1 00:00:24,190 --> 00:00:26,192 (SOFT PIANO MUSIC PLAYING) 2 00:00:36,202 --> 00:00:37,637 JOAN: There's nothing like seeing 3 00:00:37,637 --> 00:00:39,406 a child on stage for the first time. 4 00:00:39,606 --> 00:00:44,440 They get up there, the lights hit, and suddenly, the whole world opens up. 5 00:00:44,310 --> 00:00:45,512 Theater for children, 6 00:00:45,512 --> 00:00:47,614 it's unbelievable what they learn. 7 00:00:47,614 --> 00:00:52,118 They learn to improvise, dance, sing, work with each other, 8 00:00:52,519 --> 00:00:55,321 and some of them really need it, they really do. 9 00:00:55,655 --> 00:00:57,290 That's why I built this camp. 10 00:00:57,290 --> 00:00:58,892 I wanted to make a place 11 00:00:58,892 --> 00:01:00,994 where anyone is free to be themselves. 12 00:01:01,761 --> 00:01:03,930 But keeping the camp open is a year-round job. 13 00:01:04,230 --> 00:01:07,367 That's why we spend the whole spring on the road, 14 00:01:07,534 --> 00:01:10,136 raising money, recruiting young talent. 15 00:01:10,737 --> 00:01:13,139 And, you know, we're theater people, so. (CHUCKLES) 16 00:01:13,306 --> 00:01:14,874 We know how to work a crowd. 17 00:01:20,180 --> 00:01:21,848 Being at camp for a whole summer, 18 00:01:21,848 --> 00:01:22,916 - what it can do for a child. - (UPBEAT MUSIC PLAYING) 19 00:01:22,916 --> 00:01:24,170 We don't have that much room left. 20 00:01:24,170 --> 00:01:25,185 We have not much room. 21 00:01:25,185 --> 00:01:26,753 No, we have a little bit of wiggle room at the camp. 22 00:01:26,920 --> 00:01:28,688 Maybe four more kids? 23 00:01:28,855 --> 00:01:30,824 - We're almost full... - JOAN: We are. 24 00:01:30,990 --> 00:01:33,260 ...so I think you should register early for your girl. 25 00:01:33,260 --> 00:01:34,127 JOAN: For sure. 26 00:01:34,294 --> 00:01:36,229 And Ronald, I'm so sorry to hear about your divorce. 27 00:01:36,229 --> 00:01:37,330 RITA: I know. 28 00:01:37,330 --> 00:01:38,465 I mean, she was just too young. 29 00:01:38,631 --> 00:01:40,433 But if your son needs a place to go, 30 00:01:40,633 --> 00:01:43,370 AdirondACTS is the perfect place for him to come. 31 00:01:43,536 --> 00:01:47,273 We found a lot of star campers at this school. 32 00:01:49,843 --> 00:01:51,411 I know Willow was freaked out by the bedbugs, 33 00:01:51,411 --> 00:01:52,479 tell her they're gone. 34 00:01:55,982 --> 00:01:57,484 Why are you smiling? 35 00:01:57,650 --> 00:01:59,753 (GROANS) He drives me crazy. He's practically drunk. 36 00:01:59,919 --> 00:02:00,920 RITA: I know. 37 00:02:00,920 --> 00:02:02,822 JOAN: But I think we got him to sign up his kid. 38 00:02:04,391 --> 00:02:06,459 (SIGHS) We're so behind this year. 39 00:02:06,626 --> 00:02:08,194 We need to raise more money. 40 00:02:08,395 --> 00:02:11,264 I know. I was thinking we could give Leo a lead. 41 00:02:11,464 --> 00:02:12,499 Leo? No. 42 00:02:12,665 --> 00:02:13,667 He's awful. 43 00:02:13,867 --> 00:02:15,335 I know he's awful and he's tone-deaf, 44 00:02:15,335 --> 00:02:17,170 but his parents are really rich. 45 00:02:17,337 --> 00:02:20,400 Oh, come on. You know we don't do things that way. 46 00:02:20,206 --> 00:02:21,641 It's always gotta be about the talent. 47 00:02:21,808 --> 00:02:23,476 - How rich? - So rich. 48 00:02:23,476 --> 00:02:24,644 (UPBEAT MUSIC PLAYING) 49 00:02:24,644 --> 00:02:26,413 (SINGING) If you're really sincere 50 00:02:26,413 --> 00:02:28,148 If you're really sincere 51 00:02:28,615 --> 00:02:30,450 If you feel it in here 52 00:02:30,617 --> 00:02:32,819 Then it's gotta be right Oh, baby 53 00:02:32,819 --> 00:02:34,154 - Oh! - Look at him. 54 00:02:34,320 --> 00:02:35,488 - Sebastian? - I know. 55 00:02:35,655 --> 00:02:37,857 JOAN: He is giving 110%. 56 00:02:38,240 --> 00:02:39,793 - Suffer - (JOAN CHEERING) 57 00:02:40,527 --> 00:02:42,362 (AUDIENCE CHEERING) 58 00:02:43,960 --> 00:02:46,833 (SINGING) Oh, oh, oh, you gotta be sincere 59 00:02:47,000 --> 00:02:50,804 Oh, oh, oh, you gotta feel it in here 60 00:02:50,970 --> 00:02:53,106 - RITA: Oh, my God! Joan! - (SINGING) Oh, my baby 61 00:02:53,273 --> 00:02:54,274 RITA: Joan! 62 00:02:54,274 --> 00:02:56,476 This is... Somebody help me! Somebody help me. 63 00:02:56,643 --> 00:02:57,977 She's not breathing. 64 00:02:58,144 --> 00:03:00,113 This is not part of the show. 65 00:03:00,280 --> 00:03:01,848 I need help! (ECHOING) 66 00:03:11,725 --> 00:03:14,861 (GASPS) It's beautiful. 67 00:03:19,899 --> 00:03:21,301 (MELLOW MUSIC PLAYING) 68 00:03:36,649 --> 00:03:39,652 What's up, Troy-jans? It's your boy, Troy. 69 00:03:39,819 --> 00:03:41,921 Just right off the bat, wanna keep it real with you guys, 70 00:03:42,880 --> 00:03:43,757 feeling a little naked without my ring light. 71 00:03:43,757 --> 00:03:44,924 But you know what? 72 00:03:45,325 --> 00:03:46,393 We still out here. 73 00:03:46,559 --> 00:03:47,560 As you guys know, 74 00:03:47,560 --> 00:03:50,397 I don't usually like to talk about my... (CLEARS THROAT) 75 00:03:53,933 --> 00:03:55,680 To be honest, I've been going through 76 00:03:55,680 --> 00:03:56,403 some low-key personal stuff lately 77 00:03:56,569 --> 00:03:58,905 and I just feel obligated to let you guys know that. 78 00:03:59,720 --> 00:04:00,240 Long story short, 79 00:04:00,974 --> 00:04:02,409 theater gave my mom a coma. 80 00:04:03,343 --> 00:04:04,544 She's down for the count 81 00:04:05,450 --> 00:04:08,348 for... (INHALES DEEPLY) we really don't know how long. 82 00:04:08,982 --> 00:04:12,850 Unfortunately, that's just kinda how comas go. 83 00:04:12,252 --> 00:04:13,687 But fear not, fam. 84 00:04:13,853 --> 00:04:16,423 Even though I never really vibed with my mom's camp 85 00:04:16,589 --> 00:04:19,359 and spent my summers doing dope shit with my friends, 86 00:04:19,526 --> 00:04:21,394 I happen to be a financial guru 87 00:04:21,561 --> 00:04:24,864 and world-renowned business mentor. 88 00:04:25,310 --> 00:04:26,800 Yeah, I do that kind of stuff. 89 00:04:26,966 --> 00:04:28,835 Your boy has the BDE. 90 00:04:29,200 --> 00:04:32,806 That's right. The business development expertise 91 00:04:32,972 --> 00:04:34,374 - to hold down the fort. - (GASPS) 92 00:04:35,175 --> 00:04:36,810 Oh, my God, there's a person. 93 00:04:36,976 --> 00:04:38,511 I'm sorry. I'm so sorry. 94 00:04:38,678 --> 00:04:40,180 I was in here fixing the blinds, 95 00:04:40,180 --> 00:04:41,281 and then you came in 96 00:04:41,448 --> 00:04:42,882 and I panicked and stayed. 97 00:04:42,882 --> 00:04:43,983 (TROY EXHALES DEEPLY) 98 00:04:43,983 --> 00:04:46,252 I'm Glenn. I'm the technical director. 99 00:04:48,488 --> 00:04:49,489 TROY: How you doing, man? 100 00:04:49,723 --> 00:04:51,910 Over the next three weeks, 101 00:04:51,910 --> 00:04:53,590 I'm gonna give you an inside look 102 00:04:53,226 --> 00:04:56,730 at how I can take a business from lame... to lit. 103 00:04:56,896 --> 00:04:58,231 Let's build. (MAKES WHOOSHING SOUND) 104 00:04:58,398 --> 00:05:00,166 The most pressing matters are in the main stage. 105 00:05:00,166 --> 00:05:01,735 Right now, the cyclorama is buckling. 106 00:05:01,735 --> 00:05:02,902 It needs to be re-anchored. 107 00:05:03,360 --> 00:05:04,504 Uh, we're gonna need to prioritize 108 00:05:04,504 --> 00:05:06,506 the remaining equipment for the musicals, 109 00:05:06,673 --> 00:05:10,510 which means the straight plays are gonna have to be acoustic. 110 00:05:10,844 --> 00:05:12,579 Uh, which is actually how they do it on Broadway. 111 00:05:12,579 --> 00:05:15,615 Can I just (CLICKS TONGUE) cut you off? Real quick. 112 00:05:15,615 --> 00:05:16,783 - Um... - It seems like you've got 113 00:05:16,783 --> 00:05:18,180 a pretty good handle on this... 114 00:05:18,180 --> 00:05:19,386 - Yeah. - ...so I'm just gonna take 115 00:05:19,386 --> 00:05:21,554 "understanding a word you're saying" 116 00:05:22,489 --> 00:05:23,490 off my list 117 00:05:23,656 --> 00:05:24,824 and let you take it from here, brother. 118 00:05:24,824 --> 00:05:25,925 Okay. 119 00:05:25,925 --> 00:05:28,940 Quick question, though, what's a straight play? 120 00:05:28,261 --> 00:05:29,796 Well, there are musicals, 121 00:05:29,796 --> 00:05:31,297 and then there are straight plays. 122 00:05:32,365 --> 00:05:34,000 So then what would be a *** play? 123 00:05:36,970 --> 00:05:38,938 I guess (STUTTERS) a musical. 124 00:05:40,140 --> 00:05:41,541 - Oh, cool. - (DRUMS BEATING) 125 00:05:42,142 --> 00:05:44,744 RITA: This one. Okay. Thanks. Okay. 126 00:05:46,146 --> 00:05:47,447 BOY: Yes. Yes! RITA: Oh, yes! 127 00:05:50,784 --> 00:05:52,452 GIRL 1: Wait, we have to bunk together. 128 00:05:52,619 --> 00:05:53,620 We have to. 129 00:05:53,753 --> 00:05:56,560 So, you're in bunk five, Ellen. 130 00:05:56,222 --> 00:05:57,991 Okay, 'kay, 'kay. That's good. That's good. 131 00:05:58,158 --> 00:06:00,927 Great, great. Great. What's he doing? Perfect. 132 00:06:01,394 --> 00:06:04,397 Okay. Hi, everybody. Welcome back. 133 00:06:04,564 --> 00:06:08,340 Mickey, Nicky. Nicky, Mickey, Mickey, Nicky. Who knows? 134 00:06:08,201 --> 00:06:10,904 Don't switch shirts. I'll get too confused. 135 00:06:11,710 --> 00:06:12,405 (UPBEAT MUSIC PLAYING) 136 00:06:12,405 --> 00:06:13,573 (GIGGLING) 137 00:06:17,610 --> 00:06:18,845 (BOTH LAUGHING EXCITEDLY) 138 00:06:19,713 --> 00:06:21,470 (HUMMING) 139 00:06:35,829 --> 00:06:36,830 - AMOS: Beck, stop. - (REBECCA-DIANE SCREAMS) 140 00:06:36,830 --> 00:06:37,931 Beck, stop the car. 141 00:06:38,765 --> 00:06:40,300 - Let me in. - I am letting you in. 142 00:06:40,467 --> 00:06:41,801 - It's not opening. - I'm letting you in. 143 00:06:42,402 --> 00:06:44,637 AMOS: Oh, God. (GROANS) 144 00:06:44,637 --> 00:06:46,720 I've been here 10 minutes and it's unbearable. 145 00:06:46,720 --> 00:06:47,207 REBECCA-DIANE: Oh, my God! 146 00:06:50,777 --> 00:06:52,112 (PERCUSSION MUSIC PLAYING) 147 00:07:03,923 --> 00:07:05,792 He's, like, wandering about. 