1
00:00:45,979 --> 00:00:47,781
[CHILDREN LAUGHING]

2
00:01:02,362 --> 00:01:03,496
[PHILLIPA SCREAMS]

3
00:01:15,442 --> 00:01:16,843
[SPEAKING IN JAPANESE]

4
00:02:00,120 --> 00:02:02,856
Are you here to kill me?

5
00:02:10,530 --> 00:02:13,330
I know what this is

6
00:02:14,100 --> 00:02:19,272
I've seen one before.
Many, many years ago

7
00:02:20,874 --> 00:02:25,779
It belonged to a man I met
in a half-remembered dream

8
00:02:27,781 --> 00:02:32,886
A man possessed
of some radical notions

9
00:02:36,756 --> 00:02:39,626
COBB:
What is the most resilient parasite?

10
00:02:39,893 --> 00:02:43,263
A bacteria? A virus?

11
00:02:43,830 --> 00:02:45,980
An intestinal worm?

12
00:02:45,432 --> 00:02:46,666
ARTHUR
Uh...

13
00:02:46,833 --> 00:02:48,468
What Mr. Cobb is trying to say

14
00:02:48,635 --> 00:02:49,836
An idea

15
00:02:51,137 --> 00:02:53,640
Resilient. Highly contagious

16
00:02:53,807 --> 00:02:57,811
Once an idea has taken hold of the brain
it's almost impossible to eradicate.

17
00:02:58,244 --> 00:03:02,515
An idea that is fully formed,
fully understood, that sticks

18
00:03:02,682 --> 00:03:03,917
Right in there somewhere

19
00:03:04,840 --> 00:03:05,652
For someone like you to steal?

20
00:03:05,819 --> 00:03:08,755
Yes. In the dream state,
your conscious defenses are lowered

21
00:03:08,922 --> 00:03:11,358
and that makes your thoughts
vulnerable to theft.

22
00:03:11,524 --> 00:03:12,759
It's called extraction

23
00:03:12,926 --> 00:03:16,496
Mr. Saito, we can train
your subconscious to defend itself

24
00:03:16,663 --> 00:03:19,165
from even the most skilled extractor

25
00:03:19,332 --> 00:03:20,500
How can you do that?

26
00:03:20,667 --> 00:03:23,503
Because I am the most skilled extractor

27
00:03:23,970 --> 00:03:27,374
I know how to search your mind
and find your secrets. I know the tricks

28
00:03:27,540 --> 00:03:30,477
And I can teach them to you,
so that even when you're asleep

29
00:03:30,643 --> 00:03:32,979
your defense is never down

30
00:03:33,880 --> 00:03:37,784
Look, if you want my help, you're gonna
have to be completely open with me.

31
00:03:37,951 --> 00:03:41,321
I need to know my way around
your thoughts better than your wife

32
00:03:41,488 --> 00:03:43,790
better than your therapist
better than anyone.

33
00:03:44,224 --> 00:03:46,893
If this is a dream,
and you have a safe full of secrets

34
00:03:47,600 --> 00:03:49,396
I need to know what's in that safe

35
00:03:49,562 --> 00:03:53,330
In order for this all to work,
you need to completely let me in

36
00:03:55,902 --> 00:04:00,540
Enjoy your evening, gentlemen
as I consider your proposal.

37
00:04:03,900 --> 00:04:04,440
He knows

38
00:04:04,210 --> 00:04:05,812
[RUMBLING]

39
00:04:07,800 --> 00:04:08,581
What's going on up there?

40
00:04:16,456 --> 00:04:17,791
[MEN SHOUTING]

41
00:04:18,124 --> 00:04:19,726
[MACHINE HISSING]

42
00:04:30,103 --> 00:04:31,638
[EXPLOSION]

43
00:04:55,995 --> 00:04:57,263
[RUMBLING]

44
00:05:02,836 --> 00:05:05,438
Saito knows. He's playing with us

45
00:05:05,839 --> 00:05:08,174
Doesn't matter. I can get it here
Trust me.

46
00:05:08,341 --> 00:05:09,843
The information is in the safe

47
00:05:10,100 --> 00:05:12,178
He looked right at it
when I mentioned secrets

48
00:05:13,546 --> 00:05:14,581
What's she doing here?

49
00:05:17,517 --> 00:05:20,387
Just head back to the room.
All right? I'll take care of this

50
00:05:20,553 --> 00:05:22,589
Okay, make sure you do
We're here to work.

51
00:05:31,310 --> 00:05:35,702
If I jumped, would I survive?

52
00:05:38,710 --> 00:05:40,473
With a clean dive, perhaps

53
00:05:40,640 --> 00:05:42,308
Mal, what are you doing here?

54
00:05:42,475 --> 00:05:44,678
I thought you might be missing me

55
00:05:44,978 --> 00:05:46,513
COBB:
You know that I am

56
00:05:47,681 --> 00:05:50,150
But I can't trust you anymore

57
00:05:50,884 --> 00:05:52,252
So what?

58
00:05:53,820 --> 00:05:56,220
MAL:
Looks like Arthur's taste

59
00:05:56,189 --> 00:05:59,826
Actually, the subject is partial
to postwar British painters.

60
00:06:01,528 --> 00:06:03,229
Please, have a seat

61
00:06:10,970 --> 00:06:12,405
MAL:
Tell me

62
00:06:12,806 --> 00:06:14,374
do the children miss me?

63
00:06:18,712 --> 00:06:20,413
You can't imagine

64
00:06:24,584 --> 00:06:25,685
What are you doing?

65
00:06:25,852 --> 00:06:27,387
Just getting some fresh air

66
00:06:27,787 --> 00:06:29,556
Stay where you are, Mal

67
00:06:38,665 --> 00:06:40,133
[GRUNTS]

68
00:06:43,269 --> 00:06:45,138
Goddamn it

69
00:06:54,347 --> 00:06:55,615
[SOFT SCREECHING]

70
00:07:03,857 --> 00:07:04,891
[SILENCED GUNSHOT]

71
00:07:05,580 --> 00:07:06,326
[GUARD GRUNTS]

72
00:07:15,350 --> 00:07:16,703
[SILENCED GUNSHOT
THEN GUARD GRUNTS]

73
00:07:47,000 --> 00:07:48,568
SAITO:
Turn around

74
00:07:48,735 --> 00:07:49,769
The gun, Dom

75
00:07:59,450 --> 00:08:00,180
Please

76
00:08:12,292 --> 00:08:14,661
Now the envelope, Mr. Cobb

77
00:08:15,610 --> 00:08:18,465
Did she tell you?
Or have you known all along?

78
00:08:18,898 --> 00:08:23,870
That you're here to steal from me
or that we are actually asleep?

79
00:08:28,800 --> 00:08:30,377
I want to know the name
of your employer.

80
00:08:32,379 --> 00:08:36,249
Ah, there's no use threatening him
in a dream, right, Mal?

81
00:08:36,416 --> 00:08:38,885
That depends
on what you're threatening

82
00:08:39,786 --> 00:08:41,955
Killing him would just wake him up

83
00:08:42,722 --> 00:08:43,890
But pain

84
00:08:45,558 --> 00:08:46,993
[SCREAMS]

85
00:08:47,827 --> 00:08:49,729
Pain is in the mind

86
00:08:50,430 --> 00:08:54,634
And judging by the decor,
we're in your mind, aren't we, Arthur?

87
00:08:58,104 --> 00:08:59,172
[GRUNTS]

88
00:09:06,460 --> 00:09:09,149
- What are you doing? it's too soon
- But the dream's collapsing.

89
00:09:09,315 --> 00:09:12,752
I'm gonna try to keep Saito under
a little hit longer. We're almost there

90
00:09:13,153 --> 00:09:14,254
[SILENCED GUNFIRE]

91
00:09:26,966 --> 00:09:30,937
He was close. Very close

92
00:09:33,573 --> 00:09:34,774
[SCREAMS]

93
00:09:44,500 --> 00:09:45,850
[YELLS]

94
00:09:45,251 --> 00:09:46,820
Stop him!

95
00:09:51,458 --> 00:09:53,360
[GUNFIRE]

96
00:10:00,934 --> 00:10:02,202
[GRUNTS]

97
00:10:08,441 --> 00:10:09,909
[HISSING]

98
00:10:11,211 --> 00:10:12,512
[SAITO GROANS]

99
00:10:12,679 --> 00:10:14,848
This isn't gonna work. Wake him up

100
00:10:27,460 --> 00:10:28,795
[GRUNTS]

101
00:10:35,669 --> 00:10:37,604
He won’t wake

102
00:10:42,750 --> 00:10:43,376
- Give him the kick
NASH: What?

103
00:10:43,910 --> 00:10:44,944
Dunk him

104
00:10:45,111 --> 00:10:46,346
[GUN COCKS]

105
00:10:52,152 --> 00:10:53,720
[WOOD GROANING]

106
00:11:21,314 --> 00:11:22,916
[SAITO GRUNTING]

107
00:11:29,489 --> 00:11:30,857
COBB:
He's out

108
00:11:32,859 --> 00:11:34,761
[SHOUTING IN FOREIGN LANGUAGE]

109
00:11:36,162 --> 00:11:38,231
You came prepared, hmm?

110
00:11:38,398 --> 00:11:42,235
Not even my head of security knows
this apartment. How did you find it?

111
00:11:42,869 --> 00:11:46,606
It's difficult for a man of your position
to keep a love nest like this secret...

112
00:11:46,773 --> 00:11:49,309
...particularly where there's
a married woman involved.

113
00:11:49,476 --> 00:11:51,444
- She would never
- Yet here we are.

114
00:11:52,512 --> 00:11:54,614
- With a dilemma.
- They're getting closer

115
00:11:54,781 --> 00:11:57,550
- You got what you came for
COBB: Well, that's not true.

116
00:11:57,717 --> 00:12:00,387
You left out a key piece of information
didn't you?

117
00:12:00,553 --> 00:12:03,757
You held something back
because you knew what we were up to

118
00:12:03,923 --> 00:12:06,793
- Question is, why'd you let us in at all?
- An audition.

119
00:12:07,994 --> 00:12:10,964
- An audition for what?
- Doesn’t matter. You failed

120
00:12:11,970 --> 00:12:13,800
We extracted every hit of information
you had in there.

121
00:12:14,200 --> 00:12:16,503
But your deception was obvious

122
00:12:22,742 --> 00:12:24,100
[MACHINE HISSING]

123
00:12:47,100 --> 00:12:51,370
[EDITH PIAF'S
NON, JE NE REGRETTE RIEN" PLAYING]

124
00:12:53,606 --> 00:12:55,608
[SONG ECHOING]

125
00:12:57,377 --> 00:13:01,848
- So leave me and go.
- You don't seem to understand, Mr. Saito

126
00:13:01,981 --> 00:13:06,252
That corporation that hired us
they won't accept failure.

127
00:13:06,419 --> 00:13:08,555
We won't last two days

128
00:13:10,490 --> 00:13:11,691
Cobb?

129
00:13:11,858 --> 00:13:14,994
Looks like I'm gonna have to do this
a little more simply.

130
00:13:15,161 --> 00:13:18,932
Tell us what you know!
Tell us what you know, now!

131
00:13:19,833 --> 00:13:21,568
[LAUGHING]

132
00:13:22,302 --> 00:13:25,171
SAITO:
I've always hated this carpet

133
00:13:25,805 --> 00:13:29,709
it's stained and frayed
in such distinctive ways

134
00:13:31,211 --> 00:13:34,547
But very definitely made of wool

135
00:13:35,382 --> 00:13:37,830
Right now

136
00:13:38,118 --> 00:13:40,553
I'm lying on polyester

137
00:13:44,424 --> 00:13:49,262
Which means I'm not lying
on my carpet, in my apartment

138
00:13:50,130 --> 00:13:53,400
You have lived up to your reputation
Mr. Cobb.

139
00:13:53,833 --> 00:13:55,869
I'm still dreaming

140
00:13:57,537 --> 00:13:59,272
[ALARM BEEPING]

141
00:14:02,542 --> 00:14:04,377
How'd it go?
Not good.

142
00:14:09,783 --> 00:14:13,887
Dream within a dream, huh?
I'm impressed.

143
00:14:15,155 --> 00:14:18,658
But in my dream, you play by my rules

144
00:14:18,825 --> 00:14:21,940
Ah, yes, but you see, Mr. Saito

145
00:14:21,261 --> 00:14:22,662
We're not in your dream

146
00:14:22,829 --> 00:14:24,397
We're in mine

147
00:14:24,564 --> 00:14:26,132
[MEN SHOUTING]

148
00:14:27,267 --> 00:14:29,200
[ALARM BEEPING FASTER]

149
00:14:31,671 --> 00:14:33,600
[NASH YELLS]

150
00:14:34,341 --> 00:14:36,443
***hole.
How do you mess up the carpet?

151
00:14:36,609 --> 00:14:38,912
- It wasn't my fault.
- You're the architect

152
00:14:39,790 --> 00:14:41,214
I didn't know
he was gonna rub his cheek on it!

153
00:14:41,381 --> 00:14:42,482
That's enough

154
00:14:43,583 --> 00:14:45,118
You. What the hell was all that?

155
00:14:45,618 --> 00:14:48,488
I have it under control.
I'd hate to see you out of control

156
00:14:48,655 --> 00:14:52,425
We don't have time for this
I'm getting off at Kyoto.

157
00:14:52,592 --> 00:14:54,427
ARTHUR:
He's not gonna check every compartment

158
00:14:54,594 --> 00:14:56,229
Yeah, well, I don't like trains

159
00:14:56,396 --> 00:14:59,165
Listen. Every man for himself

160
00:16:07,867 --> 00:16:09,536
[PHONE RINGS]

161
00:16:13,540 --> 00:16:14,574
Yes, hello?

162
00:16:14,774 --> 00:16:17,377
PHILLIPA: Hi, Daddy.
JAMES: Hi, Dad.

163
00:16:17,911 --> 00:16:21,514
Hey, guys. Hey. How are you?
How you doing, huh?

164
00:16:21,681 --> 00:16:23,917
PHILLIPA: Good.
JAMES: Okay, I guess

165
00:16:24,840 --> 00:16:27,821
Okay? Who’s just okay?
Is that you, James?

166
00:16:27,987 --> 00:16:31,891
JAMES:
Yeah. When are you coming home, Dad?

167
00:16:32,892 --> 00:16:37,530
Well, I can't, sweetheart. I can't
Not for a while, remember?

168
00:16:37,697 --> 00:16:39,320
JAMES
why?

169
00:16:39,366 --> 00:16:44,938
Look, I told you, I'm away
because I'm working, right?

170
00:16:45,238 --> 00:16:48,740
PHILLIPA:
Grandma says you're never coming back

171
00:16:48,742 --> 00:16:50,643
COBB:
Phillipa, is that you?

172
00:16:51,611 --> 00:16:53,947
Put Grandma on the phone for me
will you?

173
00:16:54,114 --> 00:16:55,815
PHILLIPA:
She's shaking her head

174
00:16:57,951 --> 00:17:00,453
Well, just hope she's wrong about that

175
00:17:01,321 --> 00:17:02,522
JAMES:
Daddy?

176
00:17:03,223 --> 00:17:04,257
Yeah, James?

177
00:17:04,424 --> 00:17:06,920
JAMES:
Is Mommy with you?

178
00:17:08,728 --> 00:17:10,930
James, we talked about this

179
00:17:12,232 --> 00:17:14,567
Mommy's not here anymore

180
00:17:15,635 --> 00:17:16,870
JAMES:
Where?

181
00:17:18,605 --> 00:17:21,241
WOMAN:
That's enough, kids. Say bye-bye

182
00:17:21,408 --> 00:17:24,444
Listen, I'm gonna send some presents
with Grandpa, all right?

183
00:17:24,611 --> 00:17:25,645
And you be good, you be

184
00:17:25,812 --> 00:17:27,480
[DIAL TONE]

185
00:17:33,286 --> 00:17:34,387
[KNOCKING ON DOOR]

186
00:17:36,156 --> 00:17:38,358
Our ride's on the roof
Right.

187
00:17:45,532 --> 00:17:46,700
Hey, are you okay?

188
00:17:47,434 --> 00:17:48,735
Yeah. Yeah, I'm fine. Why?

189
00:17:48,902 --> 00:17:51,371
Well, down in the dream
Mal showing up.

190
00:17:51,504 --> 00:17:54,741
Look, I'm, uh, sorry about your leg
Won't happen again.

191
00:17:54,908 --> 00:17:58,511
It's getting worse, isn't it?
One apology's all you're getting, all right?

192
00:17:58,678 --> 00:18:01,181
- Where's Nash?
- He hasn't shown. You wanna wait?

193
00:18:01,314 --> 00:18:03,817
We were supposed to deliver
Saito's expansion plans...

194
00:18:03,950 --> 00:18:05,719
To Cobol Engineering two hours ago

195
00:18:05,885 --> 00:18:09,122
By now, they know we failed
it's time we disappear.

196
00:18:09,656 --> 00:18:12,158
- Where you gonna go?
- Buenos Aires.

197
00:18:12,325 --> 00:18:16,629
I can lie low there, maybe sniff out
a job when things quiet down. You?

198
00:18:16,763 --> 00:18:17,997
Stateside

199
00:18:18,164 --> 00:18:19,666
Send my regards

200
00:18:26,600 --> 00:18:29,609
He sold you out. Thought to come
to me and bargain for his life.

201
00:18:31,745 --> 00:18:33,580
So I offer you the satisfaction

202
00:18:37,517 --> 00:18:40,530
it's not the way I deal with things

203
00:18:43,123 --> 00:18:44,624
[HELICOPTER STARTING]

204
00:18:52,332 --> 00:18:55,201
- What will you do with him?
- Nothing.

205
00:18:55,602 --> 00:18:58,104
But I can't speak for Cobol Engineering

206
00:19:12,619 --> 00:19:15,622
- What do you want from us?
- Inception.

207
00:19:17,223 --> 00:19:19,626
Is it possible?
Of course not.

208
00:19:19,793 --> 00:19:21,995
If you can steal an idea
from someone's mind...

209
00:19:22,162 --> 00:19:24,300
Why can't you plant one there instead?

210
00:19:24,197 --> 00:19:26,299
Okay, here's me planting
an idea in your head.

211
00:19:26,466 --> 00:19:29,769
I say, "Don't think about elephants
What are you thinking about?

212
00:19:29,936 --> 00:19:30,970
Elephants

213
00:19:31,137 --> 00:19:34,307
Right. But it's not your idea,
because you know I gave it to you

214
00:19:34,507 --> 00:19:37,477
The subject's mind can always trace
the genesis of the idea.

215
00:19:37,644 --> 00:19:40,847
True inspiration's impossible to fake
That's not true.

216
00:19:43,383 --> 00:19:46,486
- Can you do it?
- Are you offering me a choice?

217
00:19:46,653 --> 00:19:49,322
Because I can find my own way
to square things with Cobol.

218
00:19:49,489 --> 00:19:51,524
Then you do have a choice

219
00:19:51,691 --> 00:19:53,460
Then I choose to leave, sir

220
00:19:58,365 --> 00:20:00,660
Tell the crew where you want to go

221
00:20:05,338 --> 00:20:06,406
Hey, Mr. Cobb

222
00:20:09,576 --> 00:20:11,644
How would you like to go home?

