1 00:00:36,202 --> 00:00:39,339 ANNOUNCER: This man is worth $500, 2 00:00:39,439 --> 00:00:41,875 and this man's going to collect. 3 00:00:41,975 --> 00:00:43,410 He's Jake Cahill, 4 00:00:43,510 --> 00:00:45,178 and he lives by... 5 00:00:45,278 --> 00:00:46,279 Bounty Law. 6 00:00:46,880 --> 00:00:48,948 You don't ever bring them in alive, do you, Jake? 7 00:00:49,490 --> 00:00:51,718 Not when there's three of them and one of me. 8 00:00:54,120 --> 00:00:55,121 [SCREAMS] 9 00:00:56,756 --> 00:00:58,758 What are you looking at, bounty killer? 10 00:00:58,825 --> 00:01:02,362 I'm looking at an ugly owl-hoot about to get his jaw busted. 11 00:01:02,829 --> 00:01:04,998 Amateurs try and take men in alive. 12 00:01:06,332 --> 00:01:07,500 [ALL GRUNT] 13 00:01:07,634 --> 00:01:10,403 Amateurs usually don't make it. Whether you're dead or alive, 14 00:01:10,470 --> 00:01:14,908 you're just a dollar sign to Jake Cahill on Bounty Law. 15 00:01:15,800 --> 00:01:18,440 Thursdays at 8:30, only on NBC. 16 00:01:18,111 --> 00:01:21,348 [NBC JINGLE PLAYS] 17 00:01:22,115 --> 00:01:23,830 Hello, everybody. 18 00:01:23,830 --> 00:01:29,890 This is Allen Kincade on the set of the exciting hit NBC and Screen Gems television series Bounty Law. 19 00:01:29,155 --> 00:01:32,192 Now, if you think you're seeing double, don't adjust your television sets 20 00:01:32,325 --> 00:01:34,594 because, well, in a way, you are. 21 00:01:34,694 --> 00:01:38,965 To my right is Bounty Law series lead and Jake Cahill himself, Rick Dalton. 22 00:01:39,320 --> 00:01:41,801 And to my left is Rick's stunt double, Cliff Booth. 23 00:01:41,868 --> 00:01:44,704 Welcome, gentlemen, and thanks for taking the time to visit with us. 24 00:01:44,804 --> 00:01:46,139 Well, it's our pleasure, Allen. 25 00:01:46,239 --> 00:01:50,510 So, Rick, explain to the audience exactly what it is a stunt double does. 26 00:01:51,411 --> 00:01:52,946 Well... 27 00:01:53,460 --> 00:01:56,116 actors are required to do a lot of dangerous stuff. 28 00:01:56,516 --> 00:01:59,185 Say Jake Cahill gets shot off his horse. 29 00:01:59,285 --> 00:02:01,521 Now, can I fall off a horse? 30 00:02:01,654 --> 00:02:04,157 Yes, I can, and, yes, I have. 31 00:02:07,527 --> 00:02:11,865 But say I fall off wrong and I sprain my wrist or I twist my ankle. 32 00:02:11,998 --> 00:02:17,504 Now, that can put an undue burden on production because now maybe I can't work for a week. 33 00:02:17,604 --> 00:02:20,340 So Cliff here is meant to help carry the load. 34 00:02:20,440 --> 00:02:22,842 Is that how you'd describe your job, Cliff? 35 00:02:22,909 --> 00:02:26,112 What, carrying his load? Yeah, that's about right. 36 00:02:26,713 --> 00:02:28,848 [CHUCKLING] 37 00:02:30,483 --> 00:02:32,819 Join me next week on the set of The Dick Van Dyke Show, 38 00:02:32,919 --> 00:02:36,423 where I'll be talking to those comical cutups, Morey Amsterdam and Rose Marie. 39 00:02:36,523 --> 00:02:40,600 Till then, this is Allen Kincade signing off from Hollywood. 40 00:03:19,199 --> 00:03:23,570 [RADIO STATION JINGLE] 41 00:03:24,237 --> 00:03:26,373 [???] 42 00:03:57,370 --> 00:03:58,805 I missed you. 43 00:04:02,909 --> 00:04:06,312 The black one. And the flowers. Flowers, Ava, flowers. 44 00:04:06,413 --> 00:04:09,249 And there's the small one. Can I see your tickets? 45 00:04:09,315 --> 00:04:11,284 Oh, good boy. 46 00:04:17,524 --> 00:04:20,930 [PAPARAZZI CLAMORING] 47 00:04:59,866 --> 00:05:02,268 [FILM COMMERCIAL] 48 00:05:11,277 --> 00:05:13,847 Gina, Gina, Gina. 49 00:05:13,913 --> 00:05:15,648 The face in the misty light. 50 00:05:15,715 --> 00:05:18,718 Hello, Mr. Schwarz. Hello, Gina. 51 00:05:18,785 --> 00:05:22,889 I, uh... I have a meeting with a very handsome cowboy man. 52 00:05:22,956 --> 00:05:24,524 GINA: He's waiting for you in the bar. 53 00:05:26,726 --> 00:05:28,228 Well... 54 00:05:28,328 --> 00:05:32,399 since I just finished watching a Rick Dalton ....ing film festival, 55 00:05:32,465 --> 00:05:35,201 I think I know who you are. Put it there. 56 00:05:35,268 --> 00:05:37,804 [STUTTERING] Well, it's my pleasure, Mr. Schwartz. 57 00:05:37,871 --> 00:05:41,941 And thank you for taking an interest. Schwarz, not Schwartz. 58 00:05:42,420 --> 00:05:44,344 God.... it to hell. I'm sorry about that. 59 00:05:44,444 --> 00:05:47,547 It's my pleasure, Mr. Schwarz. Call me Marvin. 60 00:05:47,647 --> 00:05:49,282 Marvin, call me Rick. 61 00:05:49,349 --> 00:05:50,283 Rick? Yeah. 62 00:05:50,283 --> 00:05:52,786 Oh, is that your son? Ha-ha. My son? 63 00:05:52,886 --> 00:05:54,788 No, that's my stunt double, Cliff Booth. 64 00:05:54,888 --> 00:05:56,322 Yeah. Good to meet you. 65 00:05:56,389 --> 00:05:59,459 We've worked together since the last two seasons of Bounty Law. 66 00:05:59,559 --> 00:06:02,162 Yeah? My car's in the shop, so he gave me a ride. 67 00:06:02,228 --> 00:06:03,730 NARRATOR: That's a big ....ing lie. 68 00:06:04,164 --> 00:06:07,400 Rick got his driver's license taken away for too many drunk-driving tickets. 69 00:06:07,467 --> 00:06:09,769 Cliff drives him everywhere now. Oh, ..... 70 00:06:09,836 --> 00:06:12,806 Well, sounds like a good friend. I try. 71 00:06:14,700 --> 00:06:18,712 I wanna send you greetings from my wife, Mary Alice Schwarz. 72 00:06:18,812 --> 00:06:20,447 Oh, well, that's nice. 73 00:06:22,882 --> 00:06:24,170 Thanks a lot. 74 00:06:26,519 --> 00:06:31,624 We had a Rick Dalton double feature in our screening room last night. 75 00:06:31,725 --> 00:06:36,629 Oh, well, that's both flattering and embarrassing. 76 00:06:36,730 --> 00:06:37,731 What'd you see? 77 00:06:37,731 --> 00:06:43,690 Thirty-five mm prints of Tanner and The Fourteen Fists of McCluskey. 78 00:06:49,109 --> 00:06:52,512 I hope the, uh, Rick Dalton double feature 79 00:06:52,645 --> 00:06:55,782 wasn't too painful for you and the... And the missus. 80 00:06:55,882 --> 00:06:59,919 Oh, no. "Painful." Stop. What are you saying? 81 00:07:01,521 --> 00:07:05,125 Mary Alice loves Westerns. Our whole courtship, we watched Westerns. 82 00:07:05,191 --> 00:07:06,826 Here you go. Thanks. 83 00:07:06,926 --> 00:07:09,129 And we thoroughly enjoyed Tanner. 84 00:07:09,229 --> 00:07:12,799 Oh, that's nice. It's really good. And anyway, she goes to bed. 85 00:07:13,266 --> 00:07:15,969 I open up a box of Havanas. 86 00:07:16,690 --> 00:07:21,474 I light up, I pour myself a cognac and I watch... 87 00:07:22,509 --> 00:07:25,512 The Fourteen Fists of McCluskey. 88 00:07:25,612 --> 00:07:26,780 What a picture. 89 00:07:26,880 --> 00:07:28,648 What a picture. Good picture, yeah. 90 00:07:28,748 --> 00:07:30,550 That is so much fun. 91 00:07:30,650 --> 00:07:31,651 All the shooting. 92 00:07:31,718 --> 00:07:33,687 [IMITATING GUNFIRE] 93 00:07:35,855 --> 00:07:39,526 I love that stuff. You know, the killing. A lot of killing. Lot of killing, yeah. 94 00:07:39,926 --> 00:07:43,296 Now, gentlemen, the plan is, we reverse our forces 95 00:07:43,430 --> 00:07:46,320 und drive the Allies back into the sea! 96 00:07:46,433 --> 00:07:48,601 [???] 97 00:07:49,536 --> 00:07:52,380 MAN 1: Genius. MAN 2: Panzer divisions come in, 98 00:07:52,105 --> 00:07:54,908 and we drive them here to the ocean. 99 00:07:55,800 --> 00:07:56,443 They'll be up against the wall. 100 00:07:56,509 --> 00:07:58,511 They will have nowhere to go. MAN 3: Yes. 101 00:07:58,611 --> 00:08:00,800 MAN 2: This is the spot... 102 00:08:01,815 --> 00:08:02,816 Hermann! 103 00:08:05,518 --> 00:08:06,519 Open the curtains. 104 00:08:08,254 --> 00:08:09,255 [SPEAKS IN GERMAN] 105 00:08:26,106 --> 00:08:29,175 Anybody order fried sauerkraut?! 106 00:08:29,309 --> 00:08:32,345 [SCREAMING] 107 00:08:45,992 --> 00:08:49,529 Burn, you Nazi bastards! Ha-ha-ha! 108 00:08:50,300 --> 00:08:53,500 That's you operating the flamethrower, isn't it? 109 00:08:53,600 --> 00:08:55,568 Oh, you bet your sweet .... it was. Yeah, yeah. 110 00:08:55,669 --> 00:08:57,470 It was you? Yeah. And let me tell you, 111 00:08:57,570 --> 00:09:02,750 that's one ....-.... crazy weapon you do not wanna be on the wrong side of. 112 00:09:02,175 --> 00:09:03,276 Boy, oh, boy. 113 00:09:03,343 --> 00:09:06,312 You know, I practiced with that dragon, uh, 114 00:09:06,446 --> 00:09:08,348 three hours a day for two weeks. 115 00:09:08,448 --> 00:09:11,885 Not just because I wanted to look good in the picture, but because I was... 116 00:09:11,951 --> 00:09:14,870 I was ....-scared of the .... thing, to be honest. 117 00:09:14,921 --> 00:09:16,623 Mike ....ing Lewis! 118 00:09:16,723 --> 00:09:18,324 Crisping them Nazis to hell! 119 00:09:18,391 --> 00:09:19,959 Oh, ...., that's... 120 00:09:20,930 --> 00:09:23,697 All right, that's too hot. Anything we can do about that heat? 121 00:09:23,797 --> 00:09:26,466 Rick, it's a flamethrower. Yeah. 122 00:09:27,000 --> 00:09:29,903 So I came to the office early today, 123 00:09:31,604 --> 00:09:35,475 and I watched two episodes of Bounty Law on 16 mm. 124 00:09:35,575 --> 00:09:37,444 Jody Janice, 125 00:09:37,510 --> 00:09:42,382 wanted for cattle rustling in the state of Wyoming, $425 dead or alive. 126 00:09:42,482 --> 00:09:44,150 [???] 127 00:09:44,250 --> 00:09:46,753 And you brought him here to collect. 128 00:09:47,320 --> 00:09:49,522 I don't even know where here is. 129 00:09:49,589 --> 00:09:51,725 It was just the closest place. 130 00:09:51,791 --> 00:09:54,627 Caught up with him about five miles outside of town. 131 00:09:54,728 --> 00:09:56,162 So, bounty killer, 132 00:09:57,430 --> 00:09:59,566 the name of this town is Janicetown. 133 00:10:02,469 --> 00:10:04,270 And that boy you killed... 134 00:10:04,871 --> 00:10:06,106 was Jody Janice. 135 00:10:07,707 --> 00:10:11,845 He was the baby boy of Major Nathin Maxwell Janice. 136 00:10:13,847 --> 00:10:17,751 Who's Major Nathin Maxwell Janice? 137 00:10:18,518 --> 00:10:23,289 Well, I'll be sure and introduce you 138 00:10:23,356 --> 00:10:24,624 when he gets here. 139 00:10:31,631 --> 00:10:33,633 [???] 140 00:10:33,733 --> 00:10:36,102 [GUNSHOT THEN MAN GRUNTS] 141 00:10:44,277 --> 00:10:45,612 ANNOUNCER: Bounty Law. 142 00:10:49,282 --> 00:10:51,351 Starring Rick Dalton. 143 00:10:52,385 --> 00:10:58,825 SCHWARZ: Then a couple of the jokers over in archival sent over a kinescope of a little treat featuring you. 144 00:10:59,292 --> 00:11:01,161 ? There's an old piano ? 145 00:11:01,227 --> 00:11:04,864 ? And they play it hot Behind the green door ? 146 00:11:06,132 --> 00:11:07,934 ? Don't know what they're doing ? 147 00:11:08,100 --> 00:11:11,638 ? But they laugh a lot Behind the green door ? 148 00:11:12,872 --> 00:11:14,607 ? Wish they'd let me in ? 149 00:11:14,674 --> 00:11:18,478 ? So I can find out What's behind the green door ?? 150 00:11:20,447 --> 00:11:24,117 So you've been doing guest shots 151 00:11:24,184 --> 00:11:26,886 on episodic TV shows the last couple of years? 152 00:11:26,953 --> 00:11:32,792 Yeah. Yeah. I'm doing a pilot for CBS right now. 153 00:11:32,926 --> 00:11:35,395 It's called... It's called Lancer. I play the heavy. 154 00:11:35,495 --> 00:11:38,310 Did a, ahem, Ron Ely Tarzan. 155 00:11:38,131 --> 00:11:41,670 I did a Land of the Giants. Green Hornet. 156 00:11:41,167 --> 00:11:43,690 I did that show, uh... 157 00:11:43,169 --> 00:11:46,473 Bingo Martin with that kid Scott Brown. Yeah. 158 00:11:46,606 --> 00:11:49,876 And I got a F.B.I. that airs this Sunday. 159 00:11:49,976 --> 00:11:54,447 You... You always play the bad guy on these shows? 160 00:11:54,514 --> 00:11:56,416 Yeah. Yeah. 161 00:11:56,516 --> 00:11:59,352 So, and they have a fight scene at the end of them? 162 00:11:59,452 --> 00:12:03,523 Well, not... Not... Not Land of the Giants or F.B.I., 163 00:12:03,590 --> 00:12:06,559 but the rest, yeah. Yeah. And you lose in the fight? 164 00:12:07,127 --> 00:12:10,363 Yeah. Yeah, of course. I'm... I'm the heavy. 165 00:12:10,430 --> 00:12:14,634 Oh, that's an old trick pulled by the networks. 166 00:12:14,734 --> 00:12:18,271 Now, you take Bingo Martin, for example. Right? Mm-hm. 167 00:12:18,371 --> 00:12:20,840 So you got a new guy like Scott Brown. 168 00:12:21,374 --> 00:12:24,444 You wanna build up his bona fides, right? 169 00:12:24,511 --> 00:12:28,448 So you hire a guy from a canceled show to play the heavy. 170 00:12:28,548 --> 00:12:31,718 Then at the end of the show, when they fight, 171 00:12:31,785 --> 00:12:33,687 it's hero besting heavy. 172 00:12:33,753 --> 00:12:36,289 But what the audience sees 173 00:12:36,389 --> 00:12:41,394 is Bingo Martin whipping Jake Cahill's ..... 174 00:12:41,494 --> 00:12:42,529 You see? Mm-hm. 175 00:12:43,290 --> 00:12:46,399 Then next week, it's Ron Ely. 176 00:12:46,466 --> 00:12:49,836 And next week, it's Bob Conrad, 177 00:12:49,936 --> 00:12:52,872 wearing his tight pants, kicking your ..... 178 00:12:53,600 --> 00:12:54,700 Yeah. 179 00:12:55,375 --> 00:13:01,147 In another couple of years, playing punching bag to every swinging dick new to the network, 180 00:13:01,247 --> 00:13:06,853 that's gonna have a psychological effect on how the audience perceives you. 181 00:13:06,920 --> 00:13:08,388 Right. 182 00:13:08,488 --> 00:13:10,357 So, Rick, 183 00:13:10,423 --> 00:13:13,259 who's gonna kick the .... out of you next week? 184 00:13:13,360 --> 00:13:16,363 Mannix? The Man from U.N.C.L.E.? 185 00:13:16,496 --> 00:13:18,431 The Girl from U.N.C.L.E.? 186 00:13:18,965 --> 00:13:20,834 How about Batman and Robin? 187 00:13:20,934 --> 00:13:24,437 Ping! Pow! Choom! Zoom! 188 00:13:24,704 --> 00:13:25,805 [CHUCKLES] 189 00:13:26,573 --> 00:13:27,774 Down goes you. 190 00:13:27,874 --> 00:13:30,877 Down goes your career as a leading man. 191 00:13:33,113 --> 00:13:38,284 Or do you go to Rome and star in Westerns 192 00:13:39,452 --> 00:13:41,588 and win ....ing fights? 193 00:13:43,423 --> 00:13:44,424 [SIGHS] 194 00:13:48,795 --> 00:13:49,796 VALET: Ticket, señor? 195 00:13:54,367 --> 00:13:55,368 [SPEAKS IN SPANISH] 196 00:13:58,400 --> 00:14:00,974 All right, what's the matter, partner? Well... 197 00:14:02,676 --> 00:14:04,544 it's official, old buddy. 198 00:14:04,644 --> 00:14:07,647 I'm a has-been. What are you talking about? 199 00:14:07,747 --> 00:14:11,510 What did that guy tell you? He told me the god.... truth, is what he told me. 200 00:14:13,753 --> 00:14:15,210 Whoa, whoa. 201 00:14:15,588 --> 00:14:16,589 Oh, ..... Hey. 202 00:14:16,656 --> 00:14:19,459 I'm sorry about that. I'm sorry about that. Here. Put these on. 203 00:14:20,493 --> 00:14:22,662 Don't cry in front of the Mexicans. Son of a ..... 204 00:14:22,762 --> 00:14:24,964 Now, what's got you so upset, man? 205 00:14:25,310 --> 00:14:29,202 If coming face-to-face with the failure that is your career ain't worth crying about, 206 00:14:29,269 --> 00:14:33,306 then I don't know what the .... is. Right. That guy in there turn you down? 207 00:14:33,406 --> 00:14:37,243 No. He wants to help me get into Italian movies. 208 00:14:37,310 --> 00:14:40,800 Then what's the problem? I gotta do Italian god.... movies! 209 00:14:40,146 --> 00:14:41,915 That's the ....ing problem! Come on. 210 00:14:42,150 --> 00:14:45,185 ....ing bull....! It doesn't matter whether I cry in public. 211 00:14:45,318 --> 00:14:47,587 Nobody remembers who the .... I am anyway, huh? 212 00:14:47,721 --> 00:14:50,924 MAN [OVER RADIO]:...at the Hall of Justice in town. The defense will try to prove the killing 213 00:14:50,957 --> 00:14:53,260 of Kennedy was the product of a sick mind. ....! 214 00:14:53,159 --> 00:14:56,463 Thank you. Hey, let's go. Take me home, Cliff. 215 00:14:56,563 --> 00:14:58,231 Come on, take me home. 216 00:14:58,331 --> 00:15:00,367 ...as early as next Wednesday. 217 00:15:00,433 --> 00:15:06,506 More than 1000 Communists dead are reported in new, large-scale fighting in South Vietnam. 218 00:15:06,606 --> 00:15:07,941 U.S. losses are said to be... 219 00:15:08,410 --> 00:15:10,443 WOMAN: That's swell, man. 220 00:15:10,510 --> 00:15:12,846 ....ing hippie mother....ers. 221 00:15:12,912 --> 00:15:15,115 ...and bases with rockets and mortar fire. 222 00:15:15,215 --> 00:15:20,153 As President Nixon was flying to Europe, he received details of that fighting by radio. 223 00:15:21,870 --> 00:15:24,240 WOMEN: ? Always is always forever ? 224 00:15:24,124 --> 00:15:27,660 ? As long as one is one ? 225 00:15:27,761 --> 00:15:30,764 ? Inside yourself for your father ? 226 00:15:30,830 --> 00:15:33,967 ? All is one, all is one, all is one ? 227 00:15:34,340 --> 00:15:36,636 ? It's time we put our love behind you ? 228 00:15:36,870 --> 00:15:39,806 ? The illusion has been just a dream ? 229 00:15:39,873 --> 00:15:42,842 ? The Valley of Death and I'll find you ? 230 00:15:42,976 --> 00:15:45,545 ? Now is when on a sunshine beam ? 231 00:15:46,146 --> 00:15:48,548 Hot dog buns! Whoo! 232 00:15:48,948 --> 00:15:51,384 ? For sure they shall surely see ? 233 00:15:51,484 --> 00:15:54,554 ? No clothing, no tears, no hunger ? 234 00:15:54,688 --> 00:15:57,424 ? You shall see, you shall see, you shall see ? 235 00:15:58,240 --> 00:16:00,360 ? Always is always forever ? 236 00:16:00,760 --> 00:16:03,730 ? As long as one is one ? 237 00:16:03,797 --> 00:16:06,466 ? Inside yourself for your father ? 238 00:16:06,566 --> 00:16:09,502 ? All is one, all is one, all is one ?? 239 00:16:11,271 --> 00:16:13,540 Five years of ascent. Pfft. 240 00:16:13,640 --> 00:16:16,420 Ten years of treading water. 241 00:16:16,176 --> 00:16:18,878 And now a race to the bottom. Heh. 242 00:16:20,280 --> 00:16:22,515 Look, I never had much of a career to speak of, 243 00:16:22,615 --> 00:16:25,885 so I can't say I really know how you feel. 244 00:16:25,952 --> 00:16:28,254 What are you talking about? You're my stunt double. 