148 00:07:05,792 --> 00:07:07,127 He has no idea where he is, what he's doing. 149 00:07:07,127 --> 00:07:08,194 He can't see? 150 00:07:08,194 --> 00:07:10,196 No, he only talks to his camera. 151 00:07:10,196 --> 00:07:11,297 Oh, my God. 152 00:07:11,464 --> 00:07:12,532 The least creative person I've ever met, 153 00:07:12,532 --> 00:07:13,666 and I've yet to speak to the man. 154 00:07:14,467 --> 00:07:15,835 TROY: Play ball. 155 00:07:16,670 --> 00:07:17,704 She's hot. 156 00:07:17,871 --> 00:07:18,972 And half the staff has been cut. 157 00:07:18,972 --> 00:07:20,400 They're not even coming back. 158 00:07:20,173 --> 00:07:21,241 We need a coup. 159 00:07:21,841 --> 00:07:23,410 Well, there's not even enough of us to have a coup now. 160 00:07:23,576 --> 00:07:25,111 - Oh, my God. - AMOS: Jesus. 161 00:07:25,111 --> 00:07:26,946 - She wouldn't even want it. - No. 162 00:07:27,113 --> 00:07:29,783 AMOS: We really have to hold this place down artistically. 163 00:07:29,949 --> 00:07:31,584 I can't believe that Joan's not here. 164 00:07:31,584 --> 00:07:32,752 I can't believe it. 165 00:07:33,119 --> 00:07:34,320 (INDISTINCT CHATTER) 166 00:07:39,259 --> 00:07:41,270 All I was doing was blowing the roof off 167 00:07:41,270 --> 00:07:42,595 of Honestly, Sincere in Bye Bye Birdie. 168 00:07:42,762 --> 00:07:44,300 Then I look over to my house seats 169 00:07:44,130 --> 00:07:46,990 and there's Joan, convulsing. 170 00:07:46,566 --> 00:07:47,867 CHRISTOPHER L: What? SEBASTIAN: It was frightening. 171 00:07:48,340 --> 00:07:50,300 I obviously stayed in character. 172 00:07:50,300 --> 00:07:51,771 CHRISTOPHER L: That's not real. 173 00:07:56,242 --> 00:07:57,477 (OVER MIC) All right. Let's take a knee 174 00:07:57,477 --> 00:07:58,578 with the talking, fam. 175 00:07:59,679 --> 00:08:00,747 Listen up! 176 00:08:02,549 --> 00:08:03,650 Keep it down. 177 00:08:03,817 --> 00:08:04,818 Fam? 178 00:08:05,685 --> 00:08:06,853 Squad? Gang? 179 00:08:08,521 --> 00:08:10,457 Maybe, uh, zip it? 180 00:08:11,240 --> 00:08:12,292 Everybody. 181 00:08:12,992 --> 00:08:14,294 Can we just get you guys to... 182 00:08:14,461 --> 00:08:17,163 (SINGING) Oh, what a beautiful 183 00:08:17,330 --> 00:08:19,899 CHILDREN: (SINGING) Morning 184 00:08:21,401 --> 00:08:22,402 TROY: Dope. 185 00:08:25,710 --> 00:08:26,720 That was dope. 186 00:08:27,307 --> 00:08:30,877 Whaddup, AdirondACTS? 187 00:08:30,877 --> 00:08:33,613 (IMITATES FANFARE) 188 00:08:34,280 --> 00:08:35,548 Um... 189 00:08:35,749 --> 00:08:36,950 You guys know Joan, right? 190 00:08:37,830 --> 00:08:38,451 (CHILDREN CHEERING) 191 00:08:39,619 --> 00:08:41,870 (CHANTING) Joan, Joan, Joan! 192 00:08:41,254 --> 00:08:43,523 Joan, Joan, Joan! 193 00:08:43,690 --> 00:08:45,258 Joan, Joan, Joan! 194 00:08:45,425 --> 00:08:48,280 Yeah, um, so she's not here. 195 00:08:49,229 --> 00:08:52,365 Um, you know, which we're all very sad about. 196 00:08:52,532 --> 00:08:53,733 But don't worry. 197 00:08:54,670 --> 00:08:55,635 I'm her son. 198 00:08:55,802 --> 00:08:58,380 Troy! 199 00:09:03,143 --> 00:09:04,210 Um... 200 00:09:04,210 --> 00:09:05,311 Don't worry, guys. 201 00:09:05,478 --> 00:09:08,782 I just wanna reassure you this will be a normal summer. 202 00:09:08,948 --> 00:09:10,283 You can check out my website. 203 00:09:10,450 --> 00:09:11,951 - Oh, yeah, go ahead. Yeah. - We're good. Thanks so much. 204 00:09:12,850 --> 00:09:13,860 Hi, guys. 205 00:09:13,860 --> 00:09:14,921 (ALL CHEERING) 206 00:09:15,455 --> 00:09:17,190 We love you, Gigi! 207 00:09:19,759 --> 00:09:20,927 So a few reminders. 208 00:09:20,927 --> 00:09:22,929 I just need to know all of your updated sizes. 209 00:09:22,929 --> 00:09:24,597 Also, sad news, 210 00:09:24,597 --> 00:09:26,766 I will not be doing piercings any more in the hut. 211 00:09:27,534 --> 00:09:30,537 Yeah. Because there's a narc amongst us. 212 00:09:30,537 --> 00:09:32,380 Um, Cassie has narced. 213 00:09:32,205 --> 00:09:34,107 It's totally fine. Uh, yeah. 214 00:09:34,274 --> 00:09:35,408 Okay, I love you guys. 215 00:09:35,408 --> 00:09:37,444 - Love you. - (CHILDREN CHEERING) 216 00:09:39,790 --> 00:09:40,613 (CHEERING INTENSIFIES) 217 00:09:44,818 --> 00:09:45,819 As you all know, 218 00:09:45,819 --> 00:09:47,220 I'm Amos Klobuchar, head of drama. 219 00:09:47,220 --> 00:09:49,222 Rebecca-Diane, head of music theory. 220 00:09:49,389 --> 00:09:52,225 We are now going to announce, as we do every summer, 221 00:09:53,260 --> 00:09:54,327 this session's productions. 222 00:09:54,994 --> 00:09:56,796 Five, six, seven, eight. 223 00:09:56,796 --> 00:09:58,198 (BOTH STOMPING RHYTHMICALLY) 224 00:09:59,532 --> 00:10:00,800 (SINGING) There once was a story 225 00:10:00,800 --> 00:10:02,335 'Bout a girl named Lisa 226 00:10:02,502 --> 00:10:05,338 She wanted to perform But she didn't have her visa 227 00:10:05,505 --> 00:10:06,940 BOTH: Sorry about your visa, Lisa 228 00:10:06,940 --> 00:10:08,174 Five, six, seven, eight 229 00:10:08,174 --> 00:10:09,309 Playing baseball with the devil 230 00:10:09,309 --> 00:10:10,610 in a baseball diamond. 231 00:10:10,777 --> 00:10:12,779 BOTH: Damn Yankees in the outdoor stage. 232 00:10:12,946 --> 00:10:13,947 (WHINING IN HIGH-PITCHED TONE) 233 00:10:13,947 --> 00:10:15,582 - AMOS: Who goes there? - (CONTINUES WHINING) 234 00:10:15,582 --> 00:10:16,783 Is it a ghost? 235 00:10:16,950 --> 00:10:17,984 Is it a witch? 236 00:10:18,151 --> 00:10:20,453 BOTH: The Crucible junior in the lobby. 237 00:10:20,620 --> 00:10:22,589 (SINGING) In the land of Andrew Lloyd 238 00:10:22,589 --> 00:10:25,191 Where the felines sing and dance 239 00:10:25,325 --> 00:10:27,761 Whisker faced in unitards 240 00:10:27,761 --> 00:10:29,729 You can join their feral prance 241 00:10:30,960 --> 00:10:31,731 Cats immersive. 242 00:10:31,898 --> 00:10:32,932 Well, I guess that's all, folks. 243 00:10:32,932 --> 00:10:34,340 I gotta start walking home. 244 00:10:34,200 --> 00:10:35,235 I'm taking a cab. 245 00:10:35,235 --> 00:10:36,903 BOTH: Whoa! 246 00:10:37,370 --> 00:10:38,104 (SINGING) An original piece 247 00:10:38,104 --> 00:10:39,205 And it's fully brand new 248 00:10:39,372 --> 00:10:41,574 And it's fresh from our hearts Written just for you 249 00:10:41,741 --> 00:10:43,743 But you've gotta be good, yeah You've gotta be great 250 00:10:43,743 --> 00:10:44,878 You've gotta be the crème de la crème 251 00:10:44,878 --> 00:10:45,979 Of the place 252 00:10:58,825 --> 00:11:00,427 This summer it's a story... 253 00:11:00,593 --> 00:11:02,595 About a woman in her glory. 254 00:11:02,762 --> 00:11:04,264 The founding of a space... 255 00:11:04,431 --> 00:11:06,833 That has become our favorite place. 256 00:11:07,000 --> 00:11:09,402 A woman who all in this room deeply love. 257 00:11:09,569 --> 00:11:12,672 And she's looking down, not quite from above. 258 00:11:12,839 --> 00:11:14,140 Joan can... 259 00:11:14,307 --> 00:11:16,276 - Joan will... - Joan here? 260 00:11:16,276 --> 00:11:17,544 (SNAPPING FINGERS) 261 00:11:19,145 --> 00:11:20,914 BOTH: Joan, Still! 262 00:11:23,616 --> 00:11:25,251 (ALL CHEERING) 263 00:11:34,694 --> 00:11:36,429 (FUNKY MUSIC PLAYING) 264 00:11:49,609 --> 00:11:51,444 TROY: Your resume is absolutely stacked. 265 00:11:51,778 --> 00:11:53,113 - Thank you. - Yeah. 266 00:11:53,947 --> 00:11:55,782 How did you learn stage combat? 267 00:11:56,160 --> 00:11:57,350 Oh! Oh, man. 268 00:11:58,151 --> 00:11:59,652 It's hard to even say 269 00:11:59,652 --> 00:12:00,787 'cause I've been doing it for so long. 270 00:12:00,987 --> 00:12:01,988 - Totally. - Yeah. 271 00:12:02,155 --> 00:12:03,456 How about accent work? 272 00:12:03,456 --> 00:12:05,225 (IN AN ACCENT) Oh. You no worry. 273 00:12:05,225 --> 00:12:06,559 I can do it, don't worry. 274 00:12:07,794 --> 00:12:08,828 That's really neat. 275 00:12:08,995 --> 00:12:10,263 How about horseback riding? 276 00:12:10,263 --> 00:12:12,532 - Jousting? Is that like with the...? - (IN NORMAL VOICE) Yeah. 277 00:12:12,532 --> 00:12:14,934 That is with those. Yeah. 278 00:12:15,101 --> 00:12:16,770 And then when did you learn how to juggle? 279 00:12:16,770 --> 00:12:20,740 Well, um... Oh, there was a fire at my house. 280 00:12:21,374 --> 00:12:23,343 And that's sort of how I dealt with the trauma. 281 00:12:27,514 --> 00:12:29,449 Wow! 282 00:12:29,649 --> 00:12:30,884 BOBBY: Wow! 283 00:12:31,510 --> 00:12:32,686 Yes. Progressions across the floor. 284 00:12:32,686 --> 00:12:34,421 Very nice, both of you, yes. 285 00:12:34,554 --> 00:12:35,689 Front. 286 00:12:35,855 --> 00:12:37,390 Higher. Higher. 287 00:12:37,390 --> 00:12:39,250 Ah! Ah! 288 00:12:39,250 --> 00:12:42,620 Listen, these are some Cassie battements. 289 00:12:42,195 --> 00:12:43,863 You're doing a little cheater flick. 290 00:12:47,934 --> 00:12:49,169 (FAST TEMPO MUSIC PLAYING) 291 00:12:49,436 --> 00:12:51,705 I am running late for my niece's christening. 292 00:12:54,341 --> 00:12:56,843 I don't want to find another therapist, David. 293 00:12:57,243 --> 00:12:59,179 AMOS: Welcome, group two of auditioners. 294 00:12:59,346 --> 00:13:00,347 REBECCA-DIANE: I know it's been a long day 295 00:13:00,347 --> 00:13:01,481 for you guys, but... 296 00:13:01,481 --> 00:13:02,582 AMOS: If you drop a line, 297 00:13:02,582 --> 00:13:04,500 or a note is a little off-key, 298 00:13:04,150 --> 00:13:05,385 you crack or something, 299 00:13:05,385 --> 00:13:06,453 just, what does that 300 00:13:06,453 --> 00:13:07,721 - say about you? - Mmm-hmm. 301 00:13:12,258 --> 00:13:13,259 Yo. 302 00:13:14,194 --> 00:13:15,362 Sorry I'm late. 303 00:13:15,462 --> 00:13:17,597 - I don't think you were... Oh. - (TROY GRUNTS) 304 00:13:18,732 --> 00:13:22,535 Emma, 10, has a goldfish named Johnny. 305 00:13:22,936 --> 00:13:24,700 And she's gonna kick us off 306 00:13:24,700 --> 00:13:26,439 with I Dreamed a Dream from Les Mis. 307 00:13:26,940 --> 00:13:28,800 Oh, you know what? 308 00:13:28,800 --> 00:13:29,750 That's a good song choice for her. 309 00:13:29,242 --> 00:13:31,211 I do believe her as a French prostitute. 