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[Faint chattering]

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{tapping} -[Child shouts]

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[Person] You ready?

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No, just...
Yeah, just ignore the microphone.

5
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Yeah, just act as if it's not there.
Sing as if it's not there.

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Yeah, uh...

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[Speaking mandarin]

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Okay?

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[Person 2 speaking panoan]

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[Singing in panoan]

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[Singing continues]

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[Children chattering in distance]

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[Singing continues]

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[Singer exhales]

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[Crowd chattering]

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[Sniffling]

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[Exhales deeply]

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[Exhales sharply]

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[Exhales sharply]

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- [Host] Ready for them?
- Yes.

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Let's go.

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[Audience applauding]

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[Host] /f you're here,
then you already know who she is.

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And that is one of the most important
musical figures of our time.

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Lydia ta'r is many things.

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A piano performance graduate
at the Curtis institute,

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phi beta kappa from Harvard

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she got her phd in musicology
from the university of Vienna,

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specializing in the indigenous music

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of the ucayali valley in eastern Peru,

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where she spent five years
among the ship/bo-kon/bo people.

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As a conductor, tar began her career
with the c/e veland orchestra,

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one of the so-called ”big five. ”

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A string of important posts fol/o wed,

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including the Philadelphia orchestra,

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the Chicago symphony orchestra,

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the Boston symphony orchestra,

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until she at last arrived here
at our own New York philharmonic.

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With the latter,

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she organized the high way ten
refugee concerts in zaatarr;

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which were attended by over 75, 000 people.

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She's become particularly well known
for commissioning contemporary work

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from, among others,
Jennifer higdon, caro/me Shaw,

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Julia wolfe and hrldur gudnado'ttir.

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And she's made a point
ofprogramm/ng their works

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alongside composers of the canon.

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She's been quoted as saying,

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”these composers
are having a conversation.

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And it may not always be so polite. ”

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Lydia ta'r has also written music
for the stage and screen.

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She is, in fact, one
of only 75 so-called ego 7's,

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meaning those who have won
all four major entertainment awards:

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An Emmy, a grammy,

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an Oscar and a Tony

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it is, as you can imagine,
an extremely short and shimmering list

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that includes Richard Rodgers,
a udre y hepburn, Andrew Lloyd Webber

57
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and, of course, Mel Brooks.

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[Audience laughing]

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[Host] In 2010,
with the support of eliot kaplan,

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she founded
the accordion conducting fellowship,

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which fosters entrepreneurship
and performance opportunities

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for female conductors,

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allowing them residencies
with major orchestras around the world.

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In 2013, Berlin elected tar
as its principal conductor,

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in succession to andris Davis.

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And she's remained there ever since.

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Like her mentor, Leonard Bernstein,
tar has a particular affinity for mahler,

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whose nine symphonies she recorded
during her big five stints.

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However, she never managed
to complete the so-called "cycle"

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with a single orchestra until now.

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Under her direction, Berlin has recorded
eight of the mahler symphonies,

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saving the big one, symphony no. 5,
for last.

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Due to the pandemic, that performance,

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which was scheduled for last year,
had to be canceled.

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But I'm told that next month, she'll make
a live recording of mahler's fifth,

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which will complete the cycle,
and will be issued in a box set

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by deutsche grammophon
just in time for mahler's birthday.

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As if that's not enough,
her new book, tar on tar,

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will be published
by nan talese's imprint at doubleday,

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just in time for Christmas,
a perfect stocking stuffer,

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especially if you have
a very large stocking.

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[Audience laughing]

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All of us at the new yorker
welcome you.

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Thank you for joining us, maestro.

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Thank you, Adam. Thank you.

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[Audience applauding]

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Lydia, I couldn't...

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I couldn't help but see you flinch just
a little bit as I was reading your bio.

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Was it because I forgot
some other amazing achievement?

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Or do you have
a slight self-consciousness

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about the incredibly varied things
that you've accomplished?

92
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Well, in today's world, "varied,"
it's a dirty word.

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I mean, our era is one of specialists.

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And if you're trying to do more than
one thing, it's often frowned upon.

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- Every artist gets typecast.
- Oh, yes. Aggressively so.

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Do you think there'll be a moment, though,
when the classical music community, uh,

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decides not to use, uh, ***ual
distinctions to differentiate artists?

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I'm probably the wrong person to ask
since I don't read reviews.

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- Never, really?
- No.

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But it is odd, I think,
that anyone ever felt compelled

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to substitute "maestro" with "maestra."

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I mean, we don't call, uh,
women astronauts "astronettes.“

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- [Adam] Right.
- [Audience chuckles]

104
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But as to the question
of, uh, gender bias,

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I really have nothing to complain about.

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Nor, for that matter, should marin alsop,
joann falletta, uh,

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Laurence equilbey, Nathalie stutzmann.

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I mean, there are so many incredible women
who came before us.

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You know, women who did the real lifting.

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[Adam] That's fascinating.
Can you... who, for instance?

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Uh, okay, sure.
Uh, first and foremost, Nadia boulanger.

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I mean, that would be
the, uh, happy example.

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Uh, the sad one would be antonia brico,

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who by all accounts
was an incredible conductor,

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but was ghettoized
into the non-glamorous status

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of a "guest conductor"
and essentially treated as a dog act.

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A dog, um... she never got the chance
to lead a major orchestra?

118
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Well, yes. Yes, she did, uh, conduct

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the, uh, Berlin philharmonic
as well as the met,

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but, again, only as a guest conductor.

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You know, I mean, at that time,
it was... it was all gender spectacle.

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But fortunately, times change,
and the pauline conversion is,

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if not complete,
then it's evolving nicely.

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No less, um, having fallen off its horse,
um...

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Lydia, could we talk a little bit
about, uh, translation?

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I think there's still people
who think of the conductor

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as a kind of human metronome.

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00:11:08,335 --> 00:11:11,710
Well, yeah, that's partly true.

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- Yeah, but it's...
- But keeping time, it's no small thing.

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- But I suspect there's a lot more to it.
- Yeah, I would hope so, yes.

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00:11:18,311 --> 00:11:21,810
- But time is the thing.
- Ah.

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Time is the essential piece
of, uh, interpretation.

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You cannot start without me.

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See, I start the clock.

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Now, my left hand shapes,
but my right hand, the second hand,

136
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marks time and moves it fonnard.

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00:11:36,996 --> 00:11:39,699
However, unlike a clock,
sometimes my second hand...

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[Inhales sharply] ...Stops.

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Which means that time stops.

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Now, the illusion is that, like you,

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I'm responding to the orchestra
in real time,

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making the decision about the right moment
to restart the thing, or reset it,

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or throw time out the window altogether.

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The reality is that
right from the very beginning,

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- I know precisely what time it is...
- Really?

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00:12:02,220 --> 00:12:06,593
And the exact moment that you and I
will arrive at our destination together.

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00:12:06,693 --> 00:12:11,364
You know, the only real, uh,
discovery for me is in rehearsal.

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00:12:12,132 --> 00:12:13,900
It's never, never in performance.

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Hard question, I know,
but if you could define one thing

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that Bernstein gave you, what would it be?

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K a vanah.

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00:12:23,977 --> 00:12:28,214
Yeah, it's the Hebrew word
for attention to meaning or intent.

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What are the composer's priorities,
and what are yours,

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00:12:30,784 --> 00:12:32,585
and how do they complement one another?

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Right, kavanah.

156
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I think that's a word that will have
slightly different meaning

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for many in our audience.

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- Well, yes, I imagine so.
- [Audience murmuring]

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Am I right in thinking
that a conductor was not always,

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uh, an onstage presence
in classical music?

161
00:12:45,650 --> 00:12:46,660
No, that's right.

162
00:12:46,132 --> 00:12:49,769
I think I read some place that it actually
was the first violin who was responsible.

163
00:12:49,836 --> 00:12:54,740
Yes, the first violinist, whether they had
any interest or skill in it or not.

164
00:12:54,140 --> 00:12:57,110
When did that change,
and who changed it?

165
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With the French composer,
Jean-Baptiste lully,

166
00:13:00,613 --> 00:13:06,152
who reportedly, uh, used
a rather enormous, rather pointy staff

167
00:13:06,252 --> 00:13:08,355
to pound the tempi into the floor.

168
00:13:08,455 --> 00:13:11,658
It's not something I imagine
the players particularly, uh, appreciated.

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Uh, anyway, that technique ended
during a performance

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when lully accidentally stabbed himself
in the foot with the thing and died.

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00:13:20,166 --> 00:13:23,503
- [Audience laughing]
- Yeah, of gangrene.

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But anyway...

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- [Lydia laughing]
- [Audience applauding]

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Anyway, but the conductor

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really becomes essential
as the ensembles get bigger.

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And once again, we go back to Beethoven.

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00:13:37,884 --> 00:13:40,487
[Hums Beethoven's symphony no. 5]

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Now, that doesn't start
with the eighth note.

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The downbeat... it's silent, right?

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So someone had to start that clock.

181
00:13:49,729 --> 00:13:52,699
Someone had to, uh,
plant their flag in the sand

182
00:13:52,799 --> 00:13:55,201
and say, "follow me," you know?

183
00:13:55,301 --> 00:13:57,237
And when that someone was Lenny,

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00:13:57,337 --> 00:14:02,976
the orchestra was led on the most
extraordinary tour of pleasures.

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00:14:03,430 --> 00:14:06,120
'Cause he knew the music,
mahler especially,

186
00:14:06,790 --> 00:14:08,248
as well or better than anyone.

187
00:14:08,348 --> 00:14:11,510
And he would often play with the form.

188
00:14:11,151 --> 00:14:14,540
'Cause he wanted an orchestra
to feel that they had never seen,

189
00:14:14,154 --> 00:14:18,580
let alone heard or performed,
any of that music.

190
00:14:18,158 --> 00:14:20,193
So he would do radical things,

191
00:14:20,260 --> 00:14:25,231
like disregarding the tempo primo
or ending this phrase mo/to ritardando,

192
00:14:25,331 --> 00:14:27,367
even though it had no such marking.

193
00:14:27,434 --> 00:14:28,735
Was he over-egging it?

194
00:14:28,835 --> 00:14:31,171
Oh, no, no, no. Not at all.

195
00:14:31,237 --> 00:14:33,940
He celebrated the joy of his discovery.

196
00:14:34,874 --> 00:14:38,611
You just told us a moment ago that
your discovery takes place in rehearsal.

197
00:14:38,712 --> 00:14:40,714
When will that process
begin again for you?

198
00:14:41,781 --> 00:14:43,160
We start on Monday.

199
00:14:43,616 --> 00:14:44,751
- Immediately?
- Mmm.

200
00:14:45,285 --> 00:14:47,787
With this one, it really is about

201
00:14:47,887 --> 00:14:51,624
trying to read the tea leaves
of mahler's intention.

202
00:14:52,292 --> 00:14:55,395
I mean, we know a great deal about this
with his other symphonies.

203
00:14:55,462 --> 00:14:57,630
You know, he was so inspired
by the poetry of riickert,

204
00:14:57,697 --> 00:15:00,200
that for years,
he didn't set another author to music.

205
00:15:00,266 --> 00:15:03,690
But all of this changes with the five.

206
00:15:03,136 --> 00:15:05,605
The five is a mystery.

207
00:15:05,705 --> 00:15:10,377
And the only clue he leaves us
is on the cover of the manuscript itself.

208
00:15:10,443 --> 00:15:14,481
Yes, the dedication to his new wife, Alma.

209
00:15:14,581 --> 00:15:18,451
So if you're gonna partner with mahler
on his, uh, fifth symphony,

210
00:15:19,285 --> 00:15:22,489
the first thing you must do
is try to understand

211
00:15:22,589 --> 00:15:25,625
that very complex marriage.

212
00:15:25,725 --> 00:15:28,661
And would you say you have a different
interpretation of that marriage

213
00:15:28,762 --> 00:15:30,163
than Bernstein did?

214
00:15:32,499 --> 00:15:36,569
You mentioned my ethnographic fieldwork
in the Amazon.

215
00:15:36,636 --> 00:15:42,108
Well, Adam, the shipibo-konibo
only receive an r'caro, or song,

216
00:15:42,175 --> 00:15:44,770
if the singer is there, right?

217
00:15:44,144 --> 00:15:47,580
On the same side of the spirit
that created it.

218
00:15:48,181 --> 00:15:51,284
And in that way,
the past and the present converge.

219
00:15:51,351 --> 00:15:54,254
It's the flip sides
of the same cosmic coin.

220
00:15:55,210 --> 00:15:58,158
That definition of fidelity
makes sense to me.

221
00:15:58,258 --> 00:16:00,293
But Lenny, he believed in teshuvah.

222
00:16:00,360 --> 00:16:03,960
The talmudic power to reach back into time

223
00:16:03,163 --> 00:16:06,966
and transform the, uh, significance
of one's past deeds.

224
00:16:07,330 --> 00:16:10,804
So when he played the "adagietto"
at Robert Kennedy's funeral,

225
00:16:11,638 --> 00:16:13,873
it ran for 12 minutes.

226
00:16:13,973 --> 00:16:16,420
- He treated it as a mass.
- Absolutely. Yeah, right.

227
00:16:16,420 --> 00:16:18,178
And you know,
if you listen to a recording of it,

228
00:16:18,278 --> 00:16:21,881
you will no doubt feel the tragedy
and the pathos.

229
00:16:21,981 --> 00:16:26,686
And of course, that, uh, interpretation
was very true for mahler later in life,

230
00:16:26,786 --> 00:16:30,890
after the professional bottom dropped out
and Alma had left him for gropius.

231
00:16:30,990 --> 00:16:35,862
But, as I said before,
we are dealing with time.

232
00:16:35,962 --> 00:16:40,233
And this piece was not born
into aching tragedy.

233
00:16:40,333 --> 00:16:43,300
It was born into young love.

234
00:16:43,690 --> 00:16:44,304
And so you chose...

235
00:16:45,372 --> 00:16:47,507
- Love.
- [Audience] Aw.

236
00:16:47,574 --> 00:16:49,309
Right, but precisely how long?

237
00:16:51,211 --> 00:16:52,379
Seven minutes.

238
00:16:52,479 --> 00:16:54,547
[Audience laughing]

239
00:16:57,250 --> 00:17:00,220
[Fan] I was so taken
by what you said to Adam

240
00:17:00,320 --> 00:17:06,926
about, um, interpretation
and specifically about feelings.

241
00:17:07,270 --> 00:17:08,762
And that you chose love.

242
00:17:10,397 --> 00:17:13,900
And I know it's said that you should
leave the tears for the audience, but...

243
00:17:15,168 --> 00:17:18,104
Do you ever find yourself
ovennhelmed by emotion

244
00:17:18,204 --> 00:17:20,373
- when you're up there at the podium?
- [Lydia] Yes.

245
00:17:21,374 --> 00:17:23,760
Yes, that does happen.

246
00:17:23,176 --> 00:17:27,247
There's an expectation-reward cycle
with some works,

247
00:17:27,347 --> 00:17:30,917
and there's spots in them
that I find so incredible,

248
00:17:31,170 --> 00:17:33,887
that when I'm conducting,
it's not that I'm rushing exactly,

249
00:17:33,953 --> 00:17:36,523
but I don't know,
I just can't wait to get to that spot.

250
00:17:36,589 --> 00:17:39,225
And yeah, it does it.
It does it every time.

251
00:17:39,292 --> 00:17:40,694
[Sighs]

252
00:17:40,760 --> 00:17:43,730
- So it's physical as well as emotional.
- [Lydia] Mmm.

253
00:17:43,797 --> 00:17:46,266
God, it must take hours
to come back down to earth.

254
00:17:46,933 --> 00:17:49,703
You say things after others remember,
but you won't.

255
00:17:50,470 --> 00:17:52,472
And sleep, it's impossible.

256
00:17:52,572 --> 00:17:54,708
It's like my freshman year at Smith.

257
00:17:54,774 --> 00:17:56,409
[Lydia chuckles]

258
00:17:58,440 --> 00:17:59,946
Which piece does that to you?

259
00:18:00,460 --> 00:18:01,810
Oh, I saw you!

260
00:18:01,147 --> 00:18:04,818
I saw you conduct, uh, the rite of spring
at the met last year.

261
00:18:04,918 --> 00:18:07,387
It was so powerful.

262
00:18:07,454 --> 00:18:09,289
[Lydia] Thank you. Thank you.

263
00:18:09,389 --> 00:18:13,426
It's... it's the 11 pistol shots...
It's a prime number...

264
00:18:13,493 --> 00:18:16,229
That strike you as both victim
and perpetrator.

265
00:18:16,296 --> 00:18:19,833
You know, it's not until I conducted it
that I became convinced

266
00:18:19,933 --> 00:18:21,468
we're all capable of murder.

267
00:18:21,568 --> 00:18:24,404
That is a fantastic handbag, by the way.

268
00:18:24,471 --> 00:18:26,506
Thank you. I'm glad you like it.

269
00:18:26,606 --> 00:18:28,808
Oh, I do. I do.

270
00:18:28,908 --> 00:18:31,978
Sorry. Your lunch with Mr. Kaplan.
His driver is waiting.

271
00:18:32,780 --> 00:18:34,681
All right.
I'm sorry, I've forgotten your name.

272
00:18:34,781 --> 00:18:36,449
- Whitney. Whitney Reese.
- Whitney.

273
00:18:36,516 --> 00:18:37,851
Whitney, of course.

274
00:18:37,951 --> 00:18:40,487
I'm so sorry, and unfortunately
I've left things a bit late

275
00:18:40,587 --> 00:18:44,124
- and there's something I can't get out of.
- I understand. Can I text you?

276
00:19:04,711 --> 00:19:06,212
It's perfect, Aldo.

277
00:19:09,616 --> 00:19:11,951
Oh. I was hoping we could celebrate.

278
00:19:12,180 --> 00:19:14,200
No. So was I.

279
00:19:14,120 --> 00:19:15,622
I've got a class at Juilliard.

280
00:19:15,689 --> 00:19:16,690
Oh, good.

281
00:19:16,790 --> 00:19:18,124
I promised Ben.

282
00:19:18,658 --> 00:19:21,795
I'm sure you'll have a few elbowing
for an accordion slot.

283
00:19:23,296 --> 00:19:25,665
We should open up the fellowship.

284
00:19:25,732 --> 00:19:28,340
- What, expand our numbers?
- No, our ***.

285
00:19:28,134 --> 00:19:31,304
I mean, it feels quaint
to keep things single-gender.

286
00:19:31,371 --> 00:19:32,639
We've made our point.

287
00:19:32,706 --> 00:19:36,309
And honestly, we've had no real trouble
successfully placing any of them.

288
00:19:36,376 --> 00:19:37,711
Except one.

289
00:19:38,311 --> 00:19:39,479
Oh, well.

290
00:19:40,347 --> 00:19:41,881
She had issues.

291
00:19:41,981 --> 00:19:43,249
So I've heard.

292
00:19:43,983 --> 00:19:47,187
The topic comes up
in every citibank meeting with her father.

293
00:19:48,488 --> 00:19:49,823
I'm sorry about that.

294
00:19:49,889 --> 00:19:51,224
It's fine.

295
00:19:51,324 --> 00:19:53,159
It's nothing I can't handle.

296
00:19:54,227 --> 00:19:58,331
So, you want to torpedo
accordion's founding principle?

297
00:19:58,932 --> 00:20:00,433
We'd likely lose donors.

298
00:20:01,234 --> 00:20:03,269
Yeah, I suppose that's true.

299
00:20:03,370 --> 00:20:05,672
Maybe it's something
we revisit down the line.

300
00:20:05,739 --> 00:20:07,440
Sure.

301
00:20:07,540 --> 00:20:09,909
Bryant park's locked for the 25th.

302
00:20:10,100 --> 00:20:11,778
Nan asked me to help fill the place,

303
00:20:11,878 --> 00:20:15,415
so the kaplan fund is gonna buy
some radio and outdoor advertising.

304
00:20:16,820 --> 00:20:17,751
And claqueurs.

305
00:20:18,251 --> 00:20:20,920
It's too big, eliot.
She should have booked the strand.

306
00:20:21,210 --> 00:20:23,923
Relax. It'll be great.

307
00:20:25,250 --> 00:20:26,893
And it almost falls on your birthday.

308
00:20:29,262 --> 00:20:33,330
I was sorry you weren't able to make it
to my mahler 3 in London.

309
00:20:34,634 --> 00:20:35,769
Me too.

310
00:20:37,771 --> 00:20:39,572
Uh, Petra had a school thing.

311
00:20:40,730 --> 00:20:44,477
Uh, and I promised Sharon I'd be there.

312
00:20:45,445 --> 00:20:46,579
Of course.

313
00:20:47,914 --> 00:20:50,830
I was just hoping for your honest opinion.

314
00:20:50,984 --> 00:20:53,987
My player rating sheets
were off the charts.

315
00:20:54,870 --> 00:20:55,622
Those are confidential, eliot.

316
00:20:55,722 --> 00:20:57,924
Well, the principal oboist is a big fan.