245 00:16:28,355 --> 00:16:29,923 Come on, now. ..... 246 00:16:29,989 --> 00:16:33,393 Rick, I'm your driver, man. I'm your gofer. 247 00:16:33,493 --> 00:16:36,620 I'm not complaining, man. I like driving you around. 248 00:16:36,162 --> 00:16:37,831 I like doing .... around the house 249 00:16:37,931 --> 00:16:40,734 and house-sitting in the Hollywood Hills when you're gone. 250 00:16:42,402 --> 00:16:45,872 But I haven't been a full-time stuntman for a while now, 251 00:16:45,972 --> 00:16:50,100 and from where I'm standing, going to Rome to star in movies does not sound 252 00:16:50,760 --> 00:16:52,645 like the fate worse than death that you seem to think it is. 253 00:16:52,712 --> 00:16:57,183 Come on, now. You ever seen an Italian Western, huh? 254 00:16:57,283 --> 00:16:59,386 They're awful. It's a ....ing farce. 255 00:16:59,486 --> 00:17:02,550 Yeah, how many you seen? One? Two? 256 00:17:02,122 --> 00:17:04,557 I've seen enough, all right? Nobody likes Spaghetti Westerns. 257 00:17:06,126 --> 00:17:07,193 [INTRODUCTION TO SONG] 258 00:17:10,964 --> 00:17:12,665 [???] 259 00:17:34,888 --> 00:17:39,125 [CONCERT ANNOUNCEMENT] 260 00:17:48,201 --> 00:17:50,870 [FILM COMMERCIAL] 261 00:18:02,349 --> 00:18:05,685 Oh, hell, man, stay in L.A. Give it what fer next pilot season. 262 00:18:05,752 --> 00:18:07,921 Nah, nah. I'm... I'm... 263 00:18:07,987 --> 00:18:11,157 I'm too insecure now to score come pilot season. 264 00:18:11,224 --> 00:18:14,127 Besides, Screen Gems ain't gonna have nothing good to say about me. 265 00:18:14,194 --> 00:18:16,496 You know that. ..... You made Bounty Law. 266 00:18:16,596 --> 00:18:20,330 Nobody's gonna forgive me for that last season. No matter what I do, 267 00:18:20,166 --> 00:18:23,703 I'm always gonna be the horse's .... that got Bounty Law canceled 268 00:18:23,803 --> 00:18:27,407 because I wanted some ....ing rinky-dink movie career. 269 00:18:29,175 --> 00:18:31,344 Tom. My friend. 270 00:18:31,444 --> 00:18:33,279 I met him? No, you haven't met him. 271 00:18:33,413 --> 00:18:36,483 You won't meet him because I don't think you'd like him. Why? 272 00:18:37,250 --> 00:18:38,151 SHARON: Well... 273 00:18:38,151 --> 00:18:39,185 [FILM COMMERCIAL] 274 00:18:40,253 --> 00:18:43,823 SHARON: Don't even joke. A joke? But they're scared. 275 00:18:47,360 --> 00:18:48,361 [SPEAKING INDISTINCTLY] 276 00:18:57,300 --> 00:18:58,872 Holy ..... Heh. 277 00:18:59,839 --> 00:19:01,574 That was Polanski. 278 00:19:01,641 --> 00:19:03,209 That was Roman Polanski. 279 00:19:03,276 --> 00:19:07,470 He's lived there for a month now. First time I seen him. 280 00:19:08,148 --> 00:19:10,150 Holy ..... God.... it. 281 00:19:13,453 --> 00:19:16,189 What do I always say? Most important thing in this town is, 282 00:19:16,289 --> 00:19:18,625 when you're making money, you buy a house in town. 283 00:19:18,758 --> 00:19:21,394 You don't rent. Eddie O'Brien taught me that. 284 00:19:21,494 --> 00:19:23,630 Hollywood real estate means you live here. 285 00:19:23,730 --> 00:19:27,100 You're not just visiting, not just passing through. 286 00:19:27,200 --> 00:19:29,269 You ....ing live here. 287 00:19:29,369 --> 00:19:33,139 Here I am flat on my ...., and who I got living next door to me? 288 00:19:33,239 --> 00:19:36,376 The director of Rosemary's ....ing Baby, that's who. 289 00:19:36,476 --> 00:19:39,679 Polanski, the hottest director in town right now, probably the world. 290 00:19:39,746 --> 00:19:42,820 He's my next-door ....ing neighbor. Heh-heh. 291 00:19:42,215 --> 00:19:45,151 I mean, ..... I mean, who knows what could happen? 292 00:19:45,251 --> 00:19:49,823 I could... I could be one pool party away from starring in a new Polanski movie. 293 00:19:49,923 --> 00:19:53,226 So you're feeling better now? Yeah, yeah. Sorry about all that. 294 00:19:53,326 --> 00:19:57,970 Give me my glasses back. Oh, come get them, ....er. Come... 295 00:19:57,197 --> 00:19:59,432 All right, all right, Audie Murphy, relax. 296 00:19:59,532 --> 00:20:01,968 There you go. You gonna need me for anything else? 297 00:20:02,350 --> 00:20:04,938 Nah, nah, nah. I got a lot of lines to learn for tomorrow. 298 00:20:05,380 --> 00:20:06,239 ..... All right. All right. 299 00:20:06,306 --> 00:20:08,308 I'm gonna get my carcass on home. All right. 300 00:20:08,408 --> 00:20:10,643 All right, 7:15 a.m. Seven-fifteen. 301 00:20:10,710 --> 00:20:12,512 Out the door. Out the door. 302 00:20:12,612 --> 00:20:14,781 In the car. All right, see you then. 303 00:20:27,270 --> 00:20:28,728 [???] 304 00:20:38,605 --> 00:20:40,674 [REVS ENGINE] 305 00:21:04,964 --> 00:21:07,333 [???] 306 00:21:29,122 --> 00:21:32,792 [???] 307 00:21:52,412 --> 00:21:56,149 [COMMERCIAL] 308 00:22:01,688 --> 00:22:03,423 [???] 309 00:22:26,413 --> 00:22:27,947 [???] 310 00:22:28,515 --> 00:22:32,552 [COMMERCIAL] 311 00:22:35,488 --> 00:22:38,124 [RADIO STATION JINGLE] 312 00:22:38,191 --> 00:22:41,940 [???] 313 00:22:44,464 --> 00:22:45,565 [COMMERCIAL] 314 00:23:04,840 --> 00:23:05,552 [MAN SINGING ON TV] 315 00:23:05,652 --> 00:23:06,653 [DOG WHIMPERS] 316 00:23:06,686 --> 00:23:09,589 CLIFF: Hello, coming in. Hello. 317 00:23:09,689 --> 00:23:11,725 Hello, darling. Hello. 318 00:23:13,960 --> 00:23:15,662 Come here. 319 00:23:15,762 --> 00:23:17,330 Hello, sweetheart. 320 00:23:18,665 --> 00:23:19,833 How was your day? 321 00:23:21,334 --> 00:23:23,136 Wait till you see what I got for you. 322 00:23:23,236 --> 00:23:25,638 Wait until you see what I got for you. 323 00:23:26,639 --> 00:23:28,675 Look what I got for you. 324 00:23:28,808 --> 00:23:30,710 Gonna blow your mind, man. 325 00:23:32,712 --> 00:23:35,849 Ho-ho-ho! Come here. Come here. 326 00:23:39,152 --> 00:23:40,286 [GRUNTS] 327 00:23:44,900 --> 00:23:46,590 [???] 328 00:24:25,632 --> 00:24:28,635 [FILM COMMERCIAL] 329 00:24:38,144 --> 00:24:39,346 [WHINES] 330 00:24:41,281 --> 00:24:42,649 Was that a whine? 331 00:24:44,384 --> 00:24:47,620 What did I tell you about whining? You whine, you don't eat. 332 00:24:47,721 --> 00:24:50,824 I will throw this .... in the trash. I don't wanna, but I will. 333 00:24:52,192 --> 00:24:53,193 You understand? 334 00:24:53,560 --> 00:24:54,561 [BARKS] 335 00:24:55,280 --> 00:24:56,960 All right. 336 00:24:56,196 --> 00:24:59,232 [FILM COMMERCIAL] 337 00:25:07,400 --> 00:25:10,110 [TRAILER MUSIC] 338 00:25:11,745 --> 00:25:13,780 [???] 339 00:25:31,131 --> 00:25:35,602 I waited at the bar till closing time, but he never came back. 340 00:25:37,170 --> 00:25:38,972 MAN: Okay, Peggy, what happened? 341 00:25:39,390 --> 00:25:41,675 PEGGY: I don't know. Everything was fine. 342 00:25:41,775 --> 00:25:43,243 We had dinner at my house. 343 00:25:43,343 --> 00:25:46,813 And afterwards, you know, while I was doing the dishes, Tsk, tsk. 344 00:25:46,880 --> 00:25:48,548 he and Tobey played. 345 00:25:48,648 --> 00:25:51,484 And then, at the club, Gabe was doing great. 346 00:25:51,551 --> 00:25:53,720 Then, wham, a sudden change. 347 00:25:54,721 --> 00:25:57,900 You know how musicians are. They're temperamental cats. 348 00:25:57,190 --> 00:25:59,259 Who knows what got into him? Yeah. 349 00:26:05,231 --> 00:26:09,636 RICK [OVER RECORDING]: Rick Dalton rehearsal tape starting in five, four, 350 00:26:09,736 --> 00:26:12,372 three, two, one. 351 00:26:12,439 --> 00:26:16,810 Pepe, get your behind behind that bar! I got a guest. 352 00:26:16,876 --> 00:26:18,345 Johnny says... 353 00:26:18,445 --> 00:26:20,347 Spanish, Spanish, Spanish. 354 00:26:21,648 --> 00:26:24,117 How's the beans? I've had worse. 355 00:26:25,785 --> 00:26:28,254 Johnny says... Spanish. 356 00:26:28,355 --> 00:26:29,923 A toast. 357 00:26:29,989 --> 00:26:32,425 To my wife and all my sweethearts. 358 00:26:32,525 --> 00:26:34,327 May they never meet. 359 00:26:35,895 --> 00:26:39,499 Señor Madrid, care to join me at my table where I entertain my guests? 360 00:26:40,834 --> 00:26:43,970 I would be delighted, Monsieur Dakota. 361 00:26:45,572 --> 00:26:46,706 Take the bottle with you. 362 00:26:48,441 --> 00:26:50,510 And Pepe comes over. 363 00:26:51,440 --> 00:26:53,913 Hey, where's that chili pepper daughter of yours with the fiddle? 364 00:26:55,148 --> 00:26:56,449 [IN MEXICAN ACCENT] She's asleep. 365 00:26:56,483 --> 00:27:01,855 Well, wake her the heck up, get her down here with her fiddle and her bow, and entertain my guests. 366 00:27:01,921 --> 00:27:05,592 Sí, señor, but please don't hurt her this time, I beg you. 367 00:27:05,692 --> 00:27:09,162 I ain't gonna hurt her. Just want her to play the fiddle. 368 00:27:09,295 --> 00:27:14,670 Fetch her and tell her I'll give her a fat $5 gold piece, she play her little chili pepper heart out. 369 00:27:15,368 --> 00:27:18,605 So, Johnny, what else you heard about me? 370 00:27:18,672 --> 00:27:23,109 [IN NORMAL VOICE] I heard you're pushing Lancer pretty hard, but Lancer has money. 371 00:27:23,209 --> 00:27:27,113 At some point, he's gonna hire some guns and push back. 372 00:27:29,749 --> 00:27:31,251 Oops, sorry. It's okay. 373 00:27:31,317 --> 00:27:33,520 I'll open the door for you. 374 00:27:33,586 --> 00:27:34,721 You look good. 375 00:27:44,330 --> 00:27:47,600 [RADIO DJ ANNOUNCEMENT] 376 00:27:47,667 --> 00:27:50,300 I think Steve's gonna be there too. Oh, yeah. 377 00:27:52,439 --> 00:27:54,507 [PSYCHEDELIC ROCK MUSIC PLAYING] 378 00:28:27,607 --> 00:28:29,943 [???] 379 00:29:04,678 --> 00:29:06,790 SHARON: Oh, look. They're here. 380 00:29:12,118 --> 00:29:14,870 [CAR HORN HONKS] 381 00:29:21,528 --> 00:29:24,330 VALET: Welcome to Playboy Mansion, Mr. Polanski. 382 00:29:24,397 --> 00:29:27,434 Hey, how are you doing, baby? 383 00:29:27,534 --> 00:29:30,300 Hey! How are you? 384 00:29:30,603 --> 00:29:33,273 [CHATTERING AND POP MUSIC PLAYING OVER SPEAKERS] 385 00:29:43,283 --> 00:29:44,551 SHARON: Oh, Cass! 386 00:29:57,230 --> 00:29:58,231 Yeah! 387 00:30:04,471 --> 00:30:06,600 CASS: Yeah, baby! 388 00:30:08,575 --> 00:30:09,576 MAN: Yeah! 389 00:30:20,487 --> 00:30:22,550 Oh, yeah. 390 00:30:54,754 --> 00:30:56,489 I'm gonna tell you a story. 391 00:30:57,891 --> 00:31:00,694 She was engaged to him. 392 00:31:03,830 --> 00:31:08,902 Then she flew to the UK... 393 00:31:10,360 --> 00:31:12,238 to make a film with him, 394 00:31:12,305 --> 00:31:17,277 and broke off her engagement with him and married him. 395 00:31:19,279 --> 00:31:23,490 Then they moved to Los Angeles, 396 00:31:23,116 --> 00:31:26,820 and the three of them have been inseparable. 397 00:31:27,887 --> 00:31:28,955 CONNIE: Really? 398 00:31:31,124 --> 00:31:32,258 What's up? 399 00:31:34,561 --> 00:31:36,763 Jay loves Sharon, that's what's up. 400 00:31:38,998 --> 00:31:40,660 And he knows... 401 00:31:41,568 --> 00:31:44,700 as sure as God made little green apples... 402 00:31:46,106 --> 00:31:49,900 that one of these days, that Polish prick's gonna .... things up, 403 00:31:49,750 --> 00:31:52,779 and when he does, Jay's gonna be there. 404 00:31:52,879 --> 00:31:55,148 Well, one thing's for sure. 405 00:31:55,248 --> 00:31:56,950 Yeah? 406 00:31:57,500 --> 00:31:58,284 What's that? 407 00:31:58,351 --> 00:32:01,287 CONNIE: Sharon absolutely has a type. 408 00:32:02,989 --> 00:32:07,327 Cute, short, talented guys who look like 12-year-old boys. 409 00:32:08,328 --> 00:32:09,396 Yeah. 410 00:32:13,767 --> 00:32:15,602 I never stood a chance. 411 00:32:37,390 --> 00:32:40,326 [RADIO SEGMENT] 412 00:32:55,750 --> 00:32:57,277 .... you, Dr. Sapirstein. 413 00:33:10,223 --> 00:33:11,891 [SHARON SNORING] 414 00:33:26,339 --> 00:33:27,941 CLIFF: Oh, here we are. 415 00:33:28,410 --> 00:33:30,377 [RADIO STATION JINGLE] 416 00:33:31,144 --> 00:33:33,913 MAN 1: Tell transpo! Gonna need to move all that out! 417 00:33:34,948 --> 00:33:37,517 MAN 2: Just a sec. Hold on, guys. 418 00:33:37,584 --> 00:33:38,518 Go ahead. 419 00:33:38,518 --> 00:33:40,220 [COUGHING] 420 00:33:41,955 --> 00:33:43,923 CLIFF: Maybe you can talk to him. MAN 3: Just talk to him. 421 00:33:43,957 --> 00:33:45,492 MAN 4: Get that set in place. RICK: Hey. 422 00:33:46,920 --> 00:33:49,796 Ahem. I think the wind blew down my TV antenna last night, 423 00:33:49,896 --> 00:33:54,300 so while I piss-fart around with wardrobe, you mind going home and fixing it? 424 00:33:54,401 --> 00:33:57,470 I can. Can you talk to the stunt gaffer about me today? 425 00:33:57,537 --> 00:34:00,540 That way I'll know if I'm working this week or not. Yeah. 426 00:34:00,674 --> 00:34:02,750 I've been meaning to tell you. 427 00:34:02,142 --> 00:34:06,312 The guy who gaffs this, he's best friends with Randy, 428 00:34:06,379 --> 00:34:09,816 the gaffer from The Green Hornet, so there really ain't no point. 429 00:34:10,450 --> 00:34:12,852 Well, if you don't need me, I'll pick you up at wrap. 430 00:34:12,952 --> 00:34:15,188 I don't need you. Not today. 431 00:34:15,321 --> 00:34:18,491 Go home, fix my antenna, do whatever. See you at wrap. 432 00:34:21,795 --> 00:34:22,796 Hey! 433 00:34:23,997 --> 00:34:27,233 You're Rick ....ing Dalton. Don't you forget it. 434 00:34:37,310 --> 00:34:38,445 Hey, hey. 435 00:34:38,545 --> 00:34:41,748 Hey, buddy, I'm Rick Dalton. You know where I'm supposed to go? 436 00:34:41,815 --> 00:34:45,719 They're waiting for you in the makeup trailer. Where's the makeup trailer? 437 00:34:45,785 --> 00:34:47,887 Straight back the way you came, hard right. 438 00:34:47,987 --> 00:34:50,190 [COUGHS] 439 00:34:52,859 --> 00:34:54,227 Oh, my God. 440 00:35:00,633 --> 00:35:02,680 MAN: Rick Dalton. 441 00:35:02,168 --> 00:35:03,470 Sam Wanamaker. 442 00:35:04,270 --> 00:35:06,339 Hey, Sam. Sorry about the wet hand. 443 00:35:06,439 --> 00:35:09,900 Oh, don't worry about it. I'm used to it with Yul. 444 00:35:09,142 --> 00:35:13,646 I just want you to know, I'm the one who cast you, and I could not be more delighted you're doing this. 445 00:35:13,747 --> 00:35:17,550 Oh, well, thank you, Sam. I... I appreciate it. It's a good part. 446 00:35:17,617 --> 00:35:20,553 Yeah, it is. Have you met Jim Stacy, the series lead? Uh... 447 00:35:20,720 --> 00:35:24,891 Not yet, no. No. Well, you guys are going to be dynamite together. 448 00:35:25,580 --> 00:35:28,361 Mm. Mm. Well, it sounds exciting. 449 00:35:28,461 --> 00:35:30,597 Yeah, lightning in a bottle. 450 00:35:30,663 --> 00:35:33,700 Now, you met Sonya, makeup and hair? Hi. 451 00:35:33,800 --> 00:35:37,737 And this is Rebekka, who does costumes. Hello. 452 00:35:37,837 --> 00:35:38,738 REBEKKA: Hi. Howdy. 453 00:35:38,738 --> 00:35:40,740 SAM: I want a whole new look for Caleb. 454 00:35:40,840 --> 00:35:43,943 I don't want this Western costumed the way they costumed The Big Valley 455 00:35:44,100 --> 00:35:46,346 and Bonanza for the last decade. 456 00:35:46,413 --> 00:35:49,490 I want a zeitgeist flair to the costumes. 457 00:35:49,149 --> 00:35:50,550 [COUGHS] 458 00:35:50,617 --> 00:35:56,456 SAM: I mean, nothing anachronistic, but where does 1869 and 1969 meet? 459 00:35:56,556 --> 00:35:59,292 Especially when it comes to you, Caleb. 460 00:35:59,392 --> 00:36:02,462 Mm. Mm. First off, I want to give him a mustache. 461 00:36:02,529 --> 00:36:07,300 A big, droopy, Zapata-like mustache. 462 00:36:07,400 --> 00:36:09,436 Now, about his jacket. 463 00:36:09,536 --> 00:36:11,438 I want to give him a hippie jacket. 464 00:36:11,538 --> 00:36:13,707 Something he could wear into the London Fog tonight 465 00:36:13,773 --> 00:36:16,676 and look like the hippest guy in the room. Far out. 466 00:36:16,743 --> 00:36:19,913 We got a Custerjacket. Fringes all down the arm. 467 00:36:19,979 --> 00:36:24,884 It's tan now, but I dye it dark brown, he could hit the Strip in it tonight. 468 00:36:24,984 --> 00:36:27,200 That's my girl. 469 00:36:27,153 --> 00:36:30,560 SAM: Now, Rick, about your hair. What about my hair? 470 00:36:30,156 --> 00:36:32,625 SAM: I want to go with a different hairstyle. 471 00:36:32,692 --> 00:36:35,895 What? Something more hippie-ish. 472 00:36:35,995 --> 00:36:39,265 You... You... You... You want me to look like a hippie? 473 00:36:39,332 --> 00:36:42,369 Well, think less hippie, more... 474 00:36:42,469 --> 00:36:43,903 Hells Angel! 475 00:36:43,970 --> 00:36:46,139 [IMITATES ENGINE REVVING] 476 00:36:46,773 --> 00:36:48,174 Right. Say, Sam... SAM: Get me the... 477 00:36:48,174 --> 00:36:49,409 Sam. Sam, uh... 478 00:36:51,111 --> 00:36:53,130 if you got me covered up in all this... 479 00:36:53,113 --> 00:36:57,384 This junk, how's the audience gonna know it's me? 480 00:36:58,418 --> 00:37:00,820 I hope they don't. Mm. 481 00:37:01,421 --> 00:37:05,392 I don't want them to see Jake Cahill. 482 00:37:05,458 --> 00:37:07,260 I want them to see Caleb. 483 00:37:08,428 --> 00:37:11,264 I hired you to be an actor, Rick. 484 00:37:11,331 --> 00:37:14,534 Not a TV cowboy. You're better than that. 485 00:37:23,143 --> 00:37:24,878 [RADIO STATION JINGLE] 486 00:37:24,944 --> 00:37:26,780 [WEATHER ANNOUNCEMENT] 487 00:37:36,222 --> 00:37:41,261 [COMMERCIAL MUSIC] 488 00:38:04,451 --> 00:38:07,487 [RADIO COMMERCIAL] 489 00:38:18,398 --> 00:38:22,100 [DJ ANNOUNCEMENT] 490 00:38:26,106 --> 00:38:28,341 [???] 491 00:39:37,110 --> 00:39:38,912 [MUSIC PLAYING OVER SPEAKERS] 492 00:39:46,619 --> 00:39:48,988 [???] 493 00:40:26,920 --> 00:40:29,896 RICK: I've been meaning to tell you, the guy who gaffs this, 494 00:40:29,996 --> 00:40:33,660 he's best friends with Randy, the gaffer from The Green Hornet, 495 00:40:33,133 --> 00:40:35,301 so there really ain't no point. 496 00:40:37,470 --> 00:40:38,571 [BELL RINGS] 497 00:40:50,850 --> 00:40:52,152 Hey, Randy. 498 00:40:54,454 --> 00:40:55,455 Cliff. 