310 00:13:31,378 --> 00:13:32,379 REBECCA-DIANE: Amos. 311 00:13:32,545 --> 00:13:34,647 Oh, I'm sorry, I'm sorry. *** worker. 312 00:13:34,814 --> 00:13:36,160 REBECCA-DIANE: Thank you. 313 00:13:36,383 --> 00:13:38,151 (FRANTIC PIANO MUSIC PLAYING) 314 00:13:42,489 --> 00:13:43,490 (SINGING) There's a hole in the world 315 00:13:43,490 --> 00:13:44,591 Like a great black pit 316 00:13:44,591 --> 00:13:46,192 And it's filled with people Who are filled with shit 317 00:13:46,359 --> 00:13:48,161 And the vermin in the world inhabit it 318 00:13:49,863 --> 00:13:53,133 But not for long 319 00:13:53,566 --> 00:13:59,272 Darla, 15, is 2,073 on the IMDb Star Meter. 320 00:13:59,439 --> 00:14:01,775 (SINGING) What if when he sees me 321 00:14:01,775 --> 00:14:03,643 I like him and he knows it 322 00:14:04,277 --> 00:14:05,412 (WHISPERS) This is an example of a kid 323 00:14:05,412 --> 00:14:06,880 who started working way too young. 324 00:14:07,470 --> 00:14:09,716 (SINGING) And I can't close it? 325 00:14:09,883 --> 00:14:12,519 - You got snacks? - No, I don't have anything. 326 00:14:12,686 --> 00:14:14,688 (SINGING) And even if Karen were hotter than Sharon 327 00:14:14,688 --> 00:14:16,589 I still would've filed for divorce 328 00:14:16,923 --> 00:14:18,858 Um, that rhythm was wrong. Can we do that again? 329 00:14:19,250 --> 00:14:20,600 (SINGING) That was the last time 330 00:14:20,600 --> 00:14:21,561 I laid eyes on 331 00:14:21,561 --> 00:14:23,329 (VOCALIZING) 332 00:14:39,112 --> 00:14:40,380 Margaret Thatcher 333 00:14:40,547 --> 00:14:43,116 (SINGING) Though we all deserve to die 334 00:14:43,950 --> 00:14:48,988 Even you, Mrs. Lovett Even I 335 00:14:49,422 --> 00:14:52,726 It says you're allergic to polyester. Why? 336 00:14:53,293 --> 00:14:57,564 Devon, 13. He has a green belt in taekwondo. 337 00:15:02,135 --> 00:15:04,700 (SINGING) You know, I think that I'm better now 338 00:15:04,700 --> 00:15:05,438 Better now 339 00:15:05,605 --> 00:15:07,807 You only say that 'cause I'm not around 340 00:15:07,807 --> 00:15:08,875 Not around 341 00:15:09,420 --> 00:15:11,211 You know I never meant to let you down 342 00:15:11,211 --> 00:15:12,278 Let you down 343 00:15:12,445 --> 00:15:15,915 Would've gave you anything Would've gave you everything 344 00:15:16,820 --> 00:15:18,351 You know, I think that I am better now 345 00:15:18,351 --> 00:15:19,486 Better now 346 00:15:19,652 --> 00:15:21,755 You only say that 'cause I'm not around 347 00:15:21,755 --> 00:15:22,989 Not around 348 00:15:23,156 --> 00:15:25,358 You know I never meant to let you down 349 00:15:25,358 --> 00:15:26,493 Let you down 350 00:15:26,659 --> 00:15:28,361 BOTH: (SINGING) Would've gave you anything 351 00:15:28,361 --> 00:15:30,300 Would've gave you everything 352 00:15:30,196 --> 00:15:32,320 Whoa 353 00:15:33,660 --> 00:15:35,669 That's what's up, dawg. Finally. 354 00:15:35,835 --> 00:15:36,870 Can you clear now, please? Thank you. 355 00:15:36,870 --> 00:15:38,380 TROY: That was bussin'. 356 00:15:38,204 --> 00:15:39,272 AMOS: Inappropriate to give feedback during the audition. 357 00:15:39,272 --> 00:15:40,340 REBECCA-DIANE: Yeah. 358 00:15:40,340 --> 00:15:41,508 AMOS: Please don't internalize that. 359 00:15:41,675 --> 00:15:42,676 It's Devon? 360 00:15:43,276 --> 00:15:45,111 - Yeah. - Your first summer? 361 00:15:45,278 --> 00:15:46,413 - Here? - REBECCA-DIANE: Yeah. 362 00:15:46,413 --> 00:15:47,647 - AMOS: Yes. - Yeah. 363 00:15:47,814 --> 00:15:49,115 Do you know any other Post songs 364 00:15:49,115 --> 00:15:50,950 that you could like, rattle off the dome, 365 00:15:51,117 --> 00:15:53,253 like maybe Wow or Congratulations... 366 00:15:53,420 --> 00:15:55,722 or the one from the Spider-Verse soundtrack? 367 00:15:55,889 --> 00:15:58,525 Abby, 11, chose this session 368 00:15:58,525 --> 00:16:00,960 over sitting shiva for her cousin. 369 00:16:01,127 --> 00:16:02,962 CLIVE: Putting the work first. 370 00:16:04,264 --> 00:16:05,365 WOMAN: Oh, uh, excuse me, I just need a second. 371 00:16:05,365 --> 00:16:06,433 RITA: Ma'am, you can't be back here. 372 00:16:06,599 --> 00:16:07,767 WOMAN: I'm sorry. Um... 373 00:16:09,369 --> 00:16:10,770 Hi. 374 00:16:13,673 --> 00:16:16,676 My name's Caroline Krauss. I'm a rep from Camp Lakeside. 375 00:16:23,950 --> 00:16:25,985 - (BUS HONKING) - RITA: Shut up! 376 00:16:26,152 --> 00:16:27,821 - (MUSIC PLAYING ON SPEAKERS) - Turn down your music! 377 00:16:27,987 --> 00:16:30,560 This is a bucolic setting! 378 00:16:30,223 --> 00:16:32,192 Okay, well, whatever it is you're selling, 379 00:16:32,192 --> 00:16:33,259 we don't want any. 380 00:16:33,360 --> 00:16:35,328 Oh, I was actually here to introduce myself 381 00:16:35,328 --> 00:16:37,297 to the, uh, new boss. 382 00:16:37,464 --> 00:16:39,632 Is there... Is Troy here? 383 00:16:39,799 --> 00:16:43,336 I am so sorry to hear about your mom. 384 00:16:44,838 --> 00:16:46,840 My entire team at Barnswell Capital 385 00:16:46,840 --> 00:16:48,274 is sending healing thoughts. 386 00:16:48,441 --> 00:16:51,611 Wait, Barnswell Capital? Like the Barnswell Capital? 387 00:16:51,978 --> 00:16:53,613 - Yeah. - Whoa. 388 00:16:54,714 --> 00:16:56,516 Your work is so inspiring. 389 00:16:56,683 --> 00:16:58,852 I mean, the Gentri-vacation Project. 390 00:16:59,190 --> 00:17:00,200 I have to say 391 00:17:00,200 --> 00:17:01,855 Gentri-vacation was my brainchild. 392 00:17:02,422 --> 00:17:04,900 - Wow, you know, um... - You know... 393 00:17:04,257 --> 00:17:05,725 - I'm sorry. - You go. 394 00:17:05,892 --> 00:17:06,893 I was just gonna say that 395 00:17:06,893 --> 00:17:08,395 you seem to know a lot about business. 396 00:17:08,561 --> 00:17:09,729 I'm a bit of a money man myself. 397 00:17:10,697 --> 00:17:11,931 You know, I've been trying to bring some of my 398 00:17:13,166 --> 00:17:16,200 en-Troy-preneurship to the AdirondACTS. 399 00:17:16,169 --> 00:17:18,805 That's funny. That's catchy, en-Troy. 400 00:17:18,972 --> 00:17:20,306 - My name's Troy. - I know. 401 00:17:20,473 --> 00:17:22,275 I understood it completely the first time I heard it. 402 00:17:22,442 --> 00:17:23,443 Yeah. 403 00:17:23,443 --> 00:17:25,450 That's kind of what we're doing with Lakeside. 404 00:17:25,211 --> 00:17:27,130 - Yeah? - Yeah, we recently acquired it 405 00:17:27,180 --> 00:17:29,115 so I'm doing kind of a complete overhaul 406 00:17:29,282 --> 00:17:30,984 - of the management structure. - Wow! 407 00:17:31,151 --> 00:17:32,152 CAROLINE: I think it's commendable 408 00:17:32,152 --> 00:17:33,353 what you're doing here. 409 00:17:33,586 --> 00:17:35,255 Taking on the burden of your mother's condition. 410 00:17:35,422 --> 00:17:38,910 - Yeah. - And her struggling business. 411 00:17:38,591 --> 00:17:40,427 That's gotta be so much weight on your shoulders. 412 00:17:40,593 --> 00:17:41,995 Yeah. It is. 413 00:17:42,896 --> 00:17:44,664 Excuse me. So sorry. 414 00:17:44,831 --> 00:17:47,434 This is an active work zone. 415 00:17:47,600 --> 00:17:49,690 I'm gonna need you to vacate the area. 416 00:17:49,235 --> 00:17:50,904 CAROLINE: Uh, just one moment. 417 00:17:51,710 --> 00:17:52,272 Troy, I think this could be 418 00:17:52,272 --> 00:17:53,940 an exciting opportunity for the both of us. 419 00:17:54,107 --> 00:17:56,209 - Wow. Yeah. - GLENN: You know what? 420 00:17:56,376 --> 00:17:58,440 I'm gonna need this exact space 421 00:17:58,440 --> 00:18:00,213 to get up really high for some work. 422 00:18:00,580 --> 00:18:02,882 Look, Troy, I don't need to tell you 423 00:18:02,882 --> 00:18:05,151 that the bank has filed a notice of default. 424 00:18:05,518 --> 00:18:06,586 What? 425 00:18:06,586 --> 00:18:08,722 And it's not news to you, of course, 426 00:18:08,722 --> 00:18:12,258 that they're weeks away from foreclosing on this place. 427 00:18:14,728 --> 00:18:17,664 No, that's definitely not news to me. 428 00:18:21,668 --> 00:18:25,372 Listen, I think I can help you get out of this jam. 429 00:18:25,538 --> 00:18:26,873 I know I speak on behalf 430 00:18:26,873 --> 00:18:28,675 of my entire board of directors 431 00:18:28,842 --> 00:18:31,244 when I say that Barnswell Capital 432 00:18:31,411 --> 00:18:34,180 would love to get into bed with AdirondACTS. 433 00:18:34,347 --> 00:18:40,553 (SINGING) Tell them how I am defying gravity 434 00:18:40,720 --> 00:18:45,925 I'm flying high defying gravity 435 00:18:46,292 --> 00:18:47,293 I'm so sorry. I didn't mean 436 00:18:47,293 --> 00:18:48,862 to interrupt that conversation. 437 00:18:48,862 --> 00:18:49,929 That was very out of character for me. 438 00:18:50,630 --> 00:18:51,431 - A little brazen... - Hey, you can't tell anyone 439 00:18:51,598 --> 00:18:54,200 about this foreclosure thing, okay? 440 00:18:54,200 --> 00:18:55,435 It's between me and you. 441 00:18:55,769 --> 00:18:59,720 Uh, yeah. Uh, our little secret. 442 00:18:59,720 --> 00:19:00,940 But I do think you should know, 443 00:19:01,408 --> 00:19:03,430 Barnswell Capital, they're not people 444 00:19:03,430 --> 00:19:05,780 that we should be getting into bed with. 445 00:19:05,245 --> 00:19:07,814 Lakeside is the enemy. 446 00:19:08,314 --> 00:19:09,683 They've been trying to get this land 447 00:19:09,683 --> 00:19:11,317 for a very long time, 448 00:19:11,484 --> 00:19:13,687 and I think Joan's success is, in large part, 449 00:19:13,687 --> 00:19:15,789 due to the fact that she has leaned on us, 450 00:19:15,955 --> 00:19:17,223 AdirondACTS family, 451 00:19:17,791 --> 00:19:19,793 and your mother used to say, 452 00:19:19,959 --> 00:19:21,161 "We're theater people. 