317
00:20:59,292 --> 00:21:02,562
On the way back, I was listening to yours
with the Israeli Phil.

318
00:21:02,629 --> 00:21:05,165
And I was struck by what you managed
to pull from the strings

319
00:21:05,265 --> 00:21:07,133
in the last movement.

320
00:21:07,233 --> 00:21:09,969
I mean, how did you get them there?

321
00:21:10,737 --> 00:21:13,640
Was it the hall? Was it the players?

322
00:21:13,740 --> 00:21:16,443
The players weren't very obliging.

323
00:21:16,509 --> 00:21:19,579
The principal violinist came up to me
after the first rehearsal

324
00:21:19,646 --> 00:21:21,981
- and asked if I was a Jew.
- What?

325
00:21:22,820 --> 00:21:24,184
It seemed to him unusual,
if not suspicious,

326
00:21:24,284 --> 00:21:28,210
that a non-Jew would be interested
in conducting Jewish music.

327
00:21:28,121 --> 00:21:30,790
- [Kaplan laughs]
- Felt like Max bruch.

328
00:21:30,857 --> 00:21:32,826
Well, big Jew that I am,

329
00:21:32,926 --> 00:21:36,290
the kaplan fund has, uh, committed
a sizable amount to them

330
00:21:36,129 --> 00:21:38,131
- for a klezmer commission.
- Mm-hmm.

331
00:21:38,198 --> 00:21:40,300
Uh, maybe they'll invite me
to guest conduct.

332
00:21:40,367 --> 00:21:42,102
Well, they'd be lucky to have you.

333
00:21:42,168 --> 00:21:45,271
Oh, please. I know my place.

334
00:21:46,206 --> 00:21:48,341
Money can't always buy you everything.

335
00:21:49,876 --> 00:21:51,611
You don't really believe that.

336
00:21:52,212 --> 00:21:55,682
I'll have you know I tried to bribe
Francesca to let me look at your notation.

337
00:21:55,782 --> 00:21:57,317
She sent me packing.

338
00:21:57,384 --> 00:21:58,385
Good girl.

339
00:21:59,386 --> 00:22:01,721
That gentleman sitting over there
with the gnome

340
00:22:01,821 --> 00:22:04,124
is urgently focused on our table.

341
00:22:04,190 --> 00:22:07,270
At first, I thought he was looking at me,

342
00:22:07,127 --> 00:22:09,462
but I think he's got his eye on you.

343
00:22:09,529 --> 00:22:11,464
Please try and ignore him.

344
00:22:11,531 --> 00:22:15,350
I can excuse myself and go wash my hands
if you'd like to be alone.

345
00:22:15,135 --> 00:22:16,903
And I would never forgive you.

346
00:22:18,204 --> 00:22:20,340
The last thing I need
is to be buttonholed in here

347
00:22:20,407 --> 00:22:22,175
by someone exactly like me.

348
00:22:24,100 --> 00:22:25,578
Uh, what time are you ieavin' tomorrow?

349
00:22:26,846 --> 00:22:28,882
Francesca's looking into flights.

350
00:22:28,982 --> 00:22:31,651
Well, call her off. Leave when you like.

351
00:22:32,819 --> 00:22:34,421
You don't have to do that.

352
00:22:34,521 --> 00:22:37,570
My motives are not entirely altruistic.

353
00:22:37,924 --> 00:22:40,593
Just one peek.
One peek at your performing score.

354
00:22:40,694 --> 00:22:42,495
[Laughs]

355
00:22:43,496 --> 00:22:44,564
Fine.

356
00:22:44,664 --> 00:22:47,934
- Would 5:15 be okay?
- Sure.

357
00:22:48,340 --> 00:22:51,400
Okay, I mean, I do...
I have to get turned around fast.

358
00:22:51,710 --> 00:22:52,906
We're filling a vacant position.

359
00:22:53,506 --> 00:22:55,342
Please tell me it's Sebastian.

360
00:22:55,408 --> 00:22:59,120
Now, be fair, eliot.
Sebastian has decent technique.

361
00:22:59,790 --> 00:23:00,547
He has Baton.

362
00:23:00,613 --> 00:23:02,248
A month ago, I dropped into bunkamura

363
00:23:02,349 --> 00:23:04,918
to watch the touring machine
trot out chopin 1.

364
00:23:06,190 --> 00:23:08,722
Ol' Sebastian really is Mr. Tempo rubato.

365
00:23:08,788 --> 00:23:10,924
Robot-o is more like it.

366
00:23:11,240 --> 00:23:14,260
- Why do you keep him on?
- Oh, he's andris's man, you know that.

367
00:23:14,361 --> 00:23:15,895
Exactly. You inherited that decision.

368
00:23:15,962 --> 00:23:18,131
Seven years is a long time
to pretend you respect it.

369
00:23:18,231 --> 00:23:20,467
They have different labor contracts
over there.

370
00:23:23,690 --> 00:23:25,705
He's a... he's a strange guy.

371
00:23:25,772 --> 00:23:27,874
- Who? Andris?
- No, Sebastian.

372
00:23:28,742 --> 00:23:31,311
He has, um, fetishes.

373
00:23:31,911 --> 00:23:33,780
Fetishes? Like what?

374
00:23:33,880 --> 00:23:36,716
Nostalgia for pre-war
kalmus miniature scores,

375
00:23:36,783 --> 00:23:41,254
dead-stock pencils he's seen
Von karajan hold in photographs.

376
00:23:41,321 --> 00:23:42,989
You know, that sort of thing.

377
00:23:43,890 --> 00:23:45,225
[Chuckles] That's just sad.

378
00:23:49,896 --> 00:23:51,765
Yeah, but you're not wrong.

379
00:23:52,599 --> 00:23:55,680
I am gonna have to rotate him
at some point.

380
00:23:57,804 --> 00:23:59,105
For who?

381
00:24:04,577 --> 00:24:07,747
What love teaches me.
That string notation.

382
00:24:09,482 --> 00:24:11,484
Mahler gives it to you himself.

383
00:24:12,485 --> 00:24:14,254
[In German]

384
00:24:14,320 --> 00:24:15,155
Come on.

385
00:24:15,255 --> 00:24:19,250
Trust me, you do not wanna go to school
on someone else's red and blue pencil.

386
00:24:19,759 --> 00:24:21,127
Least of all, mine.

387
00:24:21,194 --> 00:24:22,429
Oh, but I do.

388
00:24:22,495 --> 00:24:25,265
- All right. Will you quit pestering me?
- Yes.

389
00:24:26,766 --> 00:24:28,100
Free bowing.

390
00:24:30,300 --> 00:24:32,472
It's not pretty
for an audience to look at.

391
00:24:32,539 --> 00:24:35,375
But if you can manage
to keep your players outta the weeds,

392
00:24:36,676 --> 00:24:38,445
the sound's ferocious.

393
00:24:45,552 --> 00:24:48,488
There's no glory for a robot, eliot.

394
00:24:52,726 --> 00:24:54,127
Do your own thing.

395
00:24:56,496 --> 00:24:57,497
Mmm.

396
00:25:02,402 --> 00:25:06,840
[Instruments playing low tone]

397
00:25:17,500 --> 00:25:18,752
All right, um,

398
00:25:19,486 --> 00:25:21,988
let's stop here.

399
00:25:22,550 --> 00:25:23,890
- Thank you, Max. Very good.
- Thanks.

400
00:25:23,990 --> 00:25:27,894
Um, just for my own edification,

401
00:25:29,162 --> 00:25:31,164
why did you come to Juilliard?

402
00:25:34,434 --> 00:25:36,770
Uh, it's the best music conservatory
in the country?

403
00:25:36,870 --> 00:25:39,673
People from Curtis, eastman and others
may beg to differ.

404
00:25:39,739 --> 00:25:41,941
I mean, Juilliard's a brand, right?

405
00:25:42,420 --> 00:25:45,211
So, did you come to study with a brand?

406
00:25:45,278 --> 00:25:46,279
-No, right.

407
00:25:46,379 --> 00:25:48,915
So there's a teacher or graduate
somewhere down the line

408
00:25:49,150 --> 00:25:51,117
who, you know, conjured something
in your imagination.

409
00:25:51,217 --> 00:25:53,530
Someone you aspire to be yourself.

410
00:25:53,119 --> 00:25:55,288
- Mm-hmm.
- So, who was that?

411
00:25:55,388 --> 00:25:56,623
Sarah Chang.

412
00:25:57,390 --> 00:25:58,792
- So you're a violinist?
- Yeah.

413
00:25:58,892 --> 00:26:00,293
All right, okay.

414
00:26:00,393 --> 00:26:04,764
Well, I can see why you would choose
to conduct a piece like this.

415
00:26:04,864 --> 00:26:08,535
Must be a familiar pleasure
in presiding over a bed of strings

416
00:26:08,601 --> 00:26:10,737
that behave as if they're tuning.

417
00:26:10,804 --> 00:26:16,409
Now, this piece is very au courant.

418
00:26:16,476 --> 00:26:19,879
And here, the composer tells us
to begin with

419
00:26:19,946 --> 00:26:22,215
"back-and-forth tremolo strokes
with wire brush

420
00:26:22,282 --> 00:26:25,385
and slowly sliding crotales over skin."

421
00:26:25,452 --> 00:26:28,321
Sounds like rené redzepi's
recipe for reindeer.

422
00:26:29,155 --> 00:26:32,125
[Sighs] It's exciting
to play new music, isn't it?

423
00:26:32,225 --> 00:26:33,560
- Yeah.
- Yeah.

424
00:26:33,626 --> 00:26:36,896
Great. All right, please,
join the other fellows.

425
00:26:38,565 --> 00:26:43,136
Now, I know you're all conducting students
of, uh, Mr. Wolfe's,

426
00:26:43,236 --> 00:26:47,307
but how many of you
are also studying composition?

427
00:26:48,108 --> 00:26:49,409
Right, what's your name?

428
00:26:49,476 --> 00:26:50,643
Olive kerr.

429
00:26:51,277 --> 00:26:52,612
[Lydia] All right, olive, uh,

430
00:26:53,847 --> 00:26:56,160
what do you make of
what we've just been listening to?

431
00:26:56,116 --> 00:27:01,870
It's pretty awesome.
I mean, there's incredible atonal tension.

432
00:27:01,154 --> 00:27:03,456
I agree about the tension part.

433
00:27:03,523 --> 00:27:07,460
Now, you can intellectually contemplate,
or masturbate,

434
00:27:07,527 --> 00:27:11,264
about the Felicity
of the so-called "atonal,"

435
00:27:11,331 --> 00:27:17,300
but the important question here
is what are you conducting?

436
00:27:17,103 --> 00:27:21,641
What is the effect?
What is it actually doing to me?

437
00:27:21,708 --> 00:27:27,113
Good music can be as ornate as a cathedral
or bare as a potting shed,

438
00:27:27,180 --> 00:27:31,510
so long as it allows you
to answer both those questions.

439
00:27:31,151 --> 00:27:32,218
Max.

440
00:27:33,453 --> 00:27:35,210
Come on, what do you think?

441
00:27:38,725 --> 00:27:43,396
When Anna thorvaldsdottir
gave her master class,

442
00:27:43,496 --> 00:27:46,499
she said she was often influenced
by the form

443
00:27:47,333 --> 00:27:51,805
and structure of landscapes
and nature she grew up within.

444
00:27:53,730 --> 00:27:58,545
But I'm not sure she was interested per se
in describing those actual sounds.

445
00:27:58,645 --> 00:28:00,480
Very punkt k ontrapunkt

446
00:28:02,349 --> 00:28:03,583
yes.

447
00:28:03,683 --> 00:28:08,922
The intent of her composition is vague,
to say the least.

448
00:28:09,220 --> 00:28:11,858
So, if her intent is vague,

449
00:28:11,925 --> 00:28:16,563
how do you, as a conductor,
have a point of view about anything?

450
00:28:17,330 --> 00:28:21,267
Now, to be fair, I mean, there are times
when you will simply have no choice.

451
00:28:21,368 --> 00:28:23,870
And you will be made to stand
in front of an orchestra

452
00:28:23,937 --> 00:28:28,108
and pretend that there are
these invisible structures.

453
00:28:28,208 --> 00:28:32,512
But my prayer for you is that
you will be spared the embarrassment

454
00:28:32,579 --> 00:28:37,250
of standing on the podium with a 433,
trying to sell a car without an engine!

455
00:28:37,350 --> 00:28:41,588
Because now, my friends, now is the time

456
00:28:41,688 --> 00:28:46,920
to conduct music that actually
requires something of you.

457
00:28:46,192 --> 00:28:49,562
You know, music that everybody knows
but will hear differently

458
00:28:49,629 --> 00:28:52,699
when you interpret it for them.

459
00:28:52,766 --> 00:28:56,603
For instance, Max, why not a kyrie?

460
00:28:56,703 --> 00:29:00,540
You know, like, uh, something like
bach's mass in b minor.

461
00:29:01,775 --> 00:29:04,577
[Chuckles] I'm not really into bach.

462
00:29:05,378 --> 00:29:07,747
- You're not into bach?
- Mm-mmm.

463
00:29:07,814 --> 00:29:08,915
Oh, Max.

464
00:29:10,717 --> 00:29:12,752
Have you read the schweitzer book?

465
00:29:14,587 --> 00:29:17,657
Well, you should. It's an important text.

466
00:29:18,625 --> 00:29:20,960
Now, antonia brico thought so.

467
00:29:21,610 --> 00:29:23,630
So much so, that she shipped herself
to Equatorial Africa

468
00:29:23,730 --> 00:29:26,666
and canoed up the Congo river
to track schweitzer down

469
00:29:26,766 --> 00:29:30,103
and ask him to teach her
what he knew about bach.

470
00:29:30,170 --> 00:29:33,807
I mean, somewhere I've got
a picture of her in a pith helmet.

471
00:29:33,907 --> 00:29:35,442
I mean, have you...

472
00:29:35,508 --> 00:29:39,245
Have you ever played
or conducted bach?

473
00:29:40,146 --> 00:29:45,180
Honestly, as a bipoc, pangender person,

474
00:29:45,118 --> 00:29:49,989
I would say bach's misogynistic life
makes it kind of impossible for me

475
00:29:50,900 --> 00:29:52,158
to take his music seriously.

476
00:29:54,127 --> 00:29:55,829
Come on.

477
00:29:55,929 --> 00:29:58,264
What do you mean by that?

478
00:29:59,990 --> 00:30:02,669
Well, didn't he sire, like, 20 kids?

479
00:30:02,769 --> 00:30:05,138
Yes, that's documented.

480
00:30:05,205 --> 00:30:07,807
Along with a considerable amount of music.

481
00:30:08,975 --> 00:30:10,643
But I'm sorry,

482
00:30:10,710 --> 00:30:13,513
I'm unclear as to what
his prodigious skills in the marital bed

483
00:30:13,613 --> 00:30:15,782
have to do with b minor.

484
00:30:17,117 --> 00:30:20,820
Sure. All right, whatever.
That's your choice.

485
00:30:21,321 --> 00:30:24,224
I mean, after all,
"a soul selects her own society."

486
00:30:24,324 --> 00:30:26,993
But remember,
the flip side of that selection

487
00:30:27,600 --> 00:30:29,729
closes the valves of one's attention.

488
00:30:30,363 --> 00:30:35,669
Now, of course, siloing
what is acceptable or not acceptable

489
00:30:35,735 --> 00:30:39,906
is a basic construct of many, if not most,
symphony orchestras today,

490
00:30:40,600 --> 00:30:43,810
who see it as their imperial right
to curate for the cretins.

491
00:30:43,877 --> 00:30:49,549
So, slippery as it is, there is some merit
in examining Max's allergy.

492
00:30:49,649 --> 00:30:51,384
Can classical music

493
00:30:51,484 --> 00:30:54,988
written by a bunch of straight,
austro-German, church-going white guys

494
00:30:55,550 --> 00:30:58,491
exalt us,
individually as well as collectively,

495
00:30:58,558 --> 00:31:02,162
and who, may I ask, gets to decide that?

496
00:31:03,863 --> 00:31:06,320
You know, what about Beethoven?

497
00:31:06,990 --> 00:31:07,667
You into him?

498
00:31:08,635 --> 00:31:11,471
But then, I face him.

499
00:31:12,172 --> 00:31:16,676
And I find myself nose-to-nose
with his magnitude

500
00:31:16,776 --> 00:31:18,211
and inevitability.

501
00:31:21,147 --> 00:31:23,216
Come on, Max. Indulge me.

502
00:31:23,850 --> 00:31:26,619
Let's allow bach a similar gaze.

503
00:31:29,155 --> 00:31:31,725
[Playing piano]

504
00:31:31,825 --> 00:31:32,826
Sit.

505
00:31:36,496 --> 00:31:38,531
Now, this is all filigree, right?

506
00:31:39,866 --> 00:31:42,635
I mean, it could be
a first-year piano student.

507
00:31:44,237 --> 00:31:48,410
J” or schroeder playing for I uc y j”

508
00:31:50,977 --> 00:31:52,746
or Glenn gould, for that matter.

509
00:31:53,380 --> 00:31:56,182
[Playing notes precisely]

510
00:31:57,984 --> 00:31:59,986
Now, it's not until it changes...

511
00:32:01,921 --> 00:32:04,324
You get inside it,
that you hear what it really is.

512
00:32:04,391 --> 00:32:05,725
It's a question.

513
00:32:08,895 --> 00:32:10,263
And an answer.

514
00:32:12,332 --> 00:32:14,434
Which begs another question.

515
00:32:17,337 --> 00:32:19,873
There's a humility in bach.

516
00:32:19,939 --> 00:32:22,609
He's not pretending
he's certain about anything.

517
00:32:23,910 --> 00:32:28,448
'Cause he knows that it's always
the question that involves the listener.

518
00:32:29,582 --> 00:32:32,218
It's never the answer, right?

519
00:32:32,786 --> 00:32:35,522
Now, the big question for you...

520
00:32:35,588 --> 00:32:38,580
[Growling]
Is what do you think, Max?

521
00:32:42,562 --> 00:32:46,320
[Groans] You play really well.

522
00:32:47,200 --> 00:32:53,139
But nowadays, white, male, cis composers,
just not my thing.

523
00:32:53,239 --> 00:32:57,477
Don't be so eager to be offended.

524
00:32:57,577 --> 00:33:01,815
The narcissism of small differences
leads to the most boring conformity.

525
00:33:02,582 --> 00:33:04,584
I guess edgard varese is okay.

526
00:33:04,651 --> 00:33:06,252
I mean, I like arcana, anyway.

527
00:33:06,319 --> 00:33:11,570
Oh, well. Then you must be aware
that varese once famously stated

528
00:33:11,124 --> 00:33:15,610
thatjazz was "a negro product
exploited by the Jews."

529
00:33:16,396 --> 00:33:18,598
Didn't stop Jerry goldsmith
from ripping him off

530
00:33:18,665 --> 00:33:20,934
for his planet of the apes score.

531
00:33:21,000 --> 00:33:23,403
It's kind of a perfect insult,
don't you think?

532
00:33:23,470 --> 00:33:25,500
But you see,

533
00:33:25,105 --> 00:33:29,909
the problem with enrolling yourself
as an ultrasonic epistemic dissident

534
00:33:29,976 --> 00:33:34,247
is that if bach's talent can be reduced
to his gender, birth country,

535
00:33:34,314 --> 00:33:37,684
religion, ***uality and so on,
then so can yours.

536
00:33:39,486 --> 00:33:42,789
Now, someday, Max,
when you go out into the world

537
00:33:42,856 --> 00:33:46,326
and you guest conduct
for a major or minor orchestra,

538
00:33:46,426 --> 00:33:48,280
you may notice that the players

539
00:33:48,128 --> 00:33:51,197
have more than light bulbs and music
on their stands.

540
00:33:52,165 --> 00:33:55,135
They will also have been handed
rating sheets,

541
00:33:55,201 --> 00:33:58,400
the purpose of which is to rate you.

542
00:33:58,104 --> 00:34:02,676
Now, what kind of criteria would you hope
that they would use to do this?

543
00:34:03,376 --> 00:34:06,379
Your score reading and stick technique,
or something else?

544
00:34:09,783 --> 00:34:15,488
All right, everyone, using Max's criteria,
let's consider Max's thing.

545
00:34:15,555 --> 00:34:18,391
In this case, Anna thorvaldsdottir.

546
00:34:18,491 --> 00:34:22,162
Now, can we agree on two pieces
of observation?

547
00:34:22,228 --> 00:34:24,964
One, that Anna was born in Iceland.

548
00:34:25,310 --> 00:34:29,969
And two, that she is, in a Waldorf teacher
kinda way, a superhot young woman!

549
00:34:30,360 --> 00:34:31,504
Show of hands.

550
00:34:32,305 --> 00:34:35,909
All right, now let's turn our gaze
back to the piano bench up there,

551
00:34:36,900 --> 00:34:39,179
and see if we can square
how any of those things

552
00:34:39,245 --> 00:34:42,515
possibly relate to the person
we see seated before us.