223
00:20:12,445 --> 00:20:15,749
To America. To your children

224
00:20:16,182 --> 00:20:19,519
You can't fix that. No one can

225
00:20:19,686 --> 00:20:22,922
- Just like inception
- Cobb, come on.

226
00:20:26,659 --> 00:20:29,562
How complex is the idea?
Simple enough.

227
00:20:29,729 --> 00:20:33,266
No idea is simple when you need
to plant it in somebody else's mind

228
00:20:33,666 --> 00:20:37,170
My main competitor is
an old man in poor health

229
00:20:37,337 --> 00:20:41,107
His son will soon inherit control
of the corporation.

230
00:20:42,800 --> 00:20:45,578
I need him to decide to break up
his father's empire.

231
00:20:46,279 --> 00:20:48,948
Cobb, we should walk away from this
Hold on.

232
00:20:51,170 --> 00:20:54,320
If I were to do this
if I even could do it

233
00:20:54,454 --> 00:20:56,389
I'd need a guarantee

234
00:20:56,523 --> 00:20:59,826
- How do I know you can deliver?
- You don't.

235
00:21:00,393 --> 00:21:01,895
But I can

236
00:21:02,462 --> 00:21:07,330
So do you want to take a leap of faith

237
00:21:07,467 --> 00:21:11,338
or become an old man
filled with regret...

238
00:21:11,471 --> 00:21:14,107
Waiting to die alone?

239
00:21:17,143 --> 00:21:21,481
Assemble your team, Mr. Cobb.
And choose your people more wisely

240
00:21:29,589 --> 00:21:31,424
Look, I know how much
you wanna go home.

241
00:21:34,227 --> 00:21:35,962
This can't be done

242
00:21:36,129 --> 00:21:39,399
Yes, it can.
Just have to go deep enough

243
00:21:39,599 --> 00:21:41,134
You don't know that

244
00:21:42,469 --> 00:21:44,304
I've done it before

245
00:21:45,505 --> 00:21:46,673
Who’d you do it to?

246
00:21:51,911 --> 00:21:53,913
Why are we going to Paris?

247
00:21:55,515 --> 00:21:57,217
We're gonna need a new architect

248
00:21:57,817 --> 00:21:59,519
[BELLS TOLLING]

249
00:22:14,134 --> 00:22:16,202
COBB:
You never did like your office, did you?

250
00:22:18,400 --> 00:22:21,410
No space to think
in that broom cupboard

251
00:22:22,909 --> 00:22:25,145
Is it safe for you to be here?

252
00:22:26,379 --> 00:22:28,782
Extradition between France
and the United States...

253
00:22:28,948 --> 00:22:31,184
Is a bureaucratic nightmare
you know that.

254
00:22:31,351 --> 00:22:34,870
I think they might find a way
to make it work in your case.

255
00:22:34,254 --> 00:22:38,758
Look, I, uh, brought these for you to give
to the kids when you have a chance.

256
00:22:38,925 --> 00:22:41,528
It'll take more than
the occasional stuffed animal

257
00:22:41,695 --> 00:22:44,664
to convince those children
they still have a father.

258
00:22:44,831 --> 00:22:47,667
I'm just doing what I know.
I'm doing what you taught me

259
00:22:47,834 --> 00:22:49,369
I never taught you to be a thief

260
00:22:49,536 --> 00:22:51,738
No, you taught me to navigate
people's minds.

261
00:22:51,905 --> 00:22:53,206
But after what happened

262
00:22:53,373 --> 00:22:56,943
there weren't a whole lot of legitimate
ways for me to use that skill.

263
00:23:02,820 --> 00:23:03,583
What are you doing here, Dom?

264
00:23:05,685 --> 00:23:08,880
I think I found a way home

265
00:23:08,254 --> 00:23:11,825
it's a job
for some very, very powerful people

266
00:23:12,580 --> 00:23:16,463
People who I believe can fix
my charges permanently.

267
00:23:17,263 --> 00:23:18,531
But I need your help

268
00:23:19,232 --> 00:23:22,535
You're here to corrupt
one of my brightest and best

269
00:23:22,702 --> 00:23:25,605
You know what I'm offering.
Let them decide for themselves

270
00:23:25,772 --> 00:23:27,273
Money.
Not just money

271
00:23:27,407 --> 00:23:28,742
You remember

272
00:23:28,908 --> 00:23:32,145
it's the chance to build cathedrals
entire cities...

273
00:23:32,312 --> 00:23:34,800
Things that never existed

274
00:23:34,247 --> 00:23:37,450
things that couldn’t exist
in the real world.

275
00:23:37,617 --> 00:23:42,789
So you want me to let someone else
follow you into your fantasy?

276
00:23:42,956 --> 00:23:44,958
They don't actually come into the dream

277
00:23:45,910 --> 00:23:48,395
They just design the levels
and teach them to the dreamers. That's all

278
00:23:48,528 --> 00:23:49,763
Design it yourself

279
00:23:52,432 --> 00:23:53,933
Mal won’t let me

280
00:24:00,140 --> 00:24:02,275
Come back to reality, Dom

281
00:24:03,610 --> 00:24:06,179
Please.
Reality

282
00:24:06,546 --> 00:24:09,820
Those kids, your grandchildren

283
00:24:09,249 --> 00:24:13,286
they're waiting for their father to come
back home. That's their reality.

284
00:24:13,420 --> 00:24:16,656
And this job, this last job
that's how I get there.

285
00:24:17,157 --> 00:24:20,827
I would not be standing here
if I knew any other way.

286
00:24:23,997 --> 00:24:26,900
I need an architect
who's as good as I was

287
00:24:31,104 --> 00:24:33,106
I've got somebody better

288
00:24:33,273 --> 00:24:34,307
Ariadne?

289
00:24:36,910 --> 00:24:39,446
I'd like you to meet Mr. Cobb

290
00:24:39,846 --> 00:24:40,947
Pleased to meet you

291
00:24:41,114 --> 00:24:45,785
If you have a few moments, Mr. Cobb has
a job offer he'd like to discuss with you.

292
00:24:45,952 --> 00:24:46,986
A work placement?

293
00:24:47,387 --> 00:24:48,688
Not exactly

294
00:24:48,855 --> 00:24:50,190
I have a test for you

295
00:24:50,924 --> 00:24:52,992
You're not gonna tell me anything first?

296
00:24:53,159 --> 00:24:55,795
Before I describe the job,
I have to know you can do it

297
00:24:55,962 --> 00:24:59,165
- why?
- it's not, strictly speaking, legal

298
00:25:02,268 --> 00:25:06,940
You have two minutes to design a maze
that it takes one minute to solve.

299
00:25:08,875 --> 00:25:10,100
Stop

300
00:25:12,445 --> 00:25:13,646
Again

301
00:25:15,782 --> 00:25:17,117
Stop

302
00:25:20,286 --> 00:25:22,355
You're gonna have to do better than that

303
00:25:35,368 --> 00:25:36,636
That's more like it

304
00:25:56,823 --> 00:25:59,726
COBB: They say we only use a fraction
of our brain's true potential.

305
00:25:59,893 --> 00:26:01,594
Now, that's when we're awake

306
00:26:01,761 --> 00:26:04,731
When we're asleep,
our mind can do almost anything

307
00:26:04,898 --> 00:26:05,932
Such as?

308
00:26:06,990 --> 00:26:10,103
Imagine you're designing a building
You consciously create each aspect.

309
00:26:10,270 --> 00:26:14,107
But sometimes, it feels like it's almost
creating itself, if you know what I mean

310
00:26:14,274 --> 00:26:16,276
Yeah, like I'm discovering it

311
00:26:16,409 --> 00:26:18,678
Genuine inspiration, right?

312
00:26:18,845 --> 00:26:22,182
Now, in a dream,
our mind continuously does this

313
00:26:22,349 --> 00:26:26,986
We create and perceive
our world simultaneously

314
00:26:27,153 --> 00:26:30,590
And our mind does this so well
that we don't even know it's happening

315
00:26:30,724 --> 00:26:33,460
That allows us to get right
in the middle of that process

316
00:26:33,626 --> 00:26:36,290
How?
By taking over the creating part

317
00:26:36,162 --> 00:26:37,797
Now, this is where I need you

318
00:26:37,964 --> 00:26:40,367
You create the world of the dream

319
00:26:40,500 --> 00:26:45,905
We bring the subject into that dream,
and they fill it with their subconscious

320
00:26:46,390 --> 00:26:50,744
How could I ever acquire enough detail
to make them think that it's reality?

321
00:26:50,877 --> 00:26:54,347
Well, dreams, they feel real
while we're in them, right?

322
00:26:54,514 --> 00:26:58,251
It's only when we wake up that we realize
something was actually strange.

323
00:26:59,686 --> 00:27:01,121
Let me ask you a question

324
00:27:01,254 --> 00:27:04,691
You never really remember
the beginning of a dream, do you?

325
00:27:04,824 --> 00:27:07,894
You always wind up
right in the middle of what's going on

326
00:27:08,610 --> 00:27:09,950
I guess, yeah

327
00:27:09,262 --> 00:27:10,830
So how did we end up here?

328
00:27:11,231 --> 00:27:13,299
Well, we just came from the, uh

329
00:27:13,500 --> 00:27:16,936
Think about it, Ariadne.
How did you get here?

330
00:27:17,537 --> 00:27:19,439
Where are you right now?

331
00:27:22,742 --> 00:27:23,910
We're dreaming?

332
00:27:24,770 --> 00:27:26,513
You're in the middle
of the workshop, sleeping

333
00:27:26,680 --> 00:27:29,649
This is your first lesson
in shared dreaming. Stay calm

334
00:27:29,816 --> 00:27:31,510
[CUP RATTLING]

335
00:27:31,551 --> 00:27:33,253
[RUMBLING]

336
00:28:06,986 --> 00:28:09,122
If it's just a dream,
then why are you-?

337
00:28:09,289 --> 00:28:10,590
["NON, JE NE REGRETTE RIEN" PLAYING]

338
00:28:10,757 --> 00:28:12,492
COBB:
Because it's never just a dream, is it?

339
00:28:12,659 --> 00:28:15,962
And a face full of glass hurts like hell
When you're in it, it feels real.

340
00:28:16,129 --> 00:28:18,331
ARTHUR: That's why the military
developed dream sharing.

341
00:28:18,498 --> 00:28:22,202
It was a training program for soldiers
to shoot, stab and strangle each other.

342
00:28:22,369 --> 00:28:23,503
And then wake up

343
00:28:23,803 --> 00:28:25,605
ARIADNE:
How did architects become involved?

344
00:28:25,772 --> 00:28:28,508
COBB: Well, someone had to design
the dreams, right?

345
00:28:29,642 --> 00:28:31,978
Why don't you give us
another five minutes?

346
00:28:32,145 --> 00:28:33,246
Five minutes?

347
00:28:33,413 --> 00:28:34,447
[MUSIC STOPS]

348
00:28:34,614 --> 00:28:36,950
What-? We were talking
for, like, at least an hour

349
00:28:37,117 --> 00:28:39,352
In a dream, your mind
functions more quickly.

350
00:28:39,519 --> 00:28:42,355
Therefore time seems
to feel more slow.

351
00:28:42,522 --> 00:28:45,892
Five minutes in the real world
gives you an hour in the dream

352
00:28:46,626 --> 00:28:49,696
Why don't you see what you
can get up to in five minutes?

353
00:28:51,698 --> 00:28:53,166
[MACHINE HISSING]

354
00:28:55,602 --> 00:28:58,538
COBB: You've got the basic layout
Bookstore, café.

355
00:28:58,705 --> 00:29:00,373
Almost everything else is here too

356
00:29:00,540 --> 00:29:03,476
ARIADNE: Who are the people?
- Projections of my subconscious

357
00:29:03,643 --> 00:29:04,811
- Yours?
- Yes.

358
00:29:04,978 --> 00:29:07,514
Remember, you are the dreamer
You build this world.

359
00:29:07,681 --> 00:29:10,350
I am the subject. My mind populates it

360
00:29:10,517 --> 00:29:12,419
You can literally talk
to my subconscious.

361
00:29:12,585 --> 00:29:15,522
That's one of the ways we extract
information from the subject.

362
00:29:15,655 --> 00:29:16,923
How else do you do it?

363
00:29:17,123 --> 00:29:21,940
By creating something secure
like a bank vault or a jail.

364
00:29:21,261 --> 00:29:24,998
The mind automatically fills it
with information it's trying to protect

365
00:29:25,165 --> 00:29:27,934
- You understand?
- Then you break in and steal it?

366
00:29:28,101 --> 00:29:29,135
Well

367
00:29:29,302 --> 00:29:33,807
I guess I thought that the dream space
would be all about the visual...

368
00:29:33,973 --> 00:29:35,875
But it's more about the feel of it

369
00:29:36,309 --> 00:29:40,480
My question is what happens when you
start messing with the physics of it all?

370
00:29:42,115 --> 00:29:44,500
[RUMBLING THEN METAL GROANING]

371
00:30:21,821 --> 00:30:23,390
it's something, isn't it?

372
00:30:24,491 --> 00:30:25,792
Yes, it is

373
00:30:49,716 --> 00:30:51,251
ARIADNE:
Why are they all looking at me?

374
00:30:51,418 --> 00:30:54,921
Because my subconscious feels that
someone else is creating this world.

375
00:30:55,880 --> 00:30:59,392
The more you change things, the quicker
the projections start to converge on you.

376
00:30:59,559 --> 00:31:00,627
Converge?

377
00:31:00,794 --> 00:31:02,862
They sense the foreign nature
of the dreamer.

378
00:31:03,290 --> 00:31:05,699
They attack, like white blood cells
fighting an infection.

379
00:31:05,865 --> 00:31:08,702
- What, they're gonna attack us?
- No, no.

380
00:31:09,269 --> 00:31:10,837
Just you

381
00:31:12,720 --> 00:31:13,540
[METAL CREAKING]

382
00:31:14,741 --> 00:31:19,120
This is great, but I'm telling you,
if you keep changing things like this

383
00:31:22,515 --> 00:31:25,485
Jeez, mind telling your subconscious
to take it easy?

384
00:31:25,652 --> 00:31:28,321
It's my subconscious.
Remember? I can't control it

385
00:32:21,975 --> 00:32:23,376
Very impressive

386
00:32:35,880 --> 00:32:38,625
I know this bridge.
This place is real, isn't it?

387
00:32:38,792 --> 00:32:41,161
Yeah, I cross it every day
to get to the college.

388
00:32:41,294 --> 00:32:44,764
Never re-create places from your memory
Always imagine new places.

389
00:32:44,898 --> 00:32:46,766
You draw from stuff you know, right?

390
00:32:46,933 --> 00:32:51,137
Only use details. A streetlamp
or a phone booth. Never entire areas

391
00:32:51,304 --> 00:32:53,440
- Why not?
- Building a dream from your memory

392
00:32:53,606 --> 00:32:57,110
is the easiest way to lose your grasp
on what's real and what is a dream.

393
00:32:57,277 --> 00:32:59,346
Is that what happened to you?
Listen to me.

394
00:32:59,512 --> 00:33:01,514
This has nothing to do
with me, understand?

395
00:33:01,681 --> 00:33:03,650
That why you need me
to build your dreams?

396
00:33:03,817 --> 00:33:06,353
Hey, get off of her. Back up. Back up

397
00:33:06,519 --> 00:33:08,154
Cobb! Cobb!
Get off of her!

398
00:33:08,321 --> 00:33:10,256
Let me go! Let me go!
Mal!

399
00:33:10,757 --> 00:33:12,859
Mal!
Cobb! Wake me up!

400
00:33:13,260 --> 00:33:14,828
- Wake me up! Wake me up!
- No!

401
00:33:14,994 --> 00:33:16,496
- Mal, no! No!
- Wake me up!

402
00:33:16,663 --> 00:33:17,964
[GASPING]

403
00:33:18,131 --> 00:33:22,102
Hey, hey, hey. Look at me
You're okay. You're okay.

404
00:33:22,268 --> 00:33:25,505
- Hey.
- Why wouldn't I wake up?

405
00:33:25,805 --> 00:33:27,407
There was still time on the clock

406
00:33:27,574 --> 00:33:30,110
You can't wake up from
within the dream unless you die

407
00:33:30,276 --> 00:33:31,878
- She'll need a totem
ARIADNE: What?

408
00:33:32,450 --> 00:33:33,513
A totem, it's a small personal

409
00:33:33,680 --> 00:33:36,216
That's some subconscious
you've got on you, Cobb!

410
00:33:36,383 --> 00:33:38,218
She's a real charmer
Oh.

411
00:33:38,385 --> 00:33:41,210
I see you met Mrs. Cobb
She's his wife?

412
00:33:41,187 --> 00:33:44,924
Yeah. So a totem. You need
a small object, potentially heavy

413
00:33:45,910 --> 00:33:47,560
Something you can have on you
that no one else knows.

414
00:33:47,727 --> 00:33:48,995
ARIADNE: Like a coin?
ARTHUR: No.

415
00:33:49,162 --> 00:33:53,800
It needs to be more unique than that
Like, this is a loaded die.

416
00:33:54,901 --> 00:33:57,804
No, I can't let you touch it.
That would defeat the purpose

417
00:33:57,971 --> 00:34:02,175
See, only I know the balance and
the weight of this particular loaded die

418
00:34:02,342 --> 00:34:04,177
That way,
when you look at your totem

419
00:34:04,344 --> 00:34:07,447
...you know beyond a doubt that
you're not in someone else's dream

420
00:34:10,884 --> 00:34:15,188
I don't know if you can't see what's
going on, or if you just don't want to.

421
00:34:15,355 --> 00:34:18,892
But Cobb has some serious problems
that he's tried to bury down there.

422
00:34:19,590 --> 00:34:22,996
And I'm not about to just open my mind
to someone like that.

423
00:34:27,867 --> 00:34:28,968
[DOOR CLOSES]

424
00:34:29,135 --> 00:34:32,539
She'll he back. I've never seen anyone
pick it up that quickly before.

425
00:34:33,600 --> 00:34:37,210
Reality's not gonna be enough for her now
and when she comes back...

426
00:34:37,877 --> 00:34:40,547
When she comes back,
you're gonna have her building mazes

427
00:34:40,714 --> 00:34:42,982
- Where are you gonna be?
- I gotta go visit Eames.

428
00:34:43,149 --> 00:34:46,286
Eames? No, he's in Mombasa
it's Cobol's back yard.

429
00:34:46,453 --> 00:34:48,540
It's a necessary risk

430
00:34:48,455 --> 00:34:51,691
- Well, there's plenty of good thieves
- We don't just need a thief.

431
00:34:52,826 --> 00:34:53,860
We need a forger

432
00:35:02,569 --> 00:35:05,138
Rub them together all you want
they're not gonna breed.

433
00:35:05,705 --> 00:35:06,740
You never know

434
00:35:07,674 --> 00:35:09,709
COBB:
I'm gonna get you a drink

435
00:35:11,878 --> 00:35:13,279
You're buying

436
00:35:19,719 --> 00:35:22,550
- Your spelling hasn't improved
- Piss off.

437
00:35:22,188 --> 00:35:24,190
How's your handwriting?

438
00:35:24,324 --> 00:35:26,192
It's versatile
Good.

