752
01:47:13,199 --> 01:47:15,602
♪ ♪

1753
01:47:21,708 --> 01:47:25,378
CHORUS:
Baby Annette

1754
01:47:25,445 --> 01:47:29,490
Baby Annette

1755
01:47:29,949 --> 01:47:32,218
(chorus vocalizing)

1756
01:47:34,554 --> 01:47:36,890
(whistling)

1757
01:47:38,892 --> 01:47:41,294
-(music fades)
-(crowd cheering)

1758
01:47:47,967 --> 01:47:49,736
ANNOUNCER:
This is the largest audience

1759
01:47:49,803 --> 01:47:52,572
that Annette has ever
performed in front of,

1760
01:47:52,639 --> 01:47:57,100
so some nervousness is
completely understandable.

1761
01:47:57,110 --> 01:48:01,810
Ladies and gentlemen,
Baby Annette.

1762
01:48:01,147 --> 01:48:03,583
-(crowd cheering)
-(rock music begins)

1763
01:48:08,588 --> 01:48:11,758
CHORUS:
Baby Annette

1764
01:48:11,825 --> 01:48:15,829
Baby Annette

1765
01:48:16,863 --> 01:48:19,299
(chorus vocalizing)

1766
01:48:23,636 --> 01:48:25,638
(music fades)

1767
01:48:25,705 --> 01:48:28,141
(crowd cheering, murmuring)

1768
01:48:33,480 --> 01:48:36,483
(Henry chuckling)

1769
01:48:42,722 --> 01:48:45,291
We ask for your patience.

1770
01:48:45,358 --> 01:48:48,661
Baby Annette is a baby
after all.

1771
01:48:48,728 --> 01:48:51,231
So please, once again...

1772
01:48:51,331 --> 01:48:54,340
Baby Annette!

1773
01:48:54,134 --> 01:48:57,300
(crowd cheering)

1774
01:48:57,700 --> 01:48:59,339
What the **** is
that little ***** doing?

1775
01:49:03,677 --> 01:49:06,790
(rock music begins)

1776
01:49:10,316 --> 01:49:13,853
CHORUS:
Baby Annette

1777
01:49:13,920 --> 01:49:17,524
Baby Annette

1778
01:49:18,558 --> 01:49:20,994
(chorus vocalizing)

1779
01:49:28,100 --> 01:49:30,170
(music fades)

1780
01:49:30,236 --> 01:49:32,672
(crowd cheering)

1781
01:49:41,414 --> 01:49:43,183
(Annette sighs into microphone)

1782
01:49:43,249 --> 01:49:44,584
ANNETTE:
Daddy...

1783
01:49:46,119 --> 01:49:48,621
Daddy killed people.

1784
01:50:01,267 --> 01:50:03,436
♪ ♪

1785
01:50:10,543 --> 01:50:12,379
RUSSELL and CHORUS:
True love always finds

1786
01:50:12,445 --> 01:50:15,949
-True love always finds
-(light thumping, echoing)

1787
01:50:16,490 --> 01:50:19,119
A way

1788
01:50:20,553 --> 01:50:22,789
But true love often goes

1789
01:50:22,889 --> 01:50:25,158
True love often goes

1790
01:50:25,258 --> 01:50:26,926
-(distorted chuckle)
-Astray

1791
01:50:26,993 --> 01:50:30,764
(distorted laughing)

1792
01:50:30,830 --> 01:50:32,298
(light thumps)

1793
01:50:32,399 --> 01:50:35,235
♪ ♪

1794
01:50:36,336 --> 01:50:37,971
(distorted chatter)

1795
01:50:38,710 --> 01:50:39,305
-(light thumping)
-(song ends)

1796
01:50:39,406 --> 01:50:41,808
(siren wailing)

1797
01:50:44,778 --> 01:50:46,980
(crowd clamoring outside)

1798
01:50:48,682 --> 01:50:50,316
MAN:
Henry! Henry!

1799
01:50:50,417 --> 01:50:53,453
CROWD (chanting rhythmically):
You are a murderer

1800
01:50:53,520 --> 01:50:55,188
-A murderer
-(pounding rhythmically)

1801
01:50:56,523 --> 01:50:58,291
MAN:
Murderer!