553
00:34:48,722 --> 00:34:50,156
Where are you going?

554
00:34:53,993 --> 00:34:55,495
You're a ****ing *****.

555
00:34:56,663 --> 00:34:58,498
And you are a robot.

556
00:34:59,650 --> 00:35:03,770
I mean, unfortunately, the architect
of your soul appears to be social media.

557
00:35:04,537 --> 00:35:07,907
You wanna dance the mask,
you must service the composer.

558
00:35:08,800 --> 00:35:11,511
You gotta sublimate yourself, your ego
and, yes, your identity.

559
00:35:12,450 --> 00:35:14,381
You must, in fact, stand in front
of the public and god

560
00:35:14,447 --> 00:35:16,516
and obliterate yourself.

561
00:35:19,919 --> 00:35:21,121
All right.

562
00:35:21,388 --> 00:35:25,250
[Interviewer] During the lockdown,
you did something I thought remarkable.

563
00:35:25,910 --> 00:35:26,593
You made music for free.

564
00:35:27,127 --> 00:35:31,898
Anyone at all could stream Berlin
performances without e ver paying a dime.

565
00:35:31,965 --> 00:35:37,370
[Lydia] Well, that was a democrat/calh/
made decision by the players.

566
00:35:37,437 --> 00:35:41,808
And though I wish
I could claim the idea was mine,

567
00:35:41,908 --> 00:35:44,411
it really did spring
from the heart of Sharon goodnow.

568
00:35:45,545 --> 00:35:48,114
Sharon is your partner.
You have a child together.

569
00:35:48,214 --> 00:35:51,217
And she's also the concert master
for Berlin.

570
00:35:51,284 --> 00:35:54,200
- Does that ever complicate things for you?
- [Lydia] Yes, that's right.

571
00:35:54,540 --> 00:35:56,322
Your work getting into your home
or the other way...

572
00:36:10,337 --> 00:36:13,740
[Francesca] Jake said he was certain
you'd be happy with the drape of the seat.

573
00:36:13,807 --> 00:36:14,974
I will be

574
00:36:15,750 --> 00:36:17,911
if I can keep the fat off
until next month.

575
00:36:17,977 --> 00:36:19,512
[Francesca] You never gain weight.

576
00:36:23,817 --> 00:36:26,152
Your mother texted me.

577
00:36:26,252 --> 00:36:28,688
She knows you're busy,
but is hoping to drop by.

578
00:36:29,989 --> 00:36:30,990
Next trip.

579
00:36:31,825 --> 00:36:33,493
What are you thinking for dinner?

580
00:36:34,127 --> 00:36:35,328
Uh, no.

581
00:36:35,428 --> 00:36:38,598
No, I'm gonna stay in
and put this piano to good use.

582
00:36:38,665 --> 00:36:42,302
I'm suspicious of the e natural
in the cello line.

583
00:36:42,369 --> 00:36:45,672
Doesn't it sound
like warmed-over Charles ives to you?

584
00:36:45,772 --> 00:36:47,374
[Francesca] Not at all.

585
00:36:47,474 --> 00:36:50,844
But don't worry, I'll call Houston.
They'll be flexible.

586
00:36:51,511 --> 00:36:54,547
You must have some new haven friends
you want to see tonight?

587
00:36:55,548 --> 00:36:57,183
No. Not really.

588
00:36:59,819 --> 00:37:02,689
Should I stop by later for notes?

589
00:37:02,789 --> 00:37:04,891
No, that won't be necessary.

590
00:37:04,991 --> 00:37:07,270
- [Lydia playing piano]
- Okay.

591
00:37:10,630 --> 00:37:13,833
Oh, I... I almost forgot, but...

592
00:37:15,802 --> 00:37:18,304
This was left for you at the front desk.

593
00:37:18,371 --> 00:37:19,372
By who?

594
00:37:19,472 --> 00:37:20,840
They didn't say.

595
00:37:21,474 --> 00:37:22,876
What, no card?

596
00:37:24,511 --> 00:37:27,313
Okay, just leave it over there.
Thanks.

597
00:37:27,380 --> 00:37:29,516
[Piano continues]

598
00:37:38,591 --> 00:37:39,759
Good night.

599
00:37:39,859 --> 00:37:40,927
Night.

600
00:37:49,569 --> 00:37:53,730
[Radio host] You are listening
to all things considered from npr news.

601
00:37:53,740 --> 00:37:55,408
All things considered is brought to you

602
00:37:55,508 --> 00:37:57,210
by the corporation
for public broadcasting.

603
00:37:57,277 --> 00:37:58,511
[Lydia] Public broadcasting.

604
00:37:58,578 --> 00:38:02,582
[Radio host] Leat ears. Feeding
the discerning listener since 2008.

605
00:38:02,682 --> 00:38:06,453
[Lydia] 2008. I eat ears.
And you should too...

606
00:38:07,587 --> 00:38:10,190
[Radio host] And now more from npr.

607
00:38:10,890 --> 00:38:12,359
Over the next few weeks,

608
00:38:12,425 --> 00:38:14,761
you'll be hearing poems
from four finalists

609
00:38:14,861 --> 00:38:17,797
for the national youth
poet laureate award.

610
00:38:26,106 --> 00:38:28,274
[Lydia] When were you informed of this?

611
00:38:28,375 --> 00:38:30,760
[Francesca] Just this morning.

612
00:38:30,977 --> 00:38:33,246
Mr. Kaplan was very apologetic.

613
00:38:33,313 --> 00:38:36,316
I was able to get us on the 7:00 am.
You like, through Munich.

614
00:38:36,416 --> 00:38:39,486
The connection's short,
but special services are standing by.

615
00:38:39,586 --> 00:38:41,870
Where are things with dg?

616
00:38:42,155 --> 00:38:44,457
Please tell me they've finally woken up
to see the wisdom

617
00:38:44,557 --> 00:38:47,600
of honest-to-god lps for this release?

618
00:38:47,127 --> 00:38:48,595
No movement there yet.

619
00:38:48,661 --> 00:38:50,797
Have you looked at the email
I drafted for you?

620
00:38:50,897 --> 00:38:53,833
- Sent it last night.
- Well, just fonnard me their response.

621
00:38:56,690 --> 00:38:58,271
What's your take on the new yorkertalk?

622
00:39:00,106 --> 00:39:01,474
It went well, I thought.

623
00:39:01,574 --> 00:39:03,276
Oh. You're hedging.

624
00:39:04,411 --> 00:39:05,478
I was garrulous.

625
00:39:05,578 --> 00:39:07,130
[Chuckles] No.

626
00:39:07,113 --> 00:39:09,416
No, not at all. You were fabulous.

627
00:39:09,482 --> 00:39:12,850
[Laughs] Francesca!

628
00:39:12,152 --> 00:39:14,487
If you have any real interest
in conducting,

629
00:39:14,587 --> 00:39:16,489
you need to be able to speak your mind.

630
00:39:16,589 --> 00:39:20,927
Okay. Perhaps you could've
made less of the relationship with...

631
00:39:20,994 --> 00:39:22,280
Lenny?

632
00:39:22,128 --> 00:39:25,498
No, I was thinking about
mahler and Alma's.

633
00:39:25,598 --> 00:39:29,636
You implied that she betrayed him.
I'm not sure I agree with that.

634
00:39:30,136 --> 00:39:31,338
Oh, really?

635
00:39:31,438 --> 00:39:35,308
Alma was a composer too.
But he insisted she stop writing music.

636
00:39:35,375 --> 00:39:36,843
He said there was only room for...

637
00:39:36,943 --> 00:39:39,346
- One ***hole in the house?
- One ***hole in the house. Yes.

638
00:39:39,446 --> 00:39:43,183
And she agreed to those rules.
No one made that decision for her.

639
00:39:43,283 --> 00:39:46,219
#rulesofthegame.

640
00:39:46,319 --> 00:39:49,689
[In French]

641
00:39:49,789 --> 00:39:51,691
[Blows raspberry] Okay?

642
00:39:57,364 --> 00:39:59,499
[Breathes deeply]

643
00:39:59,566 --> 00:40:00,800
How was your evening?

644
00:40:00,867 --> 00:40:02,569
Yeah, was uneventful.

645
00:40:03,403 --> 00:40:05,739
Are there any of Sharon's pills left?

646
00:40:05,839 --> 00:40:08,975
No, but Dr. Korovin called these in.

647
00:40:09,420 --> 00:40:10,710
Ah. Thanks.

648
00:40:18,885 --> 00:40:21,521
I received another weird email
from krista.

649
00:40:21,588 --> 00:40:22,589
Mmm?

650
00:40:23,223 --> 00:40:25,580
How should I reply?

651
00:40:25,158 --> 00:40:26,226
Don't.

652
00:40:28,528 --> 00:40:31,264
This one felt especially desperate.

653
00:40:33,700 --> 00:40:35,902
[In German]

654
00:41:04,297 --> 00:41:05,365
[Sighs]

655
00:42:27,814 --> 00:42:28,815
[Exhales deeply]

656
00:42:32,519 --> 00:42:36,222
Do you have some kind of profit-sharing
deal with the utility company

657
00:42:36,322 --> 00:42:37,791
that I'm unaware of?

658
00:42:39,392 --> 00:42:40,827
The flutter's back.

659
00:42:41,661 --> 00:42:44,297
It's... it's racing.

660
00:42:45,465 --> 00:42:47,867
I can't find my metoprolol anywhere.

661
00:42:52,205 --> 00:42:53,206
[Quietly] ****.

662
00:42:56,509 --> 00:42:57,744
[Breathing shakily]

663
00:42:57,844 --> 00:42:59,120
[Pills rattling]

664
00:43:02,482 --> 00:43:03,683
[Water runs]

665
00:43:05,251 --> 00:43:09,155
Uh, I found this lying loose
in the drawer.

666
00:43:11,424 --> 00:43:12,726
Is this the right one?

667
00:43:15,228 --> 00:43:16,229
Yeah.

668
00:43:21,935 --> 00:43:23,103
Thank you.

669
00:43:26,940 --> 00:43:28,441
Is that a new bag?

670
00:43:29,109 --> 00:43:31,544
Oh, it's just a gift from eliot.

671
00:43:31,611 --> 00:43:33,680
- You want it?
- No.

672
00:43:35,615 --> 00:43:36,850
Suits you.

673
00:43:38,918 --> 00:43:39,919
[Lydia] Let's...

674
00:43:40,920 --> 00:43:44,424
Slow this down to 60 beats a minute.

675
00:43:45,525 --> 00:43:46,526
[Clicks]

676
00:43:47,193 --> 00:43:50,463
[Quiet jazz playing]

677
00:44:02,420 --> 00:44:05,450
[Classical music playing]

678
00:44:06,780 --> 00:44:09,215
Knock, knock. Who's there?

679
00:44:09,916 --> 00:44:11,251
Lenny?

680
00:44:12,452 --> 00:44:13,753
Walter?

681
00:44:14,554 --> 00:44:17,557
Oh, it's you, mtt.

682
00:44:18,258 --> 00:44:21,261
Why do you insist
on holding things up like that?

683
00:44:26,566 --> 00:44:28,201
[Radio host]
Ll/lichael Tilson Thomas...

684
00:44:28,234 --> 00:44:29,836
[Toothbrush buzzing]

685
00:44:37,243 --> 00:44:38,645
Hello, Petra.

686
00:44:41,348 --> 00:44:43,750
Why are you lurking, hmm?

687
00:44:44,984 --> 00:44:46,986
Tell me and I'll help.

688
00:44:47,921 --> 00:44:49,522
- [Lydia] Sharon?
- Mmm?

689
00:44:49,622 --> 00:44:51,858
Uh, I'm taking Petra to school.

690
00:44:51,958 --> 00:44:53,326
Oh, okay.

691
00:44:53,426 --> 00:44:54,994
- [Lydia] Come on.
- [Sharon] Tschtiss.

692
00:45:16,116 --> 00:45:18,151
[Lydia] "Who'll bear the pall?"

693
00:45:19,520 --> 00:45:20,620
"We," said the wren.

694
00:45:20,687 --> 00:45:23,723
- "Both the **** and the hen."
- [Lydia] "The hen."

695
00:45:23,823 --> 00:45:25,358
"I'll..." [blows raspberry]

696
00:45:25,458 --> 00:45:28,280
[Both] "We'll bear the pall."

697
00:45:28,128 --> 00:45:29,496
"And who'll sing a psalm?"

698
00:45:29,562 --> 00:45:32,899
[Petra] 'I, ' said the thrush
as she sat on a bush.

699
00:45:34,340 --> 00:45:36,136
'I'll sing a song."'

700
00:45:36,202 --> 00:45:38,710
[Lydia] "Who'll to” the bell?"

701
00:45:38,171 --> 00:45:41,708
"'I, ' said the bull, 'because I can pull.

702
00:45:42,409 --> 00:45:44,210
I'll to” the bell."'

703
00:45:44,310 --> 00:45:49,816
[both] "All the birds of the air
fell a-sighing and a-sobbing

704
00:45:49,883 --> 00:45:56,156
when they heard the bell toll
for poor **** Robin!"

705
00:46:03,263 --> 00:46:04,898
[Lydia] It's gonna be okay.

706
00:46:10,103 --> 00:46:12,405
All right. Okay, which one is she?

707
00:46:12,505 --> 00:46:14,700
The red one.

708
00:46:17,677 --> 00:46:18,678
- Bye.
- Goodbye.

709
00:46:30,256 --> 00:46:31,624
[Lydia] Hallo, Johanna.

710
00:46:34,361 --> 00:46:35,862
[In German]

711
00:47:02,455 --> 00:47:05,910
[Bell tolling]

712
00:47:26,646 --> 00:47:28,114
[Lydia] Hello. Hi.

713
00:47:35,989 --> 00:47:37,624
They're all in the chamber hall?

714
00:47:37,691 --> 00:47:38,692
Yes.

715
00:48:05,180 --> 00:48:06,386
[Lock clicks]

716
00:48:16,629 --> 00:48:17,897
[Urinating]

717
00:48:22,669 --> 00:48:23,670
Good morning.

718
00:48:25,372 --> 00:48:27,507
[Sebastian] Oh, I'm sorry, maestro.

719
00:48:27,574 --> 00:48:29,309
We weren't sure you were coming.

720
00:48:29,376 --> 00:48:32,212
We were told there might be
a scheduling conflict.

721
00:48:32,912 --> 00:48:34,748
- Would you like me to take notes?
- [Pen clicking]

722
00:48:34,748 --> 00:48:37,550
No, thank you, Sebastian.
That won't be necessary.

723
00:48:37,650 --> 00:48:39,252
Do we all have our rating sheets?

724
00:48:39,352 --> 00:48:41,388
- We narrowed it down to three.
- Mm-hmm.

725
00:48:41,488 --> 00:48:43,690
[Lydia] So unless anyone has
other business to discuss,

726
00:48:43,757 --> 00:48:45,910
let's bring in number one.

727
00:48:47,193 --> 00:48:49,729
[Cello playing]

728
00:49:01,410 --> 00:49:04,411
[Cello continues]

729
00:49:20,860 --> 00:49:23,263
[Cello continues]

730
00:49:36,609 --> 00:49:37,610
[Cello stops]

731
00:49:42,549 --> 00:49:45,552
[Footsteps]

732
00:49:50,490 --> 00:49:53,159
[Footsteps continue]

733
00:49:56,162 --> 00:49:58,631
[Pencil erasing]

734
00:50:02,902 --> 00:50:05,338
Goossens stands, sounds his a.

735
00:50:05,438 --> 00:50:08,308
And, of course, uh, léon was rather famous

736
00:50:08,408 --> 00:50:11,911
for his rather wide vibrato, huh?

737
00:50:12,746 --> 00:50:15,949
Beecham looks up and says,
"gentlemen, take your pick."

738
00:50:16,160 --> 00:50:17,751
[Both chuckling]

739
00:50:18,685 --> 00:50:20,153
How's the writing going?

740
00:50:20,754 --> 00:50:24,257
Ah, I never know how
to answer that question.

741
00:50:25,492 --> 00:50:27,961
Makes it sound like a physical act.

742
00:50:28,280 --> 00:50:29,963
Like, how's the shitting going?

743
00:50:30,300 --> 00:50:31,798
[Both laugh]

744
00:50:31,865 --> 00:50:34,834
Okay. How's the thinking going?

745
00:50:34,934 --> 00:50:36,803
Yeah, not so well.

746
00:50:37,303 --> 00:50:39,939
I keep hearing something
and getting excited

747
00:50:40,600 --> 00:50:43,143
only to catch myself in pastiche.

748
00:50:44,944 --> 00:50:46,513
It's all pastiche.

749
00:50:47,380 --> 00:50:50,316
We all have the same musical grammar.

750
00:50:50,383 --> 00:50:52,886
Just look at Beethoven five.

751
00:50:52,986 --> 00:50:56,189
The third movement's theme
has the same sequence of intervals

752
00:50:56,289 --> 00:50:59,693
as the opening theme
of the final movement of Mozart forty.

753
00:50:59,793 --> 00:51:01,628
That could've been a coincidence.

754
00:51:01,695 --> 00:51:03,997
No. Not in this case.

755
00:51:04,640 --> 00:51:06,566
If you examine the sketchbooks he used,

756
00:51:06,666 --> 00:51:10,804
29 bars of Mozart's finale appear,

757
00:51:10,870 --> 00:51:12,906
copied out by Beethoven.

758
00:51:13,406 --> 00:51:16,976
Oh, my god.
I find that extremely depressing.

759
00:51:17,911 --> 00:51:21,314
I finished reading your manuscript.
It's very good, Lydia.

760
00:51:21,381 --> 00:51:23,516
One for the ages.

761
00:51:23,583 --> 00:51:26,986
And, I dare say, will be available
long after my book has been forgotten.

762
00:51:27,530 --> 00:51:28,521
Oh, yes, you're right.

763
00:51:28,588 --> 00:51:32,580
The entire first printing
will always be available.

764
00:51:32,158 --> 00:51:34,940
Too modest, as usual.

765
00:51:43,269 --> 00:51:44,738
Thank you, andris.

766
00:51:46,172 --> 00:51:47,707
I'll Cherish this.

767
00:51:47,774 --> 00:51:49,242
You may use it.

768
00:51:50,243 --> 00:51:52,245
A blurb for the covers.

769
00:51:53,546 --> 00:51:56,449
Oh, thank you.

770
00:51:56,549 --> 00:51:58,351
I'll send it to the publisher.

771
00:51:58,418 --> 00:52:00,530
Hopefully there's still time.

772
00:52:00,587 --> 00:52:02,889
I'm proud to call you my pupil,

773
00:52:02,956 --> 00:52:05,225
even though there was really
nothing I could teach you.

774
00:52:05,291 --> 00:52:06,760
Now, that's not true.

775
00:52:06,860 --> 00:52:09,863
I'd never have the position here
were it not for you.

776
00:52:09,929 --> 00:52:12,632
Then you'd be in London, New York.

777
00:52:12,732 --> 00:52:14,234
They're not Berlin.

778
00:52:15,702 --> 00:52:19,720
Besides, I'm not sure what Sharon
would do were we ever to leave.

779
00:52:19,139 --> 00:52:20,974
She's so close with her family.

780
00:52:21,740 --> 00:52:24,411
Yes. The goodnow sisters.

781
00:52:24,477 --> 00:52:26,946
I remember the elder one
being an absolute ball-breaker

782
00:52:27,470 --> 00:52:29,382
while she still held sway at dg.

783
00:52:30,150 --> 00:52:34,870
- Heike is a woman of many opinions.
- Oh.

784
00:52:34,154 --> 00:52:35,155
And that voice.

785
00:52:35,255 --> 00:52:38,580
I mean, the signal-to-noise ratio,
it's unbearable.

786
00:52:38,124 --> 00:52:39,125
[Laughs]

787
00:52:39,225 --> 00:52:42,462
I've had to bolt-hole at my old place
in town to get any writing done.

788
00:52:42,562 --> 00:52:43,797
[Chuckles]

789
00:52:43,897 --> 00:52:47,600
Schopenhauer measured a man's intelligence
against his sensitivity to noise.

790
00:52:48,468 --> 00:52:53,573
Didn't he once also throw a woman down
a flight of stairs who later sued him?

791
00:52:53,640 --> 00:52:54,941
Yes.

792
00:52:55,800 --> 00:52:58,244
Although it's unclear that
this private and personal failing

793
00:52:58,311 --> 00:53:00,246
is at all relevant to his work.

794
00:53:00,313 --> 00:53:02,115
[Both chuckling]

795
00:53:08,588 --> 00:53:09,656
You're late.

796
00:53:10,924 --> 00:53:12,258
[Driver speaking German]

797
00:53:12,325 --> 00:53:13,760
- Here, give me your stick.
- Thank you.

798
00:53:13,793 --> 00:53:14,794
I've got it.