439
00:35:26,326 --> 00:35:27,594
Thank you very much

440
00:35:28,228 --> 00:35:29,629
Inception

441
00:35:29,829 --> 00:35:32,699
Now, before you bother telling me
it's impossible, let me-

442
00:35:32,832 --> 00:35:36,169
No, it's perfectly possible
it's just bloody difficult.

443
00:35:36,302 --> 00:35:39,606
Interesting. Because Arthur keeps
telling me it can't be done.

444
00:35:40,400 --> 00:35:43,900
Hmm. Arthur. You still working
with that stick in the mud?

445
00:35:43,176 --> 00:35:44,878
He is good at what he does, right?

446
00:35:45,450 --> 00:35:47,113
Oh, he's the best,
but he has no imagination

447
00:35:47,280 --> 00:35:48,314
Not like you

448
00:35:48,481 --> 00:35:51,451
Listen, if you're gonna perform inception
you need imagination.

449
00:35:51,618 --> 00:35:55,188
Let me ask you something
Have you done it before?

450
00:35:55,355 --> 00:35:58,992
We tried it. Uh, we got the idea in place
but it didn't take.

451
00:35:59,159 --> 00:36:02,495
- You didn't plant it deep enough?
- No, it's not just about depth.

452
00:36:02,662 --> 00:36:04,664
You need the simplest version
of the idea...

453
00:36:04,831 --> 00:36:08,501
...in order for it to grow naturally
in your subject's mind. it's a subtle art

454
00:36:08,668 --> 00:36:11,204
So, what is this idea
that you need to plant?

455
00:36:11,371 --> 00:36:15,575
We need the heir of a major corporation
to dissolve his father's empire.

456
00:36:15,742 --> 00:36:18,178
Right there you have
various political motivations

457
00:36:18,345 --> 00:36:20,347
and anti-monopolistic sentiments
and so forth.

458
00:36:20,513 --> 00:36:22,349
But all of that stuff, it's, um

459
00:36:22,515 --> 00:36:25,385
it's really at the mercy of your
subject's prejudice, you see?

460
00:36:25,552 --> 00:36:28,540
What you have to do is
start at the absolute basic

461
00:36:28,221 --> 00:36:29,789
Which is what?

462
00:36:30,290 --> 00:36:32,192
The relationship with the father

463
00:36:34,394 --> 00:36:36,620
Do you have a chemist?
No, not yet.

464
00:36:36,229 --> 00:36:39,299
Right. Okay, well,
there's a man here, Yusuf

465
00:36:39,466 --> 00:36:42,902
He, uh, formulates his own versions
of the compounds.

466
00:36:43,690 --> 00:36:44,371
Why don't you take me there?

467
00:36:44,537 --> 00:36:47,607
Once you've lost your tail
The man at the bar.

468
00:36:47,774 --> 00:36:49,242
COBB:
Cobol Engineering

469
00:36:49,409 --> 00:36:51,745
That price on my head,
was that dead or alive?

470
00:36:51,911 --> 00:36:54,447
Don't remember.
Let's see if he starts shooting

471
00:36:54,614 --> 00:36:58,251
Run interference. I'll meet you downstairs
in the bar in, say, uh, half an hour?

472
00:36:58,418 --> 00:37:00,420
Back here?
This is the last place they'd suspect

473
00:37:00,587 --> 00:37:01,855
[CHUCKLES]

474
00:37:02,956 --> 00:37:04,290
All right

475
00:37:05,458 --> 00:37:07,293
Freddy. Freddy Simmonds

476
00:37:07,460 --> 00:37:08,928
My God, it's you, isn't it?

477
00:37:10,430 --> 00:37:11,598
[GRUNTS]

478
00:37:12,465 --> 00:37:13,533
No, it isn't you

479
00:37:13,700 --> 00:37:15,135
Not dreaming now, are you?

480
00:37:15,301 --> 00:37:17,300
[GRUNTS THEN PEOPLE SHOUTING]

481
00:37:17,337 --> 00:37:18,938
MAN:
Get him!

482
00:37:34,454 --> 00:37:35,588
There!

483
00:37:53,807 --> 00:37:55,842
[WAITER SPEAKING
IN FOREIGN LANGUAGE]

484
00:37:56,760 --> 00:37:57,877
One café

485
00:38:02,182 --> 00:38:03,350
Shh

486
00:38:05,151 --> 00:38:06,953
[WAITER SHOUTING]

487
00:38:08,988 --> 00:38:10,490
One café

488
00:38:11,491 --> 00:38:12,992
One café

489
00:38:14,940 --> 00:38:15,295
[MEN SHOUTING]

490
00:38:32,612 --> 00:38:33,646
[HORN HONKS]

491
00:38:47,460 --> 00:38:48,695
[GRUNTING]

492
00:39:02,208 --> 00:39:03,510
[TIRES SCREECH]

493
00:39:07,580 --> 00:39:09,490
Care for a lift, Mr. Cobb?

494
00:39:10,650 --> 00:39:14,754
- What are you doing in Mombasa?
- I'm here to protect my investment

495
00:39:15,422 --> 00:39:16,790
[WHISTLE]

496
00:39:17,257 --> 00:39:20,193
Ah. So this is your idea
of losing a tail, huh?

497
00:39:20,360 --> 00:39:21,394
Different tail

498
00:39:24,230 --> 00:39:25,732
[ARIADNE CLEARS THROAT]

499
00:39:30,103 --> 00:39:31,838
Cobb said you’d be back

500
00:39:32,972 --> 00:39:36,509
I tried not to come, but...
But there's nothing quite like it

501
00:39:36,676 --> 00:39:38,345
it's just

502
00:39:39,846 --> 00:39:41,181
pure creation

503
00:39:41,348 --> 00:39:43,850
Shall we take a look
at some paradoxical architecture?

504
00:39:44,170 --> 00:39:46,190
ARTHUR: You're gonna have to master
a few tricks...

505
00:39:46,186 --> 00:39:49,723
If you're gonna build three complete
dream levels. Excuse me.

506
00:39:49,889 --> 00:39:51,324
ARIADNE:
What kind of tricks?

507
00:39:51,491 --> 00:39:54,994
In a dream, you can cheat architecture
into impossible shapes.

508
00:39:55,161 --> 00:39:59,650
That lets you create closed loops
like the Penrose Steps.

509
00:39:59,933 --> 00:40:01,935
The infinite staircase

510
00:40:04,637 --> 00:40:06,720
See?

511
00:40:10,243 --> 00:40:11,311
Paradox

512
00:40:11,478 --> 00:40:12,879
So a closed loop like that

513
00:40:13,460 --> 00:40:16,149
will help you disguise the boundaries
of the dream you create.

514
00:40:16,316 --> 00:40:18,284
But how big do these levels have to be?

515
00:40:18,451 --> 00:40:21,588
It could be anything
from the floor of a building to an entire city

516
00:40:21,755 --> 00:40:25,191
They have to be complicated enough
that we can hide from the projections

517
00:40:25,358 --> 00:40:26,793
- A maze?
- Right, a maze

518
00:40:26,926 --> 00:40:28,261
And the better the maze

519
00:40:28,461 --> 00:40:31,131
Then the longer we have
before the projections catch us?

520
00:40:31,297 --> 00:40:32,565
Exactly

521
00:40:33,233 --> 00:40:36,870
My subconscious seems polite enough
Ha, ha. You wait, they'll turn ugly.

522
00:40:37,370 --> 00:40:39,973
No one likes to feel someone else
messing around in their mind.

523
00:40:40,106 --> 00:40:42,208
Cobb can't build anymore, can he?

524
00:40:44,440 --> 00:40:45,912
I don't know if he can't, but he won't

525
00:40:46,460 --> 00:40:48,481
He thinks it's safer
if he doesn’t know the layouts

526
00:40:48,615 --> 00:40:49,716
why?

527
00:40:49,883 --> 00:40:52,152
He won’t tell me. But I think it's Mal

528
00:40:52,552 --> 00:40:54,888
His ex-wife?
No, not his ex

529
00:40:55,210 --> 00:40:58,224
They're still together?
No.

530
00:40:59,426 --> 00:41:00,927
No, she's dead

531
00:41:02,896 --> 00:41:05,665
What you see in there
is just his projection of her

532
00:41:09,169 --> 00:41:10,670
What was she like in real life?

533
00:41:11,304 --> 00:41:12,872
She was lovely

534
00:41:16,543 --> 00:41:18,945
YUSUF: You are seeking a chemist?
COBB: Yes.

535
00:41:19,112 --> 00:41:21,247
To formulate compounds for a job?

536
00:41:21,915 --> 00:41:23,783
And to go into the field with us

537
00:41:23,950 --> 00:41:26,186
No, I rarely go into the field, Mr. Cobb

538
00:41:26,353 --> 00:41:30,900
Well, we'd need you there to tailor
compounds specific to our needs.

539
00:41:30,256 --> 00:41:32,359
- Which are?
- Great depth

540
00:41:32,525 --> 00:41:35,795
A dream within a dream? Two levels?

541
00:41:38,565 --> 00:41:39,599
Three

542
00:41:39,766 --> 00:41:43,336
Not possible. That many dreams
within dreams is too unstable.

543
00:41:43,503 --> 00:41:47,474
It is possible.
You just have to add a sedative

544
00:41:47,640 --> 00:41:50,310
A powerful sedative

545
00:41:52,112 --> 00:41:54,347
How many team members?
Five.

546
00:41:54,514 --> 00:41:56,249
SAITO
Six.

547
00:41:57,117 --> 00:42:01,154
The only way to know you’ve done the job
is if I go in with you.

548
00:42:01,321 --> 00:42:04,424
There's no room for tourists
on a job like this, Mr. Saito.

549
00:42:04,591 --> 00:42:06,960
This time, it seems there is

550
00:42:07,894 --> 00:42:11,631
This, I think, is a good place to start
I use it every day.

551
00:42:11,798 --> 00:42:13,933
COBB: What for?
- Here, I'll show you

552
00:42:18,238 --> 00:42:19,973
Perhaps you will not want to see

553
00:42:22,909 --> 00:42:24,511
After you

554
00:42:24,711 --> 00:42:26,379
[MACHINE HISSING]

555
00:42:33,820 --> 00:42:36,823
EAMES:
Ten. Twelve. All connected. Bloody hell

556
00:42:36,990 --> 00:42:38,758
They come every day to share the dream

557
00:42:41,795 --> 00:42:44,364
You see? Very stable

558
00:42:50,700 --> 00:42:54,140
- How long do they dream for?
YUSUF: Three, four hours, each day

559
00:42:54,407 --> 00:42:55,442
In dream time?

560
00:42:55,608 --> 00:42:59,279
With this compound? About 40 hours
each and every day.

561
00:42:59,446 --> 00:43:02,749
- Why do they do it?
YUSUF: Tell him, Mr. Cobb

562
00:43:04,284 --> 00:43:06,720
After a while, it becomes
the only way you can dream

563
00:43:06,886 --> 00:43:08,822
Do you still dream, Mr. Cobb?

564
00:43:09,456 --> 00:43:12,859
- They come here every day to sleep?
MAN: No.

565
00:43:14,594 --> 00:43:17,297
They come to be woken up

566
00:43:18,298 --> 00:43:21,601
The dream has become their reality

567
00:43:22,535 --> 00:43:24,938
Who are you to say otherwise, sir?

568
00:43:27,207 --> 00:43:28,842
Let's see what you can do

569
00:43:36,316 --> 00:43:37,784
[METAL GROANING]

570
00:43:39,819 --> 00:43:41,421
You know how to find me

571
00:43:44,240 --> 00:43:46,260
You know what you have to do

572
00:43:51,264 --> 00:43:52,332
Sharp, no?

573
00:44:07,914 --> 00:44:10,784
SAITO:
Are you all right, Mr. Cobb?

574
00:44:11,317 --> 00:44:15,880
Yeah, yeah. Everything's just fine

575
00:44:23,530 --> 00:44:27,233
Robert Fischer, heir to the Fischer Morrow
energy conglomerate.

576
00:44:27,400 --> 00:44:29,302
COBB:
What's your problem with this Mr. Fischer?

577
00:44:29,469 --> 00:44:31,710
That's not your concern

578
00:44:31,471 --> 00:44:35,842
Mr. Saito, this isn't your typical
corporate espionage.

579
00:44:36,900 --> 00:44:37,610
You asked me for inception

580
00:44:37,777 --> 00:44:41,147
I do hope you understand
the gravity of that request.

581
00:44:41,314 --> 00:44:45,285
Now, the seed that we plant
in this man's mind will grow into an idea

582
00:44:45,452 --> 00:44:47,320
This idea will define him

583
00:44:47,487 --> 00:44:49,322
It may come to change

584
00:44:49,489 --> 00:44:51,791
Well, it may come to change
everything about him.

585
00:44:51,958 --> 00:44:56,296
We're the last company standing
between them and total energy dominance

586
00:44:56,463 --> 00:44:58,531
And we can no longer compete

587
00:44:58,698 --> 00:45:02,168
Soon, they'll control the energy supply
of half the world.

588
00:45:02,335 --> 00:45:04,704
In effect, they become
a new superpower.

589
00:45:06,106 --> 00:45:09,442
The world needs Robert Fischer
to change his mind.

590
00:45:09,609 --> 00:45:11,177
EAMES:
That's where we come in

591
00:45:11,344 --> 00:45:14,614
How is Robert Fischer's relationship
with his father?

592
00:45:14,781 --> 00:45:17,517
Rumor is the relationship
is quite complicated.

593
00:45:17,684 --> 00:45:20,186
Well, we can't work based
solely on rumor, can we?

594
00:45:20,353 --> 00:45:23,556
Can you get me access to this man here?
Browning.

595
00:45:23,723 --> 00:45:27,894
Fischer Senior's right-hand man
Fischer Junior's godfather.

596
00:45:28,610 --> 00:45:31,331
It should be possible,
if you can get the right references

597
00:45:31,498 --> 00:45:35,969
References are something
of a specialty for me, Mr. Saito

598
00:45:36,603 --> 00:45:39,539
BROWNING: I'm not smelling
settlement here. Take them down

599
00:45:39,706 --> 00:45:40,807
LAWYER:
Mr. Browning

600
00:45:40,974 --> 00:45:44,811
...Maurice Fischer's policy
is always one of avoiding litigation

601
00:45:47,380 --> 00:45:51,851
Well, shall we voice your concerns
with Maurice directly?

602
00:45:52,180 --> 00:45:53,420
Not sure that's necessary

603
00:45:53,586 --> 00:45:56,256
No, no, no. I think we should

604
00:46:17,544 --> 00:46:19,112
BROWNING
How is he?

605
00:46:19,946 --> 00:46:22,749
I don't want to bother him
unnecessarily, but...

606
00:46:22,882 --> 00:46:28,355
MAURICE: Robert, I told you keep out
the damn- Wait. So do it. Get-

607
00:46:28,621 --> 00:46:31,725
NURSE: Mr. Fischer.
MAURICE: Put it through

608
00:46:32,920 --> 00:46:35,695
Never, never.
Never do the same as I asked

609
00:46:36,996 --> 00:46:38,698
Leave that

610
00:46:42,369 --> 00:46:43,770
Here

611
00:46:46,600 --> 00:46:48,441
BROWNING:
Must be a cherished memory of his

612
00:46:49,509 --> 00:46:54,800
I put it beside his bed.
He hasn't even noticed

613
00:46:54,214 --> 00:46:55,915
Ruben

614
00:46:58,284 --> 00:47:00,687
we need to talk about
a power of attorney.

615
00:47:00,854 --> 00:47:04,157
I know this is hard, but it's imperative
Not now, Uncle Peter.

616
00:47:08,161 --> 00:47:09,963
EAMES:
The vultures are circling

617
00:47:10,130 --> 00:47:14,534
And the sicker Maurice Fischer becomes,
the more powerful Peter Browning becomes

618
00:47:14,701 --> 00:47:17,103
I've had ample opportunity
to observe Browning...

619
00:47:17,737 --> 00:47:22,108
And adopt his physical presence, study his
mannerisms, and so on and so forth.

620
00:47:22,275 --> 00:47:26,146
So now in the first layer of the dream
I can impersonate Browning.

621
00:47:26,312 --> 00:47:29,549
And suggest concepts
to Fischer's conscious mind

622
00:47:29,716 --> 00:47:31,551
Then, when we take him
a level deeper...

623
00:47:31,718 --> 00:47:35,221
...his own projection of Browning
should feed that right back to him

624
00:47:35,388 --> 00:47:37,323
So he gives himself the idea

625
00:47:37,490 --> 00:47:41,728
Precisely. That's the only way it will stick
It has to seem self-generated.

626
00:47:41,895 --> 00:47:45,298
Eames, I am impressed

627
00:47:45,465 --> 00:47:49,350
Your condescension, as always,
is much appreciated, Arthur, thank you

628
00:48:01,348 --> 00:48:02,549
[DOOR OPENS]

629
00:48:10,390 --> 00:48:12,392
Were you going under on your own?

630
00:48:12,559 --> 00:48:16,620
No, no, I was just, uh, running
some experiments.

631
00:48:16,229 --> 00:48:18,198
I didn't realize anyone was here, so

632
00:48:18,365 --> 00:48:21,340
Yeah, I was just-
I was working on my totem, actually

633
00:48:21,201 --> 00:48:22,369
Here, let me take a look

634
00:48:24,537 --> 00:48:25,839
So you're learning, huh?

635
00:48:26,600 --> 00:48:29,509
An elegant solution
for keeping track of reality

636
00:48:30,143 --> 00:48:32,545
- Was it your idea?
- No, it was, uh...

637
00:48:32,779 --> 00:48:34,848
It was Mal's, actually. This

638
00:48:35,548 --> 00:48:39,319
This one was hers. She would spin it
in the dream and it would never topple

639
00:48:39,519 --> 00:48:42,422
Just spin and spin

640
00:48:43,957 --> 00:48:45,892
Arthur told me she passed away

641
00:48:47,794 --> 00:48:49,863
How are the mazes coming along?

642
00:48:50,300 --> 00:48:52,966
Each level relates to the part
of the subject's subconscious.

643
00:48:53,990 --> 00:48:54,601
That we are trying to access

644
00:48:54,734 --> 00:49:00,206
So I'm making the bottom level a hospital
so Fischer will bring his father.

645
00:49:00,540 --> 00:49:03,309
You know, l- Actually, I have a question
about this layout.

646
00:49:03,476 --> 00:49:08,214
No, no, no. Don't show me specifics.
Only the dreamer should know the layout

647
00:49:08,381 --> 00:49:09,549
Why is that so important?

648
00:49:09,716 --> 00:49:11,718
In case one of us brings in
our projections.

649
00:49:11,885 --> 00:49:14,254
We don't want them knowing
the details of the maze.

650
00:49:15,622 --> 00:49:18,124
You mean in case you bring Mal in

651
00:49:18,258 --> 00:49:20,694
You can't keep her out, can you?

652
00:49:21,561 --> 00:49:23,960
- Right.
- You can't build

653
00:49:23,263 --> 00:49:26,599
because if you know the maze
then she knows it.

654
00:49:26,733 --> 00:49:28,968
Well, she'd sabotage
the whole operation.

655
00:49:29,102 --> 00:49:31,938
Cobb, do the others know?
No. No, they don't.

656
00:49:32,720 --> 00:49:34,341
You've gotta warn them
if this is getting worse.