499 00:40:56,489 --> 00:40:59,893 So you're still with Rick, huh? Still here. 500 00:41:01,428 --> 00:41:03,697 He in there? Yeah. Just knock. 501 00:41:08,735 --> 00:41:11,638 Look, just put him in the wardrobe, all right? 502 00:41:11,705 --> 00:41:14,574 What's it gonna hurt? Then if you need him, you got him, all right? 503 00:41:14,674 --> 00:41:18,178 But then I gotta have a conversation with that wardrobe assistant, 504 00:41:18,278 --> 00:41:20,747 and, man, she's a ....ing ..... I just don't... Please, I... 505 00:41:20,814 --> 00:41:23,817 Look, Randy, I'm asking you to help me out, man. 506 00:41:23,917 --> 00:41:28,288 If the answer's no, the answer's no, not no with excuses. 507 00:41:28,388 --> 00:41:29,389 Hey, man. 508 00:41:30,757 --> 00:41:34,194 This ain't a ....ing Andy McLaglen picture, you know? 509 00:41:34,260 --> 00:41:36,796 I can't afford to hire a bunch of guys to smoke cigarettes 510 00:41:36,863 --> 00:41:40,667 and sit around talking to each other all day on the chance that I might use them. 511 00:41:40,734 --> 00:41:44,771 I got a four-man team here, Rick. If I need more than that, I gotta get it approved. 512 00:41:44,871 --> 00:41:47,340 And, you know, I gotta look after my dudes. 513 00:41:47,474 --> 00:41:50,377 Hey, and if your dudes were a better match for me, 514 00:41:50,477 --> 00:41:54,614 I'd say, "Okay, you got me," but that's not the case, and you know it. 515 00:41:54,714 --> 00:41:56,683 He's a great ....ing match for me. Yeah, no... 516 00:41:56,783 --> 00:42:01,187 Hey, you could do anything you want to him. ...., throw him off a building, right? 517 00:42:01,254 --> 00:42:04,157 Light him on fire. Hit him with a ....ing Lincoln, right? 518 00:42:04,224 --> 00:42:07,594 Get creative. Do whatever you want. He's just happy for the opportunity. 519 00:42:07,660 --> 00:42:09,129 Rick. Yeah? 520 00:42:12,320 --> 00:42:13,133 I don't dig him. 521 00:42:15,435 --> 00:42:18,805 And I don't dig the vibe he brings on a set. 522 00:42:18,905 --> 00:42:21,541 What, is there some old beef between the two of you? 523 00:42:21,675 --> 00:42:23,977 Oh, come on, man. What? What? 524 00:42:24,770 --> 00:42:26,312 The dude killed his ....ing wife. 525 00:42:28,214 --> 00:42:31,584 Come on, man. You don't believe that old ...., do you? 526 00:42:31,651 --> 00:42:33,353 Yes, Rick, I do. 527 00:42:33,420 --> 00:42:36,656 And I work with my wife, and she believes it. 528 00:42:36,756 --> 00:42:38,792 She doesn't want his creepy .... around. 529 00:42:41,361 --> 00:42:44,964 WOMAN: You know, this is probably the ....tiest weather ever. 530 00:42:45,980 --> 00:42:50,303 The ....tiest weather on the ....tiest boat with the ....tiest person. 531 00:42:50,370 --> 00:42:51,571 [WOMAN LAUGHS] 532 00:42:51,705 --> 00:42:55,175 Natalie, my sister, said, "He's a loser. He's a loser." 533 00:42:55,275 --> 00:42:58,611 They all said it, "He's a ....ing loser," and I didn't believe them. 534 00:42:58,745 --> 00:43:00,547 So I guess I'm the ....ing idiot. 535 00:43:01,915 --> 00:43:03,450 And now you're not gonna talk to me? 536 00:43:03,550 --> 00:43:05,885 What, you don't feel like fighting? 537 00:43:05,985 --> 00:43:07,654 Well, I feel like ....ing fighting 538 00:43:07,754 --> 00:43:13,593 because I've been up here by myself for four hours on this ....ing ....hole of a boat. 539 00:43:13,960 --> 00:43:14,961 Yeah. 540 00:43:17,731 --> 00:43:20,667 He's a god.... war hero. ..... 541 00:43:22,936 --> 00:43:24,204 RANDY: Yeah, appreciate it. 542 00:43:28,742 --> 00:43:32,746 Okay, you ....ing horse's ..... Let's get you over to wardrobe. 543 00:43:36,149 --> 00:43:40,820 Now, I'll put you in wardrobe, but you don't stunt, I don't pay you. 544 00:43:40,954 --> 00:43:43,890 CLIFF: Appreciate the opportunity, Randy. I won't let you down. 545 00:43:43,990 --> 00:43:48,194 RANDY: You know my wife Janet, don't you? Yeah. 546 00:43:48,261 --> 00:43:49,496 RANDY: Steer clear of her. 547 00:43:50,830 --> 00:43:53,867 Now, I admire Cassius Clay, I do. 548 00:43:53,933 --> 00:43:58,571 What I admire is, in his sport, there's an element of true combat. 549 00:43:58,705 --> 00:44:03,610 When Cassius Clay meets Sonny Liston in the ring, that's not two athletes posturing. 550 00:44:03,710 --> 00:44:05,612 That's combat. 551 00:44:05,712 --> 00:44:08,915 Two men trying to kill each other right now. 552 00:44:08,982 --> 00:44:10,183 If you don't beat him... 553 00:44:11,184 --> 00:44:12,385 he kills you. 554 00:44:13,386 --> 00:44:15,210 That's beyond athletics. 555 00:44:15,121 --> 00:44:18,692 That's beyond Wide World of Sports, you know? 556 00:44:18,825 --> 00:44:22,362 That's two warriors engaged in combat. That's what I admire. 557 00:44:23,396 --> 00:44:26,990 In martial arts tournaments, they won't let you fight like that. 558 00:44:26,199 --> 00:44:28,635 It's very frustrating. 559 00:44:28,702 --> 00:44:31,738 You stand in front of a guy, and you just wanna let him have it. 560 00:44:33,730 --> 00:44:34,674 But you can't. 561 00:44:34,741 --> 00:44:38,712 So you gotta do this playacting, patty-cake version. 562 00:44:38,778 --> 00:44:41,948 Cassius Clay. Sonny Liston. Joe Louis. 563 00:44:42,150 --> 00:44:44,684 The colored boxer, not that white kickboxing ....hole. 564 00:44:46,152 --> 00:44:49,890 They do what they need to do to win. 565 00:44:49,222 --> 00:44:53,593 They unleash as much punishment as they have to to defeat the other guy. 566 00:44:54,761 --> 00:44:58,932 But in martial arts tournaments, I do to win what they do to win. 567 00:44:59,320 --> 00:45:01,401 I unleash all my power. 568 00:45:02,635 --> 00:45:04,700 I kill people. 569 00:45:04,137 --> 00:45:06,439 MAN: If you fought Cassius Clay, who would win? 570 00:45:06,539 --> 00:45:09,309 BRUCE: Well, that would never happen. 571 00:45:09,376 --> 00:45:12,120 MAN: But if you did, what do you think would happen? 572 00:45:13,179 --> 00:45:14,581 BRUCE: I'd make him a cripple. 573 00:45:14,681 --> 00:45:16,182 [SCOFFS] 574 00:45:17,751 --> 00:45:20,620 BRUCE: Hey, you. What's your name? 575 00:45:20,720 --> 00:45:22,489 Me? BRUCE: Yeah, you. 576 00:45:24,491 --> 00:45:25,992 My name's Cliff. 577 00:45:26,590 --> 00:45:28,128 I'm Rick Dalton's stunt double. 578 00:45:28,228 --> 00:45:30,964 BRUCE: Stuntman? Yeah. 579 00:45:31,970 --> 00:45:33,466 BRUCE: You know, you're kind of pretty for a stuntman. 580 00:45:33,533 --> 00:45:35,368 That's what they tell me. 581 00:45:35,468 --> 00:45:38,705 BRUCE: So did I say something funny, stuntman? 582 00:45:39,739 --> 00:45:41,808 Yeah, you kind of did. What's so funny? 583 00:45:42,876 --> 00:45:46,246 Look, I don't want any trouble. I'm just here to do a job. 584 00:45:46,346 --> 00:45:49,816 But you're laughing at what I'm saying. But I'm not saying anything funny. 585 00:45:49,916 --> 00:45:51,651 So, what do you think is so funny? 586 00:45:53,553 --> 00:45:55,210 What I think is... 587 00:45:57,857 --> 00:46:00,694 you're a little man with a big mouth and a big chip, 588 00:46:00,794 --> 00:46:02,462 and I think you should be embarrassed 589 00:46:02,529 --> 00:46:07,467 to suggest you'd be anything more than a stain on the seat of Cassius Clay's trunks. 590 00:46:07,534 --> 00:46:10,603 Brother, you're the one with the big mouth. 591 00:46:10,704 --> 00:46:15,342 And I would really enjoy closing it, especially in front of all my friends. 592 00:46:15,408 --> 00:46:18,778 But my hands are registered as lethal weapons. 593 00:46:18,878 --> 00:46:25,251 That means, we get into a fight, I accidentally kill you, I go to jail. 594 00:46:25,352 --> 00:46:28,355 Anybody accidentally kills anybody in a fight, they go to jail. 595 00:46:28,421 --> 00:46:31,991 It's called manslaughter. And I think all that "lethal weapon" horse.... 596 00:46:32,580 --> 00:46:35,628 is just an excuse so you dancers never have to get in a real fight. 597 00:46:37,263 --> 00:46:38,264 Okay. 598 00:46:39,332 --> 00:46:41,301 How about a friendly contest? 599 00:46:42,469 --> 00:46:44,437 No punching in the face. 600 00:46:44,504 --> 00:46:46,720 Two out of three. 601 00:46:46,139 --> 00:46:48,208 Who puts who on the ground first? 602 00:46:48,308 --> 00:46:52,579 Nobody tries to hurt nobody, just who ends up on their butt? 603 00:46:57,500 --> 00:46:58,852 That's a great idea, Kato. 604 00:47:11,398 --> 00:47:14,768 You know, Bruce, that guy's kind of famous. That guy? 605 00:47:14,868 --> 00:47:16,269 For what? 606 00:47:16,336 --> 00:47:18,772 Killed his wife and got away with it. 607 00:47:18,872 --> 00:47:20,600 That guy? 608 00:47:20,106 --> 00:47:21,174 That guy. 609 00:47:36,890 --> 00:47:39,192 [GRUNTING] 610 00:47:46,266 --> 00:47:47,667 Not bad, Kato. 611 00:47:48,935 --> 00:47:50,136 Try that again. 612 00:48:10,230 --> 00:48:11,910 [HIP CRACKS] 613 00:48:32,212 --> 00:48:33,380 Whoa, whoa, whoa! 614 00:48:34,280 --> 00:48:36,649 What the .... is going on here? 615 00:48:36,750 --> 00:48:40,987 Hey, jack...., this is our series lead. What the .... are you thinking? 616 00:48:41,540 --> 00:48:43,289 You're right, Janet. I'm sorry about that. 617 00:48:43,390 --> 00:48:46,260 Don't ....ing "Janet" me, you prick. 618 00:48:46,920 --> 00:48:48,395 Hey. What's up, babe? 619 00:48:48,461 --> 00:48:51,831 What's up, Randy, is that your loser ....hole, 620 00:48:51,898 --> 00:48:55,735 wife-killing buddy boy here was beating the .... out of Bruce. 621 00:48:55,835 --> 00:48:56,836 What? 622 00:48:57,370 --> 00:48:58,805 Hey, Randy. RANDY: Cliff. 623 00:48:58,905 --> 00:49:00,707 What the ...., man? 624 00:49:01,141 --> 00:49:04,577 Let me just say, nobody beat the .... out of Bruce. 625 00:49:04,678 --> 00:49:06,880 It was a friendly contest. He barely touched me. 626 00:49:06,980 --> 00:49:09,349 I think that dent in the car says something different. 627 00:49:11,170 --> 00:49:13,253 Oh, my God! 628 00:49:13,353 --> 00:49:15,822 What the .... did you do to my car?! 629 00:49:15,889 --> 00:49:18,580 What the .... did you do to her car? 630 00:49:18,491 --> 00:49:22,228 I threw this little prick into it, but I did not know it was her car. 631 00:49:22,295 --> 00:49:26,833 Get the wardrobe off, get your ...., and get ....ed! 632 00:49:26,900 --> 00:49:27,901 Janet! What? 633 00:49:28,100 --> 00:49:30,970 I will handle this. Then ....ing handle it, Randy. 634 00:49:32,339 --> 00:49:33,340 Cliff... 635 00:49:34,474 --> 00:49:39,446 get the wardrobe off, get your ...., and get off the lot. 636 00:49:43,490 --> 00:49:44,500 Fair enough. 637 00:49:45,251 --> 00:49:47,153 [???] 638 00:50:18,118 --> 00:50:19,919 Aww. What's the matter? 639 00:50:20,653 --> 00:50:27,270 Are you afraid I'll tell Jim Morrison you were dancing to Paul Revere and the Raiders? 640 00:50:27,930 --> 00:50:29,620 Are they not cool enough for you? 641 00:50:38,538 --> 00:50:40,407 Who's this shaggy ....hole? 642 00:50:42,942 --> 00:50:44,144 Hello? Can I help you? 643 00:50:44,210 --> 00:50:46,980 Oh, yeah. Hey, man. I'm looking for Terry. 644 00:50:47,800 --> 00:50:50,183 I'm a friend of Terry's and Dennis Wilson's. 645 00:50:50,250 --> 00:50:54,540 Well, Terry and Candy don't live here anymore. This is the Polanski residence now. 646 00:50:54,154 --> 00:50:55,989 Really? He moved? 647 00:50:57,257 --> 00:50:58,258 Dang. 648 00:50:59,459 --> 00:51:01,294 You know...? You know where? 649 00:51:01,428 --> 00:51:05,498 JAY: I'm not sure, really, but the owner of the property, Paul, might. He's in the guest house. 650 00:51:07,267 --> 00:51:08,334 SHARON: Who is it, Jay? 651 00:51:08,435 --> 00:51:11,137 It's okay, honey. It's a friend of Terry's. 652 00:51:12,238 --> 00:51:15,408 Yeah, just take the back path. Thank you kindly. 653 00:51:17,510 --> 00:51:18,511 Ma'am. 654 00:51:34,694 --> 00:51:36,996 MAN 1: All right, that's an hour! Hey, Rick. 655 00:51:37,970 --> 00:51:41,434 I know theyjust broke for lunch, but you need to wait at least an hour before you can eat. 656 00:51:41,501 --> 00:51:44,371 Give that glue a chance to dry. Oh, no worries, honey. 657 00:51:44,471 --> 00:51:49,142 I got my book. Say, say, where's the bad-guy saloon? 658 00:51:49,209 --> 00:51:53,613 You just go straight through the Western town, take a right and a left, and you see it right there. 659 00:51:53,713 --> 00:51:56,616 Thanks, honey. MAN 1: Yeah, that's better. That's better. Yeah. 660 00:51:57,650 --> 00:51:59,786 Can we move to number two? 661 00:51:59,853 --> 00:52:01,621 How is his bounce? 662 00:52:01,755 --> 00:52:03,230 Can I get a bounce there? 663 00:52:03,890 --> 00:52:05,291 MAN 2: Just grab the crescent wrench, come right back. 664 00:52:05,392 --> 00:52:06,893 Just make it a quick one. 665 00:52:08,228 --> 00:52:10,697 Tim! MAN 1: Looks great. Right there. 666 00:52:38,391 --> 00:52:39,492 [RICK CLEARS THROAT] 667 00:52:56,576 --> 00:52:57,577 Hello. 668 00:53:00,380 --> 00:53:01,381 Hello. 669 00:53:03,983 --> 00:53:04,984 Hello. 670 00:53:08,755 --> 00:53:12,592 Would it bother you if I sat next to you and read my book too? 671 00:53:14,994 --> 00:53:15,995 I don't know. 672 00:53:17,464 --> 00:53:18,698 Would you bother me? 673 00:53:19,599 --> 00:53:21,101 I'll try not to. 674 00:53:24,537 --> 00:53:25,605 Sit. 675 00:53:28,308 --> 00:53:30,510 [COUGHING] 676 00:53:36,850 --> 00:53:38,840 [SIGHS] 677 00:54:05,679 --> 00:54:08,848 [COUGHING] 678 00:54:10,650 --> 00:54:11,651 Bleh. 679 00:54:12,852 --> 00:54:14,788 Sorry. Sorry about that. 680 00:54:22,950 --> 00:54:23,396 You don't eat lunch? 681 00:54:24,664 --> 00:54:26,933 I've got a scene after lunch. 682 00:54:27,330 --> 00:54:28,340 Yeah? 683 00:54:29,569 --> 00:54:32,906 Eating lunch before I do a scene makes me sluggish. 684 00:54:32,972 --> 00:54:37,110 I believe it's the job of an actor... And I say "actor," not "actress," 685 00:54:37,177 --> 00:54:40,130 because the word "actress" is nonsensical. 686 00:54:40,113 --> 00:54:44,551 It's the actor's job to avoid impediments to their performance. 687 00:54:44,617 --> 00:54:49,255 It's the actor's job to strive for 100 percent effectiveness. 688 00:54:49,356 --> 00:54:52,926 Naturally, we never succeed, but it's the pursuit... 689 00:54:54,227 --> 00:54:55,295 that's meaningful. 690 00:54:57,630 --> 00:55:00,330 Who are you? You can call me Marabella. 691 00:55:00,100 --> 00:55:02,869 Mar... Marabella what? 692 00:55:02,936 --> 00:55:04,504 Marabella Lancer. 693 00:55:04,571 --> 00:55:07,874 No, no, come on, come on. What's your real name? 694 00:55:09,943 --> 00:55:14,140 When we're on set, I'd prefer to only be referred to by my character's name. 695 00:55:14,147 --> 00:55:17,250 It helps me invest in the reality of the story. 696 00:55:17,384 --> 00:55:21,921 I've tried it both ways, and I'm always just a tiny bit better when I don't break character. 697 00:55:22,220 --> 00:55:25,625 And if I can be a tiny bit better, I want to be. 698 00:55:28,895 --> 00:55:31,798 You're the bad guy. Caleb DeCoteau. 699 00:55:35,468 --> 00:55:38,738 I thought it was pronounced Caleb "Dakota." 700 00:55:39,272 --> 00:55:41,541 I'm pretty sure it's "DeCoteau." 701 00:55:44,310 --> 00:55:46,413 DeCoteau. Mm-hm. 702 00:55:47,514 --> 00:55:49,783 DeCoteau. DeCoteau. 703 00:55:51,584 --> 00:55:52,585 Hm. 704 00:56:08,268 --> 00:56:09,602 What are you reading? 705 00:56:10,937 --> 00:56:13,406 It's a biography on Walt Disney. 706 00:56:13,506 --> 00:56:15,141 It's fascinating. 707 00:56:15,241 --> 00:56:17,110 He's a genius, you know. 708 00:56:17,177 --> 00:56:20,613 I mean, a once-in-every-50-or-100-years kind of genius. 709 00:56:20,714 --> 00:56:22,115 What are you, 12? 710 00:56:23,750 --> 00:56:24,818 I'm 8. 711 00:56:25,819 --> 00:56:27,530 What are you reading? 712 00:56:29,155 --> 00:56:30,357 Just a Western. 713 00:56:30,423 --> 00:56:33,426 What does that mean? Is it good? 714 00:56:33,493 --> 00:56:36,529 Pretty good. What's the story? 715 00:56:37,864 --> 00:56:39,632 I haven't finished it yet. 716 00:56:39,699 --> 00:56:42,869 I didn't ask for the whole story. 717 00:56:42,969 --> 00:56:44,738 What's the idea of the story? 718 00:56:46,172 --> 00:56:47,374 Well... 719 00:56:47,474 --> 00:56:50,977 it's about this guy who's a bronco buster. 720 00:56:51,978 --> 00:56:54,140 It's the story of his life. 721 00:56:55,348 --> 00:56:57,830 Guy's name is Tom Breezy, 722 00:56:57,183 --> 00:57:00,253 but everyone always calls him Easy Breezy. 723 00:57:00,353 --> 00:57:02,989 Now, when Easy Breezy was in his 20s 724 00:57:03,560 --> 00:57:06,920 and young and good-looking, 725 00:57:06,192 --> 00:57:09,496 he could break any horse that you could throw at him. 726 00:57:09,596 --> 00:57:12,499 Back then, he just had a way. 727 00:57:12,632 --> 00:57:18,672 Now he's into his late 30s and he takes a bad fall, and it messes up his hip. 728 00:57:18,738 --> 00:57:23,677 He's not... He's not... He's not crippled or anything like that, but... 729 00:57:23,743 --> 00:57:28,181 But he's got spine problems he never had before, and he spends, uh... 730 00:57:30,150 --> 00:57:33,787 more of his days in pain than he ever did before. 731 00:57:33,853 --> 00:57:36,189 Jeepers, this sounds like a good novel. 732 00:57:37,824 --> 00:57:39,250 Yeah, it's not bad. 733 00:57:40,660 --> 00:57:41,861 Where are you in it? 734 00:57:42,996 --> 00:57:44,230 About midway. 735 00:57:46,320 --> 00:57:48,401 What's happening to Easy Breezy now? 736 00:57:49,669 --> 00:57:51,237 He's, um... He... 737 00:57:53,173 --> 00:57:54,941 He's not the best anymore. 738 00:57:56,142 --> 00:57:58,111 In fact, far from it. And... 739 00:57:59,879 --> 00:58:03,616 he's coming to terms with what it's like to be slightly more... 740 00:58:06,786 --> 00:58:07,787 use... 741 00:58:16,290 --> 00:58:19,566 Slightly more useless each day. 742 00:58:25,638 --> 00:58:26,639 [SOBS] 743 00:58:35,749 --> 00:58:37,650 It's okay, Caleb. 