799
00:53:24,170 --> 00:53:26,639
[Shushing]

800
00:53:46,659 --> 00:53:48,461
[Piano playing]

801
00:54:02,976 --> 00:54:04,344
[Piano playing]

802
00:54:04,411 --> 00:54:06,179
[Water bubbling]

803
00:54:11,151 --> 00:54:14,154
[Bell chiming]

804
00:54:18,240 --> 00:54:21,528
[Chiming continues]

805
00:54:26,266 --> 00:54:32,572
[Lydia imitating chiming]

806
00:54:34,407 --> 00:54:37,711
[Piano plays imitating bell chiming]

807
00:55:00,300 --> 00:55:04,537
[Person screaming in distance]

808
00:55:07,640 --> 00:55:10,810
[Siren wailing]

809
00:55:12,579 --> 00:55:17,550
[Screaming continues]

810
00:55:28,161 --> 00:55:29,929
[Screaming continues]

811
00:55:43,900 --> 00:55:49,249
[Bell chiming]

812
00:56:10,203 --> 00:56:13,173
[Piano plays imitating bell chiming]

813
00:56:19,450 --> 00:56:21,470
[Playing melody]

814
00:56:27,721 --> 00:56:32,959
[Orchestra playing]

815
00:57:01,388 --> 00:57:03,390
[Speaking German]

816
00:57:17,370 --> 00:57:19,506
But it's also...

817
00:57:19,572 --> 00:57:23,910
It's like we're hearing it from
a very, very great distance. So it's...

818
00:57:24,100 --> 00:57:26,120
[Imitating melody]

819
00:57:28,848 --> 00:57:30,850
S... uh... sorry.

820
00:57:30,917 --> 00:57:32,952
- [Speaks German]
- [Harald speaks German]

821
00:57:33,953 --> 00:57:38,758
Harald, I was just wondering if you might,
um, quickly rig something up for us?

822
00:57:39,793 --> 00:57:41,795
[Trumpet playing fanfare]

823
00:57:48,601 --> 00:57:50,603
[Trumpet intensifying]

824
00:58:04,117 --> 00:58:06,119
[Orchestra blares]

825
00:58:08,421 --> 00:58:10,957
- [Orchestra subdues, stops]
- [Lydia speaking German]

826
00:58:12,325 --> 00:58:14,461
- Harald.
- [Harald speaks German]

827
00:58:14,561 --> 00:58:17,230
Uh, we'll want the same backstage setup
for the live recording.

828
00:58:17,297 --> 00:58:19,666
One, two, one. [Inhales]

829
00:58:19,766 --> 00:58:21,768
[Orchestra playing]

830
00:58:39,519 --> 00:58:41,654
- [Orchestra stops]
- [Speaks German]

831
00:58:48,161 --> 00:58:50,964
Looks great... [clears throat]
But we need to hear it.

832
00:58:51,310 --> 00:58:52,320
Okay? It's not...

833
00:58:52,132 --> 00:58:55,535
[Imitating melody softly, then loudly]

834
00:58:55,635 --> 00:58:56,536
Hey.

835
00:58:56,636 --> 00:58:59,500
- [Players chattering]
- [Lydia speaking German]

836
00:59:04,511 --> 00:59:05,512
[Imitates gust]

837
00:59:06,446 --> 00:59:07,647
[Imitates gunshots]

838
00:59:13,987 --> 00:59:15,989
[Orchestra playing]

839
00:59:20,360 --> 00:59:22,228
- [Orchestra stops]
- [Speaking German]

840
00:59:23,329 --> 00:59:24,898
[Imitates bang, gust]

841
00:59:24,998 --> 00:59:26,566
It's... it's much too slow.

842
00:59:27,701 --> 00:59:29,703
[Speaking German]

843
00:59:35,742 --> 00:59:38,478
Mm-hmm. Okay.

844
00:59:39,579 --> 00:59:41,810
[Speaking German]

845
00:59:45,251 --> 00:59:47,887
- How are things feeling up here?
- Fine, yeah.

846
00:59:47,987 --> 00:59:52,525
Yeah, actually great, but it's a shame
we don't record this one direct-to-disk.

847
00:59:52,592 --> 00:59:55,280
Oh, I know.
It's criminal, is more like it.

848
00:59:56,363 --> 00:59:57,997
Will you shoot me the mp3s?

849
00:59:58,640 --> 01:00:00,100
Yeah, sure.
But don't you want wav files?

850
01:00:00,200 --> 01:00:03,436
No, just think what people
will actually be streaming.

851
01:00:03,536 --> 01:00:06,373
- What about video?
- Yes, yes. Uh, stage left, a camera.

852
01:00:06,439 --> 01:00:08,800
- Okay.
- All right. Thanks, guys.

853
01:00:08,740 --> 01:00:10,110
- Okay. Bye. You're welcome.
- Goodbye.

854
01:00:10,210 --> 01:00:11,911
[Both speaking German]

855
01:00:12,120 --> 01:00:13,680
- [Sharon] There.
- [Lydia] Yeah.

856
01:00:13,747 --> 01:00:15,749
[Sharon] You want us
to come in stronger there?

857
01:00:15,849 --> 01:00:18,618
[Lydia] Here, 'cause
the reigning dynamic is forte...

858
01:00:18,718 --> 01:00:20,620
- [Sebastian clears throat]
- Which is not good.

859
01:00:20,920 --> 01:00:22,222
[Lydia] Yeah?

860
01:00:22,288 --> 01:00:24,724
Just one small thing, maestro.

861
01:00:24,791 --> 01:00:30,697
During the scherzo, um,
the clarinet solo's still a bit too loud.

862
01:00:30,764 --> 01:00:34,801
It should really be an accompanying figure
to the first violins.

863
01:00:35,769 --> 01:00:38,872
But apart from that,
I'd say we're in very good shape.

864
01:00:39,606 --> 01:00:40,974
Thank you, Sebastian.

865
01:00:41,541 --> 01:00:43,430
Thank you. [Clears throat]

866
01:00:48,648 --> 01:00:50,383
Accurate assessment?

867
01:00:51,840 --> 01:00:52,452
I don't think so.

868
01:00:52,552 --> 01:00:55,388
The clarinet is marked piano,
and we are marked pianissimo.

869
01:00:55,455 --> 01:00:57,590
Sebastian likes to sit
in the stalls.

870
01:00:57,657 --> 01:01:00,827
But there's no problem
with the balance in the circle.

871
01:01:04,264 --> 01:01:05,432
[Lydia] Mm-hmm.

872
01:01:05,498 --> 01:01:07,634
Something a bit more playful.

873
01:01:07,734 --> 01:01:08,902
Mm-hmm.

874
01:01:13,473 --> 01:01:15,842
Oh, and here's something
Tanya and I did with Gustavo.

875
01:01:15,942 --> 01:01:17,100
It's very powerful.

876
01:01:17,110 --> 01:01:19,512
Yes, it's really wonderful work, uh, Karl.

877
01:01:19,612 --> 01:01:23,316
I'm just wondering if we might try
something a little less, uh, considered.

878
01:01:26,986 --> 01:01:30,900
Something simple like this? Mmm?

879
01:01:30,790 --> 01:01:33,193
I'm not sure how you would want
to light it.

880
01:01:33,293 --> 01:01:35,862
Have Harald
dim the house lights to half.

881
01:01:37,130 --> 01:01:39,199
House lights down half, please.

882
01:01:44,400 --> 01:01:46,706
[Karl] We could make it work,
but we'd have to bring in some lights.

883
01:01:46,806 --> 01:01:48,308
Mm-hmm.

884
01:01:51,778 --> 01:01:53,513
[Karl]
If we wanna do something like this,

885
01:01:54,180 --> 01:01:56,883
uh, we'll have to bring the hot lights
next week, Tanya.

886
01:01:56,983 --> 01:01:58,351
Forget about the strobes.

887
01:02:00,954 --> 01:02:02,555
[Lydia] Thank you for waiting.

888
01:02:02,655 --> 01:02:04,157
Of course, maestro.

889
01:02:04,224 --> 01:02:07,193
How are we feeling
about today's rehearsal?

890
01:02:07,293 --> 01:02:12,565
Well, Sebastian thinks your solo
in the scherzo is a bit loud.

891
01:02:12,665 --> 01:02:14,901
[Chuckles] It's possible.

892
01:02:15,100 --> 01:02:16,403
I don't agree.

893
01:02:16,503 --> 01:02:19,806
Your dynamic marking is higher
than that of the first violin.

894
01:02:19,873 --> 01:02:21,341
Yes, that's true.

895
01:02:21,408 --> 01:02:25,845
[Sighs] Look.
Sebastian's getting old, knut.

896
01:02:26,579 --> 01:02:27,847
I'm rotating him out.

897
01:02:29,490 --> 01:02:30,550
You're the first to know.

898
01:02:34,487 --> 01:02:35,922
Well... [exhales]

899
01:02:38,558 --> 01:02:41,528
Then I will organize a caucus,
and we'll take a vote.

900
01:02:41,594 --> 01:02:43,396
No. No, you won't.

901
01:02:45,310 --> 01:02:47,330
A vote must be taken.

902
01:02:47,100 --> 01:02:49,703
I am familiar
with the electoral conclave. [Chuckles]

903
01:02:49,769 --> 01:02:51,671
But the appointment
of the assistant conductor

904
01:02:51,738 --> 01:02:54,700
is entirely my decision.

905
01:02:54,740 --> 01:02:56,876
[Inhales] Yes. [Exhales]

906
01:02:56,943 --> 01:03:00,347
So, I can count on your support
with the others?

907
01:03:00,413 --> 01:03:03,717
[Chuckles] Yes.

908
01:03:03,783 --> 01:03:04,784
Good.

909
01:03:04,884 --> 01:03:06,419
Who will you replace him with?

910
01:03:06,519 --> 01:03:08,288
Oh, I'm considering a few names,

911
01:03:08,388 --> 01:03:11,458
but the main thing is we proceed
with this immediately.

912
01:03:11,558 --> 01:03:13,260
[Knut] I understand.

913
01:03:13,860 --> 01:03:16,463
Maestro, uh, the other players
would like to know

914
01:03:16,563 --> 01:03:18,310
if you have chosen
the companion piece.

915
01:03:18,640 --> 01:03:19,566
Ah!

916
01:03:19,632 --> 01:03:21,468
[In German]

917
01:03:21,568 --> 01:03:22,635
[Knut speaks German]

918
01:03:24,371 --> 01:03:26,373
[Rain pattering]

919
01:03:47,427 --> 01:03:48,595
[Whistles]

920
01:03:49,996 --> 01:03:52,132
Oh. I...

921
01:03:52,232 --> 01:03:53,433
It's okay.

922
01:03:53,500 --> 01:03:54,934
[Speaks German]

923
01:04:10,650 --> 01:04:12,519
[Piano playing]

924
01:04:20,860 --> 01:04:26,332
J” changing major to minor j”

925
01:04:28,168 --> 01:04:29,502
[clears throat]

926
01:04:30,300 --> 01:04:31,838
Ah, I'm sorry, I knocked.

927
01:04:33,640 --> 01:04:36,476
I knew you wanted your keys back
as quickly as possible.

928
01:04:36,543 --> 01:04:38,178
Yes, thanks.

929
01:04:38,278 --> 01:04:40,714
- Did you use the company card?
- Yeah.

930
01:04:40,814 --> 01:04:44,500
We can use it for your, um...
[Clears throat] ...Your taxi home.

931
01:04:48,822 --> 01:04:51,224
Yeah. It's all right. You can go.

932
01:04:53,226 --> 01:04:56,696
[Exhales] It wasn't just the keys.

933
01:05:00,333 --> 01:05:02,469
I need someone to hold me.

934
01:05:04,804 --> 01:05:06,973
This isn't the place, Francesca.

935
01:05:08,541 --> 01:05:12,145
You're... that's not about... [sniffles]

936
01:05:12,212 --> 01:05:13,580
I just...

937
01:05:14,581 --> 01:05:17,817
I just got this from someone
over at accordion.

938
01:05:20,200 --> 01:05:21,988
[Breathes shakily]

939
01:05:30,300 --> 01:05:31,331
Oh, no.

940
01:05:31,398 --> 01:05:32,899
[Exhales]

941
01:05:34,340 --> 01:05:35,368
When did this happen?

942
01:05:35,435 --> 01:05:37,203
Day before yesterday.

943
01:05:39,172 --> 01:05:42,542
That email she sent you,
it felt like she was already...

944
01:05:42,609 --> 01:05:44,878
Delete it. And the rest.

945
01:05:46,460 --> 01:05:48,615
There's no reason to get caught up
in any intrigue.

946
01:05:50,350 --> 01:05:51,551
[Sniffles]

947
01:05:54,454 --> 01:05:55,855
Now, now.

948
01:05:57,590 --> 01:06:01,761
Come on. There's nothing
we could have done to stop her.

949
01:06:02,462 --> 01:06:04,130
She wasn't one of us.

950
01:06:05,398 --> 01:06:07,233
[Crying]

951
01:06:16,760 --> 01:06:17,711
[Sniffles]

952
01:06:20,580 --> 01:06:24,150
I can't stop thinking
about our trip up the ucayali.

953
01:06:24,250 --> 01:06:25,385
[Lydia] Mmm.

954
01:06:25,452 --> 01:06:27,721
The three of us were so close.

955
01:06:27,787 --> 01:06:30,623
Yes, but that was before
she started making demands.

956
01:06:32,225 --> 01:06:36,896
No, there was just something
not quite right about her.

957
01:06:37,731 --> 01:06:39,733
She had so much promise.

958
01:06:40,333 --> 01:06:41,801
She did.

959
01:06:41,901 --> 01:06:43,103
Yes.

960
01:06:43,837 --> 01:06:45,839
Almost as much as you.

961
01:06:50,477 --> 01:06:53,179
Now, we have to forget about her.

962
01:06:57,183 --> 01:06:58,685
You understand?

963
01:07:03,990 --> 01:07:05,492
- Right?
- [Sniffles]

964
01:07:08,361 --> 01:07:09,996
-I'm sorry.

965
01:07:10,960 --> 01:07:11,931
- I know you're working.
- Oh...

966
01:07:12,932 --> 01:07:16,803
Your... your keys are on the kitchen table.

967
01:08:08,288 --> 01:08:10,290
[Jazz playing on radio]

968
01:08:11,157 --> 01:08:13,590
[Sharon] She went straight to sleep.

969
01:08:13,159 --> 01:08:14,994
[Wine pouring]

970
01:08:15,995 --> 01:08:18,310
Didn't even have to hold her foot.

971
01:08:22,869 --> 01:08:25,905
And she came home
in a much better mood.

972
01:08:26,600 --> 01:08:27,574
Oh, attagirl.

973
01:08:32,879 --> 01:08:34,881
[Exhales]

974
01:08:37,851 --> 01:08:39,719
Met the new cellist today.

975
01:08:39,819 --> 01:08:42,155
Oh? What was that like?

976
01:08:42,222 --> 01:08:45,658
Olga metkina. Russian.

977
01:08:46,493 --> 01:08:47,727
Strong player.

978
01:08:48,361 --> 01:08:49,496
Good.

979
01:08:51,310 --> 01:08:53,400
Her facial posture is a bit much.

980
01:08:54,167 --> 01:08:55,568
How so? [Chuckles]

981
01:08:55,668 --> 01:08:59,406
Her legato. Looks like she is
on the verge of climaxing.

982
01:08:59,506 --> 01:09:00,540
[Both chuckle]

983
01:09:03,877 --> 01:09:05,512
She's young.

984
01:09:06,246 --> 01:09:07,781
Ah, so you've met her.

985
01:09:09,883 --> 01:09:11,170
No, no.

986
01:09:12,520 --> 01:09:16,560
Francesca mentioned something.
I think she's arranging a welcome lunch.

987
01:09:19,250 --> 01:09:20,860
You may wanna hold off on that.

988
01:09:22,950 --> 01:09:24,970
Her invitation is conditional.

989
01:09:27,767 --> 01:09:29,602
You have reservations?

990
01:09:32,238 --> 01:09:33,273
Not really.

991
01:09:34,874 --> 01:09:36,776
We need to see if she fits in.

992
01:09:41,114 --> 01:09:42,716
Did you take your pill?

993
01:09:47,153 --> 01:09:49,550
Thank you for reminding me.

994
01:09:54,594 --> 01:09:56,229
[Exhales]

995
01:09:56,296 --> 01:09:58,298
[Metronome ticking]

996
01:10:31,131 --> 01:10:33,133
[Ticking continues]

997
01:11:17,177 --> 01:11:19,379
[Lydia] How was Johanna yesterday?

998
01:11:19,479 --> 01:11:21,581
She stays away now.

999
01:11:21,681 --> 01:11:24,170
Good. You let me know if that changes.

1000
01:11:27,854 --> 01:11:31,570
Petra, last night you weren't,
by any chance, in my study?

1001
01:11:32,359 --> 01:11:33,426
No, Lydia.

1002
01:11:33,526 --> 01:11:36,363
Because you do know you're not
supposed to be in there without me.

1003
01:11:36,429 --> 01:11:37,697
I know.

1004
01:11:40,330 --> 01:11:41,334
That's right.

1005
01:11:44,300 --> 01:11:45,939
[Vent rattling]

1006
01:11:51,678 --> 01:11:53,790
[Exhales]

1007
01:11:53,880 --> 01:11:55,882
[Orchestra starts]

1008
01:12:15,869 --> 01:12:16,870
It's...

1009
01:12:17,871 --> 01:12:20,640
It's not so simple. It's got... [exhales]
It's gotta be messier.

1010
01:12:22,420 --> 01:12:23,376
It's, uh...

1011
01:12:23,443 --> 01:12:25,445
[Speaking German]

1012
01:12:34,988 --> 01:12:37,590
A lot of pressure. Okay.

1013
01:12:37,657 --> 01:12:40,160
[Speaks German]

1014
01:12:40,260 --> 01:12:41,428
[All chuckle]

1015
01:12:41,494 --> 01:12:43,296
[Lydia] So familiar to everyone here.

1016
01:12:43,396 --> 01:12:46,166
It really doesn't help you
to know this piece so well. Okay.

1017
01:12:47,567 --> 01:12:48,802
Same place.

1018
01:12:50,970 --> 01:12:52,972
[Orchestra playing]

1019
01:13:02,649 --> 01:13:04,517
[Speaks German]

1020
01:13:18,531 --> 01:13:22,302
- Please, please, please, please.
- [Orchestra stops]

1021
01:13:22,369 --> 01:13:24,137
You must watch.

1022
01:13:25,672 --> 01:13:27,607
[Speaks German]

1023
01:13:28,942 --> 01:13:29,976
Okay?

1024
01:13:30,777 --> 01:13:35,148
It's gotta be like, uh, just one person
singing their heart out!

1025
01:13:39,886 --> 01:13:41,521
[Speaking German]

1026
01:13:55,969 --> 01:13:56,970
Okay.

1027
01:14:00,600 --> 01:14:01,574
[Sebastian] Mmm. Maestro!

1028
01:14:02,375 --> 01:14:04,711
What a surprise!
I was just having a spot of lunch.

1029
01:14:04,811 --> 01:14:06,680
- [Chuckles]
- C... can I offer you anything?

1030
01:14:06,746 --> 01:14:07,981
Uh, no, thank you.

1031
01:14:08,480 --> 01:14:10,817
- Some tea, perhaps?
- No, thank you, Sebastian.

1032
01:14:10,884 --> 01:14:11,885
[Pen clicking]

1033
01:14:11,985 --> 01:14:16,256
You know, I forget sometimes just
how impressive your collection is here.

1034
01:14:16,356 --> 01:14:18,858
- [Sebastian chuckles]
- Is that kalinnikov?

1035
01:14:18,925 --> 01:14:20,360
- Yes.
- Ah!

1036
01:14:20,427 --> 01:14:22,429
[Sebastian] Isn't he marvelous?

1037
01:14:23,530 --> 01:14:25,699
He belongs in a museum.

1038
01:14:25,765 --> 01:14:30,603
I rescued him for a hundred rubles
from a Kiev street fair back in '90.

1039
01:14:30,704 --> 01:14:32,872
- Ah!
- Right after the wall came down.

1040
01:14:32,939 --> 01:14:35,208
Ah, that must really
have been something.

1041
01:14:35,275 --> 01:14:38,345
- Oh, incredible to have lived through it.
- Mmm.

1042
01:14:38,411 --> 01:14:41,514
I'd only just arrived here with andris,

1043
01:14:41,581 --> 01:14:43,883
and suddenly the impossible was possible.

1044
01:14:43,950 --> 01:14:45,518
Yeah.

1045
01:14:47,187 --> 01:14:49,522
I'd like to talk about that.

1046
01:14:49,589 --> 01:14:50,857
The reunification?

1047
01:14:50,924 --> 01:14:52,859
[Chuckles]
No, no. But please, sit down.

1048
01:14:53,593 --> 01:14:59,799
No, uh... about the possibility
of you fronting a subscription orchestra.

1049
01:14:59,899 --> 01:15:01,701
[Chuckles] But I already do.