657
00:49:34,474 --> 00:49:36,443
No one said it's getting worse

658
00:49:37,610 --> 00:49:40,947
I need to get home.
That's all I care about right now

659
00:49:41,781 --> 00:49:43,883
Why can't you go home?

660
00:49:46,953 --> 00:49:49,220
Because they think I killed her

661
00:49:52,258 --> 00:49:54,527
Thank you
For what?

662
00:49:54,728 --> 00:49:56,996
For not asking whether I did

663
00:49:57,163 --> 00:49:59,332
I will split up my father's empire

664
00:49:59,499 --> 00:50:03,703
Now, this is obviously an idea that
Robert himself would choose to reject

665
00:50:03,870 --> 00:50:06,673
which is why we need to plant it deep
in his subconscious.

666
00:50:06,840 --> 00:50:10,377
The subconscious is motivated
by emotion, right? Not reason.

667
00:50:10,543 --> 00:50:14,314
We need to find a way to translate this
into an emotional concept.

668
00:50:14,481 --> 00:50:16,916
How do you translate business strategy
into emotion?

669
00:50:17,830 --> 00:50:20,687
That's what we're here to figure out
Robert's relationship with his father.

670
00:50:20,854 --> 00:50:23,590
...is stressed, to say the least
Can we run with that?

671
00:50:23,757 --> 00:50:27,360
We suggest breaking up his father's
company as a "screw you" to the old man

672
00:50:27,527 --> 00:50:30,997
No, because I think positive emotion
trumps negative emotion every time.

673
00:50:31,398 --> 00:50:35,101
We all yearn for reconciliation,
for catharsis.

674
00:50:35,268 --> 00:50:39,390
We need Robert Fischer to have
a positive emotional reaction to all this

675
00:50:39,205 --> 00:50:41,410
All right, well, try this. Um

676
00:50:41,207 --> 00:50:45,945
"My father accepts that I want to create
for myself, not follow in his footsteps."

677
00:50:46,346 --> 00:50:47,414
That might work

678
00:50:47,580 --> 00:50:50,750
Might? We're gonna need to do
a little better than "might."

679
00:50:50,917 --> 00:50:52,886
Thank you for your contribution, Arthur

680
00:50:53,530 --> 00:50:55,989
Forgive me for wanting
a little specificity, Eames

681
00:50:56,189 --> 00:50:57,290
Specificity?

682
00:50:57,457 --> 00:50:59,292
Inception's not about being specific

683
00:50:59,459 --> 00:51:03,430
When we get inside his mind, we're
gonna have to work with what we find

684
00:51:04,731 --> 00:51:07,734
EAMES: On the top level, we open up
his relationship with his father...

685
00:51:07,901 --> 00:51:10,970
.and say, "I will not follow
in my father's footsteps."

686
00:51:11,137 --> 00:51:15,809
Then the next level down, we feed him
"I will create something for myself."

687
00:51:15,975 --> 00:51:19,312
Then, by the time we hit the bottom level
we bring out the big guns.

688
00:51:19,479 --> 00:51:21,881
- "My father doesn’t want me to be him
EAMES: Exactly.

689
00:51:22,480 --> 00:51:23,830
[MACHINE HISSING]

690
00:51:23,249 --> 00:51:27,253
Three layers down, the dreams are gonna
collapse with the slightest disturbance.

691
00:51:27,420 --> 00:51:28,588
Sedation

692
00:51:28,755 --> 00:51:31,591
For sleep stable enough to create
three layers of dreaming...

693
00:51:31,758 --> 00:51:35,662
...we'll have to combine it with
an extremely powerful sedative

694
00:51:35,995 --> 00:51:37,597
[MACHINE HISSING]

695
00:51:47,107 --> 00:51:48,174
Good night

696
00:51:48,775 --> 00:51:50,977
YUSUF: The compound we'll be using
to share the dream...

697
00:51:51,144 --> 00:51:53,113
Creates a clear connection
between dreamers...

698
00:51:53,246 --> 00:51:57,484
...whilst accelerating brain function.
In other words, more time on each level

699
00:51:57,650 --> 00:52:00,820
Brain function in the dream will be
about 20 times normal.

700
00:52:00,987 --> 00:52:04,491
And when you enter a dream within
that dream, the effect is compounded

701
00:52:04,657 --> 00:52:06,760
it's three dreams,
that's 10 hours times 20

702
00:52:06,926 --> 00:52:09,863
Math was never my strong subject
How much time is that?

703
00:52:09,996 --> 00:52:12,699
It's a week, the first level down

704
00:52:13,366 --> 00:52:16,236
Six months the second level down
and the third level-

705
00:52:16,369 --> 00:52:17,837
That's 10 years

706
00:52:20,440 --> 00:52:22,642
Who'd wanna be stuck
in a dream for 10 years?

707
00:52:23,900 --> 00:52:24,210
Depends on the dream

708
00:52:24,344 --> 00:52:26,680
So once we've made the plant
how do we get cut?

709
00:52:26,813 --> 00:52:30,183
I'm hoping you have something more
elegant than shooting me in the head.

710
00:52:30,316 --> 00:52:33,119
- A kick.
- What's a kick?

711
00:52:33,253 --> 00:52:35,989
EAMES:
This, Ariadne, would be a kick

712
00:52:38,910 --> 00:52:40,827
it's that feeling of falling you get
that jolts you awake.

713
00:52:40,994 --> 00:52:44,230
- Snaps you out of the dream.
- We gonna feel a kick with this sedation?

714
00:52:44,397 --> 00:52:45,598
YUSUF:
That's the clever part

715
00:52:45,765 --> 00:52:49,200
I customized the sedative to leave
inner-ear function unimpaired.

716
00:52:49,169 --> 00:52:54,700
That way, however deep the sleep
the sleeper still feels falling.

717
00:52:54,174 --> 00:52:56,543
Or tipping

718
00:52:57,177 --> 00:53:01,348
The trick is to synchronize a kick
that can penetrate all three levels.

719
00:53:01,881 --> 00:53:05,418
We could use a musical countdown
to synchronize the different kicks.

720
00:53:05,585 --> 00:53:07,921
["NON, JE NE REGRETTE RIEN" PLAYING]

721
00:53:13,293 --> 00:53:16,796
EAMES: He hasn't got any surgery
scheduled, no dental, nothing.

722
00:53:16,963 --> 00:53:18,965
COBB: Wasn't he supposed to have
a knee operation?

723
00:53:19,132 --> 00:53:22,369
Nothing. Nothing that they'll
put him under for, anyway. And we need

724
00:53:22,535 --> 00:53:24,471
We need at least a good 10 hours

725
00:53:24,637 --> 00:53:25,972
Sydney to Los Angeles

726
00:53:27,307 --> 00:53:31,578
One of the longest flights in the world
He makes it every two weeks.

727
00:53:31,745 --> 00:53:33,913
He must be flying private, then

728
00:53:34,414 --> 00:53:37,584
SAITO: Not if there were unexpected
maintenance with his plane.

729
00:53:37,751 --> 00:53:39,986
ARTHUR: It would have to be a 747
- Why's that?

730
00:53:40,153 --> 00:53:41,621
On a 747, the pilot’s up top

731
00:53:41,788 --> 00:53:44,991
the first-class cabin's in the nose
so no one would walk through.

732
00:53:45,158 --> 00:53:48,661
You'd have to buy out the entire cabin
and the first-class flight attendant.

733
00:53:48,828 --> 00:53:50,397
I bought the airline

734
00:53:51,965 --> 00:53:53,767
It seemed neater

735
00:53:55,368 --> 00:53:58,171
Well, looks like we have our 10 hours

736
00:53:58,838 --> 00:54:01,975
Ariadne? Terrific work, by the way

737
00:54:04,744 --> 00:54:06,446
[MACHINE HISSING]

738
00:54:49,989 --> 00:54:52,158
MAL:
You know how to find me

739
00:54:53,626 --> 00:54:55,950
You know what you have to do

740
00:54:58,898 --> 00:55:02,369
You remember when you asked me
to marry you?

741
00:55:03,236 --> 00:55:05,271
Of course I do

742
00:55:06,373 --> 00:55:08,875
You said you had a dream

743
00:55:11,811 --> 00:55:14,614
That we'd grow old together

744
00:55:16,160 --> 00:55:17,751
And we can

745
00:55:24,391 --> 00:55:26,359
COBB:
You shouldn’t be here

746
00:55:30,130 --> 00:55:33,600
Just wanted to see what kind of tests
you're doing on your own every night.

747
00:55:33,767 --> 00:55:36,970
This has nothing to do with you.
This has everything to do with me

748
00:55:37,137 --> 00:55:42,942
- You've asked me to share dreams with you
- Not these. These are my dreams.

749
00:55:53,820 --> 00:55:56,222
ARIADNE:
Why do you do this to yourself?

750
00:55:56,389 --> 00:55:59,325
It's the only way I can still dream

751
00:56:01,940 --> 00:56:03,296
Why is it so important to dream?

752
00:56:04,197 --> 00:56:06,466
In my dreams, we're still together

753
00:56:20,814 --> 00:56:22,549
These aren't just dreams

754
00:56:24,351 --> 00:56:27,387
These are memories.
And you said never to use memories

755
00:56:27,554 --> 00:56:28,621
I know I did

756
00:56:29,255 --> 00:56:33,793
You're trying to keep her alive
You can't let her go.

757
00:56:33,960 --> 00:56:36,963
You don't understand.
These are moments I regret

758
00:56:37,130 --> 00:56:39,699
They're memories that I have to change

759
00:56:40,934 --> 00:56:43,403
Well, what's down there that you regret?

760
00:56:43,803 --> 00:56:46,940
Listen, there's only one thing
you need to understand about me

761
00:56:55,415 --> 00:56:57,170
ARIADNE:
This is your house?

762
00:56:57,684 --> 00:57:00,153
Mine and Mal's, yes

763
00:57:00,320 --> 00:57:02,220
Where is she?

764
00:57:02,689 --> 00:57:04,691
She's already gone

765
00:57:09,429 --> 00:57:10,964
That's my son, James

766
00:57:11,131 --> 00:57:14,234
He's digging for something
maybe a worm.

767
00:57:14,401 --> 00:57:15,435
[JAMES GIGGLING]

768
00:57:15,602 --> 00:57:16,736
That's Phillipa

769
00:57:17,270 --> 00:57:19,139
I thought about calling out to them

770
00:57:19,305 --> 00:57:22,750
so they'd turn and smile
and I could see...

771
00:57:22,776 --> 00:57:27,914
Those beautiful faces of theirs
but it's all too late.

772
00:57:28,810 --> 00:57:30,917
MAN:
Right now or never, Cobb

773
00:57:35,388 --> 00:57:37,190
COBB:
Then I start to panic

774
00:57:37,357 --> 00:57:40,600
I realize I'm gonna regret this moment

775
00:57:40,894 --> 00:57:43,263
that I need to see their faces
one last time.

776
00:57:43,396 --> 00:57:45,899
WOMAN:
James! Phillipa! Come on in!

777
00:57:46,660 --> 00:57:48,101
COBB:
But the moment's past

778
00:57:50,303 --> 00:57:53,707
And whatever I do,
I can't change this moment

779
00:57:54,574 --> 00:57:56,743
As I'm about to call out to them

780
00:57:57,777 --> 00:57:58,878
they run away

781
00:58:01,614 --> 00:58:04,918
If I'm ever gonna see their faces again
I've gotta get back home.

782
00:58:05,919 --> 00:58:07,420
The real world

783
00:58:13,590 --> 00:58:14,728
[TRAIN APPROACHING]

784
00:58:36,483 --> 00:58:38,485
[SIREN WAILING IN THE DISTANCE]

785
00:58:49,290 --> 00:58:50,497
What are you doing here?

786
00:58:51,331 --> 00:58:52,432
My name is

787
00:58:52,599 --> 00:58:55,902
I know who you are.
What are you doing here?

788
00:59:04,770 --> 00:59:06,513
I'm just trying to understand

789
00:59:06,680 --> 00:59:08,815
How could you understand?

790
00:59:10,160 --> 00:59:12,152
Do you know what it is to be a lover?

791
00:59:14,154 --> 00:59:16,289
To be half of a whole?

792
00:59:17,524 --> 00:59:19,920
O

793
00:59:20,560 --> 00:59:22,562
I'll tell you a riddle

794
00:59:24,300 --> 00:59:26,332
You're waiting for a train

795
00:59:27,367 --> 00:59:30,537
A train that will take you far away

796
00:59:31,905 --> 00:59:34,874
You know where you hope
this train will take you...

797
00:59:35,909 --> 00:59:38,178
But you don't know for sure

798
00:59:38,345 --> 00:59:40,246
But it doesn’t matter

799
00:59:41,214 --> 00:59:44,617
How can it not matter to you
where that train will take you?

800
00:59:44,784 --> 00:59:46,553
COBB:
Because you'll be together

801
00:59:47,587 --> 00:59:50,690
MAL: How could you bring her here, Dom?
- What is this place?

802
00:59:51,910 --> 00:59:54,260
This is a hotel suite where we
used to spend our anniversary

803
00:59:54,427 --> 00:59:55,762
What happened here?

804
00:59:57,664 --> 01:00:00,500
You promised!
You promised we'd be together!

805
01:00:00,934 --> 01:00:03,200
Please, I need you to stay here
just for now!

806
01:00:03,169 --> 01:00:06,406
You said we'd be together!
You said we'd grow old together!

807
01:00:06,573 --> 01:00:09,420
I'll come back for you. I promise

808
01:00:09,209 --> 01:00:10,710
[YELLING]

809
01:00:27,260 --> 01:00:32,665
Do you think you can just build
a prison of memories to lock her in?

810
01:00:33,266 --> 01:00:35,668
Dc you really think that
that's gonna contain her?

811
01:00:36,536 --> 01:00:37,837
SAITO:
it's time

812
01:00:39,390 --> 01:00:41,408
Maurice Fischer just died in Sydney

813
01:00:41,541 --> 01:00:43,710
- When's the funeral?
- Thursday. In Los Angeles

814
01:00:43,877 --> 01:00:47,180
Robert should accompany the body
no later than Tuesday. We should move

815
01:00:47,313 --> 01:00:48,815
All right

816
01:00:49,382 --> 01:00:52,419
Cobb, I'm coming with you
I promised Miles. No.

817
01:00:52,585 --> 01:00:55,755
The team needs someone who
understands what you're struggling with

818
01:00:58,291 --> 01:01:00,493
And it doesn’t have to be me

819
01:01:00,627 --> 01:01:03,963
but then you have to show Arthur
what I just saw.

820
01:01:09,736 --> 01:01:11,438
Get us another seat on the plane

821
01:01:15,508 --> 01:01:18,545
COBB: If I get on this plane
and you don't honor our agreement

822
01:01:18,712 --> 01:01:22,382
...when we land,
I go to jail for the rest of my life

823
01:01:23,490 --> 01:01:25,251
Complete the job en route

824
01:01:25,418 --> 01:01:27,887
I make one phone call from the plane

825
01:01:28,540 --> 01:01:30,957
...you have no trouble
getting through Immigration

826
01:01:44,704 --> 01:01:47,207
I'm sorry.
Oh, yeah, absolutely

827
01:01:47,374 --> 01:01:48,942
Thank you

828
01:02:22,542 --> 01:02:25,845
Excuse me, I think this is yours?
You must have dropped it.

829
01:02:26,120 --> 01:02:27,914
FLIGHT ATTENDANT:
Would you care for a drink?

830
01:02:28,810 --> 01:02:29,382
Oh. Water, please

831
01:02:29,549 --> 01:02:31,851
Oh, um, same, please

832
01:02:32,819 --> 01:02:34,120
um

833
01:02:34,854 --> 01:02:35,955
Thank you

834
01:02:36,122 --> 01:02:37,991
You know, I couldn't help but notice

835
01:02:38,158 --> 01:02:41,761
but you wouldn't happen to be related
to the Maurice Fischer, would you?

836
01:02:41,928 --> 01:02:43,430
Yes, he, um

837
01:02:44,364 --> 01:02:46,366
He was my father

838
01:02:46,800 --> 01:02:50,837
Well, he was a very inspiring figure
I'm sorry for your loss.

839
01:02:53,807 --> 01:02:55,475
Here you go
Thank you.

840
01:02:55,642 --> 01:02:56,976
COBB
Hey.

841
01:02:57,377 --> 01:02:59,120
To your father

842
01:02:59,612 --> 01:03:01,848
May he rest in peace, huh?

843
01:03:53,333 --> 01:03:54,868
[MACHINE HISSING]

844
01:04:05,679 --> 01:04:07,130
[HORN HONKS]

845
01:04:10,350 --> 01:04:12,652
Couldn't have peed before you went under?
Sorry.

846
01:04:12,819 --> 01:04:14,888
Bit too much free champagne
before takeoff?

847
01:04:15,550 --> 01:04:16,156
Ha, ha, bloody ha

848
01:04:16,322 --> 01:04:19,292
We know he's gonna be looking for a taxi
in this weather.

849
01:04:30,970 --> 01:04:35,800
- ***hole! Hey, man, why don't you try-?
- Walk away.

850
01:04:47,120 --> 01:04:49,456
[MAN SINGING IN FOREIGN LANGUAGE
ON RADIO]

851
01:04:49,622 --> 01:04:50,724
[TURNS OFF RADIO]

852
01:04:50,890 --> 01:04:52,292
Just have him ca- I gotta go

853
01:04:52,459 --> 01:04:54,594
All right. Taxi. Thank you

854
01:04:57,530 --> 01:05:00,400
All right, Third and Market. Snappy

855
01:05:00,967 --> 01:05:03,303
- What are you doing?
- Sorry, I thought it was free

856
01:05:03,470 --> 01:05:04,971
it's not.
Maybe we could share

857
01:05:05,138 --> 01:05:07,974
Maybe not.
Can you pull over and get this-?

858
01:05:10,944 --> 01:05:12,278
Great

859
01:05:17,217 --> 01:05:18,685
Come on

860
01:05:29,796 --> 01:05:32,432
There's $500 in there.
The wallet's worth more than that

861
01:05:32,599 --> 01:05:34,300
You might at least
drop me at my stop

862
01:05:34,467 --> 01:05:35,568
I'm afraid that it doesn’t

863
01:05:35,735 --> 01:05:37,303
[GUNFIRE THEN EAMES GRUNTS]

864
01:05:38,571 --> 01:05:40,240
[TIRES SCREECHING]

865
01:05:45,278 --> 01:05:47,800
- Cover him!
EAMES: Down! Down now!

866
01:05:47,247 --> 01:05:48,882
What the hell is going on?

867
01:05:52,619 --> 01:05:54,854
ARIADNE:
This wasn't in the design

868
01:05:55,789 --> 01:05:57,157
Cobb?

869
01:05:57,390 --> 01:05:58,425
Cobb?

870
01:06:03,897 --> 01:06:05,465
[GUNFIRE]

871
01:06:42,102 --> 01:06:43,269
[YELLS]

872
01:06:49,376 --> 01:06:50,577
Get him!

873
01:06:57,250 --> 01:06:58,685
Are you all right?

874
01:06:58,885 --> 01:07:01,540
Yeah, I'm okay. I'm okay

875
01:07:01,221 --> 01:07:03,123
Fischer's okay, unless he gets carsick

876
01:07:03,289 --> 01:07:04,524
Saito?