1802
01:50:58,358 --> 01:51:01,127
-CROWD: You are a murderer
-♪ ♪

1803
01:51:01,194 --> 01:51:02,696
A murderer

1804
01:51:06,199 --> 01:51:10,203
He is a murderer,
he is a murderer

1805
01:51:10,303 --> 01:51:12,806
There is no doubt at all that

1806
01:51:12,872 --> 01:51:16,109
-He is a murderer
-MAN: Henry, you killed her!

1807
01:51:16,176 --> 01:51:18,178
-He is a murderer
-Henry, you ****ing ***hole!

1808
01:51:18,278 --> 01:51:20,513
And he must pay the price and

1809
01:51:20,613 --> 01:51:23,550
-Whether it’s first-degree
-Henry, I hate you!

1810
01:51:23,650 --> 01:51:25,618
-Or less than first-degree
-****ing ***hole!

1811
01:51:25,685 --> 01:51:28,188
-The point is moot to us ’cause
-(shouting continues)

1812
01:51:28,288 --> 01:51:31,157
He’s still a murderer

1813
01:51:31,224 --> 01:51:33,293
-And whether it’s death or jail
-Goddamn murderer.

1814
01:51:33,360 --> 01:51:36,329
We’ll send him
far, far, far away

1815
01:51:36,396 --> 01:51:38,640
-Murderer
-WOMAN: Go to hell!

1816
01:51:38,164 --> 01:51:39,833
Murderer

1817
01:51:39,899 --> 01:51:41,368
-Murderer
-(shouting continues)

1818
01:51:41,468 --> 01:51:43,236
He’s a murderer

1819
01:51:43,336 --> 01:51:45,305
You are a murderer

1820
01:51:45,372 --> 01:51:46,573
Murderer

1821
01:51:46,673 --> 01:51:48,308
-You are a murderer
-Murderer

1822
01:51:48,375 --> 01:51:51,644
You killed the one
that we all loved

1823
01:51:51,711 --> 01:51:53,213
Nearly religiously

1824
01:51:53,313 --> 01:51:54,414
Religiously

1825
01:51:54,514 --> 01:51:56,182
-Nearly religiously
-Religiously

1826
01:51:56,249 --> 01:51:58,551
No more will she die for us

1827
01:51:58,651 --> 01:52:00,487
Who will now die for us?

1828
01:52:00,553 --> 01:52:01,988
Will die for us?

1829
01:52:02,550 --> 01:52:03,890
-Who will now die for us?
-Will die for us?

1830
01:52:03,990 --> 01:52:05,692
No one can take her place

1831
01:52:05,759 --> 01:52:08,428
-But you who despises us
-(shouting continues)

1832
01:52:08,528 --> 01:52:09,662
Despises us

1833
01:52:09,729 --> 01:52:11,398
-You who despises us
-Despises us

1834
01:52:11,498 --> 01:52:14,267
We will now tame,
break and destroy

1835
01:52:14,367 --> 01:52:16,436
-Henry!
-Henry, over here!

1836
01:52:16,536 --> 01:52:18,371
-What you have to say?
-Public has the right to know!

1837
01:52:18,438 --> 01:52:20,400
CROWD (chanting):
Murderer!

1838
01:52:20,106 --> 01:52:23,443
Murderer! Murderer!

1839
01:52:23,543 --> 01:52:24,711
-Murderer!
-(song ends)

1840
01:52:30,917 --> 01:52:34,354
Please... raise your right hand.

1841
01:52:36,856 --> 01:52:38,358
Henry McHenry,

1842
01:52:38,425 --> 01:52:41,928
do you solemnly swear
that you will tell the truth,

1843
01:52:42,280 --> 01:52:45,310
the whole truth,
and nothing but the truth,

1844
01:52:45,980 --> 01:52:46,700
so help you God?

1845
01:52:46,766 --> 01:52:47,901
(sneezes):
Truth!

1846
01:52:47,967 --> 01:52:50,570
-(clerk gulps)
-Yes.

1847
01:52:51,905 --> 01:52:53,306
The truth is...

1848
01:52:55,809 --> 01:52:57,744
...you remind me so much
of my mother.

1849
01:52:57,811 --> 01:52:59,713
(gallery murmuring, chuckling)

1850
01:52:59,779 --> 01:53:01,648
(gavel bangs)

1851
01:53:01,748 --> 01:53:03,149
Mr. McHenry,

1852
01:53:03,249 --> 01:53:05,385
-(blows nose) -this court
won’t tolerate effrontery.

1853
01:53:05,452 --> 01:53:07,870
-(clerk gulps)
-Clerk, please.