453 00:19:21,161 --> 00:19:23,963 "We know how to turn cardboard into gold." 454 00:19:24,130 --> 00:19:27,667 (SINGING) Bring me down 455 00:19:27,901 --> 00:19:29,235 (PIANO PLAYING) 456 00:19:31,710 --> 00:19:32,639 - (POWER SHUTS DOWN) - (PIANO STOPS) 457 00:19:32,639 --> 00:19:33,973 CHRISTOPHER L: What? REBECCA-DIANE: Oh, my God. 458 00:19:33,973 --> 00:19:35,750 Troy. 459 00:19:35,241 --> 00:19:37,410 Okay, you're not ruining my final note. (CHUCKLES) 460 00:19:37,744 --> 00:19:39,612 (VOCALIZING) 461 00:19:41,614 --> 00:19:42,816 TROY: Yeah. 462 00:19:43,650 --> 00:19:45,752 I really need to start reading the mail. 463 00:19:55,829 --> 00:19:58,164 (SINGING SOFTLY) Peters, Foster, Streisand, LuPone 464 00:19:58,164 --> 00:20:00,500 Give us a role we can make our own 465 00:20:00,667 --> 00:20:03,169 Audra McDonald, Idina Menzel 466 00:20:03,336 --> 00:20:05,672 We are *** witches, and this is our spell 467 00:20:05,839 --> 00:20:06,873 - RITA: Move on. We're gonna move on. - AMOS: Okay. 468 00:20:07,400 --> 00:20:08,641 RITA: Okay. What about this? The Crucible or Cats? 469 00:20:08,808 --> 00:20:10,176 I think that she's in the running for Tituba. 470 00:20:10,343 --> 00:20:11,678 - No. - In the running. 471 00:20:11,845 --> 00:20:12,946 How are we gonna talk about Tituba 472 00:20:12,946 --> 00:20:14,314 when we haven't picked a Proctor? 473 00:20:14,314 --> 00:20:16,160 AMOS: Do you think you could channel her for us? 474 00:20:16,649 --> 00:20:18,418 Just try. I know you don't like to do it on command, 475 00:20:18,585 --> 00:20:21,210 but maybe Joan has some wisdom to offer in this moment. 476 00:20:21,210 --> 00:20:22,155 CLIVE: Here in this situation room. 477 00:20:22,155 --> 00:20:23,256 RITA: Oh, I would love to... 478 00:20:23,423 --> 00:20:24,691 Oh, I wanna talk to her. 479 00:20:24,858 --> 00:20:26,159 Please do it. 480 00:20:27,594 --> 00:20:29,429 I have so many things to tell her. 481 00:20:29,429 --> 00:20:30,563 CLIVE: Joan! RITA: Joan. 482 00:20:30,563 --> 00:20:31,631 Joan, are you there? 483 00:20:31,798 --> 00:20:32,966 - RITA: Are you here, Joan? - Guys, real quick. 484 00:20:33,133 --> 00:20:34,234 CLIVE: Joan, speak to us. TROY: I'm gonna head out 485 00:20:34,234 --> 00:20:36,102 just 'cause the candles and kids thing 486 00:20:36,102 --> 00:20:37,270 is making me feel a little bit weird. 487 00:20:37,270 --> 00:20:38,605 We don't have that much time to begin with. 488 00:20:38,772 --> 00:20:39,806 - Thank you. - That's fine. Please. 489 00:20:39,939 --> 00:20:40,940 AMOS: Oh, my God! 490 00:20:40,940 --> 00:20:42,142 CLIVE: Can we get back to the business at hand? 491 00:20:42,142 --> 00:20:43,910 AMOS: Can we open up the discussion in terms of Lolas? 492 00:20:44,770 --> 00:20:45,545 I'm just gonna throw a name out. Chantal. 493 00:20:45,712 --> 00:20:46,746 CLIVE: Chantal. Yes, Chantal. 494 00:20:46,746 --> 00:20:48,114 It's exactly what I was thinking. Chantal. 495 00:20:48,281 --> 00:20:50,917 - Chantal. Chantal. - Chantal. 496 00:20:51,840 --> 00:20:52,485 Which one... Okay. Chantal. 497 00:20:52,485 --> 00:20:53,586 CLIVE: Yes, yes. 498 00:20:53,586 --> 00:20:54,688 Okay, Chantal. She's going where? 499 00:20:54,688 --> 00:20:55,922 Damn Yankees. 500 00:20:55,922 --> 00:20:57,900 REBECCA-DIANE: I'm just worried she doesn't have... 501 00:20:57,900 --> 00:20:58,491 No, don't place her there! 502 00:20:58,658 --> 00:21:00,527 I'm worried she doesn't have the ***uality to play it. 503 00:21:00,694 --> 00:21:02,796 Obviously, everyone on this board is a virgin, 504 00:21:02,962 --> 00:21:04,300 but Chantal seems like a virgin... 505 00:21:04,300 --> 00:21:05,131 AMOS: I agree. 506 00:21:05,298 --> 00:21:06,666 ...the minute that she steps into a room. 507 00:21:06,833 --> 00:21:08,335 Her name. I don't wanna see Chantal in a feather. 508 00:21:08,501 --> 00:21:09,669 AMOS: I hate to admit that it's a great point. 509 00:21:09,669 --> 00:21:10,804 Okay, let's just table the virgins. 510 00:21:10,804 --> 00:21:11,871 CLIVE: Well, can't we get her there? 511 00:21:12,500 --> 00:21:13,106 GIGI: Get her there? How do we get her there? 512 00:21:13,106 --> 00:21:14,274 Get her there? What do you want us to do? 513 00:21:14,941 --> 00:21:16,900 I don't know how you get a virgin there. 514 00:21:16,900 --> 00:21:17,243 You get them there. 515 00:21:18,111 --> 00:21:20,747 Okay. Where do you think this one goes? 516 00:21:22,349 --> 00:21:24,918 Well, it looks like it was some kind of short. 517 00:21:25,850 --> 00:21:27,153 - Did you check the... - Breakers? 518 00:21:27,320 --> 00:21:28,421 Yeah, I killed them already. 519 00:21:29,789 --> 00:21:31,257 (ELECTRIC BEEPING) 520 00:21:32,625 --> 00:21:34,627 (GLENN VOCALIZING) 521 00:21:42,702 --> 00:21:44,671 Wow, that's really pretty, Glenn. 522 00:21:47,674 --> 00:21:49,442 Okay. Uh... 523 00:21:49,442 --> 00:21:50,910 You want him and Sebastian in Joan? 524 00:21:50,910 --> 00:21:52,120 AMOS: Listen. Hey, how about... 525 00:21:52,120 --> 00:21:53,213 I have no one. 526 00:21:53,213 --> 00:21:54,314 You take Sean, we'll take Sebastian. 527 00:21:54,314 --> 00:21:55,382 - Hmm? - RITA: All right. 528 00:21:55,382 --> 00:21:56,483 - GIGI: Now we have a deal. - All right. All right. 529 00:21:56,649 --> 00:21:58,118 - He can be Mr. Mistoffelees. - Okay. Okay. 530 00:21:58,284 --> 00:22:00,186 - CLIVE: Put him in there. - Okay. Sean is Mistoffelees. 531 00:22:00,353 --> 00:22:03,289 If we can have Darla for Joan, Still. 532 00:22:03,990 --> 00:22:04,991 CLIVE: You can have Darla. 533 00:22:05,191 --> 00:22:07,594 I'm sorry. For what in Joan, Still? 534 00:22:07,761 --> 00:22:09,290 To play Joan. Old Joan. 535 00:22:09,195 --> 00:22:10,363 AMOS: She's not even on my list. 536 00:22:10,530 --> 00:22:12,599 - She's obviously the best one. - Joan is the most organic 537 00:22:12,599 --> 00:22:13,666 and warm person that I know. 538 00:22:13,833 --> 00:22:14,834 It emanates from her 539 00:22:15,680 --> 00:22:16,503 and Darla, it's sort of like, put on and then another layer, 540 00:22:16,503 --> 00:22:17,937 put on and then another layer, put on... 541 00:22:18,104 --> 00:22:19,105 Like all of the work she's done... 542 00:22:19,105 --> 00:22:20,607 - I find her so free. - All the sets 543 00:22:20,607 --> 00:22:22,175 she's been on just reek on her. 544 00:22:22,342 --> 00:22:23,610 Just sit with it for a second. 545 00:22:23,877 --> 00:22:25,111 (POWER SWITCHES ON) 546 00:22:25,278 --> 00:22:27,313 (CHILDREN CHEERING) 547 00:22:29,749 --> 00:22:31,618 (INTRIGUING MUSIC PLAYING) 548 00:22:41,661 --> 00:22:44,330 AMOS: Please don't disappoint Joan. 549 00:22:44,531 --> 00:22:46,332 (MICROPHONE FEEDBACK) 550 00:22:48,468 --> 00:22:49,469 (SIGHS) 551 00:22:51,137 --> 00:22:52,138 Campers, 552 00:22:52,839 --> 00:22:54,374 the cast lists are up. 553 00:22:54,841 --> 00:22:57,210 (ALL CLAMORING EXCITEDLY) 554 00:23:07,954 --> 00:23:09,322 Oh, my God! Oh, my God! Oh, my God! 555 00:23:09,322 --> 00:23:10,757 SEBASTIAN: Out of the way! 556 00:23:13,827 --> 00:23:15,328 (CHILDREN SQUEALING) 557 00:23:17,130 --> 00:23:18,431 GIRL: Am I going to be a cat? 558 00:23:19,999 --> 00:23:22,680 ALICE: Little person coming through. 559 00:23:22,736 --> 00:23:24,771 (CHILDREN CHATTERING) 560 00:23:32,445 --> 00:23:34,470 (ALL CHEERING) 561 00:23:35,215 --> 00:23:36,516 ALICE: I'm so proud of you. 562 00:23:43,923 --> 00:23:45,910 (LAUGHS) 563 00:23:45,910 --> 00:23:46,826 ALAN: You've got to hear her sing, Marty. 564 00:23:46,993 --> 00:23:49,696 She just booked the title role in Joan, Still... 565 00:23:50,330 --> 00:23:51,631 ...and I'm this close to signing her. 566 00:23:51,798 --> 00:23:53,133 She's the whole package. 567 00:23:53,299 --> 00:23:54,300 WOMAN: (ON PHONE) My daughter is a genius. 568 00:23:54,467 --> 00:23:55,635 I hear you loud and clear. Believe me, you're not the 569 00:23:55,635 --> 00:23:57,704 only one who's upset. I've been getting a lot of calls. 570 00:23:57,871 --> 00:23:59,390 How dare you do this to my daughter? 571 00:23:59,205 --> 00:24:00,640 I'm seriously going to do something 572 00:24:00,640 --> 00:24:02,142 if my daughter is not the lead by tomorrow. 573 00:24:02,308 --> 00:24:03,476 Ma'am, again, I was not involved 574 00:24:03,476 --> 00:24:04,744 in the casting decision. 575 00:24:04,744 --> 00:24:06,279 I will be sure to pass that on. 576 00:24:06,279 --> 00:24:07,914 But in the meantime, if you wanna bribe me, 577 00:24:08,810 --> 00:24:09,582 - I am very open to... - DARLA: Troy, right? 578 00:24:09,749 --> 00:24:10,784 - Are you listening to me? - Hold on one second. 579 00:24:10,784 --> 00:24:11,818 Hi, yes. 580 00:24:11,818 --> 00:24:13,153 - Hi. I'm Darla. - Hi, Darla. 581 00:24:13,286 --> 00:24:14,621 I just wanna thank you for entrusting me 582 00:24:14,621 --> 00:24:16,389 to inhabit your mother in Joan, Still. 583 00:24:17,157 --> 00:24:19,693 Wasn't me who made the decision, but of course. 584 00:24:19,859 --> 00:24:21,194 I'd love to have a sit-down. 585 00:24:21,194 --> 00:24:23,290 Go over her mannerisms, tics, 586 00:24:23,196 --> 00:24:24,297 favorite foods and traumas. 587 00:24:24,464 --> 00:24:25,465 Right on. Um... 588 00:24:25,632 --> 00:24:27,267 Do you happen to have her dream journal? 589 00:24:27,434 --> 00:24:29,436 Dream journal. Um, you might have to come back. 590 00:24:29,436 --> 00:24:30,770 Troy, all the freezers were out last night, 591 00:24:30,770 --> 00:24:32,605 so the meat turned. So what do we serve for lunch? 592 00:24:33,390 --> 00:24:35,208 - DARLA: I'll come back later. - (FLAPPING LIPS) 593 00:24:35,875 --> 00:24:36,976 Have a big breakfast. 594 00:24:37,977 --> 00:24:39,379 (SIGHS) Rita. 595 00:24:40,480 --> 00:24:41,481 CLIVE: Class, 596 00:24:42,716 --> 00:24:45,719 to dance is the highest expression 597 00:24:45,885 --> 00:24:47,520 of human existence. 598 00:24:47,687 --> 00:24:51,570 Acting is remembering and then choosing to forget. 