744 00:58:37,751 --> 00:58:39,352 It's okay. 745 00:58:39,419 --> 00:58:41,855 It sounds like a really sad book. 746 00:58:41,955 --> 00:58:43,890 Poor Easy Breezy. 747 00:58:43,990 --> 00:58:46,493 I'm practically crying and I haven't even read it. 748 00:58:48,495 --> 00:58:51,898 About 15 years, you'll be living it. What? 749 00:58:55,235 --> 00:58:57,971 Nothing, pumpkin puss. I'm just... 750 00:58:59,390 --> 00:59:00,540 I'm just teasing you. 751 00:59:01,841 --> 00:59:03,476 You know something? You, uh... 752 00:59:05,110 --> 00:59:07,847 You might be right about this book. 753 00:59:07,947 --> 00:59:10,850 I think it hits harder than I gave it credit for. 754 00:59:13,530 --> 00:59:16,289 I don't like names like "pumpkin puss," 755 00:59:17,257 --> 00:59:21,394 but since you're upset, we'll talk about that some other time. 756 00:59:22,896 --> 00:59:23,897 [CHUCKLES] 757 00:59:24,831 --> 00:59:26,833 [???] 758 01:00:15,949 --> 01:00:20,220 I'm only going as far as Westwood Village. Hey, beggars can't be choosers. 759 01:00:20,320 --> 01:00:21,321 Come on in. Thanks. 760 01:00:21,388 --> 01:00:22,389 [CHATTERING] 761 01:00:41,841 --> 01:00:43,743 Thank you so much. My pleasure. 762 01:00:44,878 --> 01:00:46,579 Good luck on your adventure. Thank you. 763 01:00:46,680 --> 01:00:49,182 Have a good time in Big Sur. Thank you so much. 764 01:00:49,249 --> 01:00:50,450 Take care. You too. 765 01:01:56,850 --> 01:01:59,452 MAN: Oh, hey. Hello. 766 01:01:59,552 --> 01:02:01,888 How can I help you, young lady? 767 01:02:02,355 --> 01:02:03,423 Oh. 768 01:02:04,691 --> 01:02:08,862 I'm here to pick up a first edition of Thomas Hardy's Tess of the d'Urbervilles I ordered. 769 01:02:08,928 --> 01:02:10,230 It's under Polanski. 770 01:02:10,296 --> 01:02:12,565 Yeah, you're talking books there, kid. Oh, I know. 771 01:02:12,665 --> 01:02:14,167 Isn't it wonderful? Yeah. Oh, man. 772 01:02:14,267 --> 01:02:15,702 I just read it. Yeah. 773 01:02:15,769 --> 01:02:18,171 I'm getting it as a gift for my husband. 774 01:02:21,740 --> 01:02:23,443 Rick Dalton? You bet. 775 01:02:23,543 --> 01:02:26,446 Jim Stacy. This is my show. Welcome aboard. 776 01:02:26,546 --> 01:02:29,549 We're real glad to have a pro like you playing the heavy on the pilot. 777 01:02:29,649 --> 01:02:34,854 And I gotta tell you, I came .... close to being in The Fourteen Fists of McCluskey. 778 01:02:34,954 --> 01:02:36,156 No kidding. Yeah. 779 01:02:36,222 --> 01:02:37,857 Let me tell you, I... 780 01:02:37,957 --> 01:02:40,160 I just got my part by sheer luck. 781 01:02:40,260 --> 01:02:43,797 Up until two weeks before shooting, Fabian was in the part. 782 01:02:43,863 --> 01:02:47,967 Then he breaks his shoulder doing a Virginian. That's how I got it, so... 783 01:02:48,680 --> 01:02:49,690 Ah. 784 01:02:50,537 --> 01:02:54,307 Hey, Rick, I gotta ask you something I heard about. 785 01:02:54,374 --> 01:02:57,444 Was it true you almost got the McQueen part in The Great Escape? 786 01:02:57,544 --> 01:02:58,945 [???] 787 01:02:59,120 --> 01:03:02,480 Hilts, isn't it? Captain Hilts, actually. 788 01:03:02,148 --> 01:03:03,983 Seventeen escape attempts. Eighteen. 789 01:03:04,500 --> 01:03:08,154 Never had an audition. Never had a meeting. Never met John Sturges. 790 01:03:08,221 --> 01:03:10,824 So, no, I don't think you could say I... 791 01:03:10,890 --> 01:03:12,926 I almost got the part, but... 792 01:03:13,260 --> 01:03:15,295 Tunnel man, engineer. Flier. 793 01:03:15,428 --> 01:03:19,799 I suppose what's called in the American Army a hotshot pilot. Tsk. 794 01:03:19,866 --> 01:03:23,970 But the story goes, for a brief moment, 795 01:03:24,700 --> 01:03:28,141 McQueen almost passed on the movie, and during that brief moment, 796 01:03:28,274 --> 01:03:30,844 I, apparently, was on a list of four. 797 01:03:30,944 --> 01:03:32,145 You have other plans? 798 01:03:32,479 --> 01:03:37,384 I haven't seen Berlin yet from the ground or from the air, and I plan on doing both before the war's over. 799 01:03:37,450 --> 01:03:38,852 You and who? 800 01:03:38,985 --> 01:03:42,222 Me and... Me and three Georges. Which three Georges? 801 01:03:42,288 --> 01:03:43,857 Peppard, Maharis and Chakiris. 802 01:03:43,957 --> 01:03:45,458 Oh, man. Yeah. 803 01:03:45,558 --> 01:03:46,860 That's gotta hurt. 804 01:03:46,960 --> 01:03:49,290 Yeah, well, I didn't get it, 805 01:03:49,950 --> 01:03:50,430 McQueen did it, 806 01:03:50,497 --> 01:03:53,500 and, frankly, I never had a chance. 807 01:03:54,868 --> 01:03:57,270 Ten days isolation, Hilts. 808 01:03:57,337 --> 01:03:58,371 Captain Hilts. 809 01:03:58,471 --> 01:04:00,507 Twenty days. 810 01:04:00,573 --> 01:04:01,574 Right. 811 01:04:02,709 --> 01:04:05,545 Oh, you'll still be here when I get out? 812 01:04:06,980 --> 01:04:07,981 Cooler. 813 01:04:10,917 --> 01:04:12,986 [???] 814 01:05:03,670 --> 01:05:06,406 One, please. Seventy-five cents. 815 01:05:09,309 --> 01:05:11,811 What if I'm in the movie? 816 01:05:12,379 --> 01:05:13,513 What do you mean? 817 01:05:13,580 --> 01:05:16,249 I mean, I'm in the movie. 818 01:05:16,349 --> 01:05:17,817 I'm Sharon Tate. 819 01:05:18,651 --> 01:05:20,353 You're in this? Mm-hm. 820 01:05:20,453 --> 01:05:22,689 I play Miss Carlson, the Klutz. 821 01:05:24,240 --> 01:05:25,580 That's me. 822 01:05:26,860 --> 01:05:29,529 But that's the girl from Valley of the Dolls. 823 01:05:30,997 --> 01:05:35,268 Well, that's me, the girl from Valley of the Dolls. 824 01:05:36,269 --> 01:05:38,371 Really? Really. 825 01:05:40,874 --> 01:05:42,709 Hey, Rubin! Come out here. 826 01:05:46,346 --> 01:05:49,215 This is the girl from Valley of the Dolls. 827 01:05:49,315 --> 01:05:51,551 Patty Duke? No, the other one. 828 01:05:51,618 --> 01:05:53,620 The girl from Peyton Place? No, the other one. 829 01:05:53,753 --> 01:05:56,122 The one who ends up doing dirty movies. 830 01:05:56,489 --> 01:05:57,657 Ohh. 831 01:05:58,910 --> 01:06:00,860 She's in this movie. Sharon Tate. 832 01:06:01,261 --> 01:06:06,990 Well, welcome to the Bruin, Miss Tate. Thank you for coming to our theater. 833 01:06:06,499 --> 01:06:08,935 Would you like to come in and see the show? Could I? 834 01:06:09,302 --> 01:06:10,637 By all means. 835 01:06:11,638 --> 01:06:12,639 Thank you. 836 01:06:14,641 --> 01:06:17,410 Hey, can I get a picture? Oh, sure. 837 01:06:17,510 --> 01:06:18,511 Okay. 838 01:06:22,649 --> 01:06:27,153 You know, why don't you stand over by the poster so people will know who you are. 839 01:06:27,220 --> 01:06:29,522 Okay. Could you? 840 01:06:42,168 --> 01:06:43,703 Would you like some refreshments? 841 01:06:43,770 --> 01:06:45,905 Oh, I'm fine. Thank you. Enjoy the show. 842 01:06:49,976 --> 01:06:51,911 [???] 843 01:07:23,343 --> 01:07:25,979 WOMAN: Can I ask you a personal question? MAN: I wish you would. 844 01:07:26,790 --> 01:07:30,183 How did a nice boy like you get involved with a group like the Heads? 845 01:07:30,250 --> 01:07:33,720 MAN: I turned to them after I was rejected by the Daughters of the American Revolution. 846 01:07:34,254 --> 01:07:35,622 [???] 847 01:07:49,169 --> 01:07:51,571 [???] 848 01:07:56,943 --> 01:07:58,812 Very pleasant hotel here. 849 01:07:59,946 --> 01:08:01,581 Mr. Helm? Yes? 850 01:08:01,715 --> 01:08:02,916 Oh! 851 01:08:02,982 --> 01:08:04,751 [AUDIENCE LAUGHING] 852 01:08:06,586 --> 01:08:08,540 I'm Freya. 853 01:08:08,154 --> 01:08:10,190 Welcome to Denmark, Mr. Helm. 854 01:08:11,910 --> 01:08:14,394 These are for you. Street maps, places of interest. Hm. 855 01:08:14,461 --> 01:08:16,996 This is for you too. Hm. 856 01:08:17,530 --> 01:08:19,466 HELM: What year was that? Ninteen Fourty nine. 857 01:08:19,532 --> 01:08:22,836 HELM: Oh, that's a very good year. I'm here to help you in any way I can. 858 01:08:22,902 --> 01:08:25,705 That's very nice of you. Is there anything you'd like me to do? 859 01:08:25,772 --> 01:08:28,475 Yes, ma'am, a couple things. Yes, sir. 860 01:08:28,541 --> 01:08:32,120 Would you mind getting off my camera case, please? 861 01:08:32,112 --> 01:08:33,680 Oh, I'm sorry. Oh, that's all right. 862 01:08:33,747 --> 01:08:35,849 FREYA: I'm so sorry. That's okay. 863 01:08:35,949 --> 01:08:37,170 I'm sorry about... 864 01:08:38,385 --> 01:08:40,200 Welcome to Denmark. 865 01:08:40,920 --> 01:08:42,822 [???] 866 01:08:48,595 --> 01:08:51,631 This is some kind of hotel you've got here. 867 01:08:53,867 --> 01:08:55,935 Half a bottle is better than none. 868 01:09:05,545 --> 01:09:06,680 MAN: Morning, partner. 869 01:09:07,747 --> 01:09:09,983 WOMAN: Probably come by to see you later. 870 01:09:25,732 --> 01:09:27,534 [BELL TOLLING] 871 01:09:43,717 --> 01:09:45,385 MAN: That's far enough, jughead. 872 01:09:46,619 --> 01:09:48,221 Name's not jughead. 873 01:09:49,422 --> 01:09:51,691 MAN: What you doing around here, boy? 874 01:09:51,791 --> 01:09:54,728 I'm thirsty. That's a saloon, ain't it? 875 01:09:54,828 --> 01:09:57,964 MAN: Oh, yeah, that's a saloon. 876 01:09:58,640 --> 01:10:00,633 Only you can't come in. CALEB: Mr. Gilbert. 877 01:10:02,502 --> 01:10:05,572 Don't let me stop you from earning your money. 878 01:10:08,108 --> 01:10:12,545 I know how bored and restless you get when you run out of tamales. 879 01:10:14,140 --> 01:10:16,316 But, Mr. Gilbert, if I was you, 880 01:10:17,717 --> 01:10:20,200 I'd find out that jughead's name. 881 01:10:21,654 --> 01:10:24,570 Allow me to introduce the two of you. 882 01:10:26,260 --> 01:10:28,280 This here is Bob Gilbert. 883 01:10:29,462 --> 01:10:30,864 The Businessman? 884 01:10:30,930 --> 01:10:32,165 GILBERT: That's right. 885 01:10:32,832 --> 01:10:37,270 Business Bob Gilbert. And who might he be, Caleb? 886 01:10:37,337 --> 01:10:39,906 CALEB: Well, that's a fella by the name of Madrid. 887 01:10:41,374 --> 01:10:42,876 Johnny Madrid. 888 01:10:43,810 --> 01:10:45,779 Who's Johnny Madrid? 889 01:10:51,951 --> 01:10:53,653 He ain't from round here. 890 01:10:54,200 --> 01:10:55,855 No, really. 891 01:10:55,955 --> 01:10:56,990 Who is he, Caleb? 892 01:10:59,359 --> 01:11:00,427 [CALEB CLEARS THROAT] 893 01:11:01,695 --> 01:11:03,630 Oh, you're about to find out... 894 01:11:05,331 --> 01:11:06,399 Businessman. 895 01:11:06,833 --> 01:11:08,568 [???] 896 01:11:24,150 --> 01:11:27,120 Ready when you are, Gilbert. 897 01:11:43,436 --> 01:11:44,437 [SPEAKS IN SPANISH] 898 01:12:09,129 --> 01:12:10,830 CALEB: Johnny Madrid. 899 01:12:16,503 --> 01:12:17,971 How long has it been? 900 01:12:18,710 --> 01:12:21,574 [IN ENGLISH] Since that time in Juárez, about three years ago. 901 01:12:22,208 --> 01:12:25,450 Well, come on in and have a drink. 902 01:12:25,145 --> 01:12:27,580 Hell, in that case... 903 01:12:29,749 --> 01:12:31,951 buy you a drink, Caleb? 904 01:12:32,180 --> 01:12:33,219 Sure, Johnny. 905 01:12:34,754 --> 01:12:37,123 How about some mezcal? 906 01:12:37,223 --> 01:12:39,325 Like that time in Juárez. 907 01:12:40,760 --> 01:12:43,196 A lot of people died that day. 908 01:12:43,263 --> 01:12:44,764 Yes, they did. 909 01:12:46,660 --> 01:12:48,702 But we had a good time. 910 01:12:48,835 --> 01:12:49,936 Didn't we? 911 01:12:50,360 --> 01:12:52,105 Yeah, we did. 912 01:12:53,139 --> 01:12:54,808 After you, DeCoteau. 913 01:12:56,760 --> 01:12:59,212 Pepe! Get your behind behind that bar. 914 01:12:59,312 --> 01:13:00,747 I have a guest. 915 01:13:09,222 --> 01:13:10,223 [SPEAKS IN SPANISH] 916 01:13:14,260 --> 01:13:17,163 [SPEAKING IN SPANISH] 917 01:13:17,297 --> 01:13:18,531 [IN ENGLISH] How's the beans? 918 01:13:20,133 --> 01:13:21,434 I've had worse. 919 01:13:21,668 --> 01:13:23,536 [SPEAKS IN SPANISH] 920 01:13:23,970 --> 01:13:25,171 BARTENDER: One dollar. 921 01:13:28,708 --> 01:13:31,911 To my wife and all my sweethearts. 922 01:13:32,946 --> 01:13:34,447 May they never meet. 923 01:13:41,388 --> 01:13:46,292 Señor Madrid, you care to join me at my table where I entertain my guests? 924 01:13:46,426 --> 01:13:48,862 [IN ENGLISH] I'd be delighted, Monsieur DeCoteau. 925 01:13:50,930 --> 01:13:52,465 CALEB: Take the bottle with you. 926 01:13:54,667 --> 01:13:55,869 So, Johnny... 927 01:13:58,438 --> 01:14:00,206 what brings you to Arroyo del Oro? 928 01:14:00,306 --> 01:14:03,276 Oh, you know me, Caleb. 929 01:14:03,343 --> 01:14:04,344 Money. 930 01:14:04,411 --> 01:14:06,790 [???] 931 01:14:06,146 --> 01:14:08,381 And who's paying around here? 932 01:14:08,481 --> 01:14:09,549 I hope you. 933 01:14:10,150 --> 01:14:11,151 Ah. 934 01:14:11,918 --> 01:14:14,354 And what have you heard about me? 935 01:14:14,421 --> 01:14:16,256 I heard about the Lancer Ranch. 936 01:14:16,356 --> 01:14:18,525 All the cattle you've appropriated. 937 01:14:18,658 --> 01:14:21,928 A lot of land, a lot of cows, a lot of money, no law to speak of, 938 01:14:22,280 --> 01:14:26,266 and nothing but an old man and some Mexican ranch hands to shoo you off. 939 01:14:28,835 --> 01:14:33,440 Say, where's that chili pepper daughter of yours with the fiddle? 940 01:14:33,540 --> 01:14:35,308 She's asleep. 941 01:14:35,408 --> 01:14:40,547 Wake her the heck up, get her down here with her fiddle and her bow, and entertain my guest. 942 01:14:41,414 --> 01:14:42,415 [SPEAKS IN SPANISH] 943 01:14:43,950 --> 01:14:46,252 [IN ENGLISH] But, please, don't hurt her this time. 944 01:14:47,787 --> 01:14:49,356 I ain't gonna hurt her. 945 01:14:50,230 --> 01:14:52,392 I just want her to play the fiddle. 946 01:14:56,596 --> 01:14:59,666 Line? "Go... Go fetch her and tell her" what? 947 01:14:59,799 --> 01:15:02,902 WOMAN: "Go fetch her and tell her I'll give her a fat $5 gold piece..." 948 01:15:02,969 --> 01:15:06,806 Right. Go fetch her and tell her I'll give her a fat $5 gold piece, 949 01:15:06,906 --> 01:15:09,900 she play her little chili pepper heart out, right? 950 01:15:09,109 --> 01:15:10,143 WOMAN: Right. Got it. 951 01:15:10,944 --> 01:15:12,780 [CLEARS THROAT] 952 01:15:16,750 --> 01:15:18,618 I ain't gonna hurt her. 953 01:15:18,718 --> 01:15:20,987 I just want her to play the fiddle. 954 01:15:21,540 --> 01:15:24,190 Now, go fetch her and tell her I'll give her a fat $5 gold piece, 955 01:15:24,257 --> 01:15:27,327 she play her little chili pepper heart out. 956 01:15:27,427 --> 01:15:28,428 Go on. 957 01:15:33,433 --> 01:15:35,168 So, Johnny, 958 01:15:36,336 --> 01:15:38,905 what else you heard? Hmm? 959 01:15:39,706 --> 01:15:42,275 I heard you're pushing Lancer pretty hard, 960 01:15:42,342 --> 01:15:45,145 but Lancer's got money. 961 01:15:46,212 --> 01:15:48,281 At some point, 962 01:15:48,381 --> 01:15:50,750 he's gonna hire some guns 963 01:15:50,817 --> 01:15:52,952 and push back. 964 01:15:59,893 --> 01:16:03,630 Line. Line. Line, line, line. WOMAN: "Maybe he already has." 965 01:16:03,196 --> 01:16:04,464 [GRUNTS] 966 01:16:05,899 --> 01:16:07,233 Maybe... 967 01:16:07,300 --> 01:16:09,836 God.... it! I ....ed this whole thing up, Sam. SAM: Keep going! 968 01:16:09,869 --> 01:16:11,471 I ....ed this up. SAM: Fight through it. 969 01:16:11,504 --> 01:16:13,606 Can we just go back? Please, can we just cut? 970 01:16:13,707 --> 01:16:16,509 SAM: No, really, just say the ....ing line! No, really, Sam, please. 971 01:16:16,576 --> 01:16:18,611 SAM: "Maybe he already has." RICK: All right, all right! 972 01:16:18,611 --> 01:16:20,747 SAM: "Maybe he already has!" All right, god.... it! 973 01:16:20,814 --> 01:16:23,216 All right, all right! Whoo! 974 01:16:23,650 --> 01:16:27,870 You're a god.... outlaw, Rick. Come on, now. Ahem. Whoo! 975 01:16:27,787 --> 01:16:29,255 I got it. I got it. 976 01:16:30,557 --> 01:16:31,891 Go back a bit, would you? 977 01:16:31,991 --> 01:16:33,493 SAM: No, he's right. Back to one. 978 01:16:33,593 --> 01:16:34,694 [RICK GRUNTS AND GROWLS] 979 01:16:34,794 --> 01:16:36,863 Okay, now, use all that, baby. I'm gonna use it. 980 01:16:36,930 --> 01:16:38,998 Oh, I'm gonna use it. SAM: Put it all inside. 981 01:16:39,650 --> 01:16:40,500 RICK: Mm-hm. I'm gonna use it. 982 01:16:42,502 --> 01:16:43,503 SAM: And... 983 01:16:44,504 --> 01:16:45,505 action. 984 01:16:48,708 --> 01:16:51,111 I heard you're pushing Lancer pretty hard, 985 01:16:51,177 --> 01:16:53,747 but Lancer's got money. 986 01:16:54,814 --> 01:16:56,783 At some point, 987 01:16:56,916 --> 01:17:01,221 he's gonna hire some guns and push back. 988 01:17:04,758 --> 01:17:06,793 Maybe he already has. 989 01:17:08,595 --> 01:17:09,596 Maybe. 990 01:17:12,866 --> 01:17:14,501 Maybe I don't like Lancer. 991 01:17:15,902 --> 01:17:17,771 Maybe I don't like his boots. 992 01:17:19,372 --> 01:17:23,710 Maybe I don't like the way he uses those boots to step on people. 993 01:17:27,881 --> 01:17:29,549 What the .... was that?! 994 01:17:29,616 --> 01:17:32,520 Jesus Christ! 995 01:17:32,152 --> 01:17:33,386 ....! 996 01:17:33,453 --> 01:17:35,689 Piece of ..... 997 01:17:35,789 --> 01:17:37,791 ....ing .... it, Rick, I swear to God. 998 01:17:37,957 --> 01:17:42,462 Forgot your ....ing lines, embarrassed yourself like that in front of all those god.... people! 999 01:17:42,595 --> 01:17:48,601 Well, you were drinking all night, ....ing drinking again, eight god.... ....ing whiskey sours. 1000 01:17:49,869 --> 01:17:51,871 [SOBBING] ....ing bull..... 1001 01:17:53,773 --> 01:17:56,109 You're a ....ing miserable drunk. 1002 01:17:56,176 --> 01:17:58,511 Not ....ing remembering your ....ing lines. 1003 01:17:58,611 --> 01:18:02,382 I practiced them, and now I don't look like I god.... practiced them! 1004 01:18:02,449 --> 01:18:04,751 You're sitting there like a ....ing baboon! 