877
01:07:23,443 --> 01:07:25,578
COBB:
Get Fischer in the back room now

878
01:07:25,879 --> 01:07:28,581
- Get him in the back room. Move.
ARTHUR: What the hell happened?

879
01:07:29,150 --> 01:07:30,483
COBB:
Has he been shot? Is he dying?

880
01:07:30,650 --> 01:07:32,385
ARTHUR: I don't know
- Jesus Christ.

881
01:07:32,552 --> 01:07:34,988
ARTHUR: What happened to you?
- Blocked by a freight train.

882
01:07:35,155 --> 01:07:37,123
Why put a train
in a downtown intersection?

883
01:07:37,290 --> 01:07:38,892
- I didn't.
ARTHUR: Where'd it come from?

884
01:07:39,590 --> 01:07:40,727
Why the hell were we ambushed?

885
01:07:40,894 --> 01:07:44,297
Those were not normal projections.
They'd been trained, for God's sakes

886
01:07:44,464 --> 01:07:47,330
How could he be trained?
Fischer's had an extractor

887
01:07:47,200 --> 01:07:51,404
teach his subconscious to defend itself
so his subconscious is militarized.

888
01:07:51,571 --> 01:07:53,206
It should've shown in the research

889
01:07:53,373 --> 01:07:55,175
COBB: Why the hell didn't it?
- Calm down.

890
01:07:55,342 --> 01:07:56,676
COBB:
Don’t tell me to calm down!

891
01:07:56,843 --> 01:07:59,779
This was your job, goddamn it!
This was your responsibility!

892
01:07:59,946 --> 01:08:02,150
You were meant to check
Fischer's background!

893
01:08:02,182 --> 01:08:05,518
- We are not prepared for this!
- We have dealt with sub-security before!

894
01:08:05,685 --> 01:08:07,787
We'll be more careful
and we're gonna be fine!

895
01:08:07,954 --> 01:08:09,756
This was not a part of the plan!
He's dying.

896
01:08:09,923 --> 01:08:10,990
Put him out his misery

897
01:08:11,157 --> 01:08:13,993
No, don't do that! Don’t do that
Cobb, hey, hey.

898
01:08:14,160 --> 01:08:16,262
He's in agony. I'm waking him up

899
01:08:16,429 --> 01:08:18,331
No. It won't wake him up

900
01:08:18,498 --> 01:08:22,102
What do you mean, it won't wake him up?
When we die in a dream, we wake up.

901
01:08:22,268 --> 01:08:23,536
Not from this

902
01:08:23,703 --> 01:08:26,239
We're too heavily sedated
to wake up that way.

903
01:08:26,840 --> 01:08:28,541
Right. Sc, what happens when we die?

904
01:08:28,708 --> 01:08:30,543
- We drop into limbo
- Are you serious?

905
01:08:30,710 --> 01:08:33,246
- Limbo?
ARTHUR: Unconstructed dream space

906
01:08:33,413 --> 01:08:36,683
ARIADNE: Well, what the hell is down there?
- Just raw, infinite subconscious.

907
01:08:36,850 --> 01:08:40,530
Nothing is down there, except for
what might have been left behind..

908
01:08:40,220 --> 01:08:43,156
...by anyone sharing the dream
who's been trapped there before

909
01:08:43,289 --> 01:08:45,191
Which, in our case, is just you

910
01:08:45,358 --> 01:08:48,610
- How long could we be stuck?
YUSUF: Can't even think about

911
01:08:48,228 --> 01:08:50,663
...trying to escape until the sedation
How long?

912
01:08:50,797 --> 01:08:54,340
Decades. It could be infinite.
Ask him, he's the one who's been there

913
01:08:54,200 --> 01:08:55,402
ARTHUR:
Let's get him upstairs

914
01:08:55,568 --> 01:08:56,903
[GROANING]

915
01:08:57,370 --> 01:08:58,505
Great

916
01:08:59,472 --> 01:09:00,974
Thank you

917
01:09:01,641 --> 01:09:04,911
So now we're trapped in Fischer's mind
battling his own private army.

918
01:09:05,450 --> 01:09:06,546
And if we get killed

919
01:09:06,680 --> 01:09:09,949
we'll be lost in limbo till our brains
turn to scrambled egg, hmm?

920
01:09:16,823 --> 01:09:18,692
ARTHUR:
Someone got first aid?

921
01:09:20,927 --> 01:09:24,397
- You knew these risks and didn't tell us?
- There weren't meant to be risks.

922
01:09:24,564 --> 01:09:27,534
- I didn't know we'd be dealing with gunfire
- You had no right.

923
01:09:27,667 --> 01:09:30,360
This was the only way
to go three layers deep

924
01:09:30,170 --> 01:09:32,238
You knew about this
and went along with it?

925
01:09:32,372 --> 01:09:33,440
I trusted him

926
01:09:33,573 --> 01:09:35,508
When? When he promised you
half his share?

927
01:09:35,642 --> 01:09:38,945
No. His whole share.
Besides, he said he'd done it before

928
01:09:39,112 --> 01:09:41,181
What, with Mal?
Because that worked so good?

929
01:09:41,348 --> 01:09:44,784
That has nothing to do with it.
I did what I had to, to get to my children

930
01:09:44,951 --> 01:09:46,853
You led us into a war zone
with no way cut?

931
01:09:47,200 --> 01:09:51,570
There is a way cut. We continue on with
the job, and we do it as fast as possible..

932
01:09:51,224 --> 01:09:53,560
And we get out using the kick
just like before.

933
01:09:53,727 --> 01:09:56,196
Forget it. We go any deeper
we just raise the stakes.

934
01:09:56,363 --> 01:09:58,231
I am sitting this one out on this level

935
01:09:58,398 --> 01:10:00,834
COBB: Fischer's security
is surrounding this place.

936
01:10:01,000 --> 01:10:03,269
Ten hours of flight time
is a week at this level.

937
01:10:03,436 --> 01:10:07,173
That means each and every one of us
will be killed. That I can guarantee you

938
01:10:07,774 --> 01:10:11,544
We have no other choice but to continue on
and do it as fast as possible.

939
01:10:13,146 --> 01:10:15,582
Downwards is the only way forwards

940
01:10:17,150 --> 01:10:18,284
Get ready

941
01:10:18,451 --> 01:10:20,653
You, come on. Let's go shake him up

942
01:10:25,492 --> 01:10:28,528
I'm insured against kidnapping
for up to 10 million.

943
01:10:28,695 --> 01:10:31,631
- This should be very simple
COBB: Shut up! It won't be.

944
01:10:31,798 --> 01:10:34,670
ARTHUR: In your father's office
below the bookshelves...

945
01:10:34,234 --> 01:10:36,302
...is his personal safe.
We need the combination

946
01:10:36,469 --> 01:10:37,504
[SIGHS]

947
01:10:37,671 --> 01:10:39,720
I don't know any safe

948
01:10:39,272 --> 01:10:42,142
COBB: That doesn't mean
you don't know the combination

949
01:10:43,777 --> 01:10:45,111
Tell us what it is

950
01:10:45,979 --> 01:10:47,714
I don't know

951
01:10:52,652 --> 01:10:54,788
We have it on good authority
you do know.

952
01:10:54,954 --> 01:10:57,290
Yeah? Whose authority?

953
01:10:58,792 --> 01:11:02,295
- Five hundred dollars, this cost
EAMES: What's inside it?

954
01:11:02,562 --> 01:11:06,332
Cash, cards, ID. And this

955
01:11:11,371 --> 01:11:12,872
Useful?

956
01:11:13,606 --> 01:11:14,641
Maybe

957
01:11:15,108 --> 01:11:16,910
You're on. You've got an hour

958
01:11:17,310 --> 01:11:18,345
An hour?

959
01:11:19,646 --> 01:11:21,915
I was supposed to have all night
to crack this.

960
01:11:22,820 --> 01:11:24,684
And Saito wasn't supposed
to be shot in the chest.

961
01:11:24,851 --> 01:11:28,210
You've got one hour,
now get us something useful, please

962
01:11:28,888 --> 01:11:30,390
[SCREAMING]

963
01:11:30,557 --> 01:11:32,992
- What's that?
- Good authority

964
01:11:37,230 --> 01:11:38,932
Uncle Peter

965
01:11:39,632 --> 01:11:41,768
Just make them stop

966
01:11:42,680 --> 01:11:44,437
The combination
I don't know it.

967
01:11:44,571 --> 01:11:47,240
- Why does Browning say you do?
- I don't know.

968
01:11:47,407 --> 01:11:49,909
Just let me talk to him
and I'll find cut.

969
01:11:52,245 --> 01:11:54,981
You have one hour. Start talking

970
01:11:56,950 --> 01:11:58,151
FISCHER:
You all right?

971
01:11:58,318 --> 01:11:59,886
[GROANING]

972
01:12:00,530 --> 01:12:01,388
You okay?

973
01:12:05,580 --> 01:12:08,762
Those bastards have had at me
for two days.

974
01:12:09,396 --> 01:12:11,898
They have someone with access
to your father's office.

975
01:12:12,320 --> 01:12:13,933
- They're trying to open his safe
- Yeah.

976
01:12:14,670 --> 01:12:16,836
They thought I'd know the combination
but I don't know it.

977
01:12:16,970 --> 01:12:19,739
- Yeah, well, neither do I, so
- What?

978
01:12:20,473 --> 01:12:23,743
Maurice told me that when he passed
you were the only one able to open it

979
01:12:23,877 --> 01:12:26,446
No, he never gave me any combination

980
01:12:27,180 --> 01:12:31,317
Maybe he did. I mean, maybe you
just didn't know it was a combination

981
01:12:31,484 --> 01:12:32,686
Well, what, then?

982
01:12:32,852 --> 01:12:35,388
I don't know, some meaningful
combination of numbers...

983
01:12:35,555 --> 01:12:39,492
Based on your experiences
with Maurice.

984
01:12:41,194 --> 01:12:45,131
We didn't have very many, uh,
meaningful experiences together

985
01:12:45,865 --> 01:12:47,333
Perhaps after your mother died

986
01:12:50,300 --> 01:12:52,138
After my mother died,
you know what he told me?

987
01:12:54,441 --> 01:12:59,412
"Robert,
there's really nothing to be said

988
01:12:59,579 --> 01:13:01,915
Oh, well, he was had with emotion

989
01:13:02,820 --> 01:13:04,784
I was 11, Uncle Peter

990
01:13:05,552 --> 01:13:08,788
How's he doing?
He's in a lot of pain

991
01:13:08,955 --> 01:13:12,559
When we get down to the lower levels
the pain will be less intense.

992
01:13:12,726 --> 01:13:13,960
And if he dies?

993
01:13:15,128 --> 01:13:16,596
Worst-case scenario?

994
01:13:16,763 --> 01:13:19,466
When he wakes up,
his mind is completely gone

995
01:13:19,632 --> 01:13:23,703
Cobb, I'll still honor the arrangement

996
01:13:23,870 --> 01:13:25,572
COBB:
I appreciate that, Saito

997
01:13:25,739 --> 01:13:29,809
But when you wake up, you won't even
remember that we had an arrangement.

998
01:13:29,976 --> 01:13:32,120
Limbo is gonna become your reality

999
01:13:32,178 --> 01:13:35,949
You're gonna be lost down there so long
that you're gonna become an old man.

1000
01:13:36,416 --> 01:13:37,751
Filled with regret?

1001
01:13:39,185 --> 01:13:40,286
Waiting to die alone

1002
01:13:40,954 --> 01:13:42,550
O

1003
01:13:42,622 --> 01:13:44,257
I'll come back

1004
01:13:45,580 --> 01:13:47,727
And we'll be young men together again

1005
01:13:53,700 --> 01:13:54,768
Breathe

1006
01:13:54,934 --> 01:13:57,971
These people are gonna kill us
if we don't give them the combination

1007
01:13:58,138 --> 01:14:00,400
They just wanna ransom us
I heard them.

1008
01:14:00,206 --> 01:14:04,110
They're gonna lock us in that van
and then drive it into the river.

1009
01:14:04,277 --> 01:14:05,745
All right. What is in the safe?

1010
01:14:06,846 --> 01:14:08,140
Something for you

1011
01:14:08,648 --> 01:14:12,786
Maurice always said
it was his most precious gift to you

1012
01:14:13,520 --> 01:14:16,589
- A will.
- Maurice's will is with Port and Dunn

1013
01:14:16,756 --> 01:14:17,991
That's an alternate

1014
01:14:18,158 --> 01:14:20,527
This would supersede the other
if you want it to.

1015
01:14:20,694 --> 01:14:23,329
It splits up the component businesses
of Fischer Morrow.

1016
01:14:23,496 --> 01:14:27,200
It'd be the end of the entire empire
as we know it.

1017
01:14:27,367 --> 01:14:29,836
Destroying my whole inheritance?

1018
01:14:31,504 --> 01:14:34,674
- Why would he suggest such a thing?
- I just don't know.

1019
01:14:37,544 --> 01:14:39,546
He loved you, Robert

1020
01:14:40,800 --> 01:14:41,715
In his own way

1021
01:14:41,881 --> 01:14:43,683
FISCHER:
In his own way

1022
01:14:44,984 --> 01:14:46,519
At the end

1023
01:14:47,654 --> 01:14:50,230
he called me into his deathbed

1024
01:14:50,490 --> 01:14:52,359
He could barely speak

1025
01:14:53,393 --> 01:14:57,664
But he took the trouble
to tell me one last thing

1026
01:15:00,133 --> 01:15:01,768
He pulled me close

1027
01:15:04,437 --> 01:15:06,539
And I could only make out

1028
01:15:07,407 --> 01:15:08,875
one word

1029
01:15:12,545 --> 01:15:14,547
Disappointed

1030
01:15:18,685 --> 01:15:20,200
[SIGHS]

1031
01:15:20,153 --> 01:15:21,388
When were you in limbo?

1032
01:15:22,922 --> 01:15:26,459
You might have the rest of the team
convinced to carry on with this job.

1033
01:15:26,626 --> 01:15:28,995
But they don't know the truth
Truth? What truth?

1034
01:15:29,195 --> 01:15:33,333
The truth that, at any minute, you might
bring a freight train through the wall.

1035
01:15:33,500 --> 01:15:37,570
The truth that Mal is bursting
through your subconscious.

1036
01:15:37,737 --> 01:15:40,140
And the truth that,
as we go deeper into Fischer

1037
01:15:40,306 --> 01:15:42,108
we're also going deeper into you

1038
01:15:42,942 --> 01:15:46,212
And I'm not sure
we're gonna like what we find

1039
01:15:50,216 --> 01:15:51,685
We were working together

1040
01:15:51,851 --> 01:15:55,522
We were exploring the concept
of a dream within a dream.

1041
01:15:55,722 --> 01:15:56,990
I kept pushing things

1042
01:15:57,157 --> 01:16:00,827
I wanted to go deeper and deeper
I wanted to go further.

1043
01:16:01,327 --> 01:16:06,199
I just didn't understand the concept that
hours could turn into years down there...

1044
01:16:06,366 --> 01:16:09,102
That we could get trapped so deep

1045
01:16:09,936 --> 01:16:13,239
that when we wound up on the shore
of our own subconscious...

1046
01:16:13,840 --> 01:16:16,376
We lost sight of what was real

1047
01:16:22,449 --> 01:16:25,180
We created.
We built the world for ourselves

1048
01:16:26,653 --> 01:16:28,655
We did that for years

1049
01:16:29,789 --> 01:16:31,758
We built our own world

1050
01:16:33,126 --> 01:16:34,828
How long were you stuck there?

1051
01:16:35,995 --> 01:16:38,980
Something like 50 years

1052
01:16:41,501 --> 01:16:42,669
Jesus

1053
01:16:44,971 --> 01:16:46,306
How could you stand it?

1054
01:16:46,473 --> 01:16:49,109
It wasn't so had at first
feeling like gods.

1055
01:16:49,175 --> 01:16:50,910
The problem was knowing
that none of it was real.

1056
01:16:50,944 --> 01:16:55,348
Eventually, it just became impossible
for me to live like that.

1057
01:16:55,515 --> 01:16:56,916
And what about for her?

1058
01:17:00,387 --> 01:17:04,290
She had locked something away,
something deep inside her.

1059
01:17:05,692 --> 01:17:10,930
A truth that she had once known,
but chose to forget.

1060
01:17:13,867 --> 01:17:16,369
Limbo became her reality.

1061
01:17:17,704 --> 01:17:19,506
What happened when you woke up?

1062
01:17:20,400 --> 01:17:23,710
Well, to wake up from that
after years, after decades...

1063
01:17:24,778 --> 01:17:29,282
...to become old souls thrown back
into youth like that?

1064
01:17:30,183 --> 01:17:33,953
I knew something was wrong with her.
She just wouldn't admit it.

1065
01:17:35,321 --> 01:17:37,590
Eventually, she told me the truth.

1066
01:17:38,240 --> 01:17:41,394
She was possessed by an idea.

1067
01:17:41,561 --> 01:17:47,267
This one very simple idea
that changed everything.

1068
01:17:48,401 --> 01:17:50,870
That our world wasn't real.

1069
01:17:51,805 --> 01:17:56,760
That she needed to wake up
to come back to reality...

1070
01:17:56,609 --> 01:17:58,978
...that in order to get back home...

1071
01:18:00,213 --> 01:18:02,150
...we had to kill ourselves.

1072
01:18:08,655 --> 01:18:12,125
- What about your children?
- She thought they were projections...

1073
01:18:12,292 --> 01:18:15,295
...that our real children were waiting
for us up there somewhere.

1074
01:18:15,462 --> 01:18:17,163
MAL: I'm their mother!
COBB: Calm down.

1075
01:18:17,330 --> 01:18:18,598
I can tell the difference.

1076
01:18:18,765 --> 01:18:21,134
If this is my dream,
why can't I control this?

1077
01:18:21,267 --> 01:18:22,969
You don't know you're dreaming!

1078
01:18:23,136 --> 01:18:25,372
COBB: She was certain
there was nothing I could do...

1079
01:18:25,505 --> 01:18:29,376
...no matter how much I begged,
no matter how much I pleaded.

1080
01:18:32,345 --> 01:18:35,382
She wanted to do it,
but she could not do it alone.

1081
01:18:35,548 --> 01:18:42,550
She loved me too much, so she came up
with a plan on our anniversary.

1082
01:19:08,114 --> 01:19:10,917
- Sweetheart, what are you doing?
- Join me.

1083
01:19:11,840 --> 01:19:15,355
Just- Just step back inside. All right?
Just step back inside now, come on.

1084
01:19:15,522 --> 01:19:19,959
No. I'm going to jump,
and you're coming with me.

1085
01:19:20,126 --> 01:19:21,828
No, I'm not.

1086
01:19:21,995 --> 01:19:24,970
Now, you listen to me.

1087
01:19:24,698 --> 01:19:28,935
If you jump, you're not gonna wake up,
remember? You're gonna die.

1088
01:19:29,102 --> 01:19:31,370
Now, just step back inside.

1089
01:19:31,204 --> 01:19:33,940
Come on. Step back inside
so we can talk about this.

1090
01:19:34,107 --> 01:19:36,420
We've talked enough.

1091
01:19:38,111 --> 01:19:39,779
- Mal.
- Come out onto the ledge...

1092
01:19:39,946 --> 01:19:42,649
- ...or I'll jump right now.
- Okay.