1854
01:53:07,153 --> 01:53:09,556
Once again please.

1855
01:53:09,622 --> 01:53:12,325
Please...

1856
01:53:12,425 --> 01:53:14,661
Henry McHenry...

1857
01:53:14,761 --> 01:53:18,331
do you solemnly swear
that you will tell the truth,

1858
01:53:18,431 --> 01:53:22,102
the whole truth,
and nothing but the truth,

1859
01:53:22,168 --> 01:53:23,636
so help you

1860
01:53:23,737 --> 01:53:26,806
Go-o-o-o-o, o-o-d?

1861
01:53:26,906 --> 01:53:28,408
No.

1862
01:53:30,610 --> 01:53:32,445
You’ll kill me if I do.

1863
01:53:32,512 --> 01:53:34,447
(shocked murmuring)

1864
01:53:34,514 --> 01:53:36,516
(gavel banging)

1865
01:53:43,656 --> 01:53:45,825
Stepping back in time

1866
01:53:47,827 --> 01:53:50,663
I’d pull Ann aside

1867
01:53:52,365 --> 01:53:55,201
"I’m so proud of you"

1868
01:53:56,603 --> 01:54:00,840
"I’m so proud of you"

1869
01:54:00,940 --> 01:54:05,879
Stepping back in time,
I’d pull Ann aside,

1870
01:54:05,979 --> 01:54:08,448
"I’m so happy for you

1871
01:54:08,515 --> 01:54:11,685
-I’m so happy for you"
-(Ann vocalizing)

1872
01:54:11,785 --> 01:54:16,556
I’d say, "Ann,
what gives me the most joy

1873
01:54:16,656 --> 01:54:19,292
"Is to watch you

1874
01:54:19,359 --> 01:54:22,362
-"I’m a small boy
-(Ann vocalizing)

1875
01:54:22,462 --> 01:54:27,367
"Wide-eyed in my awe
at your silken voice

1876
01:54:27,467 --> 01:54:29,669
"I admire you

1877
01:54:29,736 --> 01:54:35,742
-Never tire of you"
-ANN: Never be tired of you

1878
01:54:35,842 --> 01:54:37,744
Teary-eyed, she’ll say

1879
01:54:37,844 --> 01:54:40,413
BOTH:
"I’m ashamed to see

1880
01:54:40,513 --> 01:54:43,830
"That we both can’t be

1881
01:54:43,183 --> 01:54:46,319
Where we ought to be"

1882
01:54:46,386 --> 01:54:48,555
HENRY:
Crying, you will say

1883
01:54:48,655 --> 01:54:51,570
BOTH:
"It’s so sad, you see

1884
01:54:51,157 --> 01:54:53,693
"That we both can’t be

1885
01:54:53,760 --> 01:54:56,930
Who we ought to be"

1886
01:54:57,300 --> 01:55:02,350
HENRY: Stepping back in time,
I could step aside

1887
01:55:02,102 --> 01:55:07,707
Not allow my rage
to be magnified

1888
01:55:07,774 --> 01:55:12,846
To a dangerous point
where a rash act

1889
01:55:12,912 --> 01:55:15,810
What an impact

1890
01:55:15,181 --> 01:55:18,351
I can’t grab back

1891
01:55:18,418 --> 01:55:20,620
-ANN: No, there’s no more time
-There’s no more time

1892
01:55:20,720 --> 01:55:23,560
-What a shame
-Oh, what a shame

1893
01:55:23,123 --> 01:55:25,625
-That we both can’t be
-That we can’t be

1894
01:55:25,725 --> 01:55:29,620
-Where we ought to be
-Where we ought to be

1895
01:55:29,129 --> 01:55:31,970
-No, there’s no more time
-There’s no more time

1896
01:55:31,197 --> 01:55:33,767
-It’s so sad to see
-So sad to see

1897
01:55:33,867 --> 01:55:36,536
-That we both can’t be
-That we can’t be

1898
01:55:36,603 --> 01:55:40,400
-Who we ought to be
-Who we ought to be

1899
01:55:43,109 --> 01:55:44,878
-ANN (whispers): Henry.
-(gasps)

1900
01:55:44,944 --> 01:55:46,946
(wind blowing)

1901
01:55:54,988 --> 01:55:57,157
♪ ♪

1902
01:56:00,794 --> 01:56:01,961
Henry.

1903
01:56:03,396 --> 01:56:07,233
She won’t be the one
keeping you company in jail.