1005 01:18:04,818 --> 01:18:06,653 [GIBBERING] 1006 01:18:06,753 --> 01:18:08,455 ....! Eight ....ing whiskey sours. 1007 01:18:08,555 --> 01:18:11,524 I couldn't stop at ....ing three or four. I have eight! 1008 01:18:11,624 --> 01:18:15,261 Why?! You're a ....ing alcoholic. You ....ing drink too much, huh? 1009 01:18:15,362 --> 01:18:17,731 Every ....ing night. Every ....ing night. 1010 01:18:17,831 --> 01:18:19,933 That's it, that's ....ing it! 1011 01:18:20,330 --> 01:18:20,967 That's ....ing it. 1012 01:18:21,000 --> 01:18:23,303 You stop drinking right now, all right? 1013 01:18:23,370 --> 01:18:26,973 Make a promise to yourself. You're gonna stop ....ing drinking. 1014 01:18:27,730 --> 01:18:28,108 Oh, .... it. 1015 01:18:31,745 --> 01:18:32,746 .... it! 1016 01:18:33,680 --> 01:18:37,650 You show that little ....ing girl. You're gonna show that god.... Jim Stacy. 1017 01:18:37,784 --> 01:18:41,921 You're gonna show all of them on that god.... ....ing set who the .... Rick Dalton is, all right? 1018 01:18:42,220 --> 01:18:44,190 Let me tell you something. 1019 01:18:44,290 --> 01:18:46,893 You don't get these lines right, 1020 01:18:46,993 --> 01:18:49,929 I'm gonna blow your ....ing brains out tonight. 1021 01:18:50,300 --> 01:18:54,501 All right? Your brains are gonna be splattered all over your god.... pool. 1022 01:18:54,601 --> 01:18:56,503 I mean it, mother....er. 1023 01:18:56,569 --> 01:18:58,400 Get your .... together. 1024 01:18:58,672 --> 01:19:00,774 [???] 1025 01:19:34,374 --> 01:19:36,543 [???] 1026 01:20:00,333 --> 01:20:02,102 [AUDIENCE CHEERING] 1027 01:20:04,700 --> 01:20:05,872 Better? Okay. It's great. 1028 01:20:11,311 --> 01:20:14,140 [RADIO DJ ANNOUNCEMENT] 1029 01:20:14,147 --> 01:20:16,449 [RADIO STATION JINGLE] 1030 01:20:17,183 --> 01:20:18,852 [???] 1031 01:20:58,291 --> 01:21:00,293 [POP ROCK SONG PLAYING] 1032 01:21:31,758 --> 01:21:32,892 Hey! 1033 01:21:33,960 --> 01:21:34,961 Hi. 1034 01:21:42,502 --> 01:21:43,503 ..... 1035 01:22:07,227 --> 01:22:08,294 Hello, hot stuff. 1036 01:22:09,290 --> 01:22:11,498 Looks like third time's the charm. Mm. 1037 01:22:11,631 --> 01:22:12,766 How were those pickles? 1038 01:22:16,200 --> 01:22:19,720 Real good. They were the fancy kind. 1039 01:22:19,205 --> 01:22:20,707 Mm. Mm. 1040 01:22:22,308 --> 01:22:23,309 Give me a lift? 1041 01:22:23,677 --> 01:22:24,878 Where are you going? 1042 01:22:26,413 --> 01:22:27,847 I'm going to Chatsworth. 1043 01:22:28,682 --> 01:22:29,683 Chatsworth? 1044 01:22:31,170 --> 01:22:35,488 You hitch up and down Burbank Boulevard all day till someone says they'll drive you to Chatsworth? 1045 01:22:36,556 --> 01:22:38,124 Tourists love to drive me. 1046 01:22:38,191 --> 01:22:40,260 I'm their favorite part of their L.A. vacation, you know? 1047 01:22:40,293 --> 01:22:43,897 They'll be telling stories about the Hollywood hippie girl 1048 01:22:43,997 --> 01:22:47,667 that they gave a ride to the movie ranch for the rest of their lives. 1049 01:22:47,767 --> 01:22:49,202 Wait, Spahn Movie Ranch? 1050 01:22:50,236 --> 01:22:53,730 Yeah. That's where you're going? Spahn Movie Ranch? 1051 01:22:53,440 --> 01:22:55,575 Uh-huh. Why you going there? 1052 01:22:56,376 --> 01:22:57,377 I live there. 1053 01:22:58,780 --> 01:23:00,680 Alone? No. 1054 01:23:00,747 --> 01:23:01,948 Me and my friends. 1055 01:23:03,516 --> 01:23:07,754 So you and a bunch of friends like you all live at Spahn Movie Ranch? 1056 01:23:09,322 --> 01:23:10,323 Yeah. 1057 01:23:12,492 --> 01:23:14,160 Well, hop in. I'll take you there. 1058 01:23:14,994 --> 01:23:15,995 Great! 1059 01:23:25,772 --> 01:23:28,842 Go down here and get on the Hollywood Freeway. I know where it is. 1060 01:23:31,444 --> 01:23:34,481 Are you some old cowboy guy that used to make movies there? 1061 01:23:34,547 --> 01:23:35,582 Whoa. 1062 01:23:36,449 --> 01:23:38,840 What? 1063 01:23:38,151 --> 01:23:41,540 I'm just surprised how accurate that description of me really is. 1064 01:23:41,121 --> 01:23:44,824 Some old cowboy guy that used to shoot movies at Spahn Ranch. 1065 01:23:45,592 --> 01:23:50,463 So you used to make Westerns at the ranch back in the old-timey days? 1066 01:23:52,665 --> 01:23:58,772 Well, if by "the old-timey days," you mean television eight years ago, yeah. 1067 01:23:58,838 --> 01:24:00,206 Are you an actor? 1068 01:24:00,273 --> 01:24:01,908 No, I'm a stuntman. 1069 01:24:03,176 --> 01:24:04,244 You're a stuntman. 1070 01:24:06,790 --> 01:24:07,147 That's way better. 1071 01:24:08,248 --> 01:24:09,649 Why is that way better? 1072 01:24:10,917 --> 01:24:11,985 Actors are phony. 1073 01:24:12,285 --> 01:24:15,188 Oh. Theyjust say lines that other people write 1074 01:24:15,388 --> 01:24:18,525 and pretend to murder people on their stupid TV shows. 1075 01:24:19,125 --> 01:24:22,262 Meanwhile, real people are being murdered every day in Vietnam. 1076 01:24:22,362 --> 01:24:23,963 [???] 1077 01:24:45,118 --> 01:24:46,853 Want me to suck your .... while driving? 1078 01:24:55,695 --> 01:24:56,730 How old are you? 1079 01:24:57,964 --> 01:24:58,998 What? 1080 01:24:59,432 --> 01:25:00,800 How old are you? 1081 01:25:03,690 --> 01:25:04,700 Wow, man. 1082 01:25:05,438 --> 01:25:08,742 That's the first time anybody asked that in a long time. 1083 01:25:09,309 --> 01:25:10,377 What's the answer? 1084 01:25:12,879 --> 01:25:15,782 Okay. We gonna play kiddie games? 1085 01:25:17,617 --> 01:25:20,253 Eighteen. Feel better? 1086 01:25:20,320 --> 01:25:24,457 You got some ID, you know, like a driver's license or something? 1087 01:25:24,524 --> 01:25:25,792 Are you joking? 1088 01:25:25,892 --> 01:25:26,893 No, I'm not. 1089 01:25:27,327 --> 01:25:33,366 I need to see something official that verifies that you're 18, which you don't have because you're not. 1090 01:25:36,970 --> 01:25:39,506 Talk about a bring-down bummer, dude. 1091 01:25:39,606 --> 01:25:40,707 That's you. 1092 01:25:40,807 --> 01:25:41,808 Yeah. 1093 01:25:46,546 --> 01:25:49,916 Obviously, I'm not too young to .... you. 1094 01:25:51,170 --> 01:25:52,919 But obviously, you are too old to .... me. 1095 01:25:54,154 --> 01:25:57,424 What I'm too old to do is go to jail for poontang. 1096 01:25:59,759 --> 01:26:02,595 Prison's been trying to get me all my life. It ain't got me yet. 1097 01:26:02,696 --> 01:26:04,197 The day it does, 1098 01:26:04,297 --> 01:26:05,965 it won't be because of you. 1099 01:26:06,833 --> 01:26:08,340 No offense. 1100 01:26:11,671 --> 01:26:12,972 RICK [IN BRITISH ACCENT OVER RECORDING]: You all right, honey? 1101 01:26:13,600 --> 01:26:15,241 RICK: She's just fine, ain't you, shorty? 1102 01:26:15,308 --> 01:26:17,210 RICK [IN HIGH-PITCHED VOICE]: I'm fine, Scott. 1103 01:26:17,310 --> 01:26:20,113 RICK [IN BRITISH ACCENT]: They haven't hurt you? MAN: Camera's ready, Mr. Dalton. 1104 01:26:20,113 --> 01:26:21,614 [???] 1105 01:26:22,349 --> 01:26:23,583 I'll be right out. 1106 01:26:25,180 --> 01:26:26,319 RICK [IN BRITISH ACCENT]: The war. 1107 01:26:27,520 --> 01:26:30,290 I rode with the British cavalry in Indi... 1108 01:26:51,578 --> 01:26:54,247 [CHATTERING] 1109 01:27:22,509 --> 01:27:24,644 MAN: Stand by, guys. We're going in five. 1110 01:27:27,800 --> 01:27:28,682 [HORSES WHINNYING] 1111 01:27:39,959 --> 01:27:41,928 Lancer's boys are here! 1112 01:27:42,962 --> 01:27:44,698 The old man here? 1113 01:27:44,764 --> 01:27:45,965 Nada. 1114 01:27:46,466 --> 01:27:47,967 But the son is. 1115 01:27:50,136 --> 01:27:51,671 Ah. Heh-heh. 1116 01:27:52,172 --> 01:27:53,640 The one from Boston. 1117 01:27:54,908 --> 01:27:55,909 I don't know. 1118 01:27:56,776 --> 01:27:58,211 You from Boston? 1119 01:27:58,278 --> 01:27:59,346 Yes. 1120 01:27:59,446 --> 01:28:00,947 HENCHMAN: It's the Boston one! 1121 01:28:02,682 --> 01:28:04,584 Keep the others outside. 1122 01:28:05,719 --> 01:28:07,153 Let the brother come in. 1123 01:28:08,688 --> 01:28:10,490 HENCHMAN: You heard him, Boston. 1124 01:28:19,399 --> 01:28:22,369 CALEB: Come on in, Boston. Heh. 1125 01:28:22,535 --> 01:28:24,300 See, honey? 1126 01:28:24,700 --> 01:28:26,406 I told you they'd come to parlay. 1127 01:28:27,907 --> 01:28:29,209 You all right, honey? 1128 01:28:29,309 --> 01:28:32,345 Oh, she's just fine. 1129 01:28:32,445 --> 01:28:33,546 Ain't you, shorty? 1130 01:28:35,315 --> 01:28:36,549 I'm fine, Scott. 1131 01:28:37,350 --> 01:28:38,685 They haven't hurt you? 1132 01:28:39,285 --> 01:28:41,388 Not yet, I ain't. 1133 01:28:41,488 --> 01:28:43,323 But that can all change... 1134 01:28:44,457 --> 01:28:45,458 like that. 1135 01:28:45,792 --> 01:28:47,927 [CHUCKLES] 1136 01:28:49,162 --> 01:28:50,163 Say... 1137 01:28:50,764 --> 01:28:52,432 where'd you get that limp? 1138 01:28:53,867 --> 01:28:55,201 From the war. Mm. 1139 01:28:56,469 --> 01:28:57,504 Which side? 1140 01:28:58,605 --> 01:29:01,441 I rode with the British cavalry in India. 1141 01:29:03,243 --> 01:29:05,111 What'd they call that outfit? 1142 01:29:05,879 --> 01:29:07,347 Bengal Lancers. 1143 01:29:11,284 --> 01:29:13,319 Now, now, now, that is funny. 1144 01:29:13,386 --> 01:29:15,855 That is funny. That's not so funny. 1145 01:29:15,955 --> 01:29:17,290 Don't you get it? 1146 01:29:17,357 --> 01:29:20,193 "Bengal Lancer"? Hm? 1147 01:29:20,794 --> 01:29:22,195 Oh, yeah. 1148 01:29:22,295 --> 01:29:23,963 I get it now. 1149 01:29:24,300 --> 01:29:26,599 That is kind of funny. It is. 1150 01:29:27,233 --> 01:29:30,236 You do know kidnapping is a hanging offense. 1151 01:29:30,737 --> 01:29:33,239 So is blowing the heads off little girls. 1152 01:29:35,208 --> 01:29:37,811 But they can only hang me once, right? 1153 01:29:39,450 --> 01:29:40,460 So... 1154 01:29:41,448 --> 01:29:43,830 you come down here for a... 1155 01:29:43,149 --> 01:29:45,485 For a Boston social? 1156 01:29:45,552 --> 01:29:48,188 Or we gonna talk price? How much? 1157 01:29:48,755 --> 01:29:52,359 I'd say $50,000 would buy me 1158 01:29:52,459 --> 01:29:55,929 a whole lot of chicken mole in Mexico. 1159 01:29:55,995 --> 01:29:57,497 That's a lot of money. 1160 01:29:57,564 --> 01:29:59,933 Well, she's a lot of little girl. 1161 01:29:59,999 --> 01:30:01,334 Or don't you agree? 1162 01:30:02,369 --> 01:30:03,370 I agree. 1163 01:30:05,205 --> 01:30:06,406 So, what's next? 1164 01:30:07,240 --> 01:30:11,878 I'll send one of my boys out to your ranch to fill you in on all the details... 1165 01:30:13,513 --> 01:30:17,550 but the one detail I'm gonna fill you in on right now is this: 1166 01:30:18,752 --> 01:30:23,556 I don't want no beaner bronco buster handing me that $50,000. 1167 01:30:23,656 --> 01:30:26,826 I want the old man himself. 1168 01:30:26,926 --> 01:30:32,532 Murdoch Lancer puts $50,000 in my lap... 1169 01:30:32,599 --> 01:30:35,802 or I heave this little pitcher down a well! 1170 01:30:35,869 --> 01:30:38,438 You got that, Boston?! 1171 01:30:38,805 --> 01:30:39,939 Huh? 1172 01:30:40,407 --> 01:30:41,408 Yeah. 1173 01:30:42,442 --> 01:30:44,277 All right, messenger boy. 1174 01:30:45,712 --> 01:30:47,313 Deliver my message. 1175 01:30:54,540 --> 01:30:57,524 SAM: Give me evil, ....y Hamlet. 1176 01:30:57,590 --> 01:30:59,426 Settle into it. 1177 01:30:59,526 --> 01:31:00,827 Enjoy it. 1178 01:31:01,695 --> 01:31:02,829 And cut! 1179 01:31:03,329 --> 01:31:04,731 [BELL RINGS] 1180 01:31:05,432 --> 01:31:06,800 Oh, boy. 1181 01:31:06,866 --> 01:31:09,335 I didn't hurt you there, Marabella, with that throw, did I? 1182 01:31:09,469 --> 01:31:11,938 No, no, no. I'm good. I got pads on. 1183 01:31:12,572 --> 01:31:17,277 And I throw myself on the floor just for fun, even when I'm not getting paid. 1184 01:31:17,811 --> 01:31:18,812 MAN: The gate's clean. 1185 01:31:19,212 --> 01:31:21,648 Rick, Rick, Rick. 1186 01:31:21,715 --> 01:31:23,350 Put her there. 1187 01:31:23,450 --> 01:31:24,584 That was it. Really? 1188 01:31:24,684 --> 01:31:25,952 That was absolutely fantastic. 1189 01:31:26,860 --> 01:31:27,354 Oh, thank you. I loved it. 1190 01:31:27,454 --> 01:31:31,491 Hey, and your idea about throwing the little girl on the ground, that just worked like a charm. 1191 01:31:31,558 --> 01:31:34,828 I figured you said Shakespeare, so... Yeah. That's right. That was... 1192 01:31:34,928 --> 01:31:37,300 That's what I mean by "scare me." 1193 01:31:37,130 --> 01:31:39,499 Yeah. Yeah. Yeah. Evil Hamlet scares people. 1194 01:31:39,599 --> 01:31:42,680 All right. Oh, and by the way... 1195 01:31:42,168 --> 01:31:44,270 "Beaner bronco buster"? Yeah. 1196 01:31:44,371 --> 01:31:46,973 Where the hell did that come from? I don't know. Improv. 1197 01:31:47,400 --> 01:31:51,745 That was wonderful. It was just... That was a triple alliterative improv. 1198 01:31:51,845 --> 01:31:53,413 You don't hear those too often. 1199 01:31:53,480 --> 01:31:55,248 Okay? We're all good. All right. We don't...? 1200 01:31:55,281 --> 01:31:57,851 Don't need to go again? No, we're done. That was fantastic. 1201 01:31:57,917 --> 01:32:00,520 All right. Okay, moving on. We're in the bordello. 1202 01:32:00,587 --> 01:32:01,588 MAN: Next setup! 1203 01:32:05,792 --> 01:32:09,629 That was the best acting I've ever seen in my whole life. 1204 01:32:11,310 --> 01:32:12,320 Thank you. 1205 01:32:21,574 --> 01:32:23,276 [SIGHS] 1206 01:32:27,547 --> 01:32:28,548 [SNIFFLES] 1207 01:32:30,350 --> 01:32:32,252 Rick ....ing Dalton. 1208 01:32:36,923 --> 01:32:39,125 [POP MUSIC PLAYING INDISTINCTLY ON TV] 1209 01:32:43,129 --> 01:32:44,731 [CAR APPROACHING] 1210 01:32:45,165 --> 01:32:46,199 SQUEAKY: That's a car. 1211 01:32:47,667 --> 01:32:49,235 That's a strange car. 1212 01:32:50,537 --> 01:32:52,205 Snake, go see who's outside. 1213 01:33:05,318 --> 01:33:06,786 So who is it? 1214 01:33:06,886 --> 01:33:08,154 SNAKE: I ain't for sure yet. 1215 01:33:08,855 --> 01:33:10,757 It's a ....in' yellow Coupe de Ville. 1216 01:33:11,758 --> 01:33:12,959 SQUEAKY: Keep an eye on him. 1217 01:33:49,195 --> 01:33:51,164 [BARKING] 1218 01:34:02,175 --> 01:34:03,176 Come on. 1219 01:34:20,293 --> 01:34:22,950 Where the hell is everybody? 1220 01:34:31,337 --> 01:34:32,439 Hey, where's Gypsy? 1221 01:34:32,872 --> 01:34:34,641 She's down by the chop shop. 1222 01:34:41,448 --> 01:34:43,583 Hey! WOMAN: Hello! 1223 01:34:43,683 --> 01:34:46,753 Gypsy! I want you to come meet my new friend. 1224 01:34:47,870 --> 01:34:50,957 SNAKE: Some old-looking dude in a Hawaiian shirt who just gave ....cat a ride home. 1225 01:34:51,324 --> 01:34:52,692 SQUEAKY: He just gave her a lift? 1226 01:34:52,792 --> 01:34:57,130 SNAKE: Nope. She's bringing him down the ranch to meet everybody. 1227 01:34:57,230 --> 01:34:59,766 SQUEAKY: Stay by the door. Tell me if he starts coming this way. 1228 01:34:59,833 --> 01:35:01,601 [FILM DIALOGUE IN BACKGROUND] 1229 01:35:01,668 --> 01:35:04,104 Welcome to our community. Thanks for having me. 1230 01:35:04,204 --> 01:35:06,573 And thank you for giving our precious .... a ride home. 1231 01:35:06,639 --> 01:35:07,974 Think nothing of it. 1232 01:35:08,410 --> 01:35:09,876 We love ..... 1233 01:35:09,976 --> 01:35:11,177 Yes, we do. 1234 01:35:11,277 --> 01:35:13,313 Hey, where is everybody? Where's the children? 1235 01:35:13,413 --> 01:35:15,982 Everybody left for Santa Barbara. 1236 01:35:16,820 --> 01:35:17,650 Really? 1237 01:35:17,717 --> 01:35:19,753 Charlie's gone? Everybody left? 1238 01:35:19,853 --> 01:35:22,922 Well, not everybody-everybody, but mostly everybody. 1239 01:35:25,792 --> 01:35:26,793 Drag. 1240 01:35:28,280 --> 01:35:29,796 I really wanted Cliff to meet Charlie. 1241 01:35:31,310 --> 01:35:33,199 I think Charlie's really gonna dig you. 1242 01:35:33,266 --> 01:35:35,602 Angel, hold up. Well, maybe next time. 1243 01:35:35,668 --> 01:35:37,137 ....CAT: Yeah, you got to come back. 1244 01:35:38,405 --> 01:35:40,607 Yeah? CLIFF: Yeah, sure. 1245 01:35:41,975 --> 01:35:44,778 ....CAT: So how's it all comparing to your glory days? 1246 01:35:44,878 --> 01:35:46,846 Well, things have changed. 1247 01:35:50,150 --> 01:35:52,185 Not a bad mount, Connie. 1248 01:35:52,285 --> 01:35:54,387 I used to ride horses every day back in Tennessee. 1249 01:35:54,487 --> 01:35:56,756 Is that right? Every day? 1250 01:35:56,856 --> 01:35:58,792 Well, every week. 1251 01:35:58,892 --> 01:36:00,527 All right. 1252 01:36:00,593 --> 01:36:02,328 Ain't she just darling? 1253 01:36:05,932 --> 01:36:09,135 So my name is Lulu. 1254 01:36:09,202 --> 01:36:10,437 This is Tex. 1255 01:36:11,137 --> 01:36:15,909 We're gonna be leading you on a great trail ride through the beautiful Santa Susana canyons. 1256 01:36:16,900 --> 01:36:19,279 Now, Curt, I hear you're already an experienced rider. 1257 01:36:19,346 --> 01:36:21,681 Yes. LULU: Yeah, and so are you, Connie? 1258 01:36:21,748 --> 01:36:23,116 CONNIE: Yes, I am. Hey, Tex? 1259 01:36:23,216 --> 01:36:26,419 Come here. So if you're both experienced riders, 1260 01:36:26,519 --> 01:36:29,756 I guess we'll just make this ride about having fun. 1261 01:36:29,856 --> 01:36:30,990 You ready to have some fun? 1262 01:36:31,910 --> 01:36:33,993 So ....cat brought back some guy with her. 1263 01:36:34,940 --> 01:36:36,596 Gypsy wants you to go give him a look-see. Yeah. Sure thing. 1264 01:36:39,833 --> 01:36:42,402 [???] 1265 01:36:56,616 --> 01:36:59,586 Oh, and here's someone you absolutely have to meet. 1266 01:36:59,686 --> 01:37:02,880 One of our most favorite sons. 1267 01:37:02,155 --> 01:37:04,791 Tex, come on over here and say hi to Cliff. 1268 01:37:04,924 --> 01:37:07,600 Howdy, Cliff. Tex. 1269 01:37:07,160 --> 01:37:10,797 What part of Texas you from? Oh, a place you never heard of. 1270 01:37:10,897 --> 01:37:11,798 Copeville. 