1093
01:19:46,920 --> 01:19:48,722
We're gonna talk about this.

1094
01:19:49,589 --> 01:19:50,757
All right?

1095
01:19:50,924 --> 01:19:55,995
- I'm asking you to take a leap of faith.
- No, honey.

1096
01:19:56,963 --> 01:19:59,966
No, I can't. You know I can't do that.

1097
01:20:00,133 --> 01:20:02,902
Take a second, think about our children.

1098
01:20:03,690 --> 01:20:04,804
Think about James.

1099
01:20:05,538 --> 01:20:07,173
Think about Phillipa, now.

1100
01:20:07,340 --> 01:20:10,276
If I go without you,
they'll take them away anyway.

1101
01:20:10,443 --> 01:20:13,747
- What does that mean?
- I filed a letter with our attorney...

1102
01:20:14,180 --> 01:20:17,517
...explaining how I'm fearful
for my safety.

1103
01:20:19,753 --> 01:20:21,888
How you've threatened to kill me.

1104
01:20:24,691 --> 01:20:27,327
- Why did you do this?
- I love you, Dom.

1105
01:20:27,494 --> 01:20:29,262
Why did-? Why would you do this to me?

1106
01:20:29,429 --> 01:20:32,332
I've freed you from the guilt
of choosing to leave them.

1107
01:20:32,465 --> 01:20:35,535
We're going home to our real children.

1108
01:20:35,702 --> 01:20:39,339
Oh, no, no, no, Mal, you listen to me,
all right? Mal, look at me, please?

1109
01:20:39,506 --> 01:20:40,807
You're waiting for a train.

1110
01:20:41,307 --> 01:20:44,878
- Mal, goddamn it, don't do this!
- A train that will take you far away.

1111
01:20:45,450 --> 01:20:47,470
James and Phillipa are waiting for you!

1112
01:20:47,213 --> 01:20:51,510
You know where you hope this train
will take you, but you can't know for sure.

1113
01:20:51,217 --> 01:20:53,420
- Mal, look at me!
- But it doesn't matter.

1114
01:20:53,586 --> 01:20:56,790
- Mal, goddamn it! Mal, listen to me!
- Because you'll be together.

1115
01:20:56,956 --> 01:21:00,794
Sweetheart! Look at me! Mal, no!

1116
01:21:00,960 --> 01:21:02,395
Jesus Christ!

1117
01:21:05,899 --> 01:21:09,636
She had herself declared sane
by three different psychiatrists.

1118
01:21:09,803 --> 01:21:14,700
It made it impossible for me to try
to explain the nature of her madness.

1119
01:21:14,174 --> 01:21:15,408
So I ran.

1120
01:21:15,575 --> 01:21:17,770
[CHILDREN GIGGLING]

1121
01:21:17,243 --> 01:21:19,479
MAN:
Right now, or never, Cobb.

1122
01:21:25,852 --> 01:21:30,490
WOMAN:
James! Phillipa! Come on in! Come on!

1123
01:21:30,757 --> 01:21:31,825
All right, let's go.

1124
01:21:32,359 --> 01:21:36,162
I left my children behind and I've been
trying to buy my way back ever since.

1125
01:21:36,730 --> 01:21:40,600
Your guilt defines her.
It's what powers her.

1126
01:21:40,767 --> 01:21:44,700
But you are not responsible
for the idea that destroyed her.

1127
01:21:45,305 --> 01:21:47,874
And if we are gonna succeed in this...

1128
01:21:48,410 --> 01:21:53,130
...you have to forgive yourself,
and you're gonna have to confront her.

1129
01:21:53,179 --> 01:21:55,150
But you don't have to do that alone.

1130
01:21:55,181 --> 01:21:57,450
- No, you're not...
- I'm doing it for the others.

1131
01:21:58,118 --> 01:22:03,223
Because they have no idea the risk
they've taken coming down here with you.

1132
01:22:08,294 --> 01:22:09,796
We have to move.

1133
01:22:09,963 --> 01:22:11,398
Time's up.

1134
01:22:11,564 --> 01:22:14,300
All right. I don't know any combination.

1135
01:22:14,467 --> 01:22:17,570
- Not consciously, anyway.
COBB: How about instinctively, huh?

1136
01:22:17,737 --> 01:22:21,675
I got somebody in your father's office
right now ready to tap in the combination.

1137
01:22:21,841 --> 01:22:24,744
Give me the first six numbers
that come to your head right now.

1138
01:22:24,911 --> 01:22:27,147
- I have no idea.
- Right now!

1139
01:22:27,313 --> 01:22:29,549
I said, right now! Right now!

1140
01:22:29,716 --> 01:22:33,653
Five, two, eight, four, nine, one.

1141
01:22:37,490 --> 01:22:39,492
You'll have to do better than that.

1142
01:22:39,659 --> 01:22:43,290
All right. Bag them.
You're going for a ride.

1143
01:22:47,367 --> 01:22:51,538
FISCHER: We're worth more to you alive.
You hear me?

1144
01:22:56,810 --> 01:22:58,311
What'd you get?

1145
01:22:58,712 --> 01:23:01,247
Relationship with his father
is worse than we imagined.

1146
01:23:01,414 --> 01:23:02,449
This helps us how?

1147
01:23:02,615 --> 01:23:05,719
The stronger the issues,
the more powerful the catharsis.

1148
01:23:06,920 --> 01:23:10,230
- How are we gonna reconcile them?
- I'm working on that.

1149
01:23:10,190 --> 01:23:13,727
Work faster.
The projections are closing in quick.

1150
01:23:13,893 --> 01:23:17,464
We gotta break out of here
before we're totally boxed in.

1151
01:23:52,565 --> 01:23:53,600
Damn it.

1152
01:23:53,767 --> 01:23:56,770
You mustn't be afraid to dream
a little bigger, darling.

1153
01:24:13,520 --> 01:24:16,523
We need to shift his animosity
from his father to his godfather.

1154
01:24:16,690 --> 01:24:20,727
- Destroy his one positive relationship?
- No, repair his relationship with his father...

1155
01:24:20,894 --> 01:24:23,196
...whilst exposing his godfather's
true nature.

1156
01:24:23,363 --> 01:24:26,366
We should charge Fischer a lot more
than Saito for this job.

1157
01:24:26,533 --> 01:24:28,902
His security is gonna
get worse as we go deeper.

1158
01:24:29,690 --> 01:24:31,571
- I think we run with Mr. Charles.
- No.

1159
01:24:31,971 --> 01:24:33,406
EAMES: Who's Mr. Charles?
- Bad idea.

1160
01:24:33,573 --> 01:24:37,110
The second we get into that hotel
his security's gonna be all over us.

1161
01:24:37,277 --> 01:24:39,379
We run with Mr. Charles
like on the Stein job.

1162
01:24:39,546 --> 01:24:41,881
- You've done it before?
ARTHUR: Yeah, and it didn't work.

1163
01:24:42,480 --> 01:24:45,585
The subject realized he was dreaming
and his subconscious tore us to pieces.

1164
01:24:45,719 --> 01:24:47,754
Excellent. But you learned a lot, right?

1165
01:24:47,921 --> 01:24:50,230
- I need some kind of distraction.
EAMES: No problem.

1166
01:24:50,190 --> 01:24:52,425
How about a lovely lady
that I've used before?

1167
01:24:52,559 --> 01:24:54,661
Listen to me.
You drive carefully, all right?

1168
01:24:54,794 --> 01:24:57,297
Everything down there is
gonna be unstable as hell.

1169
01:25:01,835 --> 01:25:05,205
Don't jump too soon. We only got
one shot at that kick. We gotta make it.

1170
01:25:05,372 --> 01:25:08,675
I'll play the music to let you know
it's coming. The rest is on you.

1171
01:25:08,842 --> 01:25:10,643
- You ready?
- Ready!

1172
01:25:11,878 --> 01:25:12,979
Sweet dreams.

1173
01:25:13,146 --> 01:25:15,480
WOMAN:
Am I boring you?

1174
01:25:16,349 --> 01:25:19,552
I was telling you my story.
I guess it wasn't to your liking.

1175
01:25:21,388 --> 01:25:24,570
Um, I have a lot on my mind.

1176
01:25:25,592 --> 01:25:27,193
There goes Mr. Charles.

1177
01:25:31,898 --> 01:25:34,534
Mr. Fischer, right?

1178
01:25:34,701 --> 01:25:38,204
Pleasure to see you again.
Rod Green from marketing. I-

1179
01:25:38,371 --> 01:25:39,506
Hmm.

1180
01:25:39,673 --> 01:25:42,342
- And you must be?
- Leaving.

1181
01:25:45,578 --> 01:25:46,713
In case you get bored.

1182
01:25:51,951 --> 01:25:53,319
Must've blown you off.

1183
01:25:53,486 --> 01:25:56,222
That is, unless her phone number
really is only six digits.

1184
01:25:58,391 --> 01:26:02,829
Funny way to make friends,
someone stealing your wallet like that.

1185
01:26:05,532 --> 01:26:06,599
[SCOFFS]

1186
01:26:06,766 --> 01:26:09,102
Goddamn it. The wallet alone
is worth at least 500-

1187
01:26:09,269 --> 01:26:10,403
About $500, right?

1188
01:26:10,570 --> 01:26:13,540
Don't worry about it.
My people are already on it as we speak.

1189
01:26:13,707 --> 01:26:15,642
Who or what is Mr. Charles?

1190
01:26:15,842 --> 01:26:19,546
It's a gambit designed to turn Fischer
against his own subconscious.

1191
01:26:19,713 --> 01:26:21,470
ARIADNE:
And why don't you approve?

1192
01:26:21,214 --> 01:26:23,216
It involves telling the mark
that he's dreaming...

1193
01:26:23,383 --> 01:26:25,518
...which involves attracting
a lot of attention to us.

1194
01:26:25,685 --> 01:26:28,621
- Didn't Cobb say never to do that?
- Hmm.

1195
01:26:28,788 --> 01:26:30,557
So now you've noticed how much time...

1196
01:26:30,724 --> 01:26:33,360
...Cobb spends doing things
he says never to do.

1197
01:26:35,950 --> 01:26:36,863
Mr. Saito, can I have a moment?

1198
01:26:37,300 --> 01:26:39,466
- I'm sorry, but...
MAN: Hold on! Wait!

1199
01:26:40,800 --> 01:26:42,102
You look a bit perkier.

1200
01:26:42,268 --> 01:26:44,604
Very amusing, Mr. Eames.

1201
01:26:48,942 --> 01:26:50,543
[RUMBLING]

1202
01:26:50,844 --> 01:26:52,345
Turbulence on the plane?

1203
01:26:52,512 --> 01:26:54,214
No, it's much closer.

1204
01:26:54,381 --> 01:26:56,490
That's Yusuf's driving.

1205
01:26:56,950 --> 01:26:58,151
[TIRES SCREECHING]

1206
01:27:02,422 --> 01:27:03,790
[GLASSES CLINKING]

1207
01:27:04,424 --> 01:27:06,893
Um, I'm sorry.
Who did you say you were?

1208
01:27:07,600 --> 01:27:09,162
COBB:
Rod Green from marketing.

1209
01:27:09,329 --> 01:27:10,930
But that's not true at all, is it?

1210
01:27:13,330 --> 01:27:16,503
My name is Mr. Charles.
You remember me, don't you?

1211
01:27:16,703 --> 01:27:18,672
I'm the head of your security down here.

1212
01:27:19,939 --> 01:27:21,875
Get out on a different floor,
keep moving.

1213
01:27:22,420 --> 01:27:24,377
Dump the wallet.
Security will be looking for that.

1214
01:27:24,544 --> 01:27:28,480
- Okay.
- We need to buy Cobb a little more time.

1215
01:27:29,849 --> 01:27:31,510
[COUGHING]

1216
01:27:31,685 --> 01:27:33,253
Security, huh?

1217
01:27:35,689 --> 01:27:37,857
- You work for the hotel?
- No, no.

1218
01:27:38,240 --> 01:27:42,629
I specialize in a very specific type
of security.

1219
01:27:43,290 --> 01:27:44,698
Subconscious security.

1220
01:27:44,864 --> 01:27:46,966
You're talking about dreams?

1221
01:27:47,133 --> 01:27:50,300
Are you talking about, um, extraction?

1222
01:27:51,370 --> 01:27:52,439
I am here to protect you.

1223
01:27:52,605 --> 01:27:54,207
[GLASS SHATTERS]

1224
01:27:54,574 --> 01:27:56,142
[PEOPLE CHATTERING]

1225
01:28:03,160 --> 01:28:04,517
[CHATTERING STOPS]

1226
01:28:05,885 --> 01:28:08,421
Mr. Fischer, I'm here
to protect you in the event...

1227
01:28:08,588 --> 01:28:11,958
...that someone tries to access
your mind through your dreams.

1228
01:28:12,125 --> 01:28:14,761
You're not safe here.

1229
01:28:15,595 --> 01:28:17,197
They're coming for you.

1230
01:28:29,509 --> 01:28:30,944
[YELLS]

1231
01:28:35,548 --> 01:28:37,584
Strange weather, isn't it?

1232
01:28:42,422 --> 01:28:43,556
You feel that?

1233
01:28:45,525 --> 01:28:46,726
What's happening?

1234
01:28:46,893 --> 01:28:50,130
Cobb's drawing Fischer's attention
to the strangeness of the dream...

1235
01:28:50,296 --> 01:28:53,166
...which is making his subconscious
Look for the dreamer.

1236
01:28:53,333 --> 01:28:56,403
For me. Quick, give me a kiss.

1237
01:29:01,408 --> 01:29:05,278
- They're still looking at us.
- Yeah, it was worth a shot.

1238
01:29:05,945 --> 01:29:07,981
We should probably get out of here.

1239
01:29:12,185 --> 01:29:13,319
[GUNFIRE]

1240
01:29:23,296 --> 01:29:26,866
COBB: You feel that? You've actually
been trained for this, Mr. Fischer.

1241
01:29:27,330 --> 01:29:31,370
Pay attention to the strangeness
of the weather, the shift in gravity.

1242
01:29:31,204 --> 01:29:34,374
None of this is real. You're in a dream.

1243
01:29:39,179 --> 01:29:41,414
Now, the easiest way
for you to test yourself...

1244
01:29:41,614 --> 01:29:45,685
...is to try and remember how you arrived
at this hotel. Can you do that?

1245
01:29:46,519 --> 01:29:47,821
Yeah, l...

1246
01:29:47,987 --> 01:29:50,523
COBB: No, breathe, breathe.
Remember your training.

1247
01:29:50,690 --> 01:29:55,862
Accept the fact that you're in a dream,
and I'm here to protect you. Go on.

1248
01:29:57,864 --> 01:29:59,232
Mm-hm.

1249
01:30:02,350 --> 01:30:03,870
- You're not real?
- No.

1250
01:30:04,370 --> 01:30:07,407
No. I'm a projection
of your subconscious.

1251
01:30:07,574 --> 01:30:09,676
I was sent here to protect you
in the event...

1252
01:30:09,843 --> 01:30:12,746
...that extractors
tried to pull you into a dream.

1253
01:30:12,912 --> 01:30:16,149
And I believe that's what's
going on right now, Mr. Fischer.

1254
01:30:17,250 --> 01:30:18,284
Yeah.

1255
01:30:18,451 --> 01:30:19,552
Okay.

1256
01:30:20,453 --> 01:30:21,688
Okay.

1257
01:30:24,524 --> 01:30:26,526
Can you get me out of here?

1258
01:30:27,427 --> 01:30:30,300
Right away. Follow me.

1259
01:30:44,244 --> 01:30:45,578
Hold on a second.

1260
01:30:50,517 --> 01:30:52,352
Jesus Christ! What are you doing?

1261
01:30:52,519 --> 01:30:54,788
These men were sent here
to abduct you, all right?

1262
01:30:54,954 --> 01:30:57,524
If you want my help,
you have to remain calm.

1263
01:30:59,259 --> 01:31:01,561
I need you to work with me, Mr. Fischer.

1264
01:31:13,273 --> 01:31:16,876
If this is a dream, I should just
kill myself to wake up, right?

1265
01:31:17,430 --> 01:31:19,145
I wouldn't do that if I were you,
Mr. Fischer.

1266
01:31:19,312 --> 01:31:22,849
I believe they have you sedated,
and if you pull that trigger...

1267
01:31:22,982 --> 01:31:24,184
...you may not wake up.

1268
01:31:25,318 --> 01:31:29,622
You may go into a further dream state.
Now, you know what I'm talking about.

1269
01:31:31,958 --> 01:31:33,626
You remember the training.

1270
01:31:34,761 --> 01:31:36,162
Remember what I said to you.

1271
01:31:37,300 --> 01:31:38,198
Give me the gun.

1272
01:31:50,100 --> 01:31:52,612
- This room should be directly below 52$?
- Yeah.

1273
01:31:53,880 --> 01:31:55,315
[SAFE BEEPS]

1274
01:32:01,988 --> 01:32:03,490
Think, Mr. Fischer, think.

1275
01:32:03,656 --> 01:32:07,494
What do you remember
from before this dream?

1276
01:32:07,861 --> 01:32:10,497
There was, um, a lot of gunfire.

1277
01:32:10,663 --> 01:32:13,266
There was rain.

1278
01:32:13,800 --> 01:32:15,402
Uncle Peter.

1279
01:32:15,668 --> 01:32:19,305
- Oh, my God, we've been kidnapped.
- Where were they holding you?

1280
01:32:22,342 --> 01:32:25,612
- They had us in the back of a van.
- That explains the gravity shifts.

1281
01:32:25,812 --> 01:32:27,881
You're in the back of a van.
Keep going.

1282
01:32:28,480 --> 01:32:30,316
It had something to do with, um...

1283
01:32:30,950 --> 01:32:33,820
Something to do with a safe.

1284
01:32:34,454 --> 01:32:36,890
God, why is it so hard to remember?

1285
01:32:36,256 --> 01:32:38,958
It's like trying to remember a dream
after you've woken up.

1286
01:32:39,125 --> 01:32:40,860
Listen, it takes years of practice.

1287
01:32:41,270 --> 01:32:43,430
You and Browning have been pulled
into this dream...

1288
01:32:43,596 --> 01:32:46,366
...because they're trying to steal
something from your mind.

1289
01:32:46,533 --> 01:32:50,103
I need you to focus and try
and remember what that is.

1290
01:32:50,270 --> 01:32:51,905
What is it, Mr. Fischer? Think!

1291
01:32:52,720 --> 01:32:55,809
A combination. They demanded
the first numbers to pop into my head.

1292
01:32:55,975 --> 01:32:58,712
They're trying to extract a number
from your subconscious.

1293
01:32:58,878 --> 01:33:02,649
It can represent anything.
We're in a hotel right now.

1294
01:33:03,450 --> 01:33:06,586
We should try hotel rooms.
What was the number, Mr. Fischer?

1295
01:33:06,753 --> 01:33:09,589
Try and remember for me.
This is very important.

1296
01:33:09,756 --> 01:33:11,910
Five.

1297
01:33:12,580 --> 01:33:14,494
Five, two- It was something,
it was a long number.

1298
01:33:14,661 --> 01:33:16,763
That's good. We can start there.
Fifth floor.

1299
01:33:16,930 --> 01:33:17,964
Yep.