1050
01:15:01,768 --> 01:15:04,700
Yes, but not as kapellmeister.

1051
01:15:04,137 --> 01:15:05,739
[Inhales, exhales]

1052
01:15:05,805 --> 01:15:08,742
If not now, then when, Sebastian?

1053
01:15:10,410 --> 01:15:12,112
You mean leave Berlin?

1054
01:15:12,212 --> 01:15:14,714
Well, rotate somewhere, yes.

1055
01:15:15,382 --> 01:15:16,950
But this is my home.

1056
01:15:17,584 --> 01:15:20,720
Our only home is the podium.

1057
01:15:20,787 --> 01:15:23,890
We all live out of a suitcase.

1058
01:15:23,156 --> 01:15:25,125
You know that as well as anyone.

1059
01:15:31,464 --> 01:15:33,166
Just think about it.

1060
01:15:34,567 --> 01:15:35,902
Take your time.

1061
01:15:36,970 --> 01:15:39,572
It's not something
we need to decide now.

1062
01:15:42,509 --> 01:15:44,277
It's the girl, isn't it?

1063
01:15:44,344 --> 01:15:45,679
I'm sorry, what girl?

1064
01:15:46,680 --> 01:15:48,314
You're not asking.

1065
01:15:48,415 --> 01:15:49,649
You're telling.

1066
01:15:50,517 --> 01:15:54,954
I knew as soon as she showed up
that my days here were numbered.

1067
01:15:55,210 --> 01:15:58,491
Andris told me not to worry...
[Chuckles] ...But I knew.

1068
01:15:59,459 --> 01:16:02,862
I'm sure I don't know
what you're talking about.

1069
01:16:02,962 --> 01:16:04,431
Oh, please.

1070
01:16:04,497 --> 01:16:06,332
Just because nobody dares breathe it.

1071
01:16:06,433 --> 01:16:08,601
We know the things you do.

1072
01:16:08,668 --> 01:16:11,471
The little favors you Grant.

1073
01:16:11,538 --> 01:16:16,309
I'm... I really don't know
what to say, Sebastian.

1074
01:16:16,376 --> 01:16:20,880
I mean, you of all people have
the temerity to question my integrity?

1075
01:16:20,980 --> 01:16:23,983
No, no. I'm sorry, maestro.
I don't know what I'm saying.

1076
01:16:24,500 --> 01:16:27,530
No, no, no. It's clear
you know exactly what you're saying.

1077
01:16:27,153 --> 01:16:29,155
I mean, if that's how
you really feel about me,

1078
01:16:29,222 --> 01:16:32,359
then wouldn't you say that staying
is entirely out of the question?

1079
01:16:32,459 --> 01:16:34,327
No, no, please, maestro.
Please, forgive me.

1080
01:16:34,394 --> 01:16:35,662
[Exhales] For what?

1081
01:16:35,729 --> 01:16:39,399
Your obsequiousness,
your hypocrisy, your misogamy?

1082
01:16:39,499 --> 01:16:40,567
I'm not a misogynist!

1083
01:16:40,667 --> 01:16:44,471
Misogamy.
It's a hatred of marriage.

1084
01:16:46,639 --> 01:16:49,642
Andris is still very much married.

1085
01:16:50,677 --> 01:16:54,848
And you occupy an apartment
on the same floor, don't you?

1086
01:16:55,648 --> 01:16:58,818
I just don't like what he's implying.

1087
01:17:00,200 --> 01:17:02,822
It could lead to more
than Chinese whispers.

1088
01:17:02,889 --> 01:17:04,240
I know.

1089
01:17:04,858 --> 01:17:08,161
We barely survived der spiegel
when you and I came out together.

1090
01:17:09,262 --> 01:17:11,564
- [Sighs]
- But with Francesca,

1091
01:17:12,532 --> 01:17:14,167
no one could point their finger.

1092
01:17:14,667 --> 01:17:17,300
It's not like you two
are in a relationship.

1093
01:17:17,700 --> 01:17:19,572
Yeah, that's true. I just...

1094
01:17:19,673 --> 01:17:23,343
Turns my stomach to think the old robot
will be right about something.

1095
01:17:25,211 --> 01:17:29,182
He's probably already run
to andris. [Scoffs]

1096
01:17:29,249 --> 01:17:34,254
Well, is there someone other than
Francesca you feel is more qualified?

1097
01:17:37,757 --> 01:17:40,193
There are others equal
to the task.

1098
01:17:42,896 --> 01:17:43,897
Mmm.

1099
01:17:44,964 --> 01:17:46,800
Maybe wait to decide.

1100
01:17:51,137 --> 01:17:52,472
[Footsteps approach]

1101
01:17:56,543 --> 01:17:58,445
Where are we at with dg?

1102
01:17:58,545 --> 01:18:01,548
Uh, I spoke to an assistant
in Boyd muir's office,

1103
01:18:01,614 --> 01:18:06,419
who said they weren't sure
why they decided on a digital-only set,

1104
01:18:06,486 --> 01:18:08,888
what the criteria were.

1105
01:18:08,955 --> 01:18:11,991
But I do know they just did
a full-vinyl pressing for long yu.

1106
01:18:12,920 --> 01:18:15,428
Of course they did.
The Chinese market's incredible.

1107
01:18:15,962 --> 01:18:19,599
All right. Gloves off.
I'm going straight to Lucian.

1108
01:18:19,666 --> 01:18:20,834
Maybe he needs to be reminded

1109
01:18:20,934 --> 01:18:23,690
of his annenberg inclusion initiative.
[Chuckles]

1110
01:18:23,136 --> 01:18:24,170
[Chuckles]

1111
01:18:24,270 --> 01:18:26,906
- You've got his contact details, right?
- Mm-hmm.

1112
01:18:26,973 --> 01:18:28,808
I'll send it to you right now.

1113
01:18:30,276 --> 01:18:33,513
[Groans]
My machine's misbehaving again.

1114
01:18:34,314 --> 01:18:36,249
I've already spoken to it.

1115
01:18:36,316 --> 01:18:37,984
Just... here, let me borrow yours.

1116
01:18:45,458 --> 01:18:46,526
Thank you.

1117
01:18:50,430 --> 01:18:51,798
Where's the matcha?

1118
01:18:59,773 --> 01:19:01,174
[Door closes]

1119
01:19:26,199 --> 01:19:27,834
[Grunting]

1120
01:19:36,910 --> 01:19:39,790
Ah, I wasn't sure where you were.

1121
01:19:39,179 --> 01:19:41,810
Was working out a kink.

1122
01:19:41,181 --> 01:19:43,249
The matcha's cold. I'll get another.

1123
01:19:43,350 --> 01:19:46,486
It's all right. I don't need it.
Let's just keep working.

1124
01:19:48,822 --> 01:19:50,223
[Clears throat]

1125
01:19:53,827 --> 01:19:56,960
Francesca, you did as I asked

1126
01:19:56,196 --> 01:19:59,699
and deleted any and all
correspondence with krista.

1127
01:19:59,766 --> 01:20:00,767
Correct?

1128
01:20:04,671 --> 01:20:06,106
I'm not sure.

1129
01:20:07,340 --> 01:20:10,276
I... I... i'm... I'm not sure.
I'll double-check.

1130
01:20:18,385 --> 01:20:20,620
You know, Sebastian's leaving us.

1131
01:20:21,287 --> 01:20:26,626
And I wondered if you might compile
a list of suitable replacements.

1132
01:20:31,731 --> 01:20:34,634
Ah. Of course,
fee! Free to add your own name.

1133
01:20:38,380 --> 01:20:39,239
Thank you.

1134
01:20:39,305 --> 01:20:40,874
[Phone vibrates]

1135
01:20:42,750 --> 01:20:45,612
Oh, your lunch with the new cellist.

1136
01:20:45,712 --> 01:20:46,913
[Clicks tongue] Oh!

1137
01:20:46,980 --> 01:20:49,983
Meant to have you reschedule that
till after the orchestra votes.

1138
01:20:50,830 --> 01:20:51,818
I'll text her now.

1139
01:20:53,787 --> 01:20:55,588
No, wait. [Exhales]

1140
01:20:55,655 --> 01:20:57,824
[Chuckles]
Might as well see what she's made of.

1141
01:20:59,590 --> 01:21:00,393
[Sniffles]

1142
01:21:02,896 --> 01:21:04,731
[Cutlery clinking in distance]

1143
01:21:07,400 --> 01:21:08,802
This food.

1144
01:21:11,104 --> 01:21:13,807
The cucumber salad's, uh, very good.

1145
01:21:15,475 --> 01:21:18,845
It's kind of the only real option
in this place if you're vegetarian.

1146
01:21:19,946 --> 01:21:21,181
Do you eat fish?

1147
01:21:21,281 --> 01:21:22,415
Not really.

1148
01:21:25,952 --> 01:21:28,488
You know, we can go somewhere else.

1149
01:21:28,588 --> 01:21:30,523
Like the store kitchen.

1150
01:21:30,623 --> 01:21:33,693
I mean, it's kind of
a silly tradition, really,

1151
01:21:33,793 --> 01:21:37,964
that new members are brought here
to sup with the ghosts of the past.

1152
01:21:39,132 --> 01:21:43,103
I mean, at some point, everyone from...
From Napoleon to Beethoven

1153
01:21:43,169 --> 01:21:45,338
tucked in for a meal
at one of these tables.

1154
01:21:45,438 --> 01:21:47,707
Yes, and Clara zetkin.

1155
01:21:48,441 --> 01:21:49,976
I wonder which one.

1156
01:21:50,430 --> 01:21:52,779
Who's that? It's a musician?

1157
01:21:52,846 --> 01:21:57,784
No. She helped found social Democratic
women's movement in Germany.

1158
01:21:57,851 --> 01:22:03,390
And kpd until Hitler came to power
and she was exiled to Soviet union.

1159
01:22:03,890 --> 01:22:05,291
Clara zetkin?

1160
01:22:05,358 --> 01:22:06,559
Yes.

1161
01:22:06,659 --> 01:22:11,164
Every march 8th, we place flowers
at her plaque in kremlin wall necropolis.

1162
01:22:11,831 --> 01:22:12,999
Her birthday?

1163
01:22:13,500 --> 01:22:15,568
No, international women's day.

1164
01:22:15,668 --> 01:22:17,237
[Chuckles]

1165
01:22:19,500 --> 01:22:20,507
[Server] Are you ready, maestro?

1166
01:22:21,741 --> 01:22:25,812
- Yes, uh...
- [Olga] Yes, first shashlik, then veal.

1167
01:22:26,813 --> 01:22:27,847
[Server] For you?

1168
01:22:28,581 --> 01:22:30,517
- Cucumber salad. Thank you.
- Good choice.

1169
01:22:33,920 --> 01:22:35,188
[Server] Some more bread?

1170
01:22:36,189 --> 01:22:38,158
Mmm. [Chuckles]

1171
01:22:43,196 --> 01:22:44,664
It's good. Would you like a bite?

1172
01:22:45,365 --> 01:22:47,901
Oh, no. No. Thank you.

1173
01:22:49,536 --> 01:22:51,237
Have you lived in Berlin long?

1174
01:22:51,337 --> 01:22:53,173
No, not at all.

1175
01:22:53,239 --> 01:22:57,770
I have friends in neukolln I visit
until I know decision of orchestra.

1176
01:22:58,411 --> 01:23:00,113
Simonov will hold your place?

1177
01:23:00,213 --> 01:23:02,849
Yes, I think so. He is my uncle.

1178
01:23:05,418 --> 01:23:08,388
But my dream has always been
to play with Berlin.

1179
01:23:08,455 --> 01:23:09,956
Oh, me too.

1180
01:23:11,124 --> 01:23:12,792
There's nowhere like it.

1181
01:23:16,563 --> 01:23:19,733
I imagine rostropovich is a hero of yours?

1182
01:23:21,134 --> 01:23:23,303
Well, of course, he was great.

1183
01:23:23,403 --> 01:23:26,539
We study him at Moscow conservatory,

1184
01:23:26,606 --> 01:23:29,743
but growing up,
my favorite is Jacqueline du pré.

1185
01:23:29,809 --> 01:23:31,945
She made me want to play cello.

1186
01:23:32,812 --> 01:23:33,813
Which record was it?

1187
01:23:33,913 --> 01:23:36,449
Not record. YouTube.

1188
01:23:36,549 --> 01:23:38,251
Elgar concerto.

1189
01:23:40,387 --> 01:23:43,823
Oh, of course. With barenboim
conducting the London Phil.

1190
01:23:44,324 --> 01:23:46,593
I don't know who was conducting.

1191
01:23:47,627 --> 01:23:50,630
But she did something to me.

1192
01:23:50,130 --> 01:23:53,833
That's when I decide to learn piece
and play it with youth orchestra.

1193
01:23:54,434 --> 01:23:56,436
Quite a challenge.
How old were you?

1194
01:23:56,503 --> 01:23:57,637
Thirteen.

1195
01:23:59,606 --> 01:24:00,607
Wow.

1196
01:24:01,474 --> 01:24:03,243
I'd love to hear it.

1197
01:24:03,309 --> 01:24:05,945
They make video. I will text to you.

1198
01:24:08,348 --> 01:24:10,350
[Playing elgar's concerto]

1199
01:24:46,286 --> 01:24:48,288
[Cello crescendoing]

1200
01:24:52,792 --> 01:24:54,227
[Knock on door]

1201
01:25:03,169 --> 01:25:04,571
[Knock on door]

1202
01:25:07,400 --> 01:25:08,341
[Banging on door]

1203
01:25:13,213 --> 01:25:15,215
[In German]

1204
01:25:34,234 --> 01:25:37,237
[Sustained tone hums faintly]

1205
01:25:54,120 --> 01:25:56,122
[Hum continues]

1206
01:26:05,932 --> 01:26:06,933
[Hum stops]

1207
01:26:12,872 --> 01:26:14,874
[Panting]

1208
01:26:23,283 --> 01:26:25,285
[Orchestra playing]

1209
01:26:55,982 --> 01:26:57,984
[Instruments fading]

1210
01:27:10,630 --> 01:27:12,165
[Orchestra stops]

1211
01:27:14,200 --> 01:27:15,468
Beautiful.

1212
01:27:19,305 --> 01:27:20,306
[Speaking German]

1213
01:27:21,307 --> 01:27:23,376
[German continues]

1214
01:27:26,546 --> 01:27:28,815
Now, just before we break,

1215
01:27:28,882 --> 01:27:34,200
I know many of you are wondering
what the companion piece will be,

1216
01:27:34,120 --> 01:27:36,523
and I have been thinking
quite a bit about it

1217
01:27:36,623 --> 01:27:39,459
and was wondering
if we could just take an informal poll

1218
01:27:39,526 --> 01:27:42,395
about possibly pairing the five

1219
01:27:42,495 --> 01:27:44,798
with elgar's cello concerto?

1220
01:27:48,334 --> 01:27:49,502
[Musicians murmuring]

1221
01:28:00,814 --> 01:28:02,682
[Bows tapping]

1222
01:28:07,187 --> 01:28:08,588
[Speaking German]

1223
01:28:11,570 --> 01:28:12,559
Oh, and...

1224
01:28:13,590 --> 01:28:14,928
Given what we've all been through,

1225
01:28:15,729 --> 01:28:17,364
what we're still going through,

1226
01:28:17,430 --> 01:28:21,368
and we're finally
back together as a family,

1227
01:28:23,203 --> 01:28:27,874
I feel that maybe the soloist should come
from within our own ranks.

1228
01:28:27,941 --> 01:28:28,942
[Musician] Yeah.

1229
01:28:29,420 --> 01:28:30,610
- [Bows tapping]
- [Lydia] Good.

1230
01:28:31,678 --> 01:28:33,346
Good, good. Good start. [Chuckles]

1231
01:28:33,413 --> 01:28:34,881
- One more question.
- [Musician] Gos.

1232
01:28:34,914 --> 01:28:37,500
[Lydia] And this really
is just for you, gosia.

1233
01:28:37,117 --> 01:28:39,919
I mean... [sighs]
As a practical matter,

1234
01:28:40,200 --> 01:28:43,690
I mean, this would normally fall to you.

1235
01:28:43,757 --> 01:28:46,693
But given how much is gonna be
asked of you with the mahler,

1236
01:28:46,760 --> 01:28:50,764
I wondered if you'd be at all bothered
if we were to hold auditions?

1237
01:28:59,806 --> 01:29:02,909
Well, that's a bit unorthodox.

1238
01:29:06,279 --> 01:29:09,249
But, in theory, I have no objection.

1239
01:29:09,315 --> 01:29:12,585
My only hesitation will depend on
when these auditions might take place.

1240
01:29:12,652 --> 01:29:15,622
I wouldn't want them in any way
to interfere with our sectionals.

1241
01:29:15,722 --> 01:29:17,900
No, no. That's a good point.

1242
01:29:17,157 --> 01:29:19,159
I mean, it is gonna have to be...
[Chuckles]

1243
01:29:19,259 --> 01:29:21,327
It's gonna have to be a sprint. Um...

1244
01:29:23,430 --> 01:29:25,980
How about Monday?

1245
01:29:29,235 --> 01:29:30,470
All right.

1246
01:29:34,507 --> 01:29:35,508
[Lydia] Okay, good.

1247
01:29:35,608 --> 01:29:38,645
Knut, would you assemble
a quorum for Monday?

1248
01:29:40,246 --> 01:29:44,117
[Lydia, in German]

1249
01:29:53,660 --> 01:29:55,829
[Person] Let me see what she says.

1250
01:29:55,929 --> 01:29:57,530
Okay, I got... I gotta go.

1251
01:29:59,265 --> 01:30:00,700
Britta, hi.

1252
01:30:00,800 --> 01:30:03,203
[Britta] Lydia! Just caught the end.

1253
01:30:03,303 --> 01:30:05,839
Ah! What'd you think?
How's it, uh... how's it sounding?

1254
01:30:05,939 --> 01:30:08,174
Oh, it's fantastic. [Chuckles]

1255
01:30:08,274 --> 01:30:10,477
I can't wait until the live recording.

1256
01:30:10,543 --> 01:30:12,112
Yes, well...

1257
01:30:12,178 --> 01:30:14,347
[Chuckles]
I'll be happy when it's over.

1258
01:30:14,447 --> 01:30:15,782
It's always that way.

1259
01:30:16,549 --> 01:30:19,552
I know you're busy,
and I don't want to add to your load,

1260
01:30:19,652 --> 01:30:20,653
but...

1261
01:30:21,788 --> 01:30:23,890
Andris Davis called.

1262
01:30:23,990 --> 01:30:27,494
Look, he's upset
I'm rotating Sebastian.

1263
01:30:27,560 --> 01:30:29,696
No, no, no, no, no.
Something else.

1264
01:30:29,796 --> 01:30:32,665
But you will please let Laura know as soon
as you have chosen his replacement

1265
01:30:32,699 --> 01:30:34,134
so she can prepare a press release.

1266
01:30:34,200 --> 01:30:35,635
Yeah, of course.

1267
01:30:35,702 --> 01:30:37,504
Uh, so, what did he want?

1268
01:30:37,570 --> 01:30:39,205
To complain about the punctuality

1269
01:30:39,305 --> 01:30:42,809
of a driver he seems to believe
the board supplies him with.

1270
01:30:42,876 --> 01:30:44,911
Do you know anything about this?

1271
01:30:45,110 --> 01:30:46,146
Yes.

1272
01:30:46,680 --> 01:30:49,349
No, it's just...
It's just something I pay for.

1273
01:30:49,416 --> 01:30:51,384
Then why does he believe it's the board?

1274
01:30:52,252 --> 01:30:54,354
Because he needs to believe that.

1275
01:30:55,221 --> 01:30:57,230
He needs to b...

1276
01:30:57,900 --> 01:30:59,759
He needs to believe
he hasn't been forgotten, Britta.

1277
01:30:59,859 --> 01:31:02,562
The academy
has Von karajan's name on it,

1278
01:31:02,662 --> 01:31:05,165
and there are love shrines to abbado
all over this place.

1279
01:31:05,231 --> 01:31:07,100
But the name of Davis,

1280
01:31:07,200 --> 01:31:09,502
it's essentially nowhere to be seen.

1281
01:31:09,569 --> 01:31:11,370
All right.

1282
01:31:11,104 --> 01:31:14,708
Then perhaps Francesca
could have a word with the driver?

1283
01:31:14,774 --> 01:31:15,942
Of course.

1284
01:31:17,210 --> 01:31:18,912
One other thing.

1285
01:31:19,120 --> 01:31:20,180
It's unpleasant.

1286
01:31:21,140 --> 01:31:23,550
Oh, is it? Operational shortfall?

1287
01:31:24,451 --> 01:31:26,619
Must I take Mrs. Sewing
out to drinks again?

1288
01:31:26,720 --> 01:31:28,555
No, no, no.
Nothing to do with the orchestra.

1289
01:31:28,621 --> 01:31:31,910
Do you remember
an accordion academy fellow

1290
01:31:31,191 --> 01:31:32,926
named krista Taylor?