1271 01:37:11,798 --> 01:37:14,340 Ah. Ever been to Houston? 1272 01:37:14,134 --> 01:37:15,602 Course I have. 1273 01:37:15,735 --> 01:37:18,204 Yeah, I spent two weeks once on a Houston chain gang. 1274 01:37:18,271 --> 01:37:19,639 In August, no less. 1275 01:37:20,730 --> 01:37:22,420 That doesn't sound like a whole lot of fun. 1276 01:37:22,642 --> 01:37:25,612 It's the last cop's jaw I ever broke, I can tell you that. 1277 01:37:25,679 --> 01:37:27,681 [GIGGLES] 1278 01:37:29,949 --> 01:37:30,950 Man... 1279 01:37:32,152 --> 01:37:33,787 Charlie's gonna dig you. 1280 01:37:34,754 --> 01:37:37,570 The Hawaiian guy seems to be okay. 1281 01:37:37,190 --> 01:37:39,259 Everybody's talking all friendly. 1282 01:37:39,726 --> 01:37:41,561 GYPSY: Enjoy your day! CLIFF: Thank you. 1283 01:37:42,929 --> 01:37:44,998 SNAKE: Tex checked him out, and now he's riding away. 1284 01:37:45,498 --> 01:37:47,901 SQUEAKY: If he comes this way, let me know. 1285 01:37:50,637 --> 01:37:53,273 Hey, does George Spahn still own this ranch? 1286 01:37:53,673 --> 01:37:55,342 Yeah, George still owns it. 1287 01:37:56,420 --> 01:37:58,478 Does he still live here? Yeah. 1288 01:37:58,578 --> 01:38:01,481 Does he still live right there? 1289 01:38:01,614 --> 01:38:02,615 GYPSY: Yeah. 1290 01:38:02,682 --> 01:38:04,170 Is he here now? 1291 01:38:04,551 --> 01:38:05,752 I guess so. 1292 01:38:07,687 --> 01:38:10,390 So George gave you all permission to be here? 1293 01:38:11,524 --> 01:38:12,659 Course he did. 1294 01:38:12,759 --> 01:38:14,394 And y'all take care of him? 1295 01:38:15,428 --> 01:38:17,731 Oh, we take care of George. 1296 01:38:17,797 --> 01:38:18,998 We love George. 1297 01:38:21,334 --> 01:38:25,710 Is there anything wrong with me saying hello to an old friend? 1298 01:38:25,171 --> 01:38:27,700 You can't see him right now. 1299 01:38:27,730 --> 01:38:29,342 Why can't I see him right now? 1300 01:38:30,910 --> 01:38:32,145 Because he's napping. 1301 01:38:34,347 --> 01:38:35,682 This is his nap time. 1302 01:38:45,892 --> 01:38:48,561 Well, I think I'll just go see for myself. 1303 01:38:49,796 --> 01:38:51,664 You never know. 1304 01:38:51,765 --> 01:38:53,400 He might have just woke up. 1305 01:38:55,668 --> 01:38:57,470 [???] 1306 01:39:00,807 --> 01:39:02,709 [???] 1307 01:39:03,176 --> 01:39:05,145 SNAKE: The old Hawaiian guy's coming this way. 1308 01:39:06,279 --> 01:39:08,480 SQUEAKY: Okay, y'all, beat it. 1309 01:39:08,114 --> 01:39:09,349 I'll handle this guy. 1310 01:39:13,720 --> 01:39:14,721 Fine. 1311 01:40:00,200 --> 01:40:01,768 You the mama bear? 1312 01:40:03,470 --> 01:40:05,672 Can I help you? I hope so. 1313 01:40:05,772 --> 01:40:08,708 I'm an old friend of George's. Thought I'd stop and say hello. 1314 01:40:09,750 --> 01:40:12,145 That's very nice of you, but unfortunately, you picked the wrong time. 1315 01:40:12,245 --> 01:40:13,913 George is taking a nap right now. 1316 01:40:14,414 --> 01:40:16,316 Oh, that is unfortunate. 1317 01:40:16,416 --> 01:40:17,717 Yes, it is. 1318 01:40:19,190 --> 01:40:21,488 What's your name? Cliff Booth. 1319 01:40:21,955 --> 01:40:22,956 How do you know George? 1320 01:40:23,560 --> 01:40:25,492 I used to shoot Westerns here at the ranch. 1321 01:40:25,558 --> 01:40:27,527 When was the last time you saw George? 1322 01:40:27,927 --> 01:40:31,197 Oh, I'd say about... 1323 01:40:32,980 --> 01:40:33,466 eight years ago. 1324 01:40:34,768 --> 01:40:35,969 Oh. 1325 01:40:36,360 --> 01:40:38,838 I'm sorry. I didn't realize the two of you were so close. 1326 01:40:38,938 --> 01:40:40,400 [SCOFFS] 1327 01:40:40,106 --> 01:40:42,308 When he wakes up, I'll let him know you came by. 1328 01:40:42,976 --> 01:40:46,880 I'd really like to say a quick hello now while I'm here. 1329 01:40:46,946 --> 01:40:48,481 Came a long ways. 1330 01:40:48,615 --> 01:40:51,351 Don't know when I'll get back this way again. 1331 01:40:51,818 --> 01:40:54,220 Oh, I understand, but I'm afraid that's impossible. 1332 01:40:55,550 --> 01:40:56,723 Impossible? 1333 01:40:56,790 --> 01:40:58,591 Why is that impossible? 1334 01:40:58,692 --> 01:41:02,280 Because me and George like to watch TV on Sunday night... F.B.I. and Bonanza. 1335 01:41:02,162 --> 01:41:04,931 ...but George finds it hard to keep awake that late, so I make him take a nap now 1336 01:41:04,964 --> 01:41:07,330 so I don't get gypped out of my George TV time. 1337 01:41:07,167 --> 01:41:08,301 Ah. 1338 01:41:09,669 --> 01:41:13,807 Well, look, Red, I'm coming in there. 1339 01:41:13,873 --> 01:41:17,444 With my own two eyes, I'm gonna get a good look at George. 1340 01:41:18,645 --> 01:41:19,946 And this... 1341 01:41:21,881 --> 01:41:23,149 ain't stopping me. 1342 01:41:25,485 --> 01:41:26,886 [TV SHOW DIALOGUE IN BACKGROUND] 1343 01:41:26,953 --> 01:41:27,954 Okay. 1344 01:41:29,890 --> 01:41:30,690 Suit yourself. 1345 01:41:30,957 --> 01:41:32,158 [CLICKS LOUDLY] 1346 01:41:32,892 --> 01:41:37,300 [COMMERCIAL IN BACKGROUND] 1347 01:41:40,800 --> 01:41:42,100 [REMOTE CONTROL CLICKS] 1348 01:41:42,535 --> 01:41:43,937 [COMMERCIAL DIALOGUE IN BACKGROUND] 1349 01:42:01,988 --> 01:42:05,925 [COMMERCIAL DIALOGUE IN BACKGROUND] 1350 01:42:20,106 --> 01:42:21,107 [FLIES BUZZING] 1351 01:42:27,814 --> 01:42:29,149 [RAT SQUEAKING] 1352 01:42:37,857 --> 01:42:38,858 [REMOTE CONTROL CLICKS] 1353 01:42:38,958 --> 01:42:39,959 [???] 1354 01:42:41,227 --> 01:42:43,163 [COMMERCIAL DIALOGUE IN BACKGROUND] 1355 01:42:43,596 --> 01:42:45,231 [REMOTE CONTROL CLICKS] 1356 01:42:45,331 --> 01:42:47,300 [???] 1357 01:42:56,676 --> 01:42:57,944 He back there? 1358 01:42:59,679 --> 01:43:01,548 Door at the end of the hallway. 1359 01:43:03,160 --> 01:43:06,386 You might have to shake him awake. I ....ed his brains out this morning. 1360 01:43:11,591 --> 01:43:12,992 He may be tired. 1361 01:43:17,297 --> 01:43:19,466 [OMINOUS MUSIC PLAYING ON TV] 1362 01:43:25,271 --> 01:43:26,940 Oh, Mr. Eight Years Ago? 1363 01:43:28,708 --> 01:43:32,145 George is blind, so you'll probably have to tell him who you are. 1364 01:43:56,836 --> 01:43:58,238 [KNOCKS ON DOOR] 1365 01:43:58,338 --> 01:43:59,839 George, you awake? 1366 01:44:18,158 --> 01:44:19,192 George? 1367 01:44:21,528 --> 01:44:22,562 George? 1368 01:44:26,566 --> 01:44:27,567 George? 1369 01:44:29,803 --> 01:44:32,772 George! Jesus. 1370 01:44:32,906 --> 01:44:34,841 Hi, George. Wait a minute. 1371 01:44:35,575 --> 01:44:37,644 What's going on? Everything's all right. 1372 01:44:37,711 --> 01:44:40,847 I'm sorry to disturb you. Who are you? 1373 01:44:41,348 --> 01:44:42,782 It's Cliff Booth. 1374 01:44:42,949 --> 01:44:47,520 Just stopped in to say hello and see how you're doing. John Wilkes Booth? 1375 01:44:47,587 --> 01:44:49,155 No, Cliff Booth. 1376 01:44:51,391 --> 01:44:52,726 Who's that? 1377 01:44:52,792 --> 01:44:55,362 I used to shoot Bounty Law here, George. 1378 01:44:55,428 --> 01:44:57,430 I was Rick Dalton's stunt double. 1379 01:44:57,530 --> 01:45:00,367 Who? Rick Dalton. 1380 01:45:00,433 --> 01:45:02,350 The Dalton Brothers? 1381 01:45:02,135 --> 01:45:03,837 No, Rick Dalton. 1382 01:45:03,937 --> 01:45:04,938 [GRUNTS] 1383 01:45:05,338 --> 01:45:06,406 Who's that? 1384 01:45:06,473 --> 01:45:09,409 He was the star of Bounty Law. 1385 01:45:09,476 --> 01:45:11,144 And who are you? 1386 01:45:11,277 --> 01:45:12,946 I was Rick's stunt double. 1387 01:45:14,800 --> 01:45:15,982 Rick who? Uh... 1388 01:45:16,820 --> 01:45:17,817 It don't matter, George. 1389 01:45:17,917 --> 01:45:22,989 We were colleagues from the past, and I just wanted to make sure you're doing okay. 1390 01:45:23,890 --> 01:45:25,392 I'm not doing okay. What's the matter? 1391 01:45:25,492 --> 01:45:29,620 Can't see ..... Would you call that "the matter"? 1392 01:45:29,162 --> 01:45:33,433 The man can't see ...., okay? I know. I'm sorry about that. I was told. 1393 01:45:33,533 --> 01:45:35,602 Squeaky sent me to bed. 1394 01:45:36,236 --> 01:45:38,505 Would that be the little redhead out front? 1395 01:45:41,508 --> 01:45:44,770 What the .... is the matter with you? 1396 01:45:44,177 --> 01:45:48,480 First you wake me up, and now you're pretending that I didn't tell you 1397 01:45:48,114 --> 01:45:49,849 I was ....ing blind! 1398 01:45:50,316 --> 01:45:53,386 How am I gonna know what the hell color the head 1399 01:45:53,486 --> 01:45:56,222 of the girl is that's with me all the time? 1400 01:45:56,322 --> 01:45:58,191 Oh, fair enough, George. 1401 01:46:01,594 --> 01:46:04,964 No. Jesus Christ. Come on, George. All right. 1402 01:46:05,310 --> 01:46:07,600 Everyone don't need a stuntman. 1403 01:46:08,468 --> 01:46:09,669 [GROANS] 1404 01:46:15,241 --> 01:46:17,430 I don't know who you are... 1405 01:46:19,212 --> 01:46:21,281 but you touched me today. 1406 01:46:23,249 --> 01:46:25,819 You came to visit me. 1407 01:46:25,885 --> 01:46:27,954 Now I got to go back to sleep. 1408 01:46:28,540 --> 01:46:29,222 [SIGHS] 1409 01:46:30,490 --> 01:46:33,159 I got to watch F.B.I. tonight. 1410 01:46:33,293 --> 01:46:34,928 I watch it with Squeaky. 1411 01:46:36,129 --> 01:46:38,965 She gets all pissed off if I fall asleep. 1412 01:46:39,999 --> 01:46:42,736 What happens when she gets pissed off, George? 1413 01:46:43,970 --> 01:46:45,105 Nothing. 1414 01:46:46,673 --> 01:46:49,750 I just don't like to disappoint her. 1415 01:46:53,913 --> 01:46:57,150 So you gave all these hippies permission to be here? 1416 01:47:03,156 --> 01:47:05,625 Just who the .... are you? 1417 01:47:05,725 --> 01:47:07,627 I'm Cliff Booth. 1418 01:47:07,727 --> 01:47:11,231 I'm a stuntman. We used to work together, George. 1419 01:47:11,331 --> 01:47:14,670 And I just want to make sure you're okay. 1420 01:47:14,167 --> 01:47:17,871 And that all these hippies aren't taking advantage of you. 1421 01:47:17,971 --> 01:47:20,774 Squeaky? Yeah. 1422 01:47:20,840 --> 01:47:22,709 She loves me. 1423 01:47:25,311 --> 01:47:26,980 So suck on that. 1424 01:47:35,922 --> 01:47:37,590 You take care, George. 1425 01:47:44,497 --> 01:47:46,132 God.... it. 1426 01:47:58,611 --> 01:48:00,580 [???] 1427 01:48:07,554 --> 01:48:08,922 ....CAT: You embarrassed me. 1428 01:48:09,989 --> 01:48:11,725 Yeah, sorry about that. 1429 01:48:14,794 --> 01:48:17,597 How'd your little talk with George go? Are we kidnapping him? 1430 01:48:17,697 --> 01:48:19,666 Not the word I'd use. 1431 01:48:19,799 --> 01:48:21,968 Now that you've talked to him, do you believe everything's all right? 1432 01:48:22,100 --> 01:48:23,870 Not exactly. 1433 01:48:23,970 --> 01:48:27,273 This was a mistake. You should leave. Way ahead of you. 1434 01:48:29,509 --> 01:48:31,110 [DOGS BARKING IN THE DISTANCE] 1435 01:48:31,845 --> 01:48:34,214 George isn't blind! 1436 01:48:34,280 --> 01:48:35,749 You're the blind one! 1437 01:48:35,915 --> 01:48:37,550 [GIRLS SHOUTING INDISTINCTLY] 1438 01:48:37,650 --> 01:48:40,120 [???] 1439 01:49:20,927 --> 01:49:22,262 You do that? 1440 01:49:24,631 --> 01:49:25,932 [CACKLING] 1441 01:49:27,167 --> 01:49:28,601 You know, that's not my car. 1442 01:49:29,469 --> 01:49:31,538 That's my boss's car. 1443 01:49:31,671 --> 01:49:35,308 And if something were to happen to my boss's car, well, I'd get in trouble. 1444 01:49:38,110 --> 01:49:40,246 Lucky for you, he's got a spare. 1445 01:49:44,250 --> 01:49:47,887 [???] 1446 01:49:53,993 --> 01:49:55,328 Fix it. 1447 01:49:55,428 --> 01:49:57,630 Ha-ha-ha! .... you. 1448 01:50:06,390 --> 01:50:07,400 Ugh! 1449 01:50:11,978 --> 01:50:13,380 [GIRLS SHOUTING] 1450 01:50:29,796 --> 01:50:30,830 Ladies. 1451 01:50:38,138 --> 01:50:41,241 Come one step closer and I will knock his teeth out. 1452 01:50:49,249 --> 01:50:50,550 [GRUNTS] 1453 01:50:52,552 --> 01:50:53,687 Fix it. 1454 01:50:54,354 --> 01:50:56,623 Can I at least get a rag to wipe my face first? 1455 01:50:56,723 --> 01:50:58,291 Nope. 1456 01:50:58,358 --> 01:51:00,930 Tire first. 1457 01:51:10,270 --> 01:51:12,720 Sundance. Yeah. 1458 01:51:12,172 --> 01:51:15,709 Get on a horse, go get Tex and get his .... down here. 1459 01:51:15,809 --> 01:51:16,810 Okay. 1460 01:51:24,117 --> 01:51:25,552 [LUG NUT SQUEAKS] 1461 01:51:25,985 --> 01:51:27,754 [MOUTHS] I love you. 1462 01:51:52,780 --> 01:51:53,913 Tex! Tex! 1463 01:51:54,914 --> 01:51:57,384 That Hawaiian guy's back at the ranch kicking Clem's face in. 1464 01:51:57,517 --> 01:51:59,190 Ahh, ....! 1465 01:51:59,786 --> 01:52:01,187 I'll take over for Tex. 1466 01:52:01,287 --> 01:52:02,422 Right this way. 1467 01:52:06,126 --> 01:52:08,128 [???] 1468 01:52:29,616 --> 01:52:31,251 Hyah! Hyah! 1469 01:52:42,729 --> 01:52:44,764 [RADIO DJ ANNOUNCEMENT] 1470 01:52:44,831 --> 01:52:48,468 [RADIO STATION JINGLE] 1471 01:52:49,436 --> 01:52:52,839 [SOFT ROCK MUSIC PLAYING] 1472 01:52:53,273 --> 01:52:54,274 TEX: Clem, you all right? 1473 01:53:16,129 --> 01:53:17,797 CLIFF: How do? 1474 01:53:17,897 --> 01:53:21,340 RICK: What a day. ...., I almost lost my ..... 1475 01:54:08,748 --> 01:54:10,830 You, uh... 1476 01:54:10,450 --> 01:54:12,819 You want to come in and watch my F.B.I.? 1477 01:54:12,919 --> 01:54:15,522 Why, I just figured we would. I got a six-pack in the back. 1478 01:54:15,588 --> 01:54:16,990 Thought we'd order a pizza. 1479 01:54:17,900 --> 01:54:19,459 All right. 1480 01:54:19,893 --> 01:54:21,928 [THEME MUSIC PLAYING] 1481 01:54:40,914 --> 01:54:43,450 Eighteen miles to Pendleton, Willard. 1482 01:54:43,550 --> 01:54:45,552 Any kind of luck, we'll be unloaded 1483 01:54:45,652 --> 01:54:48,455 and back at El Toro before my kids go to bed. 1484 01:54:53,159 --> 01:54:56,963 Hey, bought me an acid-dipped cigarette today. 1485 01:54:57,300 --> 01:54:58,331 Oh, yeah? 1486 01:54:58,398 --> 01:55:00,400 You want to buy a cigarette dipped in acid? 1487 01:55:00,467 --> 01:55:02,235 Yeah. 1488 01:55:02,335 --> 01:55:05,905 If I'm gonna trip, I want to trip here, man. Walk in the woods. Not in my home. 1489 01:55:08,641 --> 01:55:09,709 Just gonna stash it here. 1490 01:55:09,809 --> 01:55:12,120 Don't smoke it by mistake. RICK: Yeah. 1491 01:55:12,780 --> 01:55:14,514 You want to smoke some, smoke some. Just save me some. 1492 01:55:15,480 --> 01:55:18,318 Nah, I don't need to trip out on no acid. 1493 01:55:18,418 --> 01:55:20,286 My booze don't need no buddy. 1494 01:55:20,353 --> 01:55:23,623 Wha... Oh! Here I come. Here I come. Oh! Oh. 1495 01:55:25,825 --> 01:55:26,826 RICK: Mm. 1496 01:55:27,293 --> 01:55:28,995 What's the trouble, corporal? 1497 01:55:29,950 --> 01:55:30,730 There's a truck tailing us, sir. 1498 01:55:33,867 --> 01:55:36,436 It might be a farmer in a hurry to get someplace. 1499 01:55:38,238 --> 01:55:39,906 MAN: Oh, fine. 1500 01:55:40,600 --> 01:55:43,443 Well, take it as fast as you can. WILLARD: Yes, sir. 1501 01:55:46,680 --> 01:55:48,810 CLIFF: That PCH? 1502 01:55:48,148 --> 01:55:51,184 RICK: Yeah, yeah. Malibu. 1503 01:55:51,284 --> 01:55:53,687 Puerco Canyon or some ..... I don't know. 1504 01:55:54,254 --> 01:55:55,655 [DRAMATIC MUSIC PLAYING] 1505 01:55:59,426 --> 01:56:02,162 CLIFF: Uh-oh! Here comes trouble. 1506 01:56:04,197 --> 01:56:05,198 [GUNSHOT] 1507 01:56:05,298 --> 01:56:06,633 RICK: Boom! Ha-ha! 1508 01:56:06,733 --> 01:56:08,768 CLIFF: Oh, man. Right in the face. 1509 01:56:20,547 --> 01:56:22,215 CLIFF: That was a smooth leap. 1510 01:56:22,282 --> 01:56:23,283 RICK: Thank you. 1511 01:56:27,253 --> 01:56:28,788 CLIFF: Dead number two. 1512 01:56:33,893 --> 01:56:35,995 [BOTH LAUGHING] 1513 01:56:36,960 --> 01:56:37,864 CLIFF: I like that shot. 1514 01:56:37,964 --> 01:56:39,999 RICK: That guy's a ....ing prick. 1515 01:56:46,973 --> 01:56:48,808 That's Bobby Hogan. Good guy. 1516 01:56:58,151 --> 01:57:00,520 All right, get ready for my big F.B.I. moment. 1517 01:57:00,587 --> 01:57:02,922 MAN: They're all dead, babe. Good. 1518 01:57:09,950 --> 01:57:11,164 [LAUGHING] 1519 01:57:11,231 --> 01:57:12,966 "Michael Murtaugh." 1520 01:57:13,330 --> 01:57:14,934 ANNOUNCER: The F.B.I. Michael Murtaugh. 1521 01:57:15,100 --> 01:57:16,336 Buongiorno, Sergio. 1522 01:57:16,403 --> 01:57:18,204 Turn on Channel 7. 1523 01:57:18,271 --> 01:57:19,572 ABC. 1524 01:57:19,639 --> 01:57:21,307 F.B.I. 1525 01:57:21,408 --> 01:57:24,377 I'm watching your Nebraska Jim as we speak. 1526 01:57:24,444 --> 01:57:28,114 ANNOUNCER: -Philip Abbott, William Reynolds. 1527 01:57:30,150 --> 01:57:33,853 With guest stars James Farentino, 1528 01:57:33,920 --> 01:57:35,488 Rick Dalton... CLIFF: Whoo! 1529 01:57:35,555 --> 01:57:36,790 RICK: Like the chewing gum? 1530 01:57:36,890 --> 01:57:38,725 ANNOUNCER: Norman Fell. CLIFF: Strong. 1531 01:57:38,792 --> 01:57:40,393 ANNOUNCER: Tonight's episode: 1532 01:57:40,493 --> 01:57:43,960 "All the Streets Are Silent." CLIFF: "All the Streets Are Silent." 1533 01:57:43,129 --> 01:57:45,965 Except when Rick Dalton's got a ....ing shotgun, I'll tell you that. 1534 01:57:46,320 --> 01:57:48,268 You're god.... right. MAN:...the new Ford Cortina. 1535 01:58:09,356 --> 01:58:12,592 RICK: Well, that looks delicious. Thank you. STEWARDESS: Enjoy, sir. 1536 01:58:12,892 --> 01:58:15,562 RICK: Mm, mm, mm, mm, mm. 1537 01:58:16,963 --> 01:58:18,640 [SLURPS] 1538 01:58:18,598 --> 01:58:20,800 NARRATOR: After that Musso & Frank's lunch meeting, 1539 01:58:20,867 --> 01:58:24,804 Marvin did provide Rick job opportunities in the Italian film industry. 1540 01:58:24,871 --> 01:58:28,308 Rick Dalton, Marvin Schwarz here. Hold on. 1541 01:58:28,408 --> 01:58:30,243 Hennessy X.O on the rocks. 1542 01:58:30,310 --> 01:58:31,811 Yes, Mr. Schwarz. 1543 01:58:31,878 --> 01:58:33,113 Two words. 1544 01:58:33,213 --> 01:58:35,682 Nebraska Jim, Sergio Corbucci. 