599 00:24:51,224 --> 00:24:55,128 Music is the closest thing we have to the other side. 600 00:24:55,128 --> 00:24:57,364 (SYNTH MUSIC PLAYING ON SPEAKER) 601 00:25:00,533 --> 00:25:02,302 (MAKING SQUEAKING SOUND) 602 00:25:03,970 --> 00:25:05,939 (FEET STOMPING) 603 00:25:07,173 --> 00:25:08,241 Mask work. 604 00:25:08,441 --> 00:25:09,609 Who's next? 605 00:25:09,776 --> 00:25:10,777 So, I'm gonna be teaching you guys 606 00:25:10,777 --> 00:25:12,450 a little fashion history 607 00:25:12,212 --> 00:25:13,413 and we're gonna really look closely 608 00:25:13,413 --> 00:25:15,248 at the period costuming. 609 00:25:15,415 --> 00:25:16,416 I see... 610 00:25:16,583 --> 00:25:17,584 clavicle realness. 611 00:25:17,584 --> 00:25:18,852 Showing off the clav. 612 00:25:19,786 --> 00:25:21,855 You need to know when to use a clavicle. 613 00:25:22,220 --> 00:25:24,190 - Right. - It's once a week. 614 00:25:24,391 --> 00:25:26,359 This is me at Coachella. 615 00:25:26,526 --> 00:25:28,528 Kind of cross-faded. I'm looking for my friend, Chad. 616 00:25:28,695 --> 00:25:30,263 I was running. "Chad!" 617 00:25:30,430 --> 00:25:32,532 I'm hating everything about this except for the 618 00:25:33,266 --> 00:25:34,434 peekaboo ******l sleeve. 619 00:25:36,136 --> 00:25:37,303 Characterization. 620 00:25:37,470 --> 00:25:38,505 Let's say it. 621 00:25:38,672 --> 00:25:40,707 - Characterization. - ALL: Characterization. 622 00:25:40,874 --> 00:25:42,742 It's time to dive in to our first exercise. 623 00:25:42,909 --> 00:25:45,311 Somebody wants to maybe give it a shot? 624 00:25:45,478 --> 00:25:46,680 Anybody. 625 00:25:47,280 --> 00:25:48,281 Nobody? 626 00:25:49,849 --> 00:25:51,618 Darla, why don't you come up here and demonstrate with me? 627 00:25:52,619 --> 00:25:55,922 So Darla is going to say just a basic fact about me, 628 00:25:56,890 --> 00:25:57,924 anything that she observes. 629 00:25:58,910 --> 00:25:59,592 Just anything that comes to mind when you look at me. 630 00:25:59,759 --> 00:26:01,161 No wrong answers. Just throw something out. 631 00:26:01,661 --> 00:26:02,929 You're an acting teacher. 632 00:26:03,960 --> 00:26:04,970 Okay. I'm gonna stop you right there. 633 00:26:04,297 --> 00:26:07,100 So that's actually wildly opinionated. 634 00:26:07,267 --> 00:26:09,369 That was a really simplistic way of looking at it. 635 00:26:09,536 --> 00:26:12,572 I am a performer who works full time 636 00:26:12,572 --> 00:26:13,773 as an acting teacher, right? 637 00:26:15,108 --> 00:26:17,430 (PLAYING PEACEFUL TUNE ON FLUTE) 638 00:26:24,851 --> 00:26:26,152 Sing that back to me. 639 00:26:27,420 --> 00:26:29,189 (CHILDREN VOCALIZING TUNE) 640 00:26:29,522 --> 00:26:31,391 Now we're gonna do a little bit of an exercise 641 00:26:31,391 --> 00:26:32,959 to just strengthen our mouths. 642 00:26:32,959 --> 00:26:34,461 ALL: (SINGING) I was with Al Gore 643 00:26:34,461 --> 00:26:35,895 By the old cheese store 644 00:26:36,620 --> 00:26:38,665 And he brought his own bag From the ocean floor 645 00:26:38,832 --> 00:26:42,302 ALL: Wolf Blitzer has a blister on his upper lip. 646 00:26:42,469 --> 00:26:44,400 You are a family... 647 00:26:45,305 --> 00:26:46,473 of influencers. 648 00:26:46,673 --> 00:26:48,341 The mom is the manager. 649 00:26:48,508 --> 00:26:50,977 You're dating a basketball player, 650 00:26:51,144 --> 00:26:53,146 but he's constantly cheating on you. 651 00:26:53,313 --> 00:26:54,647 And if that isn't enough, 652 00:26:54,781 --> 00:26:56,783 all your names start with the same letter. 653 00:26:59,520 --> 00:27:00,530 Oh, nice. 654 00:27:01,254 --> 00:27:03,390 Your show's canceled! Your show's canceled! 655 00:27:04,257 --> 00:27:05,492 It's back. 656 00:27:06,526 --> 00:27:07,527 Whoa. 657 00:27:07,527 --> 00:27:10,300 Wanting to learn about stagecraft 658 00:27:10,196 --> 00:27:12,365 is an act of nobility. 659 00:27:12,532 --> 00:27:15,669 You know, even if it's just because dance was full. 660 00:27:16,336 --> 00:27:19,272 Something that we like to dig into here 661 00:27:19,439 --> 00:27:22,275 is the art of the spotlight. 662 00:27:29,149 --> 00:27:32,652 No offense, but this is really easy. 663 00:27:32,819 --> 00:27:34,721 Can you make it harder? 664 00:27:36,389 --> 00:27:37,390 Okay. 665 00:27:42,195 --> 00:27:44,798 (UPBEAT PIANO MUSIC PLAYING) 666 00:28:04,784 --> 00:28:06,720 (UPBEAT INSTRUMENTAL MUSIC PLAYING) 667 00:28:22,669 --> 00:28:24,137 (PANTING) 668 00:28:27,574 --> 00:28:29,776 You know, if there was a real dancer on stage, 669 00:28:29,776 --> 00:28:30,844 that would be... 670 00:28:32,120 --> 00:28:33,313 that would be different. 671 00:28:33,480 --> 00:28:34,647 Better, probably. 672 00:28:34,814 --> 00:28:36,149 Whoa, that was amazing. 673 00:28:36,316 --> 00:28:37,951 GLENN: (STAMMERS) Let's take a break. 674 00:28:39,352 --> 00:28:40,453 - AMOS: So we have like... - (PLAYING PIANO) 675 00:28:40,620 --> 00:28:42,655 (SINGING) You never 676 00:28:42,655 --> 00:28:44,858 - (SINGING) Listen to me - Yeah. 677 00:28:45,250 --> 00:28:46,260 And then... 678 00:28:46,260 --> 00:28:47,427 - (SINGING) Daddy - Yeah. 679 00:28:47,594 --> 00:28:49,596 I want her to say that loudly. 680 00:28:49,763 --> 00:28:51,398 - Write that down. - Mmm-hmm. Like guttural. 681 00:28:51,564 --> 00:28:53,660 - That's very Joan. - A guttural "Daddy." 682 00:28:53,233 --> 00:28:55,268 It would be great to go into the first rehearsal 683 00:28:55,435 --> 00:28:57,370 with like, three or four songs. 684 00:28:57,537 --> 00:29:00,400 For Joan's song at Studio 54, I've been thinking... 685 00:29:00,400 --> 00:29:01,541 (SCATTING) 686 00:29:03,109 --> 00:29:04,770 AMOS: (SINGING) Lower now 687 00:29:04,277 --> 00:29:05,745 (BOTH SCATTING) 688 00:29:06,913 --> 00:29:08,810 AMOS: Okay. That's good. 689 00:29:08,810 --> 00:29:11,510 What are we doing for, in the Wall Street piece? 690 00:29:11,217 --> 00:29:13,319 (SINGING) Selling the stock Buying the stock 691 00:29:14,320 --> 00:29:15,321 It's tap. 692 00:29:15,488 --> 00:29:16,923 - It's tap. - It's tap. 693 00:29:17,824 --> 00:29:19,859 - Like, stocks and bonds. - (SINGING) Stocks things 694 00:29:20,260 --> 00:29:21,528 - Bonds and selling - Stocks. 695 00:29:21,695 --> 00:29:23,129 - I work on Wall Street - Stocks. 696 00:29:23,296 --> 00:29:24,564 I don't know when I'm gonna be able 697 00:29:24,564 --> 00:29:27,333 - to really get to the finale. - Yeah, yeah, I got it. 698 00:29:27,534 --> 00:29:28,635 - You can take that? - Yeah, I got it. 699 00:29:28,802 --> 00:29:30,770 So, I'm writing, Rebecca-Diane... 700 00:29:31,204 --> 00:29:32,205 finale. 701 00:29:33,306 --> 00:29:34,674 It's for her. It's all for her. 702 00:29:34,841 --> 00:29:36,209 - It's for her. - (TURNS PAGE) 703 00:29:37,744 --> 00:29:39,946 DARLA: Well, it makes sense. I've been taking tap 704 00:29:39,946 --> 00:29:41,140 - since I was two. - CHRISTOPHER L: Oh, my gosh. 705 00:29:41,140 --> 00:29:42,115 DARLA: So, I'm like... That's why I, like, have it. 706 00:29:42,115 --> 00:29:43,516 Performers, attention. 707 00:29:45,180 --> 00:29:46,586 Welcome to the first rehearsal of Joan, Still. 708 00:29:47,420 --> 00:29:48,922 I'm not gonna sugarcoat it. 709 00:29:49,890 --> 00:29:50,623 Emotionally, physically and spiritually, 710 00:29:50,790 --> 00:29:52,726 this is our most complicated piece we've ever tried to do. 711 00:29:52,726 --> 00:29:53,793 Most ambitious. 712 00:29:53,960 --> 00:29:57,630 Now, we only have three weeks to create a masterpiece. 713 00:29:57,964 --> 00:29:59,432 It's on you now. It's up to you. 714 00:29:59,599 --> 00:30:00,600 So that's on your shoulders 715 00:30:00,600 --> 00:30:02,936 as well as Joan's well-being and her legacy. All on you. 716 00:30:03,870 --> 00:30:05,705 But you so deserve it on every level. 717 00:30:05,872 --> 00:30:08,410 You guys are so talented, so unbelievable. 718 00:30:08,208 --> 00:30:09,209 This will break you. 719 00:30:10,176 --> 00:30:11,845 This will fully destroy you. 720 00:30:12,120 --> 00:30:13,913 Congratulations on being the most talented kids at camp. 721 00:30:14,214 --> 00:30:16,149 (JAUNTY MUSIC PLAYING) 722 00:30:16,483 --> 00:30:18,510 (INAUDIBLE CONVERSATIONS) 723 00:30:21,821 --> 00:30:23,690 On a "mi," go. 724 00:30:23,857 --> 00:30:25,250 ALL: (SINGING) Mi, mi, mi 725 00:30:28,261 --> 00:30:29,662 Um, I'm just gonna go and see if there's 726 00:30:29,662 --> 00:30:30,830 any alcohol that's been confiscated. 727 00:30:30,997 --> 00:30:32,499 I'll just grab it and I'll meet you at the fire pit? 728 00:30:32,665 --> 00:30:34,334 You know what? I just can't. I can't come tonight. 729 00:30:34,334 --> 00:30:36,269 I'm having insane creative inspiration. 730 00:30:36,269 --> 00:30:37,604 It's just coming out of me at all ends. 731 00:30:37,771 --> 00:30:38,772 No. Rebecca, Rebecca. 732 00:30:38,772 --> 00:30:40,173 I'm not going to the staff hang without you. 733 00:30:40,340 --> 00:30:41,841 I'm gonna get stuck listening to a story 734 00:30:41,841 --> 00:30:44,711 about how Clive was nude for the entire '80s. 735 00:30:44,878 --> 00:30:46,746 And the dancers start applauding for me. 736 00:30:46,913 --> 00:30:48,648 And I had no idea why. 737 00:30:48,815 --> 00:30:51,217 But, of course, I obliged them with a deep curtsy. 738 00:30:51,618 --> 00:30:55,689 And as I'm bowing, I realize I'm still nude. 739 00:30:56,756 --> 00:30:58,240 (BOTH LAUGHING) 740 00:30:58,725 --> 00:31:01,594 CLIVE: Oh, still nude. 741 00:31:03,530 --> 00:31:04,531 Um, let's do a toast. 742 00:31:05,331 --> 00:31:07,400 - Shall we, a toast to Joan? - CLIVE: Praise be. 743 00:31:07,600 --> 00:31:09,703 Right? A little toast. Let me top everyone off. 744 00:31:09,869 --> 00:31:12,305 I can feel that her spirit is with us right now. 745 00:31:12,305 --> 00:31:13,373 GIGI: Yes. 746 00:31:13,540 --> 00:31:14,574 - She's here. - She's here. She's here. 747 00:31:14,741 --> 00:31:15,975 I have a little story for us. 748 00:31:16,476 --> 00:31:19,979 So I was a camper here and Joan said to me, 749 00:31:20,146 --> 00:31:21,715 she looked me in the eyes, she said, 750 00:31:22,882 --> 00:31:23,983 "You're untalented. 