1904
01:56:07,300 --> 01:56:09,436
I will.

1905
01:56:09,502 --> 01:56:15,775
Day after day after day

1906
01:56:16,976 --> 01:56:23,950
Night after night after night.

1907
01:56:27,921 --> 01:56:29,923
(doves cooing)

1908
01:56:31,324 --> 01:56:34,327
(bird squawks, wings flutter)

1909
01:56:38,365 --> 01:56:40,533
(bird squawking)

1910
01:56:52,512 --> 01:56:54,781
-(keys jingling)
-(men shouting in distance)

1911
01:56:54,848 --> 01:56:57,183
(lock clicking)

1912
01:56:58,852 --> 01:57:01,855
-(Henry muttering quietly)
-(distant footsteps)

1913
01:57:04,657 --> 01:57:06,526
-(footsteps echoing)
-(Henry muttering)

1914
01:57:06,626 --> 01:57:08,628
(buzzer sounds in distance)

1915
01:57:11,798 --> 01:57:13,199
(footsteps echoing)

1916
01:57:13,299 --> 01:57:15,535
HENRY (low):
It’s incredible.

1917
01:57:15,635 --> 01:57:17,804
(Henry muttering)

1918
01:57:22,308 --> 01:57:24,377
(Henry continues muttering)

1919
01:57:24,477 --> 01:57:26,680
(footsteps echoing)

1920
01:57:27,981 --> 01:57:29,983
(low muttering)

1921
01:57:33,820 --> 01:57:35,822
(footsteps stop)

1922
01:57:50,360 --> 01:57:53,440
(door lock clicks, door opens)

1923
01:57:53,540 --> 01:57:56,743
(men shouting in distance)

1924
01:57:56,843 --> 01:57:58,845
(door closes)

1925
01:57:58,912 --> 01:58:01,810
(soft footsteps)

1926
01:58:02,449 --> 01:58:04,884
(buzzer sounds in distance)

1927
01:58:22,350 --> 01:58:24,437
(buzzer sounds in distance)

1928
01:58:27,640 --> 01:58:30,760
(ticking)

1929
01:58:32,379 --> 01:58:33,980
Annette.

1930
01:58:34,800 --> 01:58:35,810
Annette?

1931
01:58:40,720 --> 01:58:42,722
You’ve changed so much, Annette.

1932
01:58:44,900 --> 01:58:45,910
ANNETTE:
Yes.

1933
01:58:49,796 --> 01:58:51,965
Yes, I have.

1934
01:58:53,600 --> 01:58:56,200
(clock ticking)

1935
01:58:58,905 --> 01:59:00,240
(low, shuddering breaths)

1936
01:59:24,698 --> 01:59:26,700
You, too, have changed.

1937
01:59:29,202 --> 01:59:33,273
But at least
you’re safe here, yes?

1938
01:59:33,339 --> 01:59:37,110
You can’t drink and you can’t
smoke here, can you?

1939
01:59:38,478 --> 01:59:40,480
No. No, I can’t.

1940
01:59:42,949 --> 01:59:46,953
And you can’t kill here,
can you?

1941
01:59:49,155 --> 01:59:52,726
(soft laugh)
It was a joke.

1942
01:59:52,826 --> 01:59:55,610
Mm, you are my daughter
after all.

1943
01:59:57,230 --> 01:59:58,732
No.

1944
01:59:58,832 --> 02:00:00,233
No more killing.

1945
02:00:01,334 --> 02:00:02,569
Only time.

1946
02:00:04,671 --> 02:00:07,600
"Killing time."
Have you heard that expression?

1947
02:00:07,730 --> 02:00:08,740
No.

1948
02:00:09,709 --> 02:00:12,712
But now,
you have nothing to love.

1949
02:00:14,180 --> 02:00:15,849
Can’t I love you?

1950
02:00:17,384 --> 02:00:18,651
No.

1951
02:00:18,718 --> 02:00:20,530
Not really.

1952
02:00:22,922 --> 02:00:25,358
(clock ticking)

1953
02:00:28,528 --> 02:00:29,763
Annette.

1954
02:00:33,533 --> 02:00:34,934
We don’t have long.