1545 01:58:35,749 --> 01:58:37,717 Nebraska what? 1546 01:58:37,817 --> 01:58:38,852 Sergio who? 1547 01:58:38,952 --> 01:58:40,520 Sergio Corbucci. 1548 01:58:40,587 --> 01:58:42,122 And who's that? 1549 01:58:42,188 --> 01:58:45,892 The second-best director of Spaghetti Westerns in the whole wide world. 1550 01:58:45,959 --> 01:58:49,329 He's doing a new Western. It's called Nebraska Jim. 1551 01:58:49,396 --> 01:58:51,931 And because of me, he's considering you. 1552 01:58:53,166 --> 01:58:54,901 NARRATOR: Well, Rick got Nebraska Jim. 1553 01:58:55,100 --> 01:58:57,437 And Rick made a rather compelling Nebraska Jim, 1554 01:58:57,537 --> 01:59:02,442 existing quite nicely within Sergio Corbucci's rogues gallery of antiheroes. 1555 01:59:03,777 --> 01:59:06,913 In Rome, Rick loved the paparazzi and the fuss they made over him 1556 01:59:07,130 --> 01:59:10,717 and his Nebraska Jim costar Daphna Ben-Cobo. 1557 01:59:10,817 --> 01:59:13,920 All right there, paparazzos. All right. Take it easy. 1558 01:59:14,454 --> 01:59:19,225 NARRATOR: He loved the food so much that during his stay, Rick gained almost 15 pounds. 1559 01:59:19,325 --> 01:59:22,328 But he didn't love the Italians' way of making movies. 1560 01:59:22,395 --> 01:59:25,765 He thought the post-synced, "every actor speaks their own language," 1561 01:59:25,832 --> 01:59:29,736 Tower of Babel shooting style of European movies was ridiculous. 1562 01:59:30,770 --> 01:59:34,641 While in Rome, Marvin plugged Rick into three other Italian productions. 1563 01:59:35,410 --> 01:59:38,545 His second Western was Kill Me Quick, Ringo, Said the Gringo, 1564 01:59:38,645 --> 01:59:42,349 also starring Joseph Cotten and directed by Calvin Jackson Padget, 1565 01:59:42,449 --> 01:59:44,684 pseudonym for Giorgio Ferroni. 1566 01:59:44,751 --> 01:59:47,287 His third was an Italian/Spanish coproduction 1567 01:59:47,354 --> 01:59:51,524 that paired him with Telly Savalas, titled Red Blood, Red Skin, 1568 01:59:51,591 --> 01:59:55,762 directed by Joaquín Romero Marchent and based on the Floyd Raye Wilson novel, 1569 01:59:55,829 --> 01:59:58,531 The Only Good Indian Is a Dead Indian. 1570 01:59:59,265 --> 02:00:05,972 And his fourth, a Spaghetti secret agent, James Bond rip-off-type flick called Operazione Dyn-O-Mite!, 1571 02:00:06,390 --> 02:00:07,674 directed by Antonio Margheriti. 1572 02:00:07,807 --> 02:00:09,409 [POLICE SIREN WAILING] 1573 02:00:22,455 --> 02:00:24,240 [TIRES SCREECHING] 1574 02:00:36,836 --> 02:00:37,904 [DING] 1575 02:00:50,150 --> 02:00:53,920 NARRATOR: Ultimately making Rick's six-month Italian sojourn fairly profitable, 1576 02:00:53,987 --> 02:00:57,924 although his swank Roman apartment ate up a big chunk of his earnings. 1577 02:00:59,826 --> 02:01:02,962 So as Rick returns to Hollywood via Pan Am, 1578 02:01:03,290 --> 02:01:06,499 he has four new movies under his belt, some money in his pocket, 1579 02:01:06,599 --> 02:01:11,671 and his brand-spanking-new Italian wife, starlet Francesca Cappucci. 1580 02:01:11,771 --> 02:01:13,640 [SNORING] 1581 02:01:14,474 --> 02:01:18,411 Hurtling through the air towards a new life and uncertain future, 1582 02:01:18,478 --> 02:01:21,681 Rick was really not sure about what lay ahead for him. 1583 02:01:24,851 --> 02:01:28,722 Way back in coach, working on his bottomless Bloody Mary, 1584 02:01:28,855 --> 02:01:31,825 Cliff Booth returned to Los Angeles as well. 1585 02:01:32,525 --> 02:01:37,300 He kept Rick company during his entire six-month stay in Italy. 1586 02:01:37,831 --> 02:01:42,168 However, as the two men return home, they've come to an understanding. 1587 02:01:42,235 --> 02:01:43,636 Well, here it goes now. 1588 02:01:45,138 --> 02:01:46,106 With the, uh... 1589 02:01:47,607 --> 02:01:49,750 With the new wife, I... 1590 02:01:50,477 --> 02:01:53,279 I just... I can't afford you anymore, Cliff. 1591 02:01:53,713 --> 02:01:57,150 You know? I can barely afford my own house anymore. 1592 02:01:57,250 --> 02:01:59,919 So I think the plan is to sell the house 1593 02:01:59,986 --> 02:02:03,823 and buy a condo in Toluca Lake, bank the money. 1594 02:02:03,923 --> 02:02:06,260 You know, live off it. That type of thing. 1595 02:02:06,693 --> 02:02:09,596 Hopefully, I score come next pilot season. 1596 02:02:09,696 --> 02:02:10,897 That's a good plan. 1597 02:02:10,997 --> 02:02:12,320 RICK: Yeah. 1598 02:02:12,132 --> 02:02:13,133 You know, 1599 02:02:13,166 --> 02:02:15,568 by then, I'll know if I have a career or not, 1600 02:02:15,635 --> 02:02:19,606 if I'm a solid Los Angeles citizen like Eddie O'Brien says, 1601 02:02:19,672 --> 02:02:23,710 or if I'm one step closer to going back to Missouri. 1602 02:02:24,177 --> 02:02:27,347 So when this whole European journey is over, 1603 02:02:27,480 --> 02:02:28,682 I think we've... 1604 02:02:30,283 --> 02:02:32,786 We've reached the end of the trail, Cliff. 1605 02:02:38,191 --> 02:02:40,226 [SLURPS] 1606 02:02:43,830 --> 02:02:47,467 NARRATOR: So these last four Italian flicks, after nine years together, 1607 02:02:47,567 --> 02:02:50,670 would be Rick and Cliff's final rodeo. 1608 02:02:50,770 --> 02:02:53,506 Cliff doesn't have a clue what he's gonna do. 1609 02:02:53,606 --> 02:02:55,809 The only thing the two men know of for sure: 1610 02:02:55,875 --> 02:02:59,479 Tonight, Rick and Cliff will have a good old-fashioned drunk. 1611 02:02:59,546 --> 02:03:02,749 Both men know, once the plane touches down in El Segundo, 1612 02:03:02,849 --> 02:03:05,218 it'll be the end of an era for both of them. 1613 02:03:05,352 --> 02:03:10,390 And when you come to the end of the line with a buddy who is more than a brother and a little less than a wife, 1614 02:03:10,490 --> 02:03:14,627 getting blind drunk together is really the only way to say farewell. 1615 02:03:15,280 --> 02:03:16,396 [???] 1616 02:04:09,449 --> 02:04:11,117 [SPEAKING IN ITALIAN] 1617 02:04:11,418 --> 02:04:12,452 Here it is, honey. 1618 02:04:12,519 --> 02:04:14,154 [LAUGHING] 1619 02:04:14,254 --> 02:04:15,722 You like it? I love it. 1620 02:04:27,267 --> 02:04:28,568 Where do you want it? 1621 02:04:31,371 --> 02:04:32,639 [BUZZES] 1622 02:04:33,206 --> 02:04:34,240 SHARON: Hello? 1623 02:04:34,374 --> 02:04:35,909 Hey, it's Joanna and the baby. 1624 02:04:36,900 --> 02:04:37,677 Hi! Come on up. 1625 02:04:44,170 --> 02:04:45,510 Hi! 1626 02:04:45,151 --> 02:04:47,921 Oh, honey. How are you? 1627 02:04:48,540 --> 02:04:50,256 Oh, my gosh, you're about to pop! I know! 1628 02:04:50,357 --> 02:04:51,991 I know. 1629 02:04:52,920 --> 02:04:53,626 And this is the nursery. 1630 02:04:53,727 --> 02:04:56,396 Oh, my God, Sharon. It's perfect. Do you love it? 1631 02:04:56,496 --> 02:04:57,697 Little shoes! 1632 02:04:57,831 --> 02:04:59,132 I know. 1633 02:05:01,201 --> 02:05:02,702 I'm about to burst. 1634 02:05:02,802 --> 02:05:05,105 I think you're gonna be a wonderful mother. Thank you. 1635 02:05:14,314 --> 02:05:16,149 [WHOOPS] 1636 02:05:21,688 --> 02:05:23,423 Thanks, Gillian. Bye! 1637 02:05:23,523 --> 02:05:24,524 Bye, Brandy! 1638 02:05:29,429 --> 02:05:32,399 NARRATOR: Sharon had two friends move into the Cielo Drive residence 1639 02:05:32,499 --> 02:05:35,235 while Roman was in London preparing his next movie: 1640 02:05:35,335 --> 02:05:38,705 Voytek Frykowski, an old friend of Roman's from Poland, 1641 02:05:38,838 --> 02:05:41,474 and his girlfriend, social worker Abigail Folger, 1642 02:05:41,574 --> 02:05:44,440 heiress to the vast Folger coffee empire. 1643 02:06:26,860 --> 02:06:29,723 NARRATOR: That night, Sharon, her two houseguests and, naturally, Jay... 1644 02:06:29,856 --> 02:06:34,527 all went to the West Hollywood Mexican restaurant landmark El Coyote, on Beverly, for dinner. 1645 02:06:39,232 --> 02:06:41,668 What's going on at the dirty movie place? 1646 02:06:41,768 --> 02:06:43,503 Oh, they're having a premiere. 1647 02:06:43,603 --> 02:06:45,271 Dirty movies have premieres? 1648 02:06:45,372 --> 02:06:47,400 Yeah. They're fun. 1649 02:06:47,774 --> 02:06:49,442 This place is always so busy. I know. 1650 02:06:49,509 --> 02:06:50,944 It's crazy in here. 1651 02:06:56,483 --> 02:06:58,118 And right here for you. 1652 02:06:59,386 --> 02:07:01,388 Gentlemen. SHARON: Thanks. 1653 02:07:03,323 --> 02:07:05,458 NARRATOR: While closer to 8:30, Rick and Cliff went 1654 02:07:05,558 --> 02:07:09,396 to the Valley Mexican restaurant landmark Casa Vega on Ventura. 1655 02:07:14,968 --> 02:07:16,269 Hello. Welcome. 1656 02:07:18,171 --> 02:07:19,372 You're welcome, sir. 1657 02:07:30,283 --> 02:07:32,919 RICK: Well, well, well, if it ain't the cobra himself. 1658 02:07:32,986 --> 02:07:34,587 Hey, Doug. What's happening? Hey, Rick. 1659 02:07:34,587 --> 02:07:37,123 How you doing? It's good to see you. How's the wife doing? 1660 02:07:37,190 --> 02:07:39,426 I'm just kidding. I'm just kidding. 1661 02:07:39,526 --> 02:07:42,950 [LAUGHING] 1662 02:07:43,960 --> 02:07:44,964 NARRATOR: Brandy stayed behind at Rick's house, 1663 02:07:45,310 --> 02:07:47,667 guarding the beautiful Italian woman asleep in her bed 1664 02:07:47,801 --> 02:07:50,537 and waiting for Cliff and Rick to come home... 1665 02:07:51,871 --> 02:07:54,207 while jet-lagged Francesca slept. 1666 02:07:57,777 --> 02:07:59,212 But you just get paid for the day 1667 02:07:59,279 --> 02:08:01,470 that you cut his hair, though, right? No, no, no. 1668 02:08:01,810 --> 02:08:02,882 I get paid $1000 a day. 1669 02:08:02,949 --> 02:08:05,118 I get paid $1000 the day I arrive. 1670 02:08:05,218 --> 02:08:07,200 I get paid $1000... NARRATOR: At El Coyote, 1671 02:08:07,120 --> 02:08:10,924 margaritas and good times were had by all, except Sharon. 1672 02:08:10,990 --> 02:08:14,728 Sharon was experiencing a touch of pregnancy-induced melancholy. 1673 02:08:14,794 --> 02:08:18,732 Not only that, it was later reported that it was the hottest night of the year, 1674 02:08:18,798 --> 02:08:21,935 and it made her feel especially pregnant in all the worst ways. 1675 02:08:22,100 --> 02:08:24,471 I don't want to party anymore. I am tired. 1676 02:08:24,938 --> 02:08:26,506 Because he got it done. 1677 02:08:26,606 --> 02:08:29,342 No, it's not... It's not because he just got it done. 1678 02:08:29,442 --> 02:08:32,579 He had just as much time as all the rest of the god.... directors. 1679 02:08:32,712 --> 02:08:35,810 But it's what he did with that time... That's what counted. 1680 02:08:35,148 --> 02:08:37,584 NARRATOR: At Casa Vega, Rick and Cliff drank so much that, 1681 02:08:37,684 --> 02:08:41,870 when they left, they left the Cadillac there and took a cab home. 1682 02:08:41,154 --> 02:08:42,956 The greatest action director, 1683 02:08:43,560 --> 02:08:45,492 underrated guy of all time. 1684 02:08:46,526 --> 02:08:51,164 Around 10, Sharon and her friends left El Coyote and arrived back at her house. 1685 02:08:59,406 --> 02:09:03,276 SHARON: You've had, like, 19 margaritas. 1686 02:09:05,780 --> 02:09:09,449 The four of them hung out a little while longer, with Abigail even playing the piano for them... 1687 02:09:09,516 --> 02:09:13,687 ? Don't get me mad Don't tell no lie ? 1688 02:09:13,753 --> 02:09:18,725 ? Don't make me sad Don't pass me by ? 1689 02:09:21,394 --> 02:09:23,797 ? Baby, are you holding ? 1690 02:09:23,897 --> 02:09:28,401 ? Holding anything but me? ? 1691 02:09:28,468 --> 02:09:33,773 ? 'Cause I'm a real straight shooter If you know what I mean ? 1692 02:09:35,308 --> 02:09:39,790 ? You can bring me love You can hang around ? 1693 02:09:39,145 --> 02:09:41,810 ? You can bring me up ? 1694 02:09:41,147 --> 02:09:45,952 ? Don't you bring me down ?? 1695 02:09:46,520 --> 02:09:49,889 NARRATOR:...until she returned to her room, smoked a joint and read a book. 1696 02:09:49,956 --> 02:09:51,458 That was around 11. 1697 02:09:54,361 --> 02:09:56,129 [FILM DIALOGUE] 1698 02:10:02,736 --> 02:10:05,839 [TV SHOW DIALOGUE] 1699 02:10:10,844 --> 02:10:15,482 NARRATOR: At more or less the same time, Voytek laid on the couch watching American television 1700 02:10:15,548 --> 02:10:20,120 and thought about how much better it was than Polish television, as he smoked a big joint. 1701 02:10:25,125 --> 02:10:29,162 It was after 1 1:45 by the time the yellow cab dropped Rick and Cliff 1702 02:10:29,229 --> 02:10:30,964 in front of the house. 1703 02:10:31,310 --> 02:10:32,265 CLIFF: Thank you. Right here. 1704 02:10:32,365 --> 02:10:34,200 All right. Grazie, amigo. 1705 02:10:35,769 --> 02:10:38,710 RICK: How much do I owe you? CABBIE: Three dollars. 1706 02:10:38,171 --> 02:10:40,140 NARRATOR: Brandy was glad to see them return. 1707 02:10:40,240 --> 02:10:42,108 Thank you, brother. Thanks. 1708 02:10:42,208 --> 02:10:44,444 Andiamo. More margaritas. 1709 02:10:50,283 --> 02:10:53,720 NARRATOR: Around midnight, a completely drunk Rick Dalton started making 1710 02:10:53,787 --> 02:10:56,122 a blender of frozen margaritas. 1711 02:10:58,825 --> 02:10:59,826 All right. 1712 02:11:00,126 --> 02:11:01,528 [BRANDY WHINES] 1713 02:11:01,594 --> 02:11:02,662 We're walking. 1714 02:11:02,829 --> 02:11:07,000 NARRATOR: At the same time, Cliff was attaching a leash to an excited Brandy's dog collar. 1715 02:11:07,670 --> 02:11:08,680 I know. 1716 02:11:13,640 --> 02:11:15,308 I remember you. 1717 02:11:15,809 --> 02:11:19,512 A cigarette dipped in acid. What's that do? You smoke it. It gets you high. 1718 02:11:19,612 --> 02:11:21,681 How much? Fifty cents. 1719 02:11:23,650 --> 02:11:24,718 Fifty cents. 1720 02:11:24,818 --> 02:11:26,953 Hippie girl, 50 cents. 1721 02:11:30,657 --> 02:11:31,991 Tonight the night? 1722 02:11:33,493 --> 02:11:34,594 Why not? 1723 02:11:34,694 --> 02:11:35,862 [EXHALES] 1724 02:11:58,151 --> 02:12:00,620 And away we go. 1725 02:12:02,722 --> 02:12:06,960 Our Polish friend said it was the hottest day of the year. 1726 02:12:07,930 --> 02:12:10,830 SHARON: Despite the fact that he said it, actually, it might be true. 1727 02:12:14,334 --> 02:12:20,106 [???] 1728 02:13:11,324 --> 02:13:12,625 [ENGINE CHUGGING] 1729 02:13:22,669 --> 02:13:24,871 [ENGINE CHUGGING OUTSIDE] 1730 02:13:32,450 --> 02:13:33,790 God..... 1731 02:13:34,247 --> 02:13:36,249 ....ing private road. 1732 02:13:36,316 --> 02:13:38,852 .... property taxes up the butt. 1733 02:13:38,918 --> 02:13:40,253 God..... 1734 02:13:47,560 --> 02:13:51,164 Bunch of god.... ....ing hippies. 1735 02:13:51,231 --> 02:13:53,633 What the ....? 1736 02:13:56,736 --> 02:13:57,904 Hey, you! 1737 02:13:59,372 --> 02:14:02,575 Yeah, ....hole, I'm talking to you! 1738 02:14:03,643 --> 02:14:06,680 What the hell do you think you're doing bringing that noisy hunk of .... 1739 02:14:06,746 --> 02:14:08,848 around here at midnight? 1740 02:14:08,915 --> 02:14:11,651 This is a private road, all right? 1741 02:14:11,718 --> 02:14:14,320 Who are you? And who are you here to see? 1742 02:14:14,387 --> 02:14:17,900 Nobody, sir. We just got lost and a little turned around. 1743 02:14:17,190 --> 02:14:18,792 Ah, horse..... 1744 02:14:21,270 --> 02:14:25,310 You ....ing hippies came up here to smoke dope on a dark road, huh? 1745 02:14:25,131 --> 02:14:27,767 Next time you want to try that, fix your ....ing muffler. 1746 02:14:27,834 --> 02:14:31,971 Look, we're really sorry we disturbed you. Look, chief, you don't belong here. 1747 02:14:32,380 --> 02:14:36,976 Now, take this mechanical ....hole and get it off my ....ing street! 1748 02:14:39,312 --> 02:14:40,347 [SLURPS] 1749 02:14:49,356 --> 02:14:50,357 Hey! 1750 02:14:50,957 --> 02:14:53,727 Dennis Hopper! Move this ....ing piece of ....! 1751 02:14:53,793 --> 02:14:56,229 All right. Just give me a moment to turn it around. 1752 02:14:56,329 --> 02:14:58,640 Drive it backwards, numbnuts, 1753 02:14:58,198 --> 02:15:01,835 but ....ing drive it, and drive it now! Okay. Okay. Stop yelling. 1754 02:15:01,935 --> 02:15:03,503 Hold your horses. We're leaving. 1755 02:15:07,374 --> 02:15:11,770 The hell are you looking at, you little ginger-haired ....er? 1756 02:15:11,177 --> 02:15:13,913 Hey, you come around here again, I'm gonna call the ....ing cops! 1757 02:15:20,754 --> 02:15:22,255 Dirty ....ing hippies. 1758 02:15:35,869 --> 02:15:38,338 TEX: There in his fancy ....ing house, thinking he's handled it. 1759 02:15:38,371 --> 02:15:41,408 FLOWER CHILD: But he's seen us. He's awake. He's alert. 1760 02:15:41,508 --> 02:15:46,346 They're all awake. They're listening to ....ing records. Everybody's ....ing awake! 1761 02:15:46,446 --> 02:15:47,580 Look! 1762 02:15:47,681 --> 02:15:49,749 What did Charlie say? TEX: He said: 1763 02:15:50,316 --> 02:15:53,953 "Go to Terry's old house and kill everybody in there." 1764 02:15:54,487 --> 02:15:58,191 And you heard him yourself. He said, "Make it witchy." 1765 02:15:58,291 --> 02:16:01,327 Now, he either said that, 1766 02:16:01,394 --> 02:16:03,229 or I'm a liar. 1767 02:16:04,497 --> 02:16:07,767 Now, are any one of you calling me a liar? 1768 02:16:08,802 --> 02:16:09,803 Hmm? 1769 02:16:10,470 --> 02:16:11,871 How about you? 1770 02:16:12,439 --> 02:16:13,940 Are you calling me a liar? 1771 02:16:15,408 --> 02:16:17,510 No, of course not. 1772 02:16:17,610 --> 02:16:18,545 Good. 1773 02:16:18,578 --> 02:16:19,946 Hold it. 1774 02:16:20,460 --> 02:16:22,549 Was that Rick Dalton? Who? 1775 02:16:22,649 --> 02:16:23,883 The guy from Bounty Law. 1776 02:16:23,950 --> 02:16:25,719 Who, Jake Cahill? Yeah. 1777 02:16:25,785 --> 02:16:28,221 That guy in the robe was Jake Cahill. 1778 02:16:28,855 --> 02:16:32,250 Wait a minute. That was ....ing Jake Cahill that just yelled at me? 1779 02:16:32,492 --> 02:16:34,594 He was older, but, yeah, I think so. 1780 02:16:34,694 --> 02:16:37,764 So who's this Rick guy? Jesus Christ, Sadie, get it together. 