751 00:31:25,485 --> 00:31:27,200 "You can't dance. You can't sing. 752 00:31:28,210 --> 00:31:29,220 "You can't act. 753 00:31:29,956 --> 00:31:31,491 "You're very bad at this. 754 00:31:31,658 --> 00:31:33,259 "But you look amazing. 755 00:31:33,426 --> 00:31:36,429 "Your skin is glowing and your outfit is unbelievable." 756 00:31:38,598 --> 00:31:39,933 And she was right. 757 00:31:40,333 --> 00:31:41,801 RITA: At camp, we have a tradition. 758 00:31:41,968 --> 00:31:44,104 Every night, a staff member or counselor 759 00:31:44,104 --> 00:31:45,939 is gonna come in here and do a show for you. 760 00:31:46,373 --> 00:31:48,975 Tonight was supposed to be Joan's night, 761 00:31:49,142 --> 00:31:50,243 but Joan isn't here. 762 00:31:50,410 --> 00:31:53,279 So tonight, I am going to take her place 763 00:31:53,446 --> 00:31:56,716 and read you a special bedtime story. 764 00:31:56,883 --> 00:32:00,353 (SINGING) My friends, by the fire with my friends 765 00:32:00,520 --> 00:32:04,491 Having fun with my friends 766 00:32:04,491 --> 00:32:06,192 (VOCALIZING) 767 00:32:08,361 --> 00:32:10,300 Gorgeous. Thank you, Rebecca. 768 00:32:10,196 --> 00:32:11,965 Sorry. Sorry. 769 00:32:12,132 --> 00:32:15,368 I just feel like this mood is getting kind of like, sad. 770 00:32:15,869 --> 00:32:17,337 You know what I mean? Let's get crunk a little. 771 00:32:17,504 --> 00:32:18,505 Janet. 772 00:32:20,206 --> 00:32:22,800 What are you doing here at the camp? 773 00:32:22,175 --> 00:32:24,177 Oh, I mean, like, what are any of us doing here 774 00:32:24,177 --> 00:32:25,478 - at the camp? - No, no, no. 775 00:32:25,645 --> 00:32:26,846 What are you doing? 776 00:32:27,130 --> 00:32:30,250 I just wanna say your energy is so chaotic. 777 00:32:30,417 --> 00:32:31,451 I don't think so. 778 00:32:31,451 --> 00:32:32,819 And I actually do some energy healing 779 00:32:32,952 --> 00:32:34,721 and any time you wanna talk outside class, 780 00:32:34,721 --> 00:32:36,589 I'm really happy to sit down with you. 781 00:32:36,589 --> 00:32:37,657 I'm chilling. 782 00:32:37,657 --> 00:32:38,792 - You know what I mean? - REBECCA-DIANE: Mmm-hmm. 783 00:32:38,792 --> 00:32:40,326 I don't like this type of, um, 784 00:32:40,326 --> 00:32:41,795 voice. 785 00:32:41,961 --> 00:32:42,962 This is my voice. 786 00:32:43,129 --> 00:32:45,732 No, I think it sounded different three seconds ago. 787 00:32:45,899 --> 00:32:47,233 No, that's how I talk. 788 00:32:47,400 --> 00:32:50,837 "She was so excited to be at this Equity open call. 789 00:32:51,400 --> 00:32:53,540 "But she'd been waiting for hours and hours. 790 00:32:53,707 --> 00:32:57,100 "She could hear people singing on the other side of the door. 791 00:32:57,510 --> 00:33:00,547 "And then finally, it was her turn. 792 00:33:00,714 --> 00:33:02,916 "But when she walked in the room, 793 00:33:02,916 --> 00:33:04,984 "the men turned her away 794 00:33:05,151 --> 00:33:08,855 "because she was non-union." 795 00:33:09,220 --> 00:33:10,230 The end. 796 00:33:11,391 --> 00:33:12,792 AMOS: We at one time were going to pursue 797 00:33:12,792 --> 00:33:14,861 an education in the theater 798 00:33:14,994 --> 00:33:16,629 and we both actually auditioned together 799 00:33:16,629 --> 00:33:19,532 for a little-known institution called Juilliard. 800 00:33:19,699 --> 00:33:20,834 We were in the waiting room, you know. 801 00:33:20,834 --> 00:33:22,235 I had my monologue all prepared. 802 00:33:22,369 --> 00:33:24,637 I was doing "Gallop Apace," Juliet. 803 00:33:24,804 --> 00:33:26,506 She had Romeo in the tomb. 804 00:33:26,673 --> 00:33:27,774 And then... 805 00:33:27,941 --> 00:33:30,760 Gerald walked into the waiting room. Gerald '08. 806 00:33:30,243 --> 00:33:31,244 REBECCA-DIANE: Gerald '08 walked in. 807 00:33:31,244 --> 00:33:32,479 AMOS: Just to catch you up, Janet, 808 00:33:32,479 --> 00:33:33,780 we had a torrid affair. 809 00:33:33,947 --> 00:33:35,215 Lot of, like, will they, won't they. 810 00:33:35,382 --> 00:33:36,383 The camp was all abuzz about it. 811 00:33:36,549 --> 00:33:39,285 We never really spoke or touched or kissed, but it... 812 00:33:39,452 --> 00:33:41,221 You know, it was on everybody's lips. 813 00:33:41,688 --> 00:33:44,524 And so he really threw my pH balance, like, way off. 814 00:33:44,691 --> 00:33:46,526 And Rebecca could feel it, too, 815 00:33:46,526 --> 00:33:48,528 because we kind of share a soul. 816 00:33:48,695 --> 00:33:51,310 And we are linked artistically, emotionally... 817 00:33:51,197 --> 00:33:53,433 - Completely. We are one. - You're codependent? 818 00:33:53,666 --> 00:33:55,568 Well, no, I would say that we're dependent on each other. 819 00:33:55,735 --> 00:33:56,703 So, anyways, 820 00:33:56,836 --> 00:33:57,837 we were inches from a callback, 821 00:33:57,837 --> 00:33:59,720 slipped from our hands. 822 00:33:59,720 --> 00:34:00,573 - It didn't happen. - It didn't go our way. 823 00:34:00,573 --> 00:34:01,741 - We both bombed. - No. 824 00:34:01,875 --> 00:34:02,876 Bombed. 825 00:34:02,876 --> 00:34:04,177 REBECCA-DIANE: Yeah, we've always wanted to do 826 00:34:04,177 --> 00:34:05,345 a gender-reversed production 827 00:34:05,512 --> 00:34:06,846 - of Romeo and Juliet. - Mmm-hmm. 828 00:34:08,715 --> 00:34:09,716 Why don't you do it? 829 00:34:11,510 --> 00:34:12,819 Well, I would love to do it with you. 830 00:34:12,986 --> 00:34:14,688 And I've been working really hard and taking... 831 00:34:14,854 --> 00:34:18,158 I mean, you know, the absolute goal at the end of the day 832 00:34:18,324 --> 00:34:19,592 is, of course, to perform, 833 00:34:19,592 --> 00:34:21,995 but I don't think we're quite at that place. 834 00:34:24,798 --> 00:34:26,399 (HIP-HOP MUSIC PLAYING) 835 00:34:38,111 --> 00:34:39,746 - (CELL PHONE BUZZING) - TROY: Ay, yikes. 836 00:34:39,746 --> 00:34:40,914 MAN: (ON PHONE) Hi, Mr. Rubinsky, 837 00:34:40,914 --> 00:34:43,490 this is Carl from Warwick Bank. 838 00:34:43,216 --> 00:34:45,850 If you do not make a payment on your mortgage this week, 839 00:34:45,251 --> 00:34:47,253 we will initiate foreclosure proceedings. 840 00:34:47,253 --> 00:34:50,523 Please take action to avoid repossession of your camp. 841 00:34:51,157 --> 00:34:52,192 (CELL PHONE BEEPS) 842 00:34:52,192 --> 00:34:53,426 AUTOMATED VOICE: "Repossession" means 843 00:34:53,426 --> 00:34:55,195 the action of retaking possession of something. 844 00:34:55,362 --> 00:34:57,664 In particular, when a buyer defaults on payments. 845 00:34:57,664 --> 00:34:58,998 Whoa. 846 00:34:59,199 --> 00:35:00,500 (HIP-HOP MUSIC CONTINUES) 847 00:35:03,837 --> 00:35:07,440 (CLEARS THROAT) Oh, what a beautiful... 848 00:35:07,807 --> 00:35:09,175 ALL: Morning! 849 00:35:09,342 --> 00:35:12,612 (ON MIC) All right. First up, minor housekeeping issue. 850 00:35:12,779 --> 00:35:15,648 Whoever stole my CBD gummies, please return them. 851 00:35:15,815 --> 00:35:17,450 No questions asked. 852 00:35:17,617 --> 00:35:19,753 I'm pretty sure I know who it was, 853 00:35:19,753 --> 00:35:21,488 so just go ahead and cough that up. 854 00:35:21,621 --> 00:35:22,922 I can't sleep without them. 855 00:35:22,922 --> 00:35:24,424 GIRL: CisHet *****. 856 00:35:24,424 --> 00:35:25,825 (CHILDREN LAUGHING) 857 00:35:25,959 --> 00:35:27,293 Okay. Thank you for that. 858 00:35:30,463 --> 00:35:31,464 Thank you. 859 00:35:31,464 --> 00:35:33,133 Food has been so good. Keep it up. 860 00:35:36,403 --> 00:35:37,404 (CHAIR SLIDES) 861 00:35:37,404 --> 00:35:39,720 GLENN: Ow! TROY: Oh. 862 00:35:39,720 --> 00:35:40,874 - Hey, sorry. Are you... - Sorry. 863 00:35:40,874 --> 00:35:43,430 No, it was completely my fault. You're fine. 864 00:35:46,379 --> 00:35:48,982 Hey, uh, do you wanna have lunch with me? 865 00:35:52,385 --> 00:35:54,954 By the way, thanks for not telling anyone 866 00:35:54,954 --> 00:35:56,122 about the foreclosure. 867 00:35:56,556 --> 00:35:57,891 I really appreciate that. 868 00:35:59,392 --> 00:36:01,461 I don't know if I can do this, man. 869 00:36:01,628 --> 00:36:03,930 I have no idea how my mom kept this place afloat. 870 00:36:04,497 --> 00:36:06,700 I mean, the bank's way up my ***. 871 00:36:06,933 --> 00:36:08,468 Plus, Tim keeps complaining 872 00:36:08,468 --> 00:36:10,103 about being woken up by the kids' singing. 873 00:36:10,437 --> 00:36:12,105 Who's Tim? 874 00:36:13,600 --> 00:36:14,474 My Airbnb bunkie. 875 00:36:14,474 --> 00:36:15,975 This guy named Tim. That guy. 876 00:36:17,944 --> 00:36:19,245 - Hey! - I really can't afford 877 00:36:19,245 --> 00:36:20,447 a bad review right now. 878 00:36:21,281 --> 00:36:23,283 I swear, dude, I can usually get down with any vibe. 879 00:36:23,717 --> 00:36:24,951 But these kids, man. 880 00:36:25,118 --> 00:36:26,453 They just don't wanna meet me halfway. 881 00:36:26,453 --> 00:36:27,587 Every time I come up with a plan, 882 00:36:27,587 --> 00:36:28,755 they call me the Music Man . 883 00:36:28,755 --> 00:36:29,889 I don't even know what that is. 884 00:36:31,570 --> 00:36:32,192 Well, it's a musical. 885 00:36:32,359 --> 00:36:33,860 Everything's a goddamn musical here, man. 886 00:36:34,270 --> 00:36:35,362 GLENN: Well, yeah, it is. 887 00:36:35,495 --> 00:36:37,330 'Cause it's sort of their entire lives. 888 00:36:37,764 --> 00:36:38,765 Like those kids. 889 00:36:39,265 --> 00:36:41,534 That's actually last year's cast of Rent. 890 00:36:41,701 --> 00:36:43,370 It was a very formative production. 891 00:36:43,503 --> 00:36:45,739 It's all about family. It's all about community. 892 00:36:45,905 --> 00:36:47,707 Okay, see, that's... 893 00:36:47,874 --> 00:36:49,242 - that's helpful. - Good. 894 00:36:49,409 --> 00:36:50,410 What about them? 895 00:36:50,610 --> 00:36:52,545 GLENN: Those are Fosse kids. 896 00:36:52,545 --> 00:36:53,680 If they snap at you, 897 00:36:53,680 --> 00:36:55,515 just know that they're not trying to be demanding. 898 00:36:55,682 --> 00:36:57,317 It's just part of the vocabulary. 899 00:36:57,484 --> 00:36:58,518 These kids are smart. 