1955
02:00:38,838 --> 02:00:41,241
♪ ♪

1956
02:00:48,114 --> 02:00:52,352
I’ll sing these words to you

1957
02:00:52,419 --> 02:00:56,690
I hope that they’ll ring true

1958
02:00:56,756 --> 02:00:59,592
They’re not some magic chimes

1959
02:01:01,270 --> 02:01:03,697
To cover up my crimes

1960
02:01:05,198 --> 02:01:07,200
Annette, of this I’m sure

1961
02:01:07,267 --> 02:01:10,700
Imagination’s strong

1962
02:01:10,136 --> 02:01:12,305
And reason’s song

1963
02:01:12,405 --> 02:01:14,574
Is weak and thin

1964
02:01:14,641 --> 02:01:16,443
We don’t have long

1965
02:01:16,543 --> 02:01:17,944
(music intensifies)

1966
02:01:18,440 --> 02:01:20,547
I stood upon a cliff

1967
02:01:22,382 --> 02:01:24,984
A deep abyss below

1968
02:01:26,586 --> 02:01:29,550
Compelled to look, I tried

1969
02:01:29,122 --> 02:01:31,157
To fight it off

1970
02:01:31,257 --> 02:01:34,494
God knows I tried

1971
02:01:34,594 --> 02:01:37,163
This horrid urge to look below

1972
02:01:37,263 --> 02:01:39,833
But half horrified

1973
02:01:39,933 --> 02:01:42,100
And half relieved

1974
02:01:42,102 --> 02:01:44,170
I cast my eyes

1975
02:01:44,270 --> 02:01:46,272
Toward the abyss

1976
02:01:46,339 --> 02:01:48,341
The dark abyss

1977
02:01:48,441 --> 02:01:50,643
(music slows, distorts)

1978
02:01:55,949 --> 02:02:00,120
I heard a ringing in my ears

1979
02:02:00,186 --> 02:02:04,424
I knew my death knell’s
ugly sound

1980
02:02:04,491 --> 02:02:08,828
-(music resumes)
-The overbearing urge to gaze

1981
02:02:08,928 --> 02:02:13,330
Into the deep abyss, the haze

1982
02:02:13,133 --> 02:02:15,835
So strong the yearning
for the fall

1983
02:02:15,935 --> 02:02:18,605
Imagination’s strong

1984
02:02:18,671 --> 02:02:20,774
And reason’s song

1985
02:02:20,840 --> 02:02:22,842
Is weak and thin

1986
02:02:22,942 --> 02:02:25,111
We don’t have long

1987
02:02:25,178 --> 02:02:27,547
I’ll never sing again

1988
02:02:27,647 --> 02:02:29,816
Shunning all lights at night

1989
02:02:29,883 --> 02:02:31,851
I’ll never sing again

1990
02:02:31,951 --> 02:02:34,200
Smashing every lamp I see

1991
02:02:34,120 --> 02:02:36,156
I’ll never sing again

1992
02:02:36,222 --> 02:02:38,458
Living in full darkness

1993
02:02:38,525 --> 02:02:42,620
I’ll never sing again

1994
02:02:42,162 --> 02:02:44,798
A vampire forever

1995
02:02:44,864 --> 02:02:46,700
Annette, no.

1996
02:02:47,901 --> 02:02:49,690
No, no.

1997
02:02:50,236 --> 02:02:53,740
Annette, Annette.

1998
02:02:53,840 --> 02:02:54,841
No.

1999
02:02:56,743 --> 02:02:57,977
I sang these words to you

2000
02:02:58,440 --> 02:03:01,140
Can I forgive
what you have done?

2001
02:03:01,810 --> 02:03:02,549
I hope, that they’d ring true

2002
02:03:02,649 --> 02:03:05,418
And will I ever forgive Mom?

2003
02:03:05,518 --> 02:03:06,920
Imagination is so strong

2004
02:03:07,200 --> 02:03:09,220
Her deadly poison, I became

2005
02:03:09,890 --> 02:03:11,240
And reason’s song
is never strong

2006
02:03:11,910 --> 02:03:13,493
Merely a child to exploit

2007
02:03:13,560 --> 02:03:16,620
Imagination is so strong

2008
02:03:16,162 --> 02:03:17,564
Forgive you both?

2009
02:03:17,664 --> 02:03:19,699
-And reason’s song
-Forget you both?

2010
02:03:19,766 --> 02:03:21,601
-So faint and shrill
-To take that oath?

2011
02:03:21,701 --> 02:03:25,839
-I stood above the deep abyss
-To take that oath?

2012
02:03:25,905 --> 02:03:30,760
Why should I now forgive?
Why should I now forget?