1291
01:31:36,463 --> 01:31:38,698
Yes. Why?

1292
01:31:38,765 --> 01:31:40,800
Apparently, she committed suicide.

1293
01:31:41,768 --> 01:31:43,570
Oh, god. Poor thing.

1294
01:31:44,637 --> 01:31:45,872
Her parents mu...

1295
01:31:47,574 --> 01:31:49,442
Wait, sorry, I'm...

1296
01:31:49,542 --> 01:31:50,744
I'm confused, Britta.

1297
01:31:50,810 --> 01:31:54,470
Why were you put in the position
to deliver this terrible news?

1298
01:31:54,114 --> 01:31:56,316
Why didn't accordion
contact me directly?

1299
01:31:56,416 --> 01:31:58,118
It's delicate, Lydia.

1300
01:31:58,218 --> 01:31:59,753
Mr. Kaplan thought it might be best

1301
01:31:59,819 --> 01:32:03,289
if you contacted a lawyer
before speaking with anyone at accordion.

1302
01:32:03,923 --> 01:32:07,930
Well, presumably,
that "anyone" includes eliot himself.

1303
01:32:09,620 --> 01:32:11,431
I'm... I'm sorry.
Why would I need to do that?

1304
01:32:12,499 --> 01:32:16,436
Apparently,
some accusations have been made.

1305
01:32:18,571 --> 01:32:20,740
Accusations?
What kind of accusations?

1306
01:32:20,807 --> 01:32:22,275
He didn't say.

1307
01:32:22,342 --> 01:32:24,644
But they were brought
to accordion's counsel.

1308
01:32:24,744 --> 01:32:27,414
Mr. Kaplan said he's certain
nothing will come of it,

1309
01:32:27,480 --> 01:32:29,616
but one can't be too careful.

1310
01:32:37,457 --> 01:32:38,992
[Exhales]

1311
01:32:48,768 --> 01:32:51,204
I'm sorry about the hour.
It's Lydia tar calling.

1312
01:32:51,304 --> 01:32:53,606
I need to speak to Mr. Singer immediately.

1313
01:32:54,541 --> 01:32:56,776
Yes. Yes, it's urgent.

1314
01:33:21,801 --> 01:33:23,803
[Patrons chattering]

1315
01:33:25,705 --> 01:33:26,706
[Sighs]

1316
01:33:26,806 --> 01:33:27,807
Tired?

1317
01:33:32,120 --> 01:33:33,646
[Clicks tongue] Sleep's elusive.

1318
01:33:35,181 --> 01:33:37,584
I was the same before a recording date.

1319
01:33:39,552 --> 01:33:40,553
Lydia,

1320
01:33:42,222 --> 01:33:44,557
are you absolutely certain
about Sebastian?

1321
01:33:45,692 --> 01:33:46,860
Mm-hmm.

1322
01:33:47,560 --> 01:33:49,620
Who will you replace him with?

1323
01:33:50,497 --> 01:33:52,232
Possibly Andrew crust.

1324
01:33:53,700 --> 01:33:56,403
He's been assisting Otto tausk
at the vso.

1325
01:33:57,170 --> 01:33:58,338
Not the girl?

1326
01:34:05,278 --> 01:34:06,579
[Sighs]

1327
01:34:08,682 --> 01:34:09,916
Andris...

1328
01:34:13,720 --> 01:34:19,459
Have you ever had an issue
with a... a student or colleague,

1329
01:34:19,559 --> 01:34:21,795
where that person may have
misinterpreted your intention?

1330
01:34:21,895 --> 01:34:24,197
- Has someone been complaining about me?
- No, of course not.

1331
01:34:24,230 --> 01:34:26,199
'Cause at this point,
they've missed their chance.

1332
01:34:26,266 --> 01:34:29,703
- I'm out of the game.
- Yes, yes, I know, I know. Course you are.

1333
01:34:30,303 --> 01:34:34,808
Thank god I was never pulled
from the podium like Jimmy levine.

1334
01:34:34,908 --> 01:34:37,410
Or hunted like Charles dutoit.

1335
01:34:37,977 --> 01:34:40,246
I take it you're asking for a reason.

1336
01:34:40,980 --> 01:34:45,850
Well, there's just been so much
of this sort of thing in the news lately.

1337
01:34:45,151 --> 01:34:48,254
Well, nowadays, to be accused
is the same as being guilty.

1338
01:34:49,255 --> 01:34:53,493
But I suppose that was also the case
all those years ago with furtw'aingler.

1339
01:34:54,394 --> 01:34:56,496
A bit with karajan too.

1340
01:35:00,133 --> 01:35:01,668
Who was the better conductor?

1341
01:35:03,503 --> 01:35:05,338
I never played under furtwangler.

1342
01:35:06,106 --> 01:35:09,750
Yeah, when I first arrived here,
the older members had...

1343
01:35:10,276 --> 01:35:12,278
Hushed opinions. [Chuckles]

1344
01:35:12,345 --> 01:35:15,615
At the same time,
they wanted to leave that era behind.

1345
01:35:15,682 --> 01:35:17,917
- What? The war?
- No, postwar.

1346
01:35:17,984 --> 01:35:19,986
- Mmm.
- Denazification.

1347
01:35:20,487 --> 01:35:24,624
Someone pointed a finger at you,
process started all over again.

1348
01:35:24,691 --> 01:35:26,860
Furtwangler neverjoined the party.

1349
01:35:26,960 --> 01:35:30,697
Refused to give the salute
or to conduct the "Horst wessel lied."

1350
01:35:30,797 --> 01:35:33,299
Or to sign his letters, "heil Hitler"

1351
01:35:33,366 --> 01:35:35,502
even those he wrote to Hitler. [Chuckles]

1352
01:35:36,369 --> 01:35:39,873
But he was obliged to be denazified.

1353
01:35:40,940 --> 01:35:45,845
Until then, he was semiretired,
playing corpses.

1354
01:35:47,470 --> 01:35:48,882
Playing corpses?

1355
01:35:49,516 --> 01:35:52,185
Secretly performing in a graveyard.

1356
01:35:54,487 --> 01:35:58,358
You're not equating ***ual impropriety
with being an accused Nazi?

1357
01:35:59,626 --> 01:36:01,461
Either way, you had to be ready.

1358
01:36:01,528 --> 01:36:06,232
For years, I made sure all the hangers in
my closet were facing the same direction.

1359
01:36:17,770 --> 01:36:20,130
How many are auditioning
on Monday?

1360
01:36:24,351 --> 01:36:25,752
No one.

1361
01:36:26,353 --> 01:36:27,587
No one?

1362
01:36:29,689 --> 01:36:31,570
Maybe Martin.

1363
01:36:32,726 --> 01:36:36,696
He's never gotten along with gosia.
He would love to sit downstage for once.

1364
01:36:38,264 --> 01:36:39,599
Well...

1365
01:36:40,900 --> 01:36:42,669
He's still gonna have to audition.

1366
01:36:45,205 --> 01:36:46,506
Of course.

1367
01:36:47,240 --> 01:36:48,942
Have to follow the rules.

1368
01:36:51,711 --> 01:36:53,947
Aren't we being a bit formal,
Francesca? [Exhales]

1369
01:36:54,470 --> 01:36:56,449
From what I understand,
there's only one player, right?

1370
01:36:56,549 --> 01:36:58,518
[Francesca] No, maestro, there are two.

1371
01:36:59,919 --> 01:37:01,921
[Cello, piano playing]

1372
01:37:22,420 --> 01:37:24,440
[Cello 2 playing]

1373
01:38:01,581 --> 01:38:03,283
Well, it's unanimous.

1374
01:38:03,350 --> 01:38:05,285
Number two. Mm-hmm.

1375
01:38:06,186 --> 01:38:07,454
And we have a problem.

1376
01:38:07,520 --> 01:38:10,757
She's not officially been invited
to become a member of the orchestra.

1377
01:38:12,192 --> 01:38:15,950
Well, she wouldn't need to be
to solo for us.

1378
01:38:15,929 --> 01:38:20,367
I believe the criteria of the audition
was all section members?

1379
01:38:21,301 --> 01:38:23,303
- Then her audition gets thrown out.
- [Sharon] No.

1380
01:38:23,370 --> 01:38:26,873
Francesca, please ask Martin to come
back in so we can give him the news.

1381
01:38:26,973 --> 01:38:29,442
Wait. Gosia, let's talk.

1382
01:38:31,978 --> 01:38:34,514
[Gasps] Shit! [Laughs]

1383
01:38:34,614 --> 01:38:38,718
Whoo! [Screaming, laughing]

1384
01:38:40,220 --> 01:38:43,156
I'll confirm solo rehearsal dates
with her.

1385
01:38:43,223 --> 01:38:44,290
Thank you.

1386
01:38:45,325 --> 01:38:46,526
Have a seat.

1387
01:38:51,731 --> 01:38:53,833
[Exhales] I have made a decision

1388
01:38:53,900 --> 01:38:56,236
regarding Sebastian's replacement.

1389
01:38:57,904 --> 01:39:01,207
And I want you to know
it wasn't an easy one.

1390
01:39:03,176 --> 01:39:07,547
This position brings with it
enormous responsibility

1391
01:39:07,647 --> 01:39:10,517
- and, my personal affection for you aside...
- [Scoffs]

1392
01:39:10,583 --> 01:39:14,754
I will have to go with someone
more... more experienced.

1393
01:39:30,503 --> 01:39:32,505
[Sustained tone hums]

1394
01:39:38,178 --> 01:39:39,579
[Hum stops]

1395
01:39:49,550 --> 01:39:52,759
[Inhales, exhales]

1396
01:39:55,595 --> 01:39:58,431
[Plays notes]

1397
01:40:05,972 --> 01:40:07,741
[Bell chiming in distance]

1398
01:40:12,645 --> 01:40:14,280
[Knock on door]

1399
01:40:15,382 --> 01:40:18,718
Oh, leave me alone.
I don't have your paper!

1400
01:40:20,860 --> 01:40:21,388
I've told you before, I...

1401
01:40:22,655 --> 01:40:24,157
Oh, I'm sorry. Please come in.

1402
01:40:24,257 --> 01:40:25,658
[Chuckles]

1403
01:40:29,829 --> 01:40:30,830
[Exhales]

1404
01:41:10,937 --> 01:41:12,272
Good! Good!

1405
01:41:12,338 --> 01:41:14,207
I think the contrast is...

1406
01:41:14,307 --> 01:41:16,343
- It's much better now, don't you think?
- Mmm.

1407
01:41:16,943 --> 01:41:18,678
[Exhales]
How do you take your coffee?

1408
01:41:18,778 --> 01:41:20,547
Black. Strong.

1409
01:41:22,782 --> 01:41:24,351
Is all right if I play?

1410
01:41:24,451 --> 01:41:26,386
Mmm.
Oh, yes, of course, of course.

1411
01:42:15,502 --> 01:42:16,836
That's as far as I've gotten.

1412
01:42:17,937 --> 01:42:19,339
But it's good.

1413
01:42:20,400 --> 01:42:22,108
Um, this part here...

1414
01:42:26,513 --> 01:42:28,581
Maybe change a to b-flat?

1415
01:42:32,585 --> 01:42:34,454
That's better. I like that sound.

1416
01:42:36,723 --> 01:42:38,792
Come on. Take a break.

1417
01:42:38,892 --> 01:42:41,561
Okay [chuckles]

1418
01:42:41,628 --> 01:42:43,129
[Door closes]

1419
01:42:54,740 --> 01:42:55,108
Sharon?

1420
01:42:55,208 --> 01:42:56,910
[Keys jingle]

1421
01:42:58,478 --> 01:42:59,913
Hello.

1422
01:43:01,448 --> 01:43:03,450
[In German]

1423
01:43:15,995 --> 01:43:17,397
[Lydia] Petra.

1424
01:43:29,576 --> 01:43:31,344
[Petra singing]

1425
01:43:43,523 --> 01:43:45,325
[Exhales] What are you doing in here?

1426
01:43:45,425 --> 01:43:47,794
[Whispers] I'm hiding from her.

1427
01:43:48,661 --> 01:43:49,929
[Whispers] Why?

1428
01:43:49,996 --> 01:43:55,602
Because she told me to put my things
in order, but they already are.

1429
01:43:59,105 --> 01:44:00,340
I can see that.

1430
01:44:01,641 --> 01:44:03,209
Come on.

1431
01:44:03,309 --> 01:44:05,145
They're all waiting for you.

1432
01:44:05,211 --> 01:44:09,150
[Petra] I'm going to give
everyone a pencil.

1433
01:44:09,115 --> 01:44:11,518
[Lydia] All of them?
They can't all conduct, honey.

1434
01:44:11,618 --> 01:44:14,354
It's not a... [chuckles]
It's not a democracy.

1435
01:44:15,889 --> 01:44:17,624
[Cello playing]

1436
01:45:14,514 --> 01:45:15,515
[Lydia exhales]

1437
01:45:15,582 --> 01:45:17,584
- [Players cheering]
- [Bows tapping]

1438
01:45:18,718 --> 01:45:20,453
[Speaks German]

1439
01:45:21,221 --> 01:45:22,889
[Speaking German]

1440
01:45:28,695 --> 01:45:30,597
Hey, that's good.

1441
01:45:30,697 --> 01:45:32,699
- You happy?
- [Chuckles]

1442
01:45:32,766 --> 01:45:35,235
I think the glissando's
working really well there.

1443
01:45:36,102 --> 01:45:39,272
How long were you acquainted
with miss Taylor?

1444
01:45:39,372 --> 01:45:43,276
Oh, I'd have to double-check
with my assistant,

1445
01:45:43,376 --> 01:45:47,800
but cumulatively speaking,
I'd say not more than a few months.

1446
01:45:47,147 --> 01:45:48,615
Mmm.

1447
01:45:48,715 --> 01:45:50,950
- Thank you for your time, maestro.
- Not at all.

1448
01:45:52,318 --> 01:45:54,721
This recording will exist
on a protected server

1449
01:45:54,788 --> 01:45:56,790
under attorney-client privilege
with Mr. Singer.

1450
01:45:56,890 --> 01:45:57,891
Great.

1451
01:45:57,957 --> 01:46:00,393
He will follow up with you
to help prepare for the deposition.

1452
01:46:04,970 --> 01:46:05,231
Deposition?

1453
01:46:06,299 --> 01:46:09,690
Yes. I assumed you were aware.

1454
01:46:09,669 --> 01:46:13,139
Mr. Singer's office said they'd been
coordinating with your assistant.

1455
01:46:13,673 --> 01:46:17,143
Francesca, you'd better get
your pretty little *** to work right now.

1456
01:46:19,312 --> 01:46:21,214
The only communication
we've received from Francesca

1457
01:46:21,247 --> 01:46:23,783
was an email to my assistant
in the middle of the night

1458
01:46:23,850 --> 01:46:25,285
tendering her immediate resignation,

1459
01:46:25,352 --> 01:46:28,922
stating she would be in contact
when she had more details to provide.

1460
01:46:29,823 --> 01:46:31,124
What kind of details?

1461
01:46:31,191 --> 01:46:32,859
A new address, I suppose.

1462
01:46:32,959 --> 01:46:34,861
In the meantime,
we've been trying all morning

1463
01:46:34,961 --> 01:46:37,597
to find someone suitable to assist you
on a temporary basis.

1464
01:46:37,664 --> 01:46:41,340
For now, perhaps your new assistant
conductor would be the right fit.

1465
01:46:41,134 --> 01:46:43,870
No. No. He's not available
till after the live five date.

1466
01:46:43,970 --> 01:46:45,438
Yes, I'm ready. Let's go.

1467
01:46:49,843 --> 01:46:51,778
I know how much you depended on her.

1468
01:46:51,845 --> 01:46:53,380
Two-faced little *****.

1469
01:46:53,480 --> 01:46:54,781
Imagine her hurt, tar.

1470
01:46:54,848 --> 01:46:57,317
- Don't you dare try to defend her.
- God, slow down!

1471
01:46:57,384 --> 01:46:59,190
She'll come galumphing back.

1472
01:46:59,119 --> 01:47:00,987
- I've got a dumb phone like every robot.
- Tar!

1473
01:47:01,540 --> 01:47:03,390
- How hard can it be to text all day?
- [Car horn honks]

1474
01:47:03,490 --> 01:47:04,624
- [Screams]
- [Tires screech]

1475
01:47:04,691 --> 01:47:07,227
Slow down! Or let me out!

1476
01:47:17,237 --> 01:47:19,500
[Seat belt clicks]

1477
01:47:19,720 --> 01:47:20,740
[Door opens]

1478
01:47:26,479 --> 01:47:27,981
[Child chattering]

1479
01:47:29,150 --> 01:47:30,183
Francesca!

1480
01:48:04,384 --> 01:48:06,586
- [Landlord speaking German]
- [Keys jingle]

1481
01:48:16,930 --> 01:48:18,932
[Siren wailing faintly]

1482
01:48:19,320 --> 01:48:20,934
[People whispering]

1483
01:48:21,340 --> 01:48:23,570
- She scares me.
- You can't trust her.

1484
01:48:23,636 --> 01:48:25,972
[Whispering continues]

1485
01:48:31,911 --> 01:48:33,913
- [Insects chirping]
- [Water trickling]

1486
01:48:44,457 --> 01:48:46,226
[Banging on door]

1487
01:48:46,292 --> 01:48:47,727
[Exhales]

1488
01:48:47,794 --> 01:48:49,162
[Bell chiming in distance]

1489
01:48:49,262 --> 01:48:50,263
[Banging on door]

1490
01:48:50,897 --> 01:48:53,500
[Panting] Come. Come in. Come.

1491
01:48:53,600 --> 01:48:54,901
[Chiming continues]

1492
01:48:54,968 --> 01:48:56,403
[In German]

1493
01:49:01,740 --> 01:49:03,760
[Chiming continues]

1494
01:49:12,419 --> 01:49:14,421
[Resident whimpering]

1495
01:49:25,765 --> 01:49:27,400
[Knock on door]

1496
01:49:29,536 --> 01:49:30,970
[Exhales]

1497
01:49:32,572 --> 01:49:35,141
- [Door opens]
- [Olga] Sorry I'm late again.

1498
01:49:35,241 --> 01:49:36,576
[Lydia] Oh.

1499
01:49:37,977 --> 01:49:39,379
[Door closes]

1500
01:49:42,248 --> 01:49:43,717
Do you live here?

1501
01:49:44,818 --> 01:49:46,319
Not normally, no.

1502
01:49:47,487 --> 01:49:49,989
Uh, make yourself at home.
I'm just gonna put something on.

1503
01:49:50,900 --> 01:49:51,157
Do you have a towel?

1504
01:49:53,960 --> 01:49:55,328
- [Lydia] Yes.
- Thank you.

1505
01:50:01,167 --> 01:50:02,669
I got caught in the rain.

1506
01:50:09,743 --> 01:50:11,811
[Both chuckle]

1507
01:50:15,281 --> 01:50:17,517
There is small concert
with musician friends.

1508
01:50:17,617 --> 01:50:18,785
You should come.

1509
01:50:20,120 --> 01:50:21,454
Thanks, but I...

1510
01:50:22,122 --> 01:50:23,690
Really must get home.

1511
01:50:23,790 --> 01:50:25,910
You have child, yes?

1512
01:50:25,158 --> 01:50:26,626
Mm-hmm.

1513
01:50:26,693 --> 01:50:28,361
I will not do that.

1514
01:50:30,830 --> 01:50:32,532
Pets are better for some people.

1515
01:50:35,635 --> 01:50:37,637
[Both laugh]

1516
01:50:43,476 --> 01:50:44,477
[Door closes]

1517
01:50:45,612 --> 01:50:47,614
Wh... oh. Sorry. [Chuckles]

1518
01:50:47,681 --> 01:50:50,500
- Bye. [Laughs]
- Oh, yes! Goodbye, yes. Goodbye.

1519
01:50:51,510 --> 01:50:52,852
- Oh.
- [Olga laughs] Okay.

1520
01:50:59,659 --> 01:51:01,394
Oh, Olga!

1521
01:51:01,494 --> 01:51:02,495
Olga!

1522
01:51:10,570 --> 01:51:11,905
Olga?

1523
01:51:15,308 --> 01:51:17,344
[Olga singing]

1524
01:51:19,179 --> 01:51:20,513
Olga?

1525
01:51:40,500 --> 01:51:42,502
[Singing continues]

1526
01:51:49,442 --> 01:51:51,440
Hello?

1527
01:51:54,280 --> 01:51:55,715
[Switch clicks]

1528
01:51:57,684 --> 01:51:59,686
[Water dripping]

1529
01:52:03,230 --> 01:52:04,457
Olga?

1530
01:52:06,793 --> 01:52:08,194
[Door closes]

1531
01:52:23,376 --> 01:52:24,878
Olga?