1781 02:16:37,931 --> 02:16:41,167 Rick Dalton played Jake Cahill on a cowboy show in the '50s called Bounty Law. 1782 02:16:41,601 --> 02:16:43,690 .... you, Katie. 1783 02:16:43,169 --> 02:16:46,439 Sorry I don't know the name of every fascist on TV in the '50s. 1784 02:16:46,506 --> 02:16:51,440 I can't believe that ....hole in the robe was Jake Cahill. 1785 02:16:51,111 --> 02:16:53,913 When I was a kid, I had a Bounty Law lunch box. 1786 02:16:54,140 --> 02:16:56,649 That was my favorite of all my lunch boxes. 1787 02:16:57,650 --> 02:17:00,387 Dig this! 1788 02:17:00,487 --> 02:17:05,225 When we've been having our trip sessions, I've been expanding on this one idea in my head. 1789 02:17:05,325 --> 02:17:08,862 All right, dig it. We all grew up watching TV, you know what I mean? 1790 02:17:10,397 --> 02:17:13,767 And if you grew up watching TV, that means you grew up watching murder. 1791 02:17:13,833 --> 02:17:15,100 Mm-hm. 1792 02:17:15,680 --> 02:17:19,606 Every show on TV that wasn't I Love Lucy was about murder. 1793 02:17:19,672 --> 02:17:22,809 So my idea is... 1794 02:17:22,876 --> 02:17:25,278 we kill the people who taught us to kill. 1795 02:17:25,378 --> 02:17:26,346 [GASPS] 1796 02:17:27,280 --> 02:17:31,451 I mean, where the .... are we, man? We are in ....ing Hollywood, man. 1797 02:17:31,551 --> 02:17:35,155 The people an entire generation grew up watching kill people live here. 1798 02:17:35,255 --> 02:17:38,758 And they live in pig-.... ....ing luxury. I say .... them. 1799 02:17:38,825 --> 02:17:40,827 I say we cut their ....s off and make them eat it. 1800 02:17:41,761 --> 02:17:43,797 That's a great idea, Sadie. 1801 02:17:46,132 --> 02:17:47,934 You two ready to kill some piggies? 1802 02:17:48,100 --> 02:17:49,736 [OINKING] 1803 02:17:57,377 --> 02:17:59,579 Wait a minute. Oh, ..... 1804 02:17:59,679 --> 02:18:04,500 Sorry, I forgot my knife in the car. Can I go...? Can I go back and get it? 1805 02:18:05,118 --> 02:18:06,453 Yeah, sure. Okay. 1806 02:18:06,519 --> 02:18:07,587 Go on. Wait a minute. 1807 02:18:07,721 --> 02:18:10,790 What? I locked the car. You'll need keys to get in. 1808 02:18:14,270 --> 02:18:15,280 Oh... 1809 02:18:15,950 --> 02:18:16,963 Right. Thank you. 1810 02:18:17,300 --> 02:18:19,699 Okay. I'll be right back. Okay. 1811 02:18:19,799 --> 02:18:22,836 TEX: Just hurry up. Yeah, just a little minute. 1812 02:18:27,600 --> 02:18:29,900 [ENGINE STARTS] 1813 02:18:30,310 --> 02:18:32,145 [TIRES SCREECHING] 1814 02:18:33,130 --> 02:18:34,748 Oh, that ....ing ....! 1815 02:18:34,848 --> 02:18:37,684 Calm down. There's a ....ing house right there. 1816 02:18:39,850 --> 02:18:41,654 What do we do now? We do what we came to do. 1817 02:18:41,721 --> 02:18:43,857 And when we're done, we split up and hitch home. 1818 02:18:44,657 --> 02:18:46,793 Any more questions? Hmm? 1819 02:18:49,162 --> 02:18:51,998 Okay, pig killers, let's kill some piggies. 1820 02:18:52,465 --> 02:18:53,466 All right. 1821 02:19:06,120 --> 02:19:07,714 Oh, someone's hungry. 1822 02:19:16,556 --> 02:19:17,557 All right. 1823 02:19:17,557 --> 02:19:18,558 [SIGHS] 1824 02:19:19,592 --> 02:19:21,227 It's feeding time. 1825 02:19:24,497 --> 02:19:25,665 Brandy, couch. 1826 02:19:32,272 --> 02:19:33,773 And don't you mo... 1827 02:19:42,115 --> 02:19:43,116 Oh, man. 1828 02:19:43,116 --> 02:19:44,551 [LAUGHS] 1829 02:19:46,953 --> 02:19:48,355 Ahh... 1830 02:19:51,858 --> 02:19:53,590 [COUGHS] 1831 02:19:53,193 --> 02:19:55,328 The train has left the station. 1832 02:19:56,896 --> 02:19:58,198 [YELLS] 1833 02:20:02,168 --> 02:20:03,470 Bad idea. 1834 02:21:04,197 --> 02:21:05,565 Whoa. 1835 02:21:19,512 --> 02:21:22,716 [???] 1836 02:21:24,751 --> 02:21:27,754 [RICK SINGING ALONG TO SONG ON RADIO] 1837 02:21:43,937 --> 02:21:45,972 [BREATHING HEAVILY] 1838 02:21:52,879 --> 02:21:56,820 You go around there, see if there's a back entrance. 1839 02:21:56,216 --> 02:21:57,384 All right? Go. 1840 02:22:11,364 --> 02:22:13,566 [STATIC CRACKLING] 1841 02:22:14,200 --> 02:22:16,360 [PSYCHEDELIC ROCK MUSIC PLAYING] 1842 02:22:19,672 --> 02:22:22,420 [SPEAKING ITALIAN] 1843 02:22:43,530 --> 02:22:44,531 [BARKS] 1844 02:22:45,310 --> 02:22:46,399 Hey. 1845 02:22:49,369 --> 02:22:53,440 I am doing the best I can under the circumstances. 1846 02:22:53,506 --> 02:22:55,742 Now, I do not want to get into it tonight. 1847 02:22:55,842 --> 02:22:56,976 [GROWLS] 1848 02:23:02,449 --> 02:23:04,484 [BREATHING HEAVILY] 1849 02:23:05,251 --> 02:23:07,987 Uh... Can I help you? 1850 02:23:08,880 --> 02:23:09,222 [DOOR OPENS] 1851 02:23:14,227 --> 02:23:15,395 ..... 1852 02:23:16,696 --> 02:23:18,565 How many other people are here? 1853 02:23:18,631 --> 02:23:21,468 Oh, just the one sleeping in the back there. 1854 02:23:22,969 --> 02:23:25,205 Go get him and bring him into the living room. 1855 02:23:26,206 --> 02:23:28,641 What if he says no? TEX: Don't take no for an answer. 1856 02:23:28,708 --> 02:23:30,910 You're the one with the knife. Get him in here! 1857 02:23:33,613 --> 02:23:34,614 Hey. 1858 02:23:40,487 --> 02:23:42,355 You are real, right? 1859 02:23:42,455 --> 02:23:45,125 I'm as real as a doughnut, mother....er. 1860 02:23:48,828 --> 02:23:51,164 [GIGGLING] 1861 02:23:54,968 --> 02:23:56,690 What the ....? 1862 02:23:57,300 --> 02:23:59,372 [BOTH LAUGHING] 1863 02:24:00,507 --> 02:24:02,609 Whoo! Woo-hoo! 1864 02:24:03,777 --> 02:24:06,646 KATIE: Go to the living room. FRANCESCA [IN ENGLISH]: What is going on, huh? 1865 02:24:06,680 --> 02:24:08,114 [SCREAMS] 1866 02:24:11,484 --> 02:24:13,286 Go! Si, si. 1867 02:24:15,522 --> 02:24:16,956 Who the ....'s that? 1868 02:24:17,570 --> 02:24:18,580 I don't know. 1869 02:24:19,325 --> 02:24:20,393 Francesca. 1870 02:24:27,667 --> 02:24:29,803 Oh. Uh... 1871 02:24:29,869 --> 02:24:30,870 What...? 1872 02:24:31,838 --> 02:24:33,506 Oh, I know you. 1873 02:24:33,606 --> 02:24:35,442 I know all three of you. 1874 02:24:36,643 --> 02:24:38,611 Yeah. Spahn Ranch. 1875 02:24:39,312 --> 02:24:41,981 Spahn Ranch. Yeah. Whoo! 1876 02:24:43,516 --> 02:24:46,953 I don't know your name, but I remember that hair. 1877 02:24:47,554 --> 02:24:51,124 And you, I remember your white little face. 1878 02:24:51,191 --> 02:24:53,159 And you were on a horsie. 1879 02:24:53,626 --> 02:24:54,627 Yeah. 1880 02:24:55,695 --> 02:24:57,664 Uh... You are...? 1881 02:24:58,331 --> 02:25:00,200 I'm the devil, 1882 02:25:00,266 --> 02:25:03,103 and I'm here to do the devil's business. 1883 02:25:06,306 --> 02:25:10,100 Nah, it was dumber than that. Something like... Rex. 1884 02:25:10,760 --> 02:25:12,746 God, shoot him, Tex! Tex. 1885 02:25:12,846 --> 02:25:14,914 [CLICKS TONGUE AND BRANDY SNARLS] 1886 02:25:15,615 --> 02:25:16,750 TEX: ....! 1887 02:25:17,450 --> 02:25:18,985 [SCREAMING] 1888 02:25:20,153 --> 02:25:21,488 [SCREAMS] 1889 02:25:23,523 --> 02:25:24,591 [SCREAMING] 1890 02:25:27,270 --> 02:25:28,395 [BRANDY SNARLING] 1891 02:25:31,798 --> 02:25:33,299 Son of a ....! 1892 02:25:44,210 --> 02:25:45,211 [CLICKS TONGUE] 1893 02:25:48,448 --> 02:25:49,916 [SCREAMING] 1894 02:25:55,689 --> 02:25:56,690 [YELLS] 1895 02:25:57,524 --> 02:25:58,525 [SCREAMING] 1896 02:25:59,250 --> 02:26:00,193 [BONES SNAP] 1897 02:26:05,932 --> 02:26:06,933 Hey, you. 1898 02:26:09,769 --> 02:26:11,971 How dare you come into my house, mother....er! 1899 02:26:14,808 --> 02:26:16,376 [SCREAMS] 1900 02:26:37,997 --> 02:26:39,799 Wow, man. 1901 02:26:50,377 --> 02:26:51,378 [YELPS] 1902 02:27:11,698 --> 02:27:12,699 Ugh. 1903 02:27:24,878 --> 02:27:26,913 [SCREAMING] 1904 02:27:31,510 --> 02:27:32,752 [RADIO STATION JINGLE] 1905 02:27:32,852 --> 02:27:33,987 What the ....?! 1906 02:27:35,488 --> 02:27:37,123 RICK: Jesus Christ. 1907 02:27:37,223 --> 02:27:38,625 [GROANING] 1908 02:27:40,460 --> 02:27:41,895 [SCREAMING] 1909 02:27:57,977 --> 02:27:59,679 [BARKING] 1910 02:28:21,368 --> 02:28:23,200 [???] 1911 02:28:53,767 --> 02:28:55,268 Holy ..... 1912 02:28:58,238 --> 02:29:01,174 Francesca! Francesca, honey! 1913 02:29:13,860 --> 02:29:14,721 [SIRENS WAILING IN DISTANCE] 1914 02:29:20,927 --> 02:29:23,329 WOMAN [ON RADIO]: 10,000 block, Cielo Drive. OFFICER 1: Sir, around what time was it 1915 02:29:23,363 --> 02:29:25,398 when you confronted the intruder? 1916 02:29:25,498 --> 02:29:27,634 It was about midnight. 1917 02:29:27,734 --> 02:29:28,802 Around midnight? Yeah. 1918 02:29:28,902 --> 02:29:30,403 How do you know it was midnight? 1919 02:29:30,503 --> 02:29:33,406 RICK: Well, I was in the kitchen. 1920 02:29:34,400 --> 02:29:36,476 You know, I was making margaritas, and... 1921 02:29:37,410 --> 02:29:40,914 I heard the sound of a noisy muffler. I looked up at the clock. 1922 02:29:41,470 --> 02:29:43,216 It said... The kitchen clock said midnight. 1923 02:29:43,283 --> 02:29:46,986 OFFICER 1: Twelve o'clock exactly? I mean, it could have been 12:05. 1924 02:29:47,870 --> 02:29:49,255 Something like that. And you didn't see them again 1925 02:29:49,322 --> 02:29:51,691 until the woman attacked you in the pool. 1926 02:29:51,825 --> 02:29:53,193 No, no. 1927 02:29:53,860 --> 02:29:55,929 OFFICER 2: So, what did these perpetrators do? 1928 02:29:55,995 --> 02:29:58,665 CLIFF: Perpetrators? They were hippie ....holes. 1929 02:29:58,732 --> 02:30:02,202 Two of them burst through the front door there, 1930 02:30:02,302 --> 02:30:06,639 and the guy hippie said he was the devil. 1931 02:30:06,740 --> 02:30:09,476 And he said, "I'm here to... 1932 02:30:09,576 --> 02:30:11,711 do some devil ....." 1933 02:30:11,811 --> 02:30:14,447 Or... That's not verbatim, but... 1934 02:30:14,514 --> 02:30:17,350 "Some devil ...."? Yeah, "devil ....." 1935 02:30:17,884 --> 02:30:19,619 [SPEAKING ITALIAN] 1936 02:30:31,464 --> 02:30:33,566 CLIFF: And away we go. 1937 02:30:36,703 --> 02:30:38,838 Hey. Wait a minute. Wait a minute. 1938 02:30:38,938 --> 02:30:41,841 What hospital you going to, Cliff? I'll meet you there, huh? 1939 02:30:41,941 --> 02:30:44,444 You don't want to meet me in no hospital. 1940 02:30:44,577 --> 02:30:46,312 Why don't you go take care of your lady. 1941 02:30:46,446 --> 02:30:49,449 Hey, she just took five ....ing sleeping pills. 1942 02:30:49,516 --> 02:30:51,484 She'll be asleep till Columbus Day. 1943 02:30:51,618 --> 02:30:54,988 These guys will probably have to come out here again just to wake her .... up. 1944 02:30:55,880 --> 02:30:58,291 Hey, I'm not gonna die. I may get a limp, but I ain't gonna die. 1945 02:30:58,358 --> 02:31:00,326 It's not my time yet, man. All right. 1946 02:31:00,460 --> 02:31:06,320 So no use waiting in some waiting room. Why don't you go lie naked with that fine creature. 1947 02:31:06,132 --> 02:31:07,634 Come visit me tomorrow. 1948 02:31:07,734 --> 02:31:09,135 Bring bagels. 1949 02:31:10,403 --> 02:31:12,539 You want to do something for me, check on Brandy. 1950 02:31:12,605 --> 02:31:15,608 She may be a little shook up after that. She may want to sleep with you. 1951 02:31:15,675 --> 02:31:18,912 Are you kidding me? She's sleeping with Francesca right now. 1952 02:31:19,120 --> 02:31:21,810 You might never get her back. Heh-heh. 1953 02:31:21,181 --> 02:31:22,849 We got to go. All right, then, Cliff. 1954 02:31:22,916 --> 02:31:25,318 I'll see you tomorrow, then. 1955 02:31:28,755 --> 02:31:30,423 Hey. Hey. 1956 02:31:30,490 --> 02:31:31,725 [WHISTLES AND KNOCKS ON WINDOW] 1957 02:31:34,194 --> 02:31:35,995 You're a good friend, Cliff. 1958 02:31:37,497 --> 02:31:38,698 I try. 1959 02:32:11,640 --> 02:32:12,650 JAY: Hello? 1960 02:32:14,000 --> 02:32:14,934 Hey. 1961 02:32:14,934 --> 02:32:17,737 I'm Jay Sebring. I'm a friend of the Polanskis. 1962 02:32:18,304 --> 02:32:20,840 You're Rick Dalton, right? 1963 02:32:20,940 --> 02:32:23,810 Yeah. Yeah. I'm Rick Dalton. 1964 02:32:24,611 --> 02:32:26,446 Live next door. Oh, I know. 1965 02:32:26,513 --> 02:32:29,282 I tease Sharon that she lives next door to Jake Cahill. 1966 02:32:29,416 --> 02:32:32,819 If she ever wants to put a bounty on Roman's head, she just has to go next door, right? 1967 02:32:32,852 --> 02:32:34,854 [LAUGHS] 1968 02:32:34,921 --> 02:32:36,890 No ..... 1969 02:32:36,690 --> 02:32:39,920 What the .... happened? 1970 02:32:39,159 --> 02:32:41,761 Oh, these ....ing hippie weirdos, 1971 02:32:41,861 --> 02:32:44,130 they broke into my house. 1972 02:32:45,980 --> 02:32:46,900 What do you mean, like, trying to rob you? 1973 02:32:46,966 --> 02:32:48,768 We don't know what the .... they wanted. 1974 02:32:48,835 --> 02:32:52,906 Were they robbing me? I don't know. Were they freaking out on some bummer trip? 1975 02:32:52,972 --> 02:32:56,276 Who knows? But they tried to kill my wife and my buddy. 1976 02:32:56,409 --> 02:32:59,813 Jesus Christ. Are you serious? Yeah, I'm ....ing serious. 1977 02:32:59,879 --> 02:33:03,583 Now, my buddy and his dog killed two of them, and then, uh... 1978 02:33:03,683 --> 02:33:06,720 Well, ..... I torched the last one. 1979 02:33:06,820 --> 02:33:07,821 "Torched"? 1980 02:33:07,887 --> 02:33:11,157 Yeah. I burnt her .... to a crisp. 1981 02:33:11,257 --> 02:33:14,160 How'd you do that? Well, believe it or not, I... 1982 02:33:14,260 --> 02:33:18,331 I got a flamethrower in my toolshed. Oh, from The Fourteen Fists of McCluskey. 1983 02:33:19,199 --> 02:33:21,000 Yeah! 1984 02:33:21,101 --> 02:33:22,569 Yeah. Yeah. 1985 02:33:22,635 --> 02:33:24,237 That's the one. 1986 02:33:24,337 --> 02:33:26,773 Yeah, it still works too. Thank God. 1987 02:33:27,674 --> 02:33:29,420 Is everybody okay? 1988 02:33:29,142 --> 02:33:33,513 Well, the ....ing hippies aren't, that's for god.... sure. 1989 02:33:33,613 --> 02:33:35,181 Yeah. But I'm fine. 1990 02:33:35,248 --> 02:33:37,170 You know, my wife's fine. 1991 02:33:37,830 --> 02:33:41,488 We're just a little shook up, is all. Oh, my God, that's terrifying. 1992 02:33:42,255 --> 02:33:43,456 Yeah. 1993 02:33:43,523 --> 02:33:46,292 SHARON: Jay, honey, is everything all right? 1994 02:33:46,359 --> 02:33:48,280 Everything's okay now, honey. 1995 02:33:48,161 --> 02:33:51,231 Uh, but some hippies broke into the house next door. 1996 02:33:51,331 --> 02:33:53,166 Oh, my God. 1997 02:33:53,233 --> 02:33:55,235 Oh, that's terrifying. 1998 02:33:55,335 --> 02:33:56,903 Is everybody okay? 1999 02:33:56,970 --> 02:34:00,874 I'm talking to your next-door neighbor about it right now. 2000 02:34:00,974 --> 02:34:02,442 Rick Dalton? 2001 02:34:04,144 --> 02:34:05,945 Yeah, that's me. 2002 02:34:06,780 --> 02:34:09,820 Oh! Well, hello, neighbor. 2003 02:34:10,830 --> 02:34:11,885 Is everybody okay? 2004 02:34:11,985 --> 02:34:14,954 Yes, Sharon, everybody's fine. 2005 02:34:15,550 --> 02:34:16,556 Are you okay? 2006 02:34:18,725 --> 02:34:20,927 Well, yes, I am. Thank you for asking that. 2007 02:34:21,995 --> 02:34:25,965 Rick, would you like to come up to the house for a drink and meet my other friends? 2008 02:34:32,505 --> 02:34:34,574 Yeah, sure. 2009 02:34:34,641 --> 02:34:35,642 Thank you. 2010 02:34:35,742 --> 02:34:38,545 Oh, hooray. Great. I'll buzz you up. 2011 02:34:38,611 --> 02:34:39,879 [BUZZES] 2012 02:34:41,881 --> 02:34:43,817 [???] 2013 02:34:50,490 --> 02:34:51,691 Come on. 2014 02:34:54,761 --> 02:34:56,963 Hey, nice to meet you, huh? Yeah. 2015 02:34:57,630 --> 02:34:58,531 Jay Sebring. Hey, pleasure. 2016 02:34:58,598 --> 02:35:00,834 Yeah. Pleasure, Jay. Pleasure's all mine. 2017 02:35:00,934 --> 02:35:02,836 Sounds like you had a hell of a night. 2018 02:35:02,936 --> 02:35:06,639 [SPEAKING INDISTINCTLY] 2019 02:35:26,393 --> 02:35:29,950 [SPEAKING INDISTINCTLY] 2020 02:38:21,835 --> 02:38:26,239 Hi. This is Rick Dalton, better known as bounty hunter Jake Cahill, 2021 02:38:26,339 --> 02:38:29,809 speaking on behalf of Red Apple cigarettes. 2022 02:38:29,876 --> 02:38:33,460 Now, I smoke Red Apples. Been smoking them for years. 2023 02:38:33,113 --> 02:38:38,840 But since the Red Apple tobacco company's been around since 1862, 2024 02:38:38,218 --> 02:38:41,454 you'll see Jake Cahill smoke Red Apple too. 2025 02:38:41,755 --> 02:38:46,626 Now, back in Jake's day, Red Apple came in a pouch, and he had to roll his own. 2026 02:38:46,726 --> 02:38:49,696 But today, Red Apple comes factory-rolled. 2027 02:38:49,763 --> 02:38:53,400 For the best drag with the best tobacco flavor, 2028 02:38:53,500 --> 02:38:58,872 with less burn on your throat than any other non-filtered cigarette, heh-heh. 2029 02:39:04,544 --> 02:39:05,545 Mm. 2030 02:39:07,447 --> 02:39:10,830 Now, that's the way a cigarette should taste. 2031 02:39:10,183 --> 02:39:11,840 Hm. 2032 02:39:11,840 --> 02:39:13,953 Better drag, more flavor, 2033 02:39:14,540 --> 02:39:15,555 less throat burn. 2034 02:39:17,857 --> 02:39:19,592 That's the Red Apple way. 2035 02:39:20,593 --> 02:39:24,330 So look for this life-size standee of me, Jake Cahill, 2036 02:39:24,397 --> 02:39:28,340 wherever fine Red Apple tobacco products are sold. 2037 02:39:28,134 --> 02:39:31,371 Take a bite and feel all right. 2038 02:39:31,438 --> 02:39:34,808 Take a bite of a Red Apple. 2039 02:39:34,874 --> 02:39:36,760 Tell them Jake sent you. 2040 02:39:36,176 --> 02:39:37,177 [CLICKS TONGUE] 2041 02:39:39,879 --> 02:39:42,415 DIRECTOR: And cut. This cigarette tastes like ....ing ..... 2042 02:39:42,482 --> 02:39:45,785 And, by the way, who chose this photo? I have a double chin. All right? 2043 02:39:45,885 --> 02:39:47,554 Nobody notices that crap? 2044 02:39:51,458 --> 02:39:53,360 [???] 2045 02:39:58,865 --> 02:40:00,633 [BATMAN THEME SONG] 2046 02:40:03,236 --> 02:40:04,738 [BATMAN RADIO PROMO] 2047 02:40:50,283 --> 02:40:52,285 [???]