2013
02:03:30,176 --> 02:03:34,347
I can never forgive,
I can never forget

2014
02:03:34,414 --> 02:03:37,217
Both of you were using me
for your own ends

2015
02:03:37,283 --> 02:03:38,785
For your own ends

2016
02:03:38,885 --> 02:03:40,587
Not an ounce of shame

2017
02:03:40,687 --> 02:03:43,289
The two of you,
you’re both to blame

2018
02:03:43,390 --> 02:03:46,559
I wish that both of you
were gone

2019
02:03:46,626 --> 02:03:48,428
Wish you were gone

2020
02:03:48,528 --> 02:03:50,630
-No, don’t blame Ann
-Wish you were gone

2021
02:03:50,730 --> 02:03:52,866
-Annette, that’s wrong
-Wish you were gone

2022
02:03:52,932 --> 02:03:56,302
-No, don’t blame Ann
-Both of you gone

2023
02:03:56,403 --> 02:03:58,438
But is forgiveness the sole way

2024
02:03:58,538 --> 02:04:00,473
This horrid urge to look below

2025
02:04:00,573 --> 02:04:02,575
When all has gone so far astray

2026
02:04:02,642 --> 02:04:04,544
God knows I tried
to fight it off

2027
02:04:04,611 --> 02:04:06,790
-Extract the poison
-Half horrified

2028
02:04:06,146 --> 02:04:07,981
-From one’s heart
-And half relieved

2029
02:04:08,810 --> 02:04:10,500
-And from one’s soul
-I cast my eyes

2030
02:04:10,116 --> 02:04:13,319
-I can’t be sure
-Down the abyss

2031
02:04:13,420 --> 02:04:16,456
Forgive the two of you or not

2032
02:04:16,556 --> 02:04:18,725
-I take this oath
-Sympathy for

2033
02:04:18,792 --> 02:04:20,760
-Forgive you both?
-The dark abyss

2034
02:04:20,827 --> 02:04:22,962
-I take this oath
-Sympathy for

2035
02:04:23,630 --> 02:04:25,465
-I take this oath
-The dark abyss

2036
02:04:25,565 --> 02:04:27,233
Forgive you both?

2037
02:04:27,300 --> 02:04:29,636
-Or forget you both?
-Don’t cast your eyes

2038
02:04:29,736 --> 02:04:32,720
-I must be strong
-Down the abyss

2039
02:04:32,138 --> 02:04:34,441
-I must be strong
-Annette, please don’t

2040
02:04:34,507 --> 02:04:35,675
(door lock clicking)

2041
02:04:35,775 --> 02:04:38,244
GUARD:
Time’s up.

2042
02:04:38,311 --> 02:04:39,312
(door closes)

2043
02:04:39,412 --> 02:04:40,914
No contact.

2044
02:04:43,983 --> 02:04:49,589
And now you have nothing to love

2045
02:04:49,656 --> 02:04:51,358
Why can’t I love you?

2046
02:04:51,458 --> 02:04:52,459
Can’t I love you?

2047
02:04:52,525 --> 02:04:57,964
Now you have nothing to love

2048
02:04:58,310 --> 02:05:00,367
Can’t I love you, Annette?

2049
02:05:00,467 --> 02:05:05,305
No, not really, Daddy

2050
02:05:05,372 --> 02:05:07,941
It’s sad but it’s true

2051
02:05:08,975 --> 02:05:14,547
Now you having nothing to love

2052
02:05:20,453 --> 02:05:22,288
-Annette.
-(door opens)

2053
02:05:22,355 --> 02:05:24,491
My Annette.

2054
02:05:24,557 --> 02:05:26,893
Never cast your eyes
down the abyss.

2055
02:05:33,900 --> 02:05:36,736
HENRY:
Goodbye

2056
02:05:36,836 --> 02:05:38,171
Annette

2057
02:05:38,238 --> 02:05:40,573
Goodbye

2058
02:05:40,673 --> 02:05:42,342
Annette

2059
02:05:42,409 --> 02:05:45,311
Goodbye

2060
02:05:45,378 --> 02:05:46,646
Annette

2061
02:05:46,713 --> 02:05:49,516
Goodbye

2062
02:05:49,582 --> 02:05:52,850
Annette.

2063
02:05:52,185 --> 02:05:54,187
(softly):
Goodbye.