1532
01:52:26,980 --> 01:52:28,448
[Footsteps approach, stop]

1533
01:52:33,987 --> 01:52:37,490
- Olga?
- [Footsteps approach, stop]

1534
01:52:42,662 --> 01:52:43,997
[Footsteps approach]

1535
01:52:46,132 --> 01:52:48,134
[Growling]

1536
01:53:04,351 --> 01:53:05,985
[Panting]

1537
01:53:11,424 --> 01:53:12,492
-[Gasps} -[Face thuds]

1538
01:53:19,532 --> 01:53:20,867
{gasps}

1539
01:53:23,360 --> 01:53:25,105
why didn't you go to the police?

1540
01:53:25,171 --> 01:53:28,410
I fought, he ran. What's to tell?

1541
01:53:31,678 --> 01:53:34,114
Oh, god. I'm gonna get you
something for the pain.

1542
01:53:34,180 --> 01:53:37,500
- No, I don't need anything.
- No, I'm gonna get you something.

1543
01:53:37,550 --> 01:53:39,285
[Exhales]

1544
01:53:41,488 --> 01:53:43,289
[In German]

1545
01:53:48,995 --> 01:53:50,630
[Exhales]

1546
01:53:53,666 --> 01:53:55,135
[Exhales]

1547
01:53:55,201 --> 01:53:57,203
[Rain pattering]

1548
01:54:00,740 --> 01:54:02,876
[Petra] Lydia!

1549
01:54:06,146 --> 01:54:07,981
- Lydia!
- [Gasps}

1550
01:54:12,552 --> 01:54:13,887
what is it?

1551
01:54:16,556 --> 01:54:18,425
Hold my foot.

1552
01:54:26,766 --> 01:54:28,368
Is that better?

1553
01:54:28,435 --> 01:54:29,602
Yes.

1554
01:54:35,442 --> 01:54:37,777
[Petra whimpers]

1555
01:54:42,782 --> 01:54:44,951
[Orchestra tuning up]

1556
01:55:06,139 --> 01:55:07,407
[Musicians stop]

1557
01:55:07,474 --> 01:55:08,942
[Lydia in German]

1558
01:55:11,244 --> 01:55:12,712
Okay. [Sighs]

1559
01:55:13,380 --> 01:55:15,582
Let's, uh, shoo the elephant
from the room.

1560
01:55:16,583 --> 01:55:18,918
[Exhales]
"What the hell happened to her face?"

1561
01:55:19,753 --> 01:55:22,288
"Did she, uh, schedule a nose and eye job

1562
01:55:22,389 --> 01:55:24,758
and bail before the surgeon
finished the other half?"

1563
01:55:24,824 --> 01:55:27,160
[Musicians chuckling]

1564
01:55:30,430 --> 01:55:33,566
No, I was, uh... I was attacked.

1565
01:55:34,567 --> 01:55:35,935
Thank you.

1566
01:55:36,503 --> 01:55:38,304
I'm fine. Really.

1567
01:55:38,405 --> 01:55:39,939
Shoulda seen the other guy.

1568
01:55:40,600 --> 01:55:41,341
- [Musicians chuckle]
- All right.

1569
01:55:41,408 --> 01:55:43,243
[Speaking German]

1570
01:55:46,846 --> 01:55:48,448
[Clears throat]

1571
01:55:48,515 --> 01:55:50,150
[Inhales, exhales]

1572
01:55:51,518 --> 01:55:54,120
- [Inhales]
- [Trumpet starts]

1573
01:56:06,533 --> 01:56:08,334
[Faint drum rumbling]

1574
01:56:11,304 --> 01:56:13,390
- [Grunts]
- [Orchestra starts, stops]

1575
01:56:14,708 --> 01:56:18,211
- [Grunts]
- [Orchestra plays, stops]

1576
01:56:19,120 --> 01:56:21,715
[Orchestra plays, stops]

1577
01:56:26,219 --> 01:56:28,788
Ah! Don't! It burns.

1578
01:56:29,622 --> 01:56:31,324
Oh, you must see the doctor.

1579
01:56:31,825 --> 01:56:33,660
He's booked till next week.

1580
01:56:33,727 --> 01:56:36,296
I'll call them again
and tell them how much pain you're in...

1581
01:56:36,363 --> 01:56:38,465
No, no, let's just finish up here.

1582
01:56:40,834 --> 01:56:43,200
Overall, the balance feels right.

1583
01:56:43,690 --> 01:56:46,673
Other than a quick brushup,
we should concentrate on the elgar.

1584
01:56:47,574 --> 01:56:49,342
You're certain of that?

1585
01:56:49,409 --> 01:56:51,411
I think so. Yes.

1586
01:56:52,780 --> 01:56:53,847
[Lydia] We 're absolutely rock-solid there,

1587
01:56:53,913 --> 01:56:58,885
but I am going to try
to hold 'em back here.

1588
01:56:58,985 --> 01:57:02,589
They're just getting caught up
in the power of your glissando,

1589
01:57:02,689 --> 01:57:04,224
and they're trying to match it.

1590
01:57:04,324 --> 01:57:07,427
Um... probably it's...

1591
01:57:07,527 --> 01:57:09,896
Where were you attacked, maestro?

1592
01:57:09,996 --> 01:57:12,732
Oh... [chuckles] Doesn't matter.

1593
01:57:13,833 --> 01:57:14,834
Here.

1594
01:57:14,868 --> 01:57:17,370
[Chuckles] Thank you.

1595
01:57:18,400 --> 01:57:19,439
There you are.

1596
01:57:20,607 --> 01:57:22,750
When did this fall happen?

1597
01:57:22,175 --> 01:57:24,678
Uh, it's all a blur.
Three, four days ago.

1598
01:57:25,779 --> 01:57:28,615
It's just my shoulder.
Yeah. It kinda burns.

1599
01:57:28,715 --> 01:57:30,850
Like I fell asleep by the pool.

1600
01:57:30,917 --> 01:57:35,880
[Exhales] Okay,
you can put your shirt back on.

1601
01:57:35,188 --> 01:57:36,523
You've damaged some nerves.

1602
01:57:36,589 --> 01:57:39,592
The burning sensation you're feeling
is called notalgia paresthetica.

1603
01:57:39,693 --> 01:57:40,927
Nostalgia?

1604
01:57:41,270 --> 01:57:42,896
Notalgia. No s.

1605
01:57:43,396 --> 01:57:44,798
Well, how do we treat it?

1606
01:57:44,898 --> 01:57:47,367
You don't. Eventually it goes away.

1607
01:57:47,434 --> 01:57:50,700
An adjustment might help.
You're somewhat crooked.

1608
01:57:51,738 --> 01:57:53,730
[Scoffs]

1609
01:57:56,109 --> 01:57:58,111
[Piano playing]

1610
01:58:09,489 --> 01:58:11,224
[Piano stops]

1611
01:58:26,439 --> 01:58:28,808
- [Phone chimes]
- [Sighs]

1612
01:58:39,319 --> 01:58:43,857
Oh, well. Then you must be
a negro product exploited by the Jews.

1613
01:58:46,260 --> 01:58:48,928
Now let's turn our gaze
back to the piano bench up there,

1614
01:58:48,995 --> 01:58:51,331
to a superhot young woman!

1615
01:58:52,465 --> 01:58:54,267
That's... that was very good.

1616
01:58:54,334 --> 01:59:00,400
Now, you could masturbate,
but what are you actually doing to me .7

1617
01:59:01,700 --> 01:59:02,776
[phone ringing]

1618
01:59:05,812 --> 01:59:08,281
- Britta.
- H/; Hi. Have you seen it?

1619
01:59:08,348 --> 01:59:10,216
Yes, yes. I've just seen it.

1620
01:59:10,316 --> 01:59:12,180
It's gathering this afternoon.

1621
01:59:13,520 --> 01:59:15,388
- This afternoon?
- Ls that a problem?

1622
01:59:15,488 --> 01:59:17,357
No, no, it's no problem.

1623
01:59:20,560 --> 01:59:22,162
[Sighs]

1624
01:59:51,391 --> 01:59:56,730
First of all, that class was conducted
in a tech-free zone.

1625
01:59:56,830 --> 02:00:02,402
And second, whoever violated that rule
edited what we've all seen

1626
02:00:02,502 --> 02:00:05,572
to create linguistic traps
to completely redefine my words.

1627
02:00:05,672 --> 02:00:07,741
Look at the reverse shots
on the students.

1628
02:00:07,841 --> 02:00:11,770
There's no way that was done in real time.
It's a hatchetjob.

1629
02:00:11,177 --> 02:00:13,279
I'm sure that's true, Lydia.

1630
02:00:13,380 --> 02:00:16,916
And were it just this video,
we would not be sitting here.

1631
02:00:17,170 --> 02:00:19,753
Unfortunately, it's linked to
an article in the New York post

1632
02:00:19,853 --> 02:00:21,354
regarding krista Taylor's suicide,

1633
02:00:21,421 --> 02:00:26,590
which alludes to other accordion fellows
they claim to have interviewed.

1634
02:00:26,126 --> 02:00:28,461
Laura, can you tell us
about your conversations?

1635
02:00:28,561 --> 02:00:29,629
We haven't had any.

1636
02:00:29,729 --> 02:00:30,964
Obviously, we gave no response

1637
02:00:31,640 --> 02:00:33,199
as we first wanted to meet
to discuss strategy.

1638
02:00:33,266 --> 02:00:34,100
Mm-hmm.

1639
02:00:34,200 --> 02:00:35,935
- Here's the article.
- Thank you, Laura.

1640
02:00:40,874 --> 02:00:44,144
"Enticed and groomed multiple young women

1641
02:00:44,244 --> 02:00:47,800
to engage in *** acts
for professional favors.

1642
02:00:47,147 --> 02:00:49,716
Blocked opportunities
to those who didn't comply."

1643
02:00:49,783 --> 02:00:52,520
This is total fiction.

1644
02:00:52,118 --> 02:00:54,721
And the post
is a how-de-do scandal rag.

1645
02:00:54,788 --> 02:00:57,257
No serious person reads it.
[Chuckles]

1646
02:01:00,293 --> 02:01:03,630
And so far as krista Taylor goes,

1647
02:01:04,330 --> 02:01:05,565
she was disturbed.

1648
02:01:05,632 --> 02:01:07,467
I mean, she fixated on me.

1649
02:01:07,567 --> 02:01:09,402
In what way?

1650
02:01:09,469 --> 02:01:12,772
She sent me weird gifts.
She trolled me online.

1651
02:01:12,839 --> 02:01:15,675
- She tried to send me signals.
- Well, what kind of signals?

1652
02:01:15,775 --> 02:01:18,912
She vandalized my Wikipedia page
to say she was my muse.

1653
02:01:18,978 --> 02:01:21,281
I mean, that's easily checked, right?

1654
02:01:21,348 --> 02:01:24,684
And did you ever report this
or file a complaint?

1655
02:01:28,210 --> 02:01:30,824
No. And, look,
I probably should have.

1656
02:01:30,924 --> 02:01:33,193
I... I felt sorry for her.

1657
02:01:33,293 --> 02:01:36,796
- Is this something you shared with Sharon?
- No. I didn't wanna burden her with it.

1658
02:01:36,863 --> 02:01:38,998
- Don't you think you should have?
- Yes! Yes.

1659
02:01:39,990 --> 02:01:40,767
Well, what do you advise?

1660
02:01:40,834 --> 02:01:43,203
Well, for now, it hasn't gotten
all that much traction.

1661
02:01:43,303 --> 02:01:46,139
None of the trades have linked to it
or called for comment.

1662
02:01:46,206 --> 02:01:48,308
- So I say, let's see what happens.
- [Lydia] Mm-hmm.

1663
02:01:49,442 --> 02:01:52,178
We wanted to give you
as much warning as possible, Lydia,

1664
02:01:53,146 --> 02:01:55,148
before this Friday's donor meeting.

1665
02:01:55,215 --> 02:01:57,117
Well, unfortunately,
I won't be there.

1666
02:01:57,183 --> 02:01:59,652
Well, I very much advise that you are.

1667
02:01:59,719 --> 02:02:03,823
I have the book launch in New York
and, apparently, a deposition.

1668
02:02:05,291 --> 02:02:08,128
Well, we'll fill you in
upon your return then.

1669
02:02:10,864 --> 02:02:12,632
[Lydia] Enjoy your weekend.

1670
02:02:14,701 --> 02:02:16,369
Starving!

1671
02:02:17,300 --> 02:02:18,872
Finished my thing today.

1672
02:02:18,972 --> 02:02:21,474
Congratulations!
We should go out and celebrate!

1673
02:02:21,541 --> 02:02:23,176
I can't. I gotta pack.

1674
02:02:23,677 --> 02:02:25,211
- Hi!
- [Petra] Hi, Lydia.

1675
02:02:30,884 --> 02:02:32,252
Sharon?

1676
02:02:32,886 --> 02:02:34,187
[Sharon] Yeah?

1677
02:02:35,550 --> 02:02:36,923
You seen my performance score?

1678
02:02:37,230 --> 02:02:39,392
[Sharon] No. Why?
Isn't it with the other ones?

1679
02:02:39,492 --> 02:02:40,894
No. No, it's not.

1680
02:02:41,528 --> 02:02:43,697
Are you sure it's not in my office?

1681
02:02:46,599 --> 02:02:49,350
Yeah, what about the orchestra library?

1682
02:02:50,770 --> 02:02:52,939
Yeah, can you check again, please?

1683
02:02:56,176 --> 02:02:58,780
I don't know! Yes, exactly.

1684
02:03:15,628 --> 02:03:17,300
[Whispers] Lydia.

1685
02:03:17,964 --> 02:03:19,432
[Exhales]

1686
02:03:20,467 --> 02:03:21,801
Yes.

1687
02:03:21,901 --> 02:03:23,737
When will you be back?

1688
02:03:24,738 --> 02:03:26,139
The day after tomorrow.

1689
02:03:27,107 --> 02:03:28,875
Will you promise?

1690
02:03:28,942 --> 02:03:30,577
Yes, I promise.

1691
02:03:41,554 --> 02:03:43,323
- Good night.
- Good night.

1692
02:03:58,338 --> 02:04:00,473
Thanks. Do you have any bottles?

1693
02:04:00,573 --> 02:04:01,608
Of course.

1694
02:04:03,109 --> 02:04:05,412
Do you need anything else
before I close the cabin door?

1695
02:04:05,478 --> 02:04:07,914
Uh, yes.
We're waiting on one more.

1696
02:04:15,210 --> 02:04:18,124
[Lawyer] To all my questions
pertaining to your communications

1697
02:04:18,191 --> 02:04:20,794
with krista Taylor and others,

1698
02:04:21,528 --> 02:04:25,165
your answers have always been,
"I don't know"

1699
02:04:25,265 --> 02:04:27,834
or "I don't remember."

1700
02:04:29,936 --> 02:04:30,770
[Chuckles]

1701
02:04:30,837 --> 02:04:33,940
Is there anything I could show you
that might help refresh your recollection?

1702
02:04:35,108 --> 02:04:40,347
Any documents, such as emails from you
or your personal assistant, miss lentini,

1703
02:04:40,447 --> 02:04:43,883
that might help you recall
what you did and didn't say?

1704
02:04:48,221 --> 02:04:50,156
[Receptionist in distance]
Eliot kaplan's office.

1705
02:04:50,957 --> 02:04:52,325
He'll have to return...

1706
02:04:52,392 --> 02:04:54,194
I guess you heard by now.

1707
02:04:54,294 --> 02:04:56,830
Bryant park bumped you to 53rd street.

1708
02:05:00,400 --> 02:05:02,969
This is the kaplan fund's
prepared statement.

1709
02:05:05,739 --> 02:05:08,508
I'm sorry to say this is likely
the last time we'll see each other.

1710
02:05:08,575 --> 02:05:10,810
Well, now I can buy my own plane tickets.

1711
02:05:10,877 --> 02:05:15,248
And you can bother someone else to try
and teach you to crawl to the podium.

1712
02:05:16,490 --> 02:05:18,510
[Car horns honking]

1713
02:05:22,655 --> 02:05:24,657
[Protestors chanting]

1714
02:05:30,630 --> 02:05:32,832
[Horn blowing]

1715
02:05:33,500 --> 02:05:35,680
Is there a back entrance?

1716
02:05:36,102 --> 02:05:40,173
"Indeed, the common metaphors
used to explain music

1717
02:05:40,240 --> 02:05:44,611
are based on the idea
that music is a language,

1718
02:05:44,711 --> 02:05:46,579
albeit a secret one.

1719
02:05:47,947 --> 02:05:51,951
And in this way, holy and unknowable.

1720
02:05:54,870 --> 02:05:56,356
These joyful noises we make

1721
02:05:56,423 --> 02:06:01,528
being the closest thing any of us
might ever experience to the divine,

1722
02:06:03,630 --> 02:06:07,400
yet something born
by the mere act of moving air.

1723
02:06:10,103 --> 02:06:12,405
No different than birdsong."

1724
02:06:15,642 --> 02:06:17,310
[Elevator bell dings]

1725
02:06:21,581 --> 02:06:24,500
So, meet downstairs
in half an hour for dinner?

1726
02:06:24,117 --> 02:06:26,753
Thank you, but I am jet-lagged.
I go to sleep now.

1727
02:06:26,820 --> 02:06:28,221
Yeah, me too. I'll...

1728
02:06:28,988 --> 02:06:30,657
Probably do the same.

1729
02:06:51,770 --> 02:06:53,346
[Crowd shouting]

1730
02:06:56,683 --> 02:06:58,518
[Phone ringing]

1731
02:07:04,900 --> 02:07:06,920
[Phone ringing]

1732
02:07:13,633 --> 02:07:15,350
[Ringing stops]

1733
02:07:15,135 --> 02:07:16,136
[Pills rattle]

1734
02:07:21,341 --> 02:07:23,777
[Fridge door opens, closes]

1735
02:07:25,812 --> 02:07:27,380
[Phone rings]

1736
02:07:29,616 --> 02:07:31,184
Yes, hello.

1737
02:07:31,284 --> 02:07:33,319
Yes, there's no water in my room.

1738
02:07:34,540 --> 02:07:35,655
Yes, I've checked the minibar.

1739
02:07:36,322 --> 02:07:38,892
How long would it take
to get a bottle of water?

1740
02:07:38,992 --> 02:07:40,694
Oh, don't worry. I'll just come down.

1741
02:07:42,729 --> 02:07:44,364
[Elevator bell dings]

1742
02:07:44,464 --> 02:07:45,999
Lobby, please.

1743
02:07:47,567 --> 02:07:48,568
[Door closes]

1744
02:08:12,859 --> 02:08:15,161
[Gasps] Oh, Jesus!

1745
02:08:15,695 --> 02:08:17,864
[Pants, chuckles]

1746
02:08:27,941 --> 02:08:29,943
[Exhales] It was Britta.

1747
02:08:31,378 --> 02:08:32,712
Right?

1748
02:08:33,413 --> 02:08:37,917
I mean, that is how you heard about
these millennial robots trading in lies.

1749
02:08:37,984 --> 02:08:40,720
I couldn't care less
about the Juilliard thing.

1750
02:08:40,787 --> 02:08:42,722
Too much time on her hands.

1751
02:08:42,789 --> 02:08:45,725
She's fringe. The worst kind.

1752
02:08:46,626 --> 02:08:50,697
Every time I walk out of this house,
she's in your ear with intrigue.

1753
02:08:50,764 --> 02:08:54,534
Or she's asking me about
some other piece of fringe,

1754
02:08:54,601 --> 02:08:55,969
like Samantha hankey.

1755
02:08:56,690 --> 02:08:58,972
God, a nobody
who has nothing better to do

1756
02:08:59,720 --> 02:09:02,609
than drop my name at lunch
and imply things.

1757
02:09:03,376 --> 02:09:05,110
I feel sorry for you.

1758
02:09:05,111 --> 02:09:06,312
Oh, save it.

1759
02:09:08,810 --> 02:09:09,983
I tried calling you last night.

1760
02:09:12,419 --> 02:09:14,200
Did you have fun with her?

1761
02:09:15,121 --> 02:09:18,124
My back is killing me.

1762
02:09:18,224 --> 02:09:22,280
Francesca left, and I simply needed
someone to carry my bags.

1763
02:09:22,128 --> 02:09:26,232
I mean, who was I supposed to ask
to go with me? Mmm, knut?

1764
02:09:27,300 --> 02:09:28,468
[Whispers] Jesus ****ing...

1765
02:09:28,568 --> 02:09:30,970
There are many things
I accept about you.

1766
02:09:31,370 --> 02:09:32,380
[Exhales]

1767
02:09:32,138 --> 02:09:35,675
And in the end, I'm sure
I could get over something like this.

1768
02:09:36,576 --> 02:09:39,346
But that's not
what we're talking about, is it?

1769
02:09:41,815 --> 02:09:46,419
These accusations from the parents
of the girl who suicided?

1770
02:09:51,591 --> 02:09:53,993
You honestly believe
what they're saying?

1771
02:09:58,365 --> 02:09:59,366
They're lies.