1300
01:33:18,131 --> 01:33:22,168
- So do you use a timer?
- No, I have to judge it for myself.

1301
01:33:22,369 --> 01:33:25,638
While you're all asleep in 52$,
I wait for Yusuf's kick.

1302
01:33:25,805 --> 01:33:27,941
- Well, how will you know?
- His music warns me.

1303
01:33:28,108 --> 01:33:32,780
And then when the van hits the barrier
of the bridge, that should be unmistakable.

1304
01:33:32,212 --> 01:33:35,448
So we get a nice synchronized kick.

1305
01:33:35,582 --> 01:33:38,180
If it's too soon,
we won't get pulled out.

1306
01:33:38,151 --> 01:33:41,454
But if it's too late,
I won't be able to drop us.

1307
01:33:41,621 --> 01:33:45,425
- Well, why not?
- Because the van will be in freefall.

1308
01:33:45,959 --> 01:33:48,795
- Can't drop you without gravity.
- Right.

1309
01:33:54,434 --> 01:33:56,669
They're with me. Go on.

1310
01:34:20,994 --> 01:34:22,280
Mr. Charles.

1311
01:34:22,195 --> 01:34:25,165
- Do you know what that is, Mr. Fischer?
- Yeah, I think so.

1312
01:34:25,331 --> 01:34:27,400
They were trying to put you under.

1313
01:34:27,834 --> 01:34:29,903
- I'm already under.
- Under again.

1314
01:34:30,700 --> 01:34:32,639
What do you mean,
a dream within a dream?

1315
01:34:33,239 --> 01:34:35,709
Hey. I see you've changed.

1316
01:34:35,875 --> 01:34:37,510
I'm sorry?

1317
01:34:38,110 --> 01:34:41,881
Oh, I'm sorry.
I mistook you for a friend.

1318
01:34:42,480 --> 01:34:43,316
Oh.

1319
01:34:43,483 --> 01:34:45,618
Good-looking fellow, I'm sure.

1320
01:34:46,286 --> 01:34:49,222
No, no, no. That's Fischer's
projection of Browning.

1321
01:34:49,389 --> 01:34:51,257
Let's follow him
and see how he behaves.

1322
01:34:51,424 --> 01:34:53,393
- Why?
- Because how he acts will tell us...

1323
01:34:53,560 --> 01:34:56,896
...if Fischer is starting to suspect
his motives the way we want him to.

1324
01:34:57,630 --> 01:34:58,980
Shh.

1325
01:34:58,264 --> 01:34:59,699
[DOOR OPENS]

1326
01:35:02,669 --> 01:35:05,171
- Uncle Peter.
- You said you were kidnapped together?

1327
01:35:05,338 --> 01:35:08,775
Well, not exactly. They already had him.
They were torturing him.

1328
01:35:08,942 --> 01:35:10,410
And you saw them torture him?

1329
01:35:17,951 --> 01:35:19,786
The kidnappers are working for you?

1330
01:35:20,754 --> 01:35:22,222
Robert.

1331
01:35:22,389 --> 01:35:26,226
You're trying to get that safe open?
To get the alternate will?

1332
01:35:26,626 --> 01:35:30,864
Fischer Morrow has been my entire life.
I can't let you destroy it.

1333
01:35:31,310 --> 01:35:33,400
I'm not gonna throw away
my inheritance.

1334
01:35:33,566 --> 01:35:37,737
I couldn't let you rise
to your father's last taunt.

1335
01:35:38,538 --> 01:35:41,608
- What taunt?
- The will, Robert. That will?

1336
01:35:41,741 --> 01:35:43,710
That's his last insult.

1337
01:35:43,843 --> 01:35:47,514
A challenge for you to build something
for yourself...

1338
01:35:47,647 --> 01:35:51,484
...by telling you you're not worthy
of his accomplishments.

1339
01:35:57,157 --> 01:36:02,529
- What, but that he was, um, disappointed?
- I'm sorry.

1340
01:36:03,897 --> 01:36:07,000
But he's wrong.

1341
01:36:07,734 --> 01:36:10,370
You can build a better company
than he ever did.

1342
01:36:10,537 --> 01:36:12,972
Mr. Fischer? He's lying.

1343
01:36:13,139 --> 01:36:15,241
- How do you know?
- Trust me, it's what I do.

1344
01:36:15,408 --> 01:36:18,178
He's hiding something,
and we need to find out what that is.

1345
01:36:19,379 --> 01:36:22,782
I need you to do the same thing to him
that he was going to do to you.

1346
01:36:25,352 --> 01:36:29,422
We'll enter his subconscious and find out
what he doesn't want you to know.

1347
01:36:30,690 --> 01:36:32,158
All right.

1348
01:36:32,559 --> 01:36:33,860
[MACHINE HISSING]

1349
01:36:38,131 --> 01:36:39,399
COBB: He's out.
- Wait.

1350
01:36:39,566 --> 01:36:41,634
Whose subconscious are
we going into exactly?

1351
01:36:41,801 --> 01:36:43,136
We're going into Fischer's.

1352
01:36:43,303 --> 01:36:46,600
I told him it was Browning's
so he'd be a part of our team.

1353
01:36:46,172 --> 01:36:48,508
He's gonna help us break
into his own subconscious.

1354
01:36:48,675 --> 01:36:50,243
COBB:
That's right.

1355
01:36:50,410 --> 01:36:52,479
Security's gonna run you down hard.

1356
01:36:52,645 --> 01:36:54,981
And I will lead them on a merry chase.

1357
01:36:55,548 --> 01:36:58,184
- Just be back before the kick.
- Go to sleep, Mr. Eames.

1358
01:37:03,390 --> 01:37:04,591
ARTHUR:
You good?

1359
01:37:07,761 --> 01:37:09,950
Hey. You ready?

1360
01:37:09,262 --> 01:37:12,866
Yes, yes. I'm fine. I'm ready.

1361
01:37:25,412 --> 01:37:26,746
ARIADNE:
Cobb?

1362
01:37:27,414 --> 01:37:29,849
Cobb? What's down there?

1363
01:37:33,219 --> 01:37:35,822
Hopefully, the truth
we want Fischer to learn.

1364
01:37:35,989 --> 01:37:37,891
I mean, what's down there for you?

1365
01:37:45,865 --> 01:37:47,267
[SHOTGUN COCKS]

1366
01:37:48,435 --> 01:37:49,936
[GUNFIRE THEN YUSUF YELLS]

1367
01:38:00,814 --> 01:38:02,282
[ELEVATOR DINGS]

1368
01:38:12,580 --> 01:38:13,326
[YUSUF YELLS]

1369
01:38:23,937 --> 01:38:26,390
[BOTH GRUNTING]

1370
01:38:49,950 --> 01:38:50,964
[METAL GROANING]

1371
01:38:51,131 --> 01:38:52,932
[SECURITY GUARD SCREAMING]

1372
01:39:01,641 --> 01:39:02,942
[YELLING]

1373
01:40:05,505 --> 01:40:06,906
[GUNSHOT]

1374
01:40:13,130 --> 01:40:14,381
[LAUGHS]

1375
01:40:14,547 --> 01:40:16,316
Did you see that?

1376
01:40:34,801 --> 01:40:36,636
COBB:
Eames, this is your dream.

1377
01:40:36,803 --> 01:40:39,906
I need you to draw the security away
from the complex, understand?

1378
01:40:40,730 --> 01:40:41,875
- Who guides Fischer in?
COBB: Not me.

1379
01:40:42,420 --> 01:40:44,511
If I know the route,
everything could be compromised.

1380
01:40:44,678 --> 01:40:47,213
- I designed the place.
COBB: No, you're with me.

1381
01:40:47,380 --> 01:40:48,915
SAITO:
I could do it.

1382
01:40:49,349 --> 01:40:51,785
All right. Brief him on the route
into the complex.

1383
01:40:51,951 --> 01:40:56,156
- Fischer, you'll be going with him.
- All right. What about you?

1384
01:40:56,322 --> 01:40:59,159
You keep this live.
I'll be listening in the whole time.

1385
01:40:59,325 --> 01:41:03,463
The windows on that upper floor are big
enough for me to cover you from that tower.

1386
01:41:03,630 --> 01:41:04,931
FISCHER:
You're not coming in?

1387
01:41:05,980 --> 01:41:07,434
In order to find out the truth
about your father...

1388
01:41:07,600 --> 01:41:10,637
...you're gonna need to break into
Browning's mind on your own.

1389
01:41:11,504 --> 01:41:12,972
SAITO:
Come on, Fischer!

1390
01:41:17,510 --> 01:41:19,512
[BUFFER SOUNDING]

1391
01:42:08,610 --> 01:42:11,765
- Sound the alarm! Sound the alarm!
- Go, go, go!

1392
01:42:11,898 --> 01:42:13,433
Move!

1393
01:42:14,968 --> 01:42:16,360
Go!

1394
01:42:21,274 --> 01:42:22,609
[GUNFIRE]

1395
01:42:31,284 --> 01:42:32,318
YUSUF:
Sod it.

1396
01:42:43,496 --> 01:42:45,165
I hope you're ready.

1397
01:42:45,465 --> 01:42:48,134
[''NON, JE NE REGRETTE RIEN'' PLAYING]

1398
01:42:51,738 --> 01:42:53,740
[SONG ECHOING]

1399
01:42:53,907 --> 01:42:55,675
No, it's too soon.

1400
01:42:58,478 --> 01:43:00,313
[SONG ECHOING]

1401
01:43:02,182 --> 01:43:03,383
Cobb, do you hear that?

1402
01:43:03,550 --> 01:43:07,120
I first noticed it about 20 minutes ago,
I thought it was the wind up here.

1403
01:43:07,654 --> 01:43:10,156
Yeah, I hear it. It's music.

1404
01:43:10,323 --> 01:43:11,725
So, what do we do?

1405
01:43:11,891 --> 01:43:13,293
We move fast.

1406
01:43:18,798 --> 01:43:21,340
Yusuf's 10 seconds from the jump.

1407
01:43:22,902 --> 01:43:25,271
Which gives Arthur three minutes.

1408
01:43:26,206 --> 01:43:28,308
- Hey!
- That's him!

1409
01:43:28,975 --> 01:43:30,710
- Which gives us what?
- Sixty minutes.

1410
01:43:30,877 --> 01:43:34,147
- Can they make that route in an hour?
- They have to climb to the terrace.

1411
01:43:34,314 --> 01:43:37,183
Then they need a new route,
a more direct route.

1412
01:43:40,153 --> 01:43:41,755
[SHOUTS INDISTINCTLY]

1413
01:43:48,395 --> 01:43:50,300
It's designed as a labyrinth.

1414
01:43:50,196 --> 01:43:52,665
There must be access routes
that cut through the maze.

1415
01:43:52,832 --> 01:43:54,434
Eames?

1416
01:43:56,469 --> 01:43:58,710
[GUNFIRE]

1417
01:44:17,524 --> 01:44:18,792
Did Eames add any features?

1418
01:44:18,958 --> 01:44:20,427
I don't think I should tell you.

1419
01:44:20,593 --> 01:44:22,929
We don't have time for this.
Did he add anything?

1420
01:44:23,329 --> 01:44:26,132
He added an air-duct system
that can cut through the maze.

1421
01:44:26,266 --> 01:44:27,500
Good. Explain it to them.

1422
01:44:27,667 --> 01:44:28,902
ARIADNE: Saito?
- Go ahead.

1423
01:44:55,995 --> 01:44:57,397
[SECURITY GUARD GRUNTS]

1424
01:45:02,235 --> 01:45:03,803
Paradox.

1425
01:45:03,970 --> 01:45:05,472
[SCREAMS THEN THUDS]

1426
01:46:08,601 --> 01:46:10,103
[BOTH GASPING]

1427
01:46:13,673 --> 01:46:15,742
ARIADNE: What was that?
- The kick.

1428
01:46:16,343 --> 01:46:18,244
Cobb! Cobb, did we miss it?

1429
01:46:18,411 --> 01:46:20,113
Yeah, we missed it.

1430
01:46:20,280 --> 01:46:21,481
FISCHER:
Man.

1431
01:46:21,648 --> 01:46:25,985
Couldn't someone have dreamt up
a goddamn beach? Huh?

1432
01:46:26,119 --> 01:46:27,387
Uh-huh.

1433
01:46:28,121 --> 01:46:30,323
EAMES [OVER RADIO]:
Well, what the hell do we do now?

1434
01:46:30,457 --> 01:46:32,325
We finish the job before the next kick.

1435
01:46:32,459 --> 01:46:34,594
- What next kick?
- When the van hits the water.

1436
01:46:57,450 --> 01:47:00,887
WOMAN [ON RECORDING]: If you'd like to
make a call, please hang up and try again.

1437
01:47:01,540 --> 01:47:02,889
If you need help, hang up...

1438
01:47:03,123 --> 01:47:06,426
How do I drop you without gravity?

1439
01:47:08,928 --> 01:47:11,598
Arthur has a couple minutes,
and we have about 20.

1440
01:47:32,285 --> 01:47:33,720
[SAITO COUGHING]

1441
01:47:35,210 --> 01:47:36,690
You okay?

1442
01:47:41,161 --> 01:47:45,310
SOLDIER: Run! Turn around!
Move to base! Move to base!

1443
01:47:45,198 --> 01:47:46,733
Go, go, go!

1444
01:47:48,902 --> 01:47:50,700
There's something wrong.

1445
01:47:50,236 --> 01:47:52,572
They're heading your way,
like they know something.

1446
01:47:53,807 --> 01:47:56,420
Just buy us more time, all right?

1447
01:47:56,209 --> 01:47:58,440
- Come on!
- On my way.

1448
01:47:58,211 --> 01:47:59,913
SOLDIER:
Come on! Move!

1449
01:48:13,360 --> 01:48:14,961
[SILENCED GUNSHOT]

1450
01:48:26,873 --> 01:48:28,441
[BOTH GRUNTING]

1451
01:49:24,130 --> 01:49:25,665
All right.

1452
01:49:30,370 --> 01:49:31,905
[SILENCED GUNSHOT]

1453
01:49:37,844 --> 01:49:40,647
Okay. That's the antechamber
outside the strong room.

1454
01:49:40,814 --> 01:49:44,317
- Does the strong room have windows?
- It wouldn't be very strong if it did.

1455
01:49:44,484 --> 01:49:46,720
Let's hope Fischer likes
what he finds in there.

1456
01:49:48,355 --> 01:49:51,691
- Are those projections his subconscious?
- Yes.

1457
01:49:51,858 --> 01:49:55,228
- Are you destroying parts of his mind?
- No. They're just projections.

1458
01:50:08,942 --> 01:50:10,276
[COUGHS]

1459
01:50:14,414 --> 01:50:15,849
[SAITO COUGHING]

1460
01:50:21,521 --> 01:50:23,256
- We're here.
- You're clear, but hurry.

1461
01:50:23,423 --> 01:50:25,258
There's an entire army headed your way.

1462
01:50:52,850 --> 01:50:53,453
[WHISPERS]
I'm in.

1463
01:50:54,870 --> 01:50:55,288
[STATIC OVER RADIO]

1464
01:50:55,455 --> 01:50:56,956
[TURNS RADIO OFF]

1465
01:50:58,792 --> 01:50:59,926
SOLDIER:
There he is.

1466
01:51:42,502 --> 01:51:45,205
- There's someone in there.
- Fischer, it's a trap. Get out.

1467
01:51:46,373 --> 01:51:48,942
Come on. Come on, a little lower.

1468
01:51:54,681 --> 01:51:55,849
ARIADNE:
Cobb.

1469
01:51:56,483 --> 01:51:59,190
No, she is not real.

1470
01:51:59,619 --> 01:52:00,854
How do you know that?

1471
01:52:01,210 --> 01:52:04,657
She is just a projection.
Fischer. Fischer is real.

1472
01:52:07,460 --> 01:52:08,495
[GRUNTS]

1473
01:52:08,661 --> 01:52:10,196
Hello.

1474
01:52:14,868 --> 01:52:18,710
ARIADNE: Eames!
Eames, get to the antechamber now!

1475
01:53:01,981 --> 01:53:04,884
EAMES: What happened?
- Mal killed Fischer.

1476
01:53:07,120 --> 01:53:09,189
I couldn't shoot her.

1477
01:53:09,856 --> 01:53:13,226
There's no use in reviving him.
His mind's already trapped down there.

1478
01:53:13,393 --> 01:53:14,461
It's all over.

1479
01:53:16,196 --> 01:53:17,831
So that's it, then? We failed?

1480
01:53:18,465 --> 01:53:20,633
We're done. I'm sorry.

1481
01:53:24,504 --> 01:53:27,140
It's not me that doesn't get back
to my family, is it?

1482
01:53:27,841 --> 01:53:31,745
Shame. I wanted to know what was
gonna happen in there. I swear we had this.

1483
01:53:31,911 --> 01:53:33,980
Let's set the charges.

1484
01:53:35,815 --> 01:53:37,317
No, there's still another way.

1485
01:53:38,618 --> 01:53:42,220
- We have to follow Fischer down there.
- Not enough time.

1486
01:53:42,188 --> 01:53:45,250
No, but there will be enough time
down there.

1487
01:53:46,159 --> 01:53:47,260
And we will find him.

1488
01:53:47,427 --> 01:53:51,364
Okay, as soon as Arthur's music kicks in,
just use the defibrillator to revive him.

1489
01:53:51,531 --> 01:53:54,434
We can give him his own kick
down below.

1490
01:53:55,468 --> 01:53:57,170
Look, you get him in there.

1491
01:53:57,337 --> 01:54:00,206
As soon as the music ends,
you blow up the hospital...

1492
01:54:00,373 --> 01:54:03,176
...and we all ride the kick
back up the layers.

1493
01:54:04,377 --> 01:54:09,149
It's worth a shot, if Saito can hold
the guards off while I set the charges.

1494
01:54:09,315 --> 01:54:11,418
Saito will never make it, will he?

1495
01:54:12,719 --> 01:54:15,922
- Cobb, come on. We've gotta try this.
- Go for it.

1496
01:54:16,890 --> 01:54:19,250
If you are not back before the kick,
I am gone with or without you.

1497
01:54:19,192 --> 01:54:22,429
She's right. She's right.
Come on. Let's go.

1498
01:54:26,666 --> 01:54:28,868
Can I trust you to do
what needs to happen here?

1499
01:54:29,350 --> 01:54:30,236
Mal's gonna be down there.

1500
01:54:30,403 --> 01:54:32,839
I know where to find her.
She'll have Fischer.

1501
01:54:33,600 --> 01:54:36,910
- How do you know?
- Because she wants me to come after him.

1502
01:54:37,770 --> 01:54:39,245
She wants me back down there with her.

1503
01:55:06,500 --> 01:55:07,400
All right?

1504
01:55:14,280 --> 01:55:16,983
- This is your world?
- It was.

1505
01:55:17,751 --> 01:55:19,719
And this is where she'll be.

1506
01:55:20,520 --> 01:55:22,220
Come on.

1507
01:56:04,898 --> 01:56:05,932
[GUNFIRE]

1508
01:56:08,501 --> 01:56:10,970
Saito. Saito.

1509
01:56:11,404 --> 01:56:15,375
I need you to take care of Fischer
while I go set some charges, okay?

1510
01:56:15,542 --> 01:56:18,978
No room for tourists on these jobs.