900 00:36:58,685 --> 00:36:59,953 If you need their help, you just have to 901 00:36:59,953 --> 00:37:01,187 sort of meet them on their level. 902 00:37:01,955 --> 00:37:03,990 CLIVE: And starfish, starfish, 903 00:37:04,157 --> 00:37:05,959 starfish, and starfish. 904 00:37:06,159 --> 00:37:07,427 Jiggle like a jackal. 905 00:37:07,594 --> 00:37:08,762 Jiggle like a jackal. 906 00:37:08,928 --> 00:37:11,464 You need to know that only 3% of people make it. 907 00:37:11,631 --> 00:37:14,567 The rest of them end up in a mental facility 908 00:37:14,567 --> 00:37:16,703 or on a go-go box in Hell's Kitchen. 909 00:37:17,700 --> 00:37:18,872 AMOS: Let's just get a few more selections today 910 00:37:18,872 --> 00:37:21,410 from my collected original works, 911 00:37:21,207 --> 00:37:22,275 as we do every year. 912 00:37:22,275 --> 00:37:23,610 That's a low blow, Eileen. 913 00:37:23,610 --> 00:37:24,878 And don't pretend my IBS 914 00:37:24,878 --> 00:37:25,945 isn't part of why you haven't wanted 915 00:37:25,945 --> 00:37:27,414 to touch me in almost a decade. 916 00:37:27,580 --> 00:37:30,160 It's got nothing to do with your IBS, Roger. 917 00:37:30,183 --> 00:37:31,384 I want you to live a little bit more 918 00:37:31,384 --> 00:37:32,752 with the reality of having IBS 919 00:37:32,752 --> 00:37:33,920 and what that might do to your character. 920 00:37:34,320 --> 00:37:36,823 Because I'm not really feeling the detail of the IBS. 921 00:37:36,990 --> 00:37:38,591 I wanna live, Mother. 922 00:37:38,591 --> 00:37:40,994 Let's just try to throw some different spices in there. 923 00:37:41,161 --> 00:37:43,563 A little bit of pain, a little bit of stepfather. 924 00:37:43,863 --> 00:37:47,000 Got it. So hand me my goddamn lipstick. 925 00:37:47,967 --> 00:37:49,836 - And let me live. - Good. 926 00:37:50,203 --> 00:37:51,471 Mostly a lot better. 927 00:37:51,604 --> 00:37:52,605 Thank you, Darla. Take a seat. 928 00:37:52,605 --> 00:37:53,840 JANET: Okay. Today's a new thing. 929 00:37:53,840 --> 00:37:56,209 I'm teaching, um, 930 00:37:56,509 --> 00:37:57,811 stage combat. 931 00:37:59,120 --> 00:38:00,113 What is it? 932 00:38:01,481 --> 00:38:02,482 What is it? 933 00:38:02,649 --> 00:38:03,850 It's the art of surprise. 934 00:38:03,850 --> 00:38:06,119 It pushes the envelope of what theater can be. 935 00:38:06,252 --> 00:38:07,487 Absolutely. 936 00:38:09,890 --> 00:38:11,324 But also what do we think it is? 937 00:38:11,558 --> 00:38:14,761 It causes our heart to skip a beat, but safely. 938 00:38:14,894 --> 00:38:17,364 Does anybody have an answer that's like, not poetry? 939 00:38:17,864 --> 00:38:18,898 Maybe? You know what I mean? 940 00:38:18,898 --> 00:38:21,134 Like a legal definition of what it is. 941 00:38:21,134 --> 00:38:23,670 It's basically like teaching us how to fight. 942 00:38:24,104 --> 00:38:25,105 Oh. 943 00:38:25,338 --> 00:38:27,407 We are starting our past lives seminar. 944 00:38:27,407 --> 00:38:29,776 (ALL HUMMING) 945 00:38:31,344 --> 00:38:33,513 You were a nurse in World War II. 946 00:38:33,513 --> 00:38:35,815 You fell in love with one of your fellow nurses 947 00:38:35,815 --> 00:38:37,751 and you were the first ******* nurse couple 948 00:38:37,751 --> 00:38:39,190 that had ever lived. 949 00:38:39,319 --> 00:38:40,720 Let that inform your singing. 950 00:38:40,720 --> 00:38:43,823 You were President William Howard Taft. 951 00:38:45,158 --> 00:38:46,459 (CHILDREN CHEERING) 952 00:38:46,459 --> 00:38:49,162 You are the oldest soul in this room. 953 00:38:49,329 --> 00:38:50,630 This is your last life. 954 00:38:51,698 --> 00:38:52,699 (CHIME DINGS) 955 00:38:55,268 --> 00:38:56,603 Wow, thank you all. 956 00:38:56,603 --> 00:38:57,804 Thank you all for that. 957 00:38:58,171 --> 00:38:59,673 All right, artists. 958 00:38:59,673 --> 00:39:01,700 Next, we're going to be doing some... 959 00:39:01,700 --> 00:39:02,108 (CELL PHONE BUZZING) 960 00:39:03,777 --> 00:39:06,246 Um... Uh... (CHUCKLES AWKWARDLY) 961 00:39:06,246 --> 00:39:08,748 I'm so sorry. (STUTTERS) 962 00:39:08,748 --> 00:39:09,983 I'll be back. I just have to take this. 963 00:39:11,317 --> 00:39:12,318 It's all good. 964 00:39:14,120 --> 00:39:15,188 Hello? 965 00:39:15,355 --> 00:39:18,224 Hi. Yes, I can be available tonight. 966 00:39:26,660 --> 00:39:27,233 (MOUTHING) 967 00:39:27,400 --> 00:39:28,435 (MOUTHING) 968 00:39:28,868 --> 00:39:30,700 (WHIMSICAL MUSIC PLAYING) 969 00:39:38,411 --> 00:39:40,313 (INAUDIBLE) 970 00:39:43,883 --> 00:39:46,152 All right, all-stars. 971 00:39:46,286 --> 00:39:47,654 Whoa! 972 00:39:48,355 --> 00:39:50,230 Look at this turnout. 973 00:39:50,357 --> 00:39:51,658 Um, yes? 974 00:39:52,192 --> 00:39:53,326 Are we doing a cabaret? 975 00:39:53,326 --> 00:39:54,494 A what? 976 00:39:54,494 --> 00:39:56,129 I think it's a night of scene work. 977 00:39:56,129 --> 00:39:58,832 That's totally what this is. It's a night of scene work. 978 00:39:59,499 --> 00:40:01,101 And here's the scene. 979 00:40:02,102 --> 00:40:03,770 You guys are the staff 980 00:40:04,771 --> 00:40:06,806 of a fine dining establishment. 981 00:40:06,973 --> 00:40:09,309 So anything those guys in there order, 982 00:40:09,943 --> 00:40:12,612 you say, "Yes," and then you bring it to them. 983 00:40:12,779 --> 00:40:14,581 Like an improv exercise. 984 00:40:14,748 --> 00:40:16,383 Can we make up our own characters? 985 00:40:16,549 --> 00:40:18,451 - MACKENZIE: And do accents? - Okay. 986 00:40:18,618 --> 00:40:20,820 Let's just get together here, Rotarians... 987 00:40:20,987 --> 00:40:23,890 ...and kick Oklahoma City's fundraising ***. 988 00:40:23,890 --> 00:40:25,658 Should we do that? Huh? Cheers! 989 00:40:25,658 --> 00:40:26,726 ROTARIANS: Cheers! MAN: Cheers, cheers! 990 00:40:26,726 --> 00:40:28,228 We're here thanks to Troy Rubinsky. 991 00:40:28,228 --> 00:40:29,462 - We're happy to have you guys. - BILL: Thanks so much. 992 00:40:29,462 --> 00:40:30,697 Thank you. Good. And I guess 993 00:40:30,697 --> 00:40:33,366 we're gonna get served by the campers here, 994 00:40:33,533 --> 00:40:35,350 which I was not aware of. 995 00:40:35,350 --> 00:40:36,236 (BILL CHUCKLES AWKWARDLY) 996 00:40:37,103 --> 00:40:38,538 BILL: Dressing? No. Is there... 997 00:40:38,538 --> 00:40:39,673 All right. Well... 998 00:40:39,673 --> 00:40:40,840 (LAUGHTER) 999 00:40:41,410 --> 00:40:43,176 Hey, just eat it dry, I guess, huh. 1000 00:40:44,277 --> 00:40:45,679 It's crazy that this is their 1001 00:40:45,679 --> 00:40:47,514 first immersive theater experience. 1002 00:40:47,681 --> 00:40:49,683 I know. We have a big responsibility. 1003 00:40:50,984 --> 00:40:52,419 Can I offer you a roll? 1004 00:40:52,819 --> 00:40:55,155 Or the chilling tale about how I lost my daughter? 1005 00:40:55,155 --> 00:40:57,590 - (COUGHS) - (MUSIC STOPS) 1006 00:41:00,930 --> 00:41:01,227 (HUMMING) 1007 00:41:05,432 --> 00:41:06,566 (CLICKS TONGUE) Ooh. 1008 00:41:06,566 --> 00:41:08,401 Reminder. Pay rent to mom. 1009 00:41:08,568 --> 00:41:11,237 Remember to check in with RD about the finale. 1010 00:41:11,905 --> 00:41:13,406 Papier-mâché nose. 1011 00:41:14,541 --> 00:41:15,542 LAINY: Amos! 1012 00:41:16,343 --> 00:41:17,344 Amos! 1013 00:41:17,844 --> 00:41:21,181 Rebecca missed her nighttime performance. 1014 00:41:21,881 --> 00:41:23,917 That doesn't sound like Rebecca. 1015 00:41:24,840 --> 00:41:27,354 Okay, but I'm craving a performance. 1016 00:41:27,354 --> 00:41:29,956 - (UPBEAT PIANO MUSIC PLAYING) - (ROTARIANS MURMURING) 1017 00:41:31,825 --> 00:41:33,293 I think it's going pretty good. 1018 00:41:33,793 --> 00:41:35,462 The kids are getting real into it. 1019 00:41:36,296 --> 00:41:37,597 GLENN: Your mom knows what she's talking about. 1020 00:41:37,764 --> 00:41:38,965 We help our own. 1021 00:41:39,132 --> 00:41:41,534 Men! There's been an attack. 1022 00:41:41,701 --> 00:41:42,969 BOY: This is how we go. 1023 00:41:43,303 --> 00:41:44,604 It's been a pleasure serving with you. 1024 00:41:44,604 --> 00:41:45,805 My son! My son! 1025 00:41:45,805 --> 00:41:48,775 All of my children are dying in this war. 1026 00:41:48,942 --> 00:41:50,343 Are they getting too into it? 1027 00:41:50,343 --> 00:41:52,278 - ALICE: Save yourselves! - I just, um... 1028 00:41:52,946 --> 00:41:54,414 I just really wanna go home. 1029 00:41:55,115 --> 00:41:56,783 AMOS: Well, as we all know by now, 1030 00:41:56,783 --> 00:41:59,386 our bedtime performer is missing in action. 1031 00:41:59,953 --> 00:42:01,454 Uh, I really apologize. 1032 00:42:01,621 --> 00:42:03,390 Waiting for entertainment that's expected 1033 00:42:03,390 --> 00:42:04,624 is a painful experience. 1034 00:42:04,624 --> 00:42:06,260 This is very impromptu, 1035 00:42:06,260 --> 00:42:07,594 so I didn't really have anything prepared, but... 1036 00:42:07,761 --> 00:42:10,597 Peter Piper picked a peck of pickled peppers. Wait. 1037 00:42:11,865 --> 00:42:14,000 The peppers were pickled when he picked them? 1038 00:42:14,267 --> 00:42:16,360 Peter Piper picked a priority. 1039 00:42:16,202 --> 00:42:17,203 And what was that priority 1040 00:42:17,203 --> 00:42:18,838 that Peter Piper picked? Family. 1041 00:42:20,730 --> 00:42:22,175 Friends. Connection. 1042 00:42:23,410 --> 00:42:24,411 He picked a life. 1043 00:42:24,711 --> 00:42:25,779 These were triggers. 1044 00:42:25,779 --> 00:42:27,681 This has lasting effects, okay? 1045 00:42:27,681 --> 00:42:29,983 One guy had sort of a Vietnam flashback 1046 00:42:30,150 --> 00:42:32,285 and you had kids serving liquor. 1047 00:42:32,452 --> 00:42:33,687 That's gotta be illegal. 1048 00:42:33,853 --> 00:42:35,188 It was interesting, but no. 1049 00:42:35,355 --> 00:42:36,356 It was a bit. She was doing... 1050 00:42:36,356 --> 00:42:37,590 No. But let's settle on 40 bucks. 1051 00:42:37,590 --> 00:42:38,992 - TROY: Mmm-hmm. - Troy, please. 