1772
02:10:02,100 --> 02:10:05,705
Do you understand what it was like
to walk into my sectional yesterday

1773
02:10:05,805 --> 02:10:08,708
and to see everybody
whispering about me?

1774
02:10:08,808 --> 02:10:13,146
It's got nothing to do with
what they're accusing you of.

1775
02:10:13,213 --> 02:10:18,651
It's a simple matter of not warning me
that our family is in danger.

1776
02:10:19,619 --> 02:10:21,821
And what good would that have done?

1777
02:10:21,888 --> 02:10:24,724
I mean, what could you possibly do
to make things better?

1778
02:10:24,824 --> 02:10:26,292
[Exhales]

1779
02:10:27,193 --> 02:10:29,195
Because I deserve that.

1780
02:10:29,796 --> 02:10:31,564
Those are the rules.

1781
02:10:32,732 --> 02:10:37,504
You are to ask for my ****ing counsel
the way you always have.

1782
02:10:37,570 --> 02:10:39,472
The way you did
when you first arrived here

1783
02:10:39,539 --> 02:10:42,175
as a guest conductor looking
for a permanent position.

1784
02:10:42,242 --> 02:10:44,711
You asked me what were the politics,

1785
02:10:44,811 --> 02:10:47,514
what were the moves,
how could we swing it.

1786
02:10:47,580 --> 02:10:49,820
[Sighs]

1787
02:10:50,283 --> 02:10:52,180
Of course,

1788
02:10:52,850 --> 02:10:54,754
these conversations
took place in another bed.

1789
02:10:55,755 --> 02:11:00,727
Or rather, the couch of that
horrible place you still can't let go of.

1790
02:11:00,827 --> 02:11:03,630
Old sorrow blows in.

1791
02:11:05,432 --> 02:11:09,269
How cruel of you to define
our relationship as transactional.

1792
02:11:10,670 --> 02:11:12,380
[Exhales]

1793
02:11:12,939 --> 02:11:16,900
There's only one relationship
you've ever had that wasn't.

1794
02:11:17,770 --> 02:11:19,379
And she is sleeping
in the room next door.

1795
02:11:20,113 --> 02:11:22,882
Apparently, this hasn't even
crossed your mind.

1796
02:11:44,471 --> 02:11:46,339
[Car beeps]

1797
02:11:50,710 --> 02:11:52,712
[People chattering]

1798
02:12:00,320 --> 02:12:02,155
[Chattering stops]

1799
02:12:06,893 --> 02:12:09,162
[Musicians chattering, laughing]

1800
02:12:24,778 --> 02:12:26,780
[Pants]

1801
02:12:28,581 --> 02:12:30,450
[Shushing]

1802
02:12:34,320 --> 02:12:35,355
[Shushes, blows]

1803
02:12:37,570 --> 02:12:38,491
[exhales]

1804
02:12:39,759 --> 02:12:41,261
[Grunting]

1805
02:12:57,143 --> 02:12:59,790
[Train approaching]

1806
02:13:17,564 --> 02:13:19,320
[Children chattering]

1807
02:13:19,132 --> 02:13:20,200
Petra!

1808
02:13:23,570 --> 02:13:25,138
Come here, darling!

1809
02:13:27,707 --> 02:13:29,109
- [Petra] It was good.
- Was it?

1810
02:13:29,175 --> 02:13:30,877
- [Petra] Yeah.
- You wanna go to the park?

1811
02:13:32,312 --> 02:13:34,447
[Lydia] Don't do this.
Please, don't do this.

1812
02:13:34,514 --> 02:13:35,648
Please don't.

1813
02:13:41,488 --> 02:13:43,323
[Breathing heavily]

1814
02:13:58,171 --> 02:13:59,172
[Knock on door]

1815
02:14:02,208 --> 02:14:05,780
Hello. I am Anna franzen.

1816
02:14:05,178 --> 02:14:07,547
This is my late mother's apartment.

1817
02:14:09,416 --> 02:14:12,318
Oh, yeah, I'm so sorry about your mother.

1818
02:14:12,385 --> 02:14:13,553
Thank you.

1819
02:14:14,721 --> 02:14:16,856
How's your sister doing?

1820
02:14:16,923 --> 02:14:19,726
Eleanor lives now
in a facility in neukolln.

1821
02:14:20,260 --> 02:14:21,961
I'm sorry to trouble you,

1822
02:14:22,620 --> 02:14:25,365
but my husband and I are selling the place

1823
02:14:25,432 --> 02:14:28,702
and couldn't help hearing the music.

1824
02:14:30,804 --> 02:14:32,605
I'm glad you enjoyed it.

1825
02:14:32,706 --> 02:14:35,909
[Husband] We were wondering
if there are specific hours you rehearse,

1826
02:14:35,975 --> 02:14:38,545
so we can schedule showings around them.

1827
02:14:39,813 --> 02:14:42,115
We don't want to scare
potential buyers off

1828
02:14:42,649 --> 02:14:44,351
with all the noise.

1829
02:14:45,919 --> 02:14:47,620
[Laughing] No, no, no.

1830
02:14:50,957 --> 02:14:53,226
No, we wouldn't want that.

1831
02:14:54,627 --> 02:14:57,530
- [Instrument thuds]
- [Bag unzips]

1832
02:14:57,597 --> 02:14:59,599
[Accordion playing atonally]

1833
02:15:06,473 --> 02:15:09,542
J” apartment for sale j”

1834
02:15:09,609 --> 02:15:12,612
[laughs] J” apartment for sale j”

1835
02:15:12,679 --> 02:15:15,382
j” your mother's buried deep j”

1836
02:15:15,448 --> 02:15:20,987
j” and now you're gonna keep
her apartment for sale j”

1837
02:15:21,870 --> 02:15:23,123
j” your sister's in jail j”

1838
02:15:23,223 --> 02:15:26,393
j” you put your sister in jail j”

1839
02:15:26,459 --> 02:15:28,661
j” you're all going to hell j”

1840
02:15:28,762 --> 02:15:31,598
j” your apartment's for sale j”

1841
02:15:31,831 --> 02:15:33,566
[chafienng]

1842
02:15:56,656 --> 02:15:58,725
[Musicians chattering, practicing]

1843
02:16:05,832 --> 02:16:07,434
[Practicing, tuning up]

1844
02:16:19,913 --> 02:16:21,815
[Audience applauding]

1845
02:16:30,724 --> 02:16:32,726
[Applauding continues faintly]

1846
02:16:38,398 --> 02:16:40,333
[Exhales, inhales, exhales]

1847
02:16:43,403 --> 02:16:45,405
[Playing fanfare]

1848
02:17:06,926 --> 02:17:09,929
[Orchestra playing]

1849
02:17:20,306 --> 02:17:22,609
[Grunts, screams]

1850
02:17:22,709 --> 02:17:23,977
[All gasp]

1851
02:17:26,980 --> 02:17:29,149
Okay. [Speaks German]

1852
02:17:29,249 --> 02:17:30,617
Gimme some eyes.

1853
02:17:30,717 --> 02:17:32,819
[All murmuring]

1854
02:17:35,755 --> 02:17:37,157
Come on. Gimme some eyes!
[Clapping]

1855
02:17:37,257 --> 02:17:39,125
[Breathing heavily]

1856
02:17:39,225 --> 02:17:41,428
[Murmuring continues]

1857
02:17:42,295 --> 02:17:43,630
[Eliot] Lydia.

1858
02:17:44,164 --> 02:17:46,332
This is my score.

1859
02:17:47,100 --> 02:17:48,401
Lydia, you're confused.

1860
02:17:48,468 --> 02:17:51,304
- [Grunts] It's my score!
- [All gasping]

1861
02:17:51,404 --> 02:17:54,574
- You ****ing little nothing!
- [Blows landing]

1862
02:17:57,610 --> 02:17:58,945
[Grunts]

1863
02:18:03,116 --> 02:18:04,117
[Lydia] I'm fine.

1864
02:18:04,184 --> 02:18:07,187
[Murmuring, chattering continue]

1865
02:18:33,780 --> 02:18:35,482
[Driver] You sign cami voucher.

1866
02:18:36,683 --> 02:18:38,685
[Speaking tamil]

1867
02:18:40,286 --> 02:18:41,488
[Horn honks]

1868
02:18:47,761 --> 02:18:49,763
[Pile driver rattling, thumping]

1869
02:18:57,137 --> 02:18:59,773
- [Phone rings]
- [Receptionist] Good afternoon. Cami.

1870
02:19:00,907 --> 02:19:02,409
Hold on.

1871
02:19:03,710 --> 02:19:06,212
[Consultant] Normally, I'd think Lisa rich
in our booking department

1872
02:19:06,212 --> 02:19:07,781
would be a great fit for you,

1873
02:19:07,847 --> 02:19:10,183
but she's just got too much on her plate.

1874
02:19:10,250 --> 02:19:13,687
So, I'd like to team you with Jake here.

1875
02:19:13,787 --> 02:19:17,557
Jake, do you wanna show Lydia
what you've prepared for her?

1876
02:19:17,657 --> 02:19:18,725
Well,

1877
02:19:20,930 --> 02:19:22,328
right now, it's a reset.

1878
02:19:22,395 --> 02:19:24,197
What we're after is less, not more.

1879
02:19:24,264 --> 02:19:27,534
We wanna be selective
and rebuild this from the ground up.

1880
02:19:27,600 --> 02:19:29,335
That means we need a new story.

1881
02:19:34,740 --> 02:19:35,742
Just here.

1882
02:19:35,842 --> 02:19:37,110
Here, thank you.

1883
02:19:37,911 --> 02:19:40,447
Uh, make it 40. Thank you.

1884
02:19:41,114 --> 02:19:42,449
[Lock clicks]

1885
02:19:49,550 --> 02:19:50,423
- [Switch clicks]
- [Sighs]

1886
02:20:00,400 --> 02:20:02,102
[Piano playing]

1887
02:20:05,538 --> 02:20:06,973
[Playing off-key]

1888
02:20:10,143 --> 02:20:11,745
[Piano stops]

1889
02:20:17,384 --> 02:20:18,651
[Switch clicks]

1890
02:20:22,422 --> 02:20:25,910
[Inhales, exhales]

1891
02:20:48,815 --> 02:20:50,417
[Exhales]

1892
02:20:56,322 --> 02:20:58,324
[Orchestra playing]

1893
02:21:14,908 --> 02:21:16,643
Didn 'i' you feel triumphant?

1894
02:21:16,710 --> 02:21:18,712
[Audience applauding]

1895
02:21:20,447 --> 02:21:24,284
Now we can really understand
what the meaning of music is.

1896
02:21:24,351 --> 02:21:28,288
It's the way it makes you feel
when you hear it.

1897
02:21:28,922 --> 02:21:31,570
Finally, we've taken that last giant step.

1898
02:21:31,157 --> 02:21:34,160
And we 're there.
We know what music means now.

1899
02:21:34,227 --> 02:21:38,164
And we don't have to know a lot of stuff
about ”sharps " and "flats " and "chords ”

1900
02:21:38,231 --> 02:21:41,735
and all that business
in order to understand music,

1901
02:21:41,835 --> 02:21:43,803
ifit tells us something.

1902
02:21:44,471 --> 02:21:47,874
And the most wonderful thing of all
is that there is no limit

1903
02:21:47,974 --> 02:21:52,120
to the dirferent kinds of feelings
music can make you have.

1904
02:21:52,780 --> 02:21:55,915
And some of those feelings
are so special and so deep

1905
02:21:56,160 --> 02:21:58,585
that they can't even
be described in words.

1906
02:21:58,685 --> 02:22:00,854
You see, we can't always name
the things we feel

1907
02:22:00,920 --> 02:22:01,921
sometimes we can.

1908
02:22:02,220 --> 02:22:05,859
We can say we feel joy, pleasure,
peacefulness, whatever.

1909
02:22:05,925 --> 02:22:07,494
Love, hate.

1910
02:22:07,560 --> 02:22:09,863
But every once in a while,

1911
02:22:09,929 --> 02:22:14,367
we have feelings that are so deep and
so special that we have no words for them.

1912
02:22:14,434 --> 02:22:17,404
And that's where music is so marvelous.

1913
02:22:17,504 --> 02:22:19,839
Because music names them for us,

1914
02:22:19,906 --> 02:22:22,609
only in notes instead of in words.

1915
02:22:22,709 --> 02:22:24,377
It's all in the way music moves.

1916
02:22:24,444 --> 02:22:27,130
You must ne ver forget
that music is mo vement,

1917
02:22:27,800 --> 02:22:28,448
always going some where,

1918
02:22:28,548 --> 02:22:33,586
shifting and changing and flo wrng
from one note to another.

1919
02:22:33,687 --> 02:22:38,358
And that movement can tell us more about
the way we feel than a million words can.

1920
02:22:38,425 --> 02:22:40,794
- And here we 're going to play you a...
- [Tape clicks]

1921
02:22:40,894 --> 02:22:42,562
[Whimpers]

1922
02:22:45,980 --> 02:22:46,533
[Door closes]

1923
02:22:47,300 --> 02:22:48,868
Oh. [Sniffles]

1924
02:22:54,641 --> 02:22:55,642
Tony.

1925
02:22:57,544 --> 02:23:00,280
Oh. Hi, Linda.

1926
02:23:00,380 --> 02:23:02,615
Sorry. Lydia.

1927
02:23:03,983 --> 02:23:05,652
Ma said you'd be over.

1928
02:23:06,386 --> 02:23:07,921
You must be hidin' out.

1929
02:23:09,589 --> 02:23:11,391
Why would I be hiding out?

1930
02:23:12,580 --> 02:23:13,626
Beats the hell out of me.

1931
02:23:14,327 --> 02:23:16,329
None of my business, anyhow.

1932
02:23:17,797 --> 02:23:19,999
Lotta loose ends,
you gotta admit.

1933
02:23:21,835 --> 02:23:23,303
What do you mean?

1934
02:23:23,403 --> 02:23:25,505
Well, like I said,
it ain't my business.

1935
02:23:27,240 --> 02:23:30,610
But you don't seem to know where the hell
you came from or where you're going.

1936
02:23:35,915 --> 02:23:37,917
[Announcer speaking Thai on pa]

1937
02:23:43,690 --> 02:23:45,525
[Water runs, stops]

1938
02:24:13,987 --> 02:24:15,822
[Rooster crows]

1939
02:24:16,890 --> 02:24:18,124
[Car horn honks in distance]

1940
02:24:22,996 --> 02:24:24,531
May I come inside?

1941
02:24:26,299 --> 02:24:27,300
Thank you.

1942
02:24:28,368 --> 02:24:29,369
Thank you.

1943
02:24:30,360 --> 02:24:32,380
[All speaking tagalog]

1944
02:24:40,213 --> 02:24:41,548
I'm so sorry.

1945
02:24:41,648 --> 02:24:42,882
We just wanted to confirm

1946
02:24:42,982 --> 02:24:46,820
that the composer was, in fact, not flying
in from Osaka to attend the concert.

1947
02:24:47,554 --> 02:24:52,192
I must tell you that I looked
in the music libraries, uh, for her score,

1948
02:24:52,258 --> 02:24:54,594
but I... I couldn't find anything.

1949
02:24:54,694 --> 02:24:56,196
This just arrived.

1950
02:24:56,262 --> 02:24:58,331
Oh! That's great. Thank you.

1951
02:25:00,667 --> 02:25:02,669
Shirley and cirio will be most happy

1952
02:25:02,736 --> 02:25:04,871
to show you the sights
of our beautiful country.

1953
02:25:04,938 --> 02:25:06,840
Thank you! Thank you so much.

1954
02:25:06,906 --> 02:25:08,375
Oh, goodness.

1955
02:25:09,420 --> 02:25:10,443
Thank you.

1956
02:25:16,750 --> 02:25:18,752
[Resident howls]

1957
02:25:34,701 --> 02:25:36,302
[Insects chirping]

1958
02:25:40,707 --> 02:25:41,908
[Motor rattling]

1959
02:25:41,975 --> 02:25:45,278
Maybe we could stop somewhere
and take a swim.

1960
02:25:46,460 --> 02:25:49,916
Yeah, at the waterfall.
But not in the river.

1961
02:25:49,983 --> 02:25:52,419
Why? Is there something
wrong with the water?

1962
02:25:52,485 --> 02:25:54,788
No. There are crocodiles.

1963
02:25:57,390 --> 02:25:59,726
I didn't think they'd be this far inland.

1964
02:25:59,793 --> 02:26:02,562
They escaped
from a Marlon Brando movie.

1965
02:26:02,629 --> 02:26:03,897
Wow.

1966
02:26:04,497 --> 02:26:06,466
That was a long time ago.

1967
02:26:07,300 --> 02:26:08,835
They survive.

1968
02:26:15,241 --> 02:26:17,243
[Shirley, cirio laughing]

1969
02:26:35,261 --> 02:26:37,263
[People chattering]

1970
02:26:43,636 --> 02:26:44,671
Ladyllady!

1971
02:26:47,974 --> 02:26:50,210
Here is prescription. Ten dollars.

1972
02:26:50,310 --> 02:26:51,511
Thank you.

1973
02:26:52,545 --> 02:26:56,616
Uh, is there somewhere
around here... thank you.

1974
02:26:56,683 --> 02:26:58,651
Where I could get a massage?

1975
02:26:58,718 --> 02:27:01,988
Was hoping it might help me
with this jet lag.

1976
02:27:05,458 --> 02:27:09,229
Yes. There is the very nice place I know.

1977
02:27:09,329 --> 02:27:10,497
Thank you.

1978
02:27:11,398 --> 02:27:13,400
[Tranquil music playing]

1979
02:27:24,344 --> 02:27:25,545
Thank you.

1980
02:27:25,645 --> 02:27:27,380
Please step over to the fishbowl.

1981
02:27:27,480 --> 02:27:29,215
The... the fishbowl?

1982
02:27:29,315 --> 02:27:30,750
Yes, over there.

1983
02:27:36,589 --> 02:27:39,926
Um, I'm sorry. I'm confused.
How does this... how does it work?

1984
02:27:41,270 --> 02:27:42,896
You just pick a number here.

1985
02:27:45,310 --> 02:27:46,599
I pick a number?

1986
02:27:46,700 --> 02:27:47,901
Yes.

1987
02:27:48,100 --> 02:27:49,569
[Chuckles]

1988
02:27:59,846 --> 02:28:01,810
Number five?

1989
02:28:06,786 --> 02:28:08,688
[Exhales]

1990
02:28:27,574 --> 02:28:28,575
[Cloth snaps]

1991
02:28:30,210 --> 02:28:32,212
[Pop music plays on TV]

1992
02:28:36,549 --> 02:28:38,284
[Vacuum whirring]

1993
02:28:39,850 --> 02:28:41,870
[Speaking tagalog]

1994
02:28:44,991 --> 02:28:46,559
Good morning.

1995
02:28:46,626 --> 02:28:47,761
[All] Good morning.

1996
02:28:47,827 --> 02:28:49,295
Now, before we begin,

1997
02:28:49,396 --> 02:28:54,100
let's talk a bit about
the composer's intent with this piece

1998
02:28:55,635 --> 02:28:57,604
and what she might be after.

1999
02:28:57,670 --> 02:28:59,672
[People chattering]

2000
02:28:59,773 --> 02:29:01,775
[Pop music playing]

2001
02:29:16,623 --> 02:29:17,791
- [Sighs]
- Five minutes.

2002
02:29:20,930 --> 02:29:22,950
[Musicians tuning up in distance]

2003
02:29:26,800 --> 02:29:28,802
[Breathing heavily]

2004
02:29:30,804 --> 02:29:32,439
{gasps}

2005
02:29:32,505 --> 02:29:33,873
[exhales]

2006
02:29:33,973 --> 02:29:35,975
[Audience applauding]

2007
02:29:45,180 --> 02:29:47,200
[Applause swells]

2008
02:29:50,123 --> 02:29:51,991
- Thank you.
- [Applause fades]

2009
02:29:59,699 --> 02:30:01,668
[Screens whirring]

2010
02:30:11,211 --> 02:30:13,213
[Fabric rustling]

2011
02:30:14,314 --> 02:30:16,490
[Orchestra playing somber music]

2012
02:30:16,149 --> 02:30:18,718
[Narrator over speakers]
Sisters and brothers of the fifth fleet,

2013
02:30:18,818 --> 02:30:19,986
it's time.

2014
02:30:20,530 --> 02:30:22,555
I'll keep my fare well brief

2015
02:30:22,655 --> 02:30:24,190
never was much with words.

2016
02:30:25,258 --> 02:30:28,661
Once you board this ship,
there's no turning back.

2017
02:30:29,496 --> 02:30:31,364
The next ground your feet touch

2018
02:30:31,431 --> 02:30:33,767
will be that of the new world.

2019
02:30:36,236 --> 02:30:38,171
If an y of you ha ve lost your nerve,

2020
02:30:38,238 --> 02:30:41,841
then step away now
and let no one judge you.

2021
02:30:41,908 --> 02:30:44,177
[Orchestra crescendos, fades]