1511
01:56:21,614 --> 01:56:22,782
Don't be silly.

1512
01:56:55,281 --> 01:56:57,350
ARIADNE:
You built all this? This is incredible.

1513
01:56:57,817 --> 01:56:59,853
We built for years.

1514
01:57:00,887 --> 01:57:02,889
Then we started in on the memories.

1515
01:57:09,929 --> 01:57:11,331
This way.

1516
01:57:53,390 --> 01:57:55,141
COBB:
This was our neighborhood.

1517
01:57:55,308 --> 01:57:57,644
Places from our past.

1518
01:57:57,811 --> 01:57:59,579
That was our first apartment.

1519
01:57:59,746 --> 01:58:01,981
Then we moved to that building
right there.

1520
01:58:02,148 --> 01:58:04,684
After Mal became pregnant,
that became our home.

1521
01:58:04,851 --> 01:58:07,654
You reconstructed all of this
from memory?

1522
01:58:07,821 --> 01:58:10,900
Like I told you, we had lots of time.

1523
01:58:10,256 --> 01:58:11,858
ARIADNE:
What is that?

1524
01:58:13,393 --> 01:58:15,161
That's the house Mal grew up in.

1525
01:58:15,328 --> 01:58:17,764
- Well, will she be in there?
- No.

1526
01:58:18,980 --> 01:58:19,132
Come on.

1527
01:58:19,299 --> 01:58:22,635
We both wanted to live in a house,
but we loved this type of building.

1528
01:58:22,802 --> 01:58:25,739
In the real world,
we'd have to choose, but not here.

1529
01:58:31,111 --> 01:58:32,445
[GRUNTS]

1530
01:58:33,580 --> 01:58:34,781
[GUNFIRE]

1531
01:58:36,716 --> 01:58:37,817
[GRUNTS]

1532
01:58:49,229 --> 01:58:50,330
[BEEPS]

1533
01:58:59,539 --> 01:59:00,674
[BEEPS]

1534
01:59:05,111 --> 01:59:06,146
[BEEPS]

1535
01:59:06,312 --> 01:59:08,348
How are we gonna bring Fischer back?

1536
01:59:08,748 --> 01:59:11,184
We're gonna have to come up
with some kind of a kick.

1537
01:59:11,351 --> 01:59:12,752
What?

1538
01:59:13,753 --> 01:59:14,854
I'm gonna improvise.

1539
01:59:15,210 --> 01:59:19,726
Listen, there's something you should
know about me. About inception.

1540
01:59:20,994 --> 01:59:22,362
[BOTH GRUNTING]

1541
01:59:22,529 --> 01:59:23,730
[GUNFIRE]

1542
01:59:32,772 --> 01:59:36,676
An idea is like a virus. Resilient.

1543
01:59:37,477 --> 01:59:39,790
Highly contagious.

1544
01:59:39,212 --> 01:59:42,582
And the smallest seed
of an idea can grow.

1545
01:59:43,650 --> 01:59:45,618
It can grow to define...

1546
01:59:46,653 --> 01:59:48,221
...or destroy you.

1547
01:59:51,358 --> 01:59:54,127
MAL:
The smallest idea, such as:

1548
01:59:54,728 --> 01:59:57,970
''Your world is not real.''

1549
01:59:57,364 --> 02:00:01,134
Simple little thought
that changes everything.

1550
02:00:02,369 --> 02:00:06,873
So certain of your world. Of what's real.

1551
02:00:07,400 --> 02:00:08,842
Do you think he is?

1552
02:00:10,643 --> 02:00:13,546
Or do you think he's as lost as I was?

1553
02:00:14,681 --> 02:00:16,182
COBB:
I know what's real, Mal.

1554
02:00:18,251 --> 02:00:20,553
No creeping doubts?

1555
02:00:21,254 --> 02:00:23,890
Not feeling persecuted, Dom?

1556
02:00:24,190 --> 02:00:25,525
Chased around the globe...

1557
02:00:25,692 --> 02:00:28,361
...by anonymous corporations
and police forces...

1558
02:00:28,528 --> 02:00:31,164
...the way the projections
persecute the dreamer?

1559
02:00:32,766 --> 02:00:34,267
Admit it.

1560
02:00:35,568 --> 02:00:38,405
You don't believe in one reality anymore.

1561
02:00:38,571 --> 02:00:40,106
So choose.

1562
02:00:40,273 --> 02:00:42,542
Choose to be here.

1563
02:00:43,430 --> 02:00:44,544
Choose me.

1564
02:01:05,865 --> 02:01:06,900
[COUGHS]

1565
02:01:10,403 --> 02:01:11,671
You know what I have to do.

1566
02:01:11,838 --> 02:01:14,507
I have to get back to our children
because you left them.

1567
02:01:15,842 --> 02:01:17,377
Because you left us.

1568
02:01:17,544 --> 02:01:19,346
- You're wrong.
COBB: I'm not wrong.

1569
02:01:19,512 --> 02:01:21,548
You're confused.

1570
02:01:22,649 --> 02:01:24,718
Our children are here.

1571
02:01:25,485 --> 02:01:28,755
And you'd like to see their faces again,
wouldn't you?

1572
02:01:28,922 --> 02:01:31,991
Yes, but I'm gonna see them
up above, Mal.

1573
02:01:32,158 --> 02:01:33,460
[GUNFIRE]

1574
02:01:36,696 --> 02:01:37,731
[BEEPS]

1575
02:01:41,868 --> 02:01:43,336
[FOOTSTEPS APPROACHING]

1576
02:01:43,503 --> 02:01:44,904
[SAITO COUGHING]

1577
02:01:45,638 --> 02:01:47,674
Up above?

1578
02:01:48,541 --> 02:01:52,212
Listen to yourself.
These are our children.

1579
02:01:52,746 --> 02:01:54,114
Watch.

1580
02:01:54,614 --> 02:01:56,316
James? Phillipa?

1581
02:01:56,483 --> 02:01:58,918
Don't do this, Mal. Please.
Those aren't my children.

1582
02:01:59,850 --> 02:02:01,554
You keep telling yourself that,
but you don't believe it.

1583
02:02:01,721 --> 02:02:03,623
- No, I know it.
- What if you're wrong?

1584
02:02:04,240 --> 02:02:06,326
What if I'm what's real?

1585
02:02:07,527 --> 02:02:09,763
You keep telling yourself what you know.

1586
02:02:11,331 --> 02:02:13,566
But what do you believe?

1587
02:02:14,534 --> 02:02:15,769
What do you feel?

1588
02:02:17,904 --> 02:02:19,339
Guilt.

1589
02:02:20,540 --> 02:02:22,776
I feel guilt, Mal.

1590
02:02:23,309 --> 02:02:27,247
And no matter what I do,
no matter how hopeless I am...

1591
02:02:27,414 --> 02:02:31,685
...no matter how confused,
that guilt is always there...

1592
02:02:31,851 --> 02:02:34,387
...reminding me of the truth.

1593
02:02:34,888 --> 02:02:36,189
What truth?

1594
02:02:38,625 --> 02:02:43,863
That the idea that caused you to question
your reality came from me.

1595
02:02:47,233 --> 02:02:50,370
You planted the idea in my mind?

1596
02:02:51,871 --> 02:02:53,373
What is she talking about?

1597
02:02:54,274 --> 02:02:59,546
The reason I knew inception was possible
was because I did it to her first.

1598
02:03:00,580 --> 02:03:03,550
- I did it to my own wife.
- Why?

1599
02:03:04,284 --> 02:03:05,785
We were lost in here.

1600
02:03:06,720 --> 02:03:11,358
I knew we needed to escape,
but she wouldn't accept it.

1601
02:03:14,561 --> 02:03:20,233
She had locked something away,
something deep inside.

1602
02:03:21,000 --> 02:03:25,138
A truth that she had once known,
but chose to forget.

1603
02:03:26,106 --> 02:03:28,241
And she couldn't break free.

1604
02:03:30,944 --> 02:03:33,680
So I decided to search for it.

1605
02:03:34,247 --> 02:03:39,152
I went deep into the recess of her mind
and found that secret place.

1606
02:03:39,285 --> 02:03:41,187
And I broke in...

1607
02:03:41,755 --> 02:03:43,923
...and I planted an idea.

1608
02:03:44,657 --> 02:03:48,428
A simple little idea
that would change everything.

1609
02:03:53,666 --> 02:03:56,690
That her world wasn't real.

1610
02:04:08,882 --> 02:04:12,850
That death was the only escape.

1611
02:04:19,492 --> 02:04:21,261
You're waiting for a train.

1612
02:04:21,428 --> 02:04:22,896
[METAL GROANING]

1613
02:04:23,563 --> 02:04:26,299
A train that'll take you far away.

1614
02:04:27,467 --> 02:04:30,470
You know where you hope
this train will take you...

1615
02:04:31,571 --> 02:04:33,606
...but you can't know for sure.

1616
02:04:34,774 --> 02:04:36,309
Yet it doesn't matter.

1617
02:04:37,744 --> 02:04:40,914
- Now, tell me why!
- Because you'll be together!

1618
02:04:45,251 --> 02:04:49,322
COBB: But I never knew that that idea
would grow in her mind like a cancer...

1619
02:04:49,489 --> 02:04:51,891
...that even after she woke...

1620
02:04:54,794 --> 02:04:57,263
That even after
you came back to reality...

1621
02:05:00,200 --> 02:05:03,169
...that you'd continue to believe
your world wasn't real.

1622
02:05:05,939 --> 02:05:08,341
That death was the only escape.

1623
02:05:08,508 --> 02:05:11,177
Mal, no! Jesus!

1624
02:05:11,344 --> 02:05:15,480
- You infected my mind.
- I was trying to save you.

1625
02:05:15,215 --> 02:05:16,616
You betrayed me.

1626
02:05:17,450 --> 02:05:21,154
But you can make amends.
You can still keep your promise.

1627
02:05:21,321 --> 02:05:24,357
We can still be together, right here...

1628
02:05:24,524 --> 02:05:26,993
...in the world we built together.

1629
02:05:33,299 --> 02:05:34,801
[COUGHING]

1630
02:05:42,842 --> 02:05:43,877
[BEEPS]

1631
02:05:44,440 --> 02:05:45,311
[GUNFIRE]

1632
02:06:02,829 --> 02:06:04,130
[GRUNTS]

1633
02:06:21,648 --> 02:06:24,250
[''NON, JE NE REGRETTE RIEN'' PLAYING]

1634
02:06:32,525 --> 02:06:34,127
[SONG ECHOING]

1635
02:06:39,966 --> 02:06:41,634
[DEFIBRILLATOR CHARGING]

1636
02:06:44,671 --> 02:06:45,939
[THUNDER CRASHING]

1637
02:06:47,841 --> 02:06:50,176
Cobb, we need to get Fischer.

1638
02:06:51,440 --> 02:06:52,345
You can't have him.

1639
02:06:53,380 --> 02:06:56,816
- If I stay here, will you let him go?
- What are you talking about?

1640
02:07:01,287 --> 02:07:03,123
Fischer is on the porch.

1641
02:07:03,690 --> 02:07:06,292
- Go check he's alive, Ariadne.
- Cobb, you can't do this.

1642
02:07:06,459 --> 02:07:09,950
Go check he's alive right now. Do it.

1643
02:07:22,642 --> 02:07:23,977
[ARIADNE GRUNTING]

1644
02:07:24,744 --> 02:07:27,847
He's here! And it's time,
but you have to come now!

1645
02:07:28,140 --> 02:07:31,685
COBB: You take Fischer with you, all right?
- You can't stay here to be with her.

1646
02:07:34,254 --> 02:07:36,956
I'm not. Saito's dead by now.

1647
02:07:37,123 --> 02:07:40,627
That means he's down here somewhere.
That means I have to find him.

1648
02:07:42,629 --> 02:07:45,732
I can't stay with her anymore,
because she doesn't exist.

1649
02:07:45,899 --> 02:07:49,302
I'm the only thing
you do believe in anymore.

1650
02:07:49,469 --> 02:07:50,804
No.

1651
02:07:51,971 --> 02:07:53,406
I wish.

1652
02:07:55,800 --> 02:07:57,510
I wish more than anything, but...

1653
02:07:58,611 --> 02:08:01,348
...I can't imagine you
with all your complexity...

1654
02:08:01,514 --> 02:08:04,500
...all your perfection,
all your imperfection.

1655
02:08:05,151 --> 02:08:06,186
- You all right?
- Yeah.

1656
02:08:06,353 --> 02:08:08,188
Look at you.

1657
02:08:09,422 --> 02:08:14,394
You're just a shade.
You're just a shade of my real wife.

1658
02:08:14,794 --> 02:08:17,464
And you were the best
that I could do, but...

1659
02:08:18,264 --> 02:08:20,734
...I'm sorry, you're just not good enough.

1660
02:08:20,900 --> 02:08:22,535
Does this feel real?

1661
02:08:22,969 --> 02:08:24,104
[GUNSHOT]

1662
02:08:24,938 --> 02:08:27,540
- What are you doing?
- Improvising.

1663
02:08:31,811 --> 02:08:33,460
[GASPING]

1664
02:08:36,149 --> 02:08:37,851
No, no, no!

1665
02:08:38,818 --> 02:08:41,221
In there, now. Go, go, go.

1666
02:09:26,660 --> 02:09:27,967
I was dis-

1667
02:09:29,669 --> 02:09:32,500
I was dis- Disa-

1668
02:09:32,872 --> 02:09:35,408
- I know, Dad.
- Dis-

1669
02:09:41,414 --> 02:09:43,516
I know you were disappointed...

1670
02:09:44,317 --> 02:09:45,685
...I couldn't be you.

1671
02:09:46,860 --> 02:09:47,587
No.

1672
02:09:48,880 --> 02:09:49,322
No, no, no.

1673
02:09:50,357 --> 02:09:52,359
I was disappointed...

1674
02:09:54,940 --> 02:09:56,290
...that you tried.

1675
02:10:13,146 --> 02:10:14,447
[BEEPING]

1676
02:10:19,285 --> 02:10:20,954
What?

1677
02:10:30,430 --> 02:10:31,564
Come on, come on.

1678
02:11:01,795 --> 02:11:03,296
Dad?

1679
02:11:05,980 --> 02:11:06,132
[SOBBING]

1680
02:11:41,634 --> 02:11:44,704
That's the kick, Ariadne!
You have to go now!

1681
02:11:57,550 --> 02:12:00,987
Don't lose yourself!
Find Saito and bring him back!

1682
02:12:01,154 --> 02:12:02,822
I will!

1683
02:12:42,595 --> 02:12:45,765
You remember when you asked me
to marry you?

1684
02:12:45,932 --> 02:12:47,330
Yes.

1685
02:12:47,200 --> 02:12:50,270
You said you dreamt
that we'd grow old together.

1686
02:12:52,972 --> 02:12:54,474
But we did.

1687
02:12:56,409 --> 02:12:58,778
We did. You don't remember?

1688
02:13:03,450 --> 02:13:06,286
I miss you more than I can bear...

1689
02:13:08,655 --> 02:13:10,657
...but we had our time together.

1690
02:13:11,991 --> 02:13:14,600
And I have to let you go.

1691
02:13:16,162 --> 02:13:17,964
I have to let you go.

1692
02:14:09,215 --> 02:14:10,517
I'm sorry, Robert.

1693
02:14:32,405 --> 02:14:33,907
[ARTHUR YELLS]

1694
02:14:38,178 --> 02:14:41,881
You know, the will means that Dad
wanted me to be my own man...

1695
02:14:42,916 --> 02:14:44,984
...not just to live for him.

1696
02:14:46,553 --> 02:14:49,122
That's what I'm gonna do, Uncle Peter.

1697
02:14:58,898 --> 02:15:00,133
What happened?

1698
02:15:00,600 --> 02:15:02,302
- Cobb stayed.
- With Mal?

1699
02:15:02,469 --> 02:15:03,737
No, to find Saito.

1700
02:15:06,500 --> 02:15:07,774
He'll be lost.

1701
02:15:10,310 --> 02:15:12,145
No, he'll be all right.

1702
02:15:28,161 --> 02:15:30,130
SAITO:
Have you come to kill me?

1703
02:15:34,401 --> 02:15:36,870
I'm waiting for someone.

1704
02:15:41,341 --> 02:15:44,110
COBB:
Someone from a half-remembered dream.

1705
02:15:46,846 --> 02:15:48,248
Cobb?

1706
02:15:48,982 --> 02:15:50,160
[SCOFFS]

1707
02:15:50,183 --> 02:15:51,951
Impossible.

1708
02:15:52,485 --> 02:15:55,880
We were young men together.

1709
02:15:56,690 --> 02:15:59,250
I'm an old man.

1710
02:16:00,260 --> 02:16:02,328
Filled with regret.

1711
02:16:05,465 --> 02:16:08,168
Waiting to die alone.

1712
02:16:11,337 --> 02:16:13,506
I've come back for you.

1713
02:16:16,776 --> 02:16:20,647
To remind you of something.

1714
02:16:23,917 --> 02:16:26,286
Something you once knew.

1715
02:16:29,155 --> 02:16:31,391
That this world is not real.

1716
02:16:36,296 --> 02:16:40,800
To convince me to honor
our arrangement?

1717
02:16:41,634 --> 02:16:44,404
To take a leap of faith, yes.

1718
02:16:50,510 --> 02:16:51,845
Come back...

1719
02:16:54,381 --> 02:16:57,784
...so we can be
young men together again.

1720
02:17:01,521 --> 02:17:03,523
Come back with me.

1721
02:17:06,626 --> 02:17:08,610
Come back.

1722
02:17:17,804 --> 02:17:19,506
FLIGHT ATTENDANT:
Hot towel, sir?

1723
02:17:20,140 --> 02:17:23,900
We'll be landing in Los Angeles
in about 20 minutes.

1724
02:17:23,176 --> 02:17:25,478
Do you need immigration forms?

1725
02:17:27,580 --> 02:17:28,915
Thank you.

1726
02:17:29,382 --> 02:17:31,170
Hot towel, sir?

1727
02:17:32,180 --> 02:17:35,210
- No.
- Do you need immigration forms?

1728
02:18:46,393 --> 02:18:47,460
Welcome home, Mr. Cobb.

1729
02:18:48,595 --> 02:18:50,230
Thank you, sir.

1730
02:19:34,307 --> 02:19:35,675
Welcome.

1731
02:19:36,142 --> 02:19:37,544
This way.

1732
02:19:58,732 --> 02:20:02,202
MILES:
James? Phillipa?

1733
02:20:05,939 --> 02:20:07,207
Look who's here.

1734
02:20:12,812 --> 02:20:13,880
Hey.

1735
02:20:14,981 --> 02:20:17,684
- Hey, guys! Hey! How are you?
PHILLIPA: Daddy! Daddy!

1736
02:20:17,851 --> 02:20:20,120
JAMES: Daddy!
COBB: How are you?

1737
02:20:21,221 --> 02:20:22,822
Look what I've been building!

1738
02:20:22,989 --> 02:20:26,693
- What are you building?
JAMES: We're building a house on the cliff!

1739
02:20:26,860 --> 02:20:29,729
COBB: On the cliff? Come on, I want you
to show me. Can you show me?

1740
02:20:29,896 --> 02:20:32,465
JAMES: Let's go.
PHILLIPA: Come on, Daddy!