2064
02:05:54,254 --> 02:05:56,423
♪ ♪

2065
02:05:58,224 --> 02:06:00,660
♪ ♪

2066
02:06:12,380 --> 02:06:13,873
Stop watching me.

2067
02:06:24,217 --> 02:06:26,386
(music fades)

2068
02:06:42,535 --> 02:06:44,704
♪ ♪

2069
02:07:13,333 --> 02:07:15,502
♪ ♪

2070
02:07:27,414 --> 02:07:29,582
(music ends)

2071
02:07:43,296 --> 02:07:45,699
("We Love Each Other So Much"
plays)

2072
02:08:15,362 --> 02:08:17,530
♪ ♪

2073
02:08:47,594 --> 02:08:49,763
♪ ♪

2074
02:09:20,600 --> 02:09:22,228
♪ ♪

2075
02:09:57,464 --> 02:09:59,632
(song ends)

2076
02:10:04,471 --> 02:10:07,273
(coyotes barking in distance)

2077
02:10:07,340 --> 02:10:08,508
ANNETTE:
Action!

2078
02:10:08,608 --> 02:10:11,110
(gentle melody plays)

2079
02:10:26,326 --> 02:10:28,628
ALL:
It’s the end

2080
02:10:28,695 --> 02:10:30,630
So we bid you

2081
02:10:30,697 --> 02:10:32,465
Good night

2082
02:10:35,535 --> 02:10:37,537
Safe journey home

2083
02:10:40,640 --> 02:10:43,810
Watch out for strangers

2084
02:10:43,877 --> 02:10:46,460
If you liked what you saw

2085
02:10:48,114 --> 02:10:50,684
-Tell a friend
-ANNETTE: Tell a friend?

2086
02:10:53,520 --> 02:10:55,855
If you’ve no friends

2087
02:10:58,158 --> 02:11:00,860
Then, tell a stranger

2088
02:11:00,960 --> 02:11:02,962
Tonight

2089
02:11:06,232 --> 02:11:07,701
WOMAN:
Ladies.

2090
02:11:08,401 --> 02:11:10,837
Three, four, one.

2091
02:11:10,904 --> 02:11:13,173
WOMEN:
Good night one and all

2092
02:11:15,241 --> 02:11:17,100
MAN:
Men.

2093
02:11:17,770 --> 02:11:19,679
MAN and WOMAN:
Three, four, one.

2094
02:11:19,746 --> 02:11:21,915
MEN:
Good night one and all

2095
02:11:23,917 --> 02:11:25,819
-WOMAN: Everyone.
-MAN: Come on.

2096
02:11:25,885 --> 02:11:27,887
Three, four.

2097
02:11:27,987 --> 02:11:29,989
ALL:
Good night

2098
02:11:30,560 --> 02:11:31,758
One

2099
02:11:31,858 --> 02:11:33,860
And all

2100
02:11:34,894 --> 02:11:36,329
ANNETTE:
Get ready.

2101
02:11:36,396 --> 02:11:38,398
(Annette laughing)

2102
02:11:41,434 --> 02:11:43,269
Hey, hey, hey, hey.

2103
02:11:43,370 --> 02:11:45,839
-Three, four.
-ANNETTE: Ready?

2104
02:11:45,905 --> 02:11:47,741
ALL:
Good night one and all

2105
02:11:47,841 --> 02:11:48,908
(Annette laughing)

2106
02:11:49,900 --> 02:11:50,443
ANNETTE:
Good night one and all

2107
02:11:50,543 --> 02:11:52,212
WOMAN:
Toutes les femmes.

2108
02:11:52,278 --> 02:11:54,581
Three, four.

2109
02:11:54,681 --> 02:11:57,170
WOMEN:
Good night one and all

2110
02:11:59,386 --> 02:12:00,887
MAN:
Tous les hommes.

2111
02:12:00,954 --> 02:12:02,689
Three, four.

2112
02:12:02,756 --> 02:12:04,791
MEN:
Good night

2113
02:12:04,891 --> 02:12:06,526
ALL:
One

2114
02:12:06,593 --> 02:12:09,629
And all!

2115
02:12:09,729 --> 02:12:11,598
♪ ♪

2116
02:12:11,698 --> 02:12:14,100
(indistinct chattering
and laughter)

2117
02:12:21,975 --> 02:12:24,144
(chattering, laughter continues)

2118
02:12:24,244 --> 02:12:26,413
(dogs barking)

2119
02:12:32,719 --> 02:12:34,954
(chattering, laughter fading)