1052 00:42:38,992 --> 00:42:40,360 You let me down. 1053 00:42:40,527 --> 00:42:41,795 This did not work out. 1054 00:42:41,995 --> 00:42:43,463 Yeah. Okay. Um... 1055 00:42:43,463 --> 00:42:46,332 - (TENSE MUSIC PLAYING) - (SIGHS HEAVILY) 1056 00:42:53,440 --> 00:42:54,641 (UPBEAT MUSIC PLAYING) 1057 00:42:54,641 --> 00:42:57,430 (INDISTINCT CONVERSATION) 1058 00:43:05,218 --> 00:43:06,820 (CHILDREN TALKING INDISTINCTLY) 1059 00:43:07,354 --> 00:43:10,357 Mikey. I'm still this close to signing Darla. 1060 00:43:11,324 --> 00:43:12,325 Alan? 1061 00:43:12,325 --> 00:43:14,227 I'm in a middle of a conversation. 1062 00:43:14,227 --> 00:43:15,428 You're supposed to be at dance class. Come on. Let's go. 1063 00:43:15,428 --> 00:43:16,796 Ugh, jeez. Fine. 1064 00:43:17,464 --> 00:43:19,232 (BUSY SIGNAL) 1065 00:43:19,699 --> 00:43:21,368 - ALAN: I even told her... - Alan! 1066 00:43:21,368 --> 00:43:22,635 ...that she would get top billing. 1067 00:43:22,635 --> 00:43:23,803 RITA: Off the phone! 1068 00:43:23,937 --> 00:43:25,472 (SIGHS) Just one second. 1069 00:43:25,472 --> 00:43:27,700 RITA: No seconds. Let's go. 1070 00:43:27,307 --> 00:43:29,142 (UPBEAT MUSIC CONTINUES) 1071 00:43:30,777 --> 00:43:32,145 Um... 1072 00:43:32,746 --> 00:43:34,447 How much for three bags? 1073 00:43:34,614 --> 00:43:36,249 That was never the rate. 1074 00:43:36,249 --> 00:43:37,917 It has always been five dollars. 1075 00:43:38,118 --> 00:43:39,819 These better be genuine Throat Coat. 1076 00:43:40,587 --> 00:43:42,288 (INHALES DEEPLY) 1077 00:43:42,288 --> 00:43:44,391 That's genuine Throat Coat. That's genuine. 1078 00:43:45,325 --> 00:43:46,826 I don't even recognize you. 1079 00:43:47,227 --> 00:43:48,795 Where is my little Joan gone? 1080 00:43:48,795 --> 00:43:50,563 I'm still me, Tata. 1081 00:43:50,563 --> 00:43:52,899 No, your face is a new face. 1082 00:43:53,660 --> 00:43:54,701 MACKENZIE: It's called rouge, Tata. 1083 00:43:54,701 --> 00:43:55,769 DEVON: The cheeks of a hussy. 1084 00:43:55,769 --> 00:43:57,871 - Yeah, yeah. - Let's hold. Let's hold. 1085 00:43:58,380 --> 00:43:59,205 Devon, you are on the stage, 1086 00:43:59,205 --> 00:44:01,410 but your partner is fully alone. 1087 00:44:01,241 --> 00:44:02,676 And I think you really need to... 1088 00:44:02,842 --> 00:44:04,544 I think that ultimately, Devon, you need to just 1089 00:44:04,711 --> 00:44:05,979 kind of let in the pain of being a father. 1090 00:44:05,979 --> 00:44:07,347 Like we need to feel that pain. 1091 00:44:07,714 --> 00:44:08,848 (CHUCKLES NERVOUSLY, STUTTERS) 1092 00:44:08,848 --> 00:44:10,316 But I'm not a father. 1093 00:44:10,316 --> 00:44:11,718 I don't know how to do that. 1094 00:44:11,885 --> 00:44:13,787 Did Julianne Moore really have dementia? (SCOFFS) 1095 00:44:14,220 --> 00:44:15,522 (WHISPERS) No. No. No. 1096 00:44:15,789 --> 00:44:16,823 AMOS: Do the connection exercise. 1097 00:44:17,824 --> 00:44:19,526 And then we'll try it again. 1098 00:44:19,693 --> 00:44:20,827 REBECCA-DIANE: Deliver. 1099 00:44:20,827 --> 00:44:21,928 Thank you for all you're doing. 1100 00:44:21,928 --> 00:44:22,962 Thank you. 1101 00:44:24,264 --> 00:44:25,331 Aren't you gonna say something? 1102 00:44:25,331 --> 00:44:26,433 REBECCA-DIANE: Oh! 1103 00:44:26,433 --> 00:44:27,534 You missed your bedtime performance. 1104 00:44:27,534 --> 00:44:29,350 That's so unlike you. What happened? 1105 00:44:29,169 --> 00:44:30,270 I'm so sorry. I was just finishing 1106 00:44:30,270 --> 00:44:31,438 the finale and I got distracted... 1107 00:44:31,438 --> 00:44:34,841 Yeah, I'm sure... This finale, it's like this is repeated. 1108 00:44:34,841 --> 00:44:36,760 It's like, I love you, 1109 00:44:36,760 --> 00:44:37,344 but, we're getting towards crunch time, okay? 1110 00:44:37,344 --> 00:44:38,578 And you have other responsibilities 1111 00:44:38,578 --> 00:44:40,447 - which I know you know. - I'm just playing catch up. 1112 00:44:41,147 --> 00:44:42,882 Okay, but just I need my gal with me, so... 1113 00:44:43,490 --> 00:44:44,718 - I got you. - Okay. 1114 00:44:44,884 --> 00:44:46,586 I'm still me, Tata. 1115 00:44:46,586 --> 00:44:49,723 No. Using your little hands to write letters to the devil 1116 00:44:49,723 --> 00:44:51,358 and never once to shape pierogi. 1117 00:44:51,958 --> 00:44:54,594 Just because dumplings aren't my priority 1118 00:44:54,594 --> 00:44:55,829 anymore doesn't mean any... 1119 00:44:55,829 --> 00:44:58,198 You never once sent a suitor home to your dying Tata. 1120 00:44:59,399 --> 00:45:01,670 This is not the Joan that I know. 1121 00:45:03,370 --> 00:45:04,504 You know what, Tata? 1122 00:45:05,205 --> 00:45:06,206 You're right. 1123 00:45:06,806 --> 00:45:10,643 I decide who Joan is, and I may not be who Joan was, 1124 00:45:11,344 --> 00:45:14,481 but, Tata, I am Joan, still. 1125 00:45:18,485 --> 00:45:21,421 - That got better. - Better. 1126 00:45:21,588 --> 00:45:23,990 BOTH: (CHANTING) That got better. 1127 00:45:24,157 --> 00:45:25,425 Very good. Devon, the accent's 1128 00:45:25,425 --> 00:45:26,493 all over the place, but it's much better. 1129 00:45:26,493 --> 00:45:27,761 REBECCA-DIANE: Yeah. Mackenzie, extraordinary. 1130 00:45:27,761 --> 00:45:28,928 Mac. That was so good. 1131 00:45:28,928 --> 00:45:30,430 - Thank you. - SEBASTIAN: Amazing. 1132 00:45:30,430 --> 00:45:31,831 - CHRISTOPHER L: She killed it. - Stop! 1133 00:45:32,732 --> 00:45:34,134 (WHISPERS) She's using. 1134 00:45:44,577 --> 00:45:46,790 (SIGHS) Lift up your hands. 1135 00:45:49,716 --> 00:45:51,518 (BOTH SNIFFING) 1136 00:45:52,252 --> 00:45:53,420 (WHISPERS) She wouldn't. 1137 00:45:53,420 --> 00:45:55,221 Tear stick. 1138 00:45:55,355 --> 00:45:56,923 It's just Chapstick, I swear. 1139 00:45:56,923 --> 00:45:58,910 Give it to me. 1140 00:45:58,391 --> 00:45:59,659 REBECCA-DIANE: Oh, my God. 1141 00:46:00,600 --> 00:46:02,620 Mackenzie, I'm not mad. I'm just furious. 1142 00:46:02,228 --> 00:46:04,531 Your tears should come from within, from the story, 1143 00:46:04,531 --> 00:46:05,899 from the words on the page, 1144 00:46:06,132 --> 00:46:08,735 not from some emotional grenade that you smuggled in. 1145 00:46:08,735 --> 00:46:09,969 What's a tear stick? 1146 00:46:09,969 --> 00:46:11,671 AMOS: Insult to the material. Okay? 1147 00:46:11,671 --> 00:46:13,840 It's a mentholated eyeliner that helps you cry. 1148 00:46:14,700 --> 00:46:17,844 Joan is screaming and furious at you. 1149 00:46:18,178 --> 00:46:22,148 Because tear sticks are doping for actors. 1150 00:46:22,782 --> 00:46:25,485 Do you wanna be the Lance Armstrong of theater? 1151 00:46:25,485 --> 00:46:28,121 - No. - Get off the stick. 1152 00:46:29,756 --> 00:46:31,825 (SNIFFLES) Get off the stick. 1153 00:46:33,590 --> 00:46:34,260 - (SNIFFLES) - (TEAR STICK CLATTERS) 1154 00:46:34,260 --> 00:46:35,528 One day it's tear stick. 1155 00:46:35,628 --> 00:46:37,797 The next you're calling for line 1156 00:46:37,964 --> 00:46:39,232 and pretty soon your understudy's 1157 00:46:39,232 --> 00:46:40,367 on eight times a week 1158 00:46:40,533 --> 00:46:42,936 in Weehawken or God knows where. Okay? 1159 00:46:42,936 --> 00:46:45,372 It's a slip-ry, slip-ry slope. 1160 00:46:46,272 --> 00:46:47,440 Devon, I'm so sorry. 1161 00:46:48,575 --> 00:46:49,843 (DEVON CHUCKLES AWKWARDLY) 1162 00:46:50,510 --> 00:46:51,745 Really, it's fine. 1163 00:46:51,745 --> 00:46:52,912 Tell him you're sorry. 1164 00:46:53,847 --> 00:46:55,480 I'm sorry, Devon. 1165 00:46:55,215 --> 00:46:56,583 It's really fine. 1166 00:46:57,584 --> 00:46:58,818 I choose to forgive. 1167 00:46:58,985 --> 00:47:00,200 But we don't forget. 1168 00:47:00,420 --> 00:47:02,956 But until the end, the law can forgive. 1169 00:47:03,123 --> 00:47:04,791 (WHISPERS) But without ever forgetting. 1170 00:47:06,226 --> 00:47:07,794 (CALL ME BY YOUR NAME BY LIL NAS X PLAYING) 1171 00:47:47,000 --> 00:47:50,570 Hi! Welcome to AdirondACTS. You guys having fun? 1172 00:47:50,570 --> 00:47:51,838 Enjoying the party? Yeah. 1173 00:47:53,730 --> 00:47:54,740 - (FRANNY GRUNTS) - (ALL GASP) 1174 00:47:54,207 --> 00:47:56,843 FRANNY: Oh, my God, Lainy, why would you do that? 1175 00:47:57,100 --> 00:47:59,646 You piss me off, like, a lot. 1176 00:48:02,982 --> 00:48:04,484 JANET: (CLAPPING) Whoo! 1177 00:48:04,484 --> 00:48:05,652 Let's go. 1178 00:48:05,652 --> 00:48:07,387 Stage combat. 1179 00:48:07,687 --> 00:48:09,923 You think this is fun and games? Hitting? 1180 00:48:09,923 --> 00:48:11,424 It's not funny. You're right. It's art. 1181 00:48:11,424 --> 00:48:13,159 - WENDY: No. It's not. - Grow up. 1182 00:48:14,694 --> 00:48:16,229 Excuse me. Have you seen Rebecca-Diane? 1183 00:48:16,830 --> 00:48:18,164 Is she out there? No? 1184 00:48:19,599 --> 00:48:20,600 Enjoy. 1185 00:48:21,835 --> 00:48:23,136 Where is she? 1186 00:48:33,780 --> 00:48:35,682 TROY: (ON MIC) Yo, what up, AdirondACTS? 1187 00:48:35,849 --> 00:48:36,916 Welcome, Lakeside. 1188 00:48:37,830 --> 00:48:40,520 Just want you to know this is not a free event for you. 1189 00:48:40,687 --> 00:48:42,188 Okay? Unless you're verified. 1190 00:48:42,889 --> 00:48:44,240 Thanks for coming out. 1191 00:48:44,157 --> 00:48:46,159 Man, this is a dream show for me. 1192 00:48:46,426 --> 00:48:48,862 I know this one's a theater camp classic, so 1193 00:48:49,362 --> 00:48:52,232 thought I'd put a little twist on it. 1194 00:48:53,660 --> 00:48:55,869 MALE SINGER: (ON SPEAKERS) Give my regards to Broadway 1195 00:48:56,360 --> 00:48:58,204 Remember me to Herald Square 1196 00:48:58,371 --> 00:49:01,700 Send my regards to Broadway, *****! 1197 00:49:02,442 --> 00:49:05,612 MALE SINGER: Whisper of how I'm yearning 1198 00:49:05,779 --> 00:49:06,813 To mingle with the old-time throng 1199 00:49:06,813 --> 00:49:08,314 TROY: Put 'em up! Put 'em up! Put 'em up! 1200 00:49:08,314 --> 00:49:09,749 (ALL CHEERING) 1201 00:49:09,949 --> 00:49:12,852 MALE SINGER: Give my regards to Old Broadway 1202 00:49:13,190 --> 00:49:15,455 And say I'll be there 'ere long 1203 00:49:15,455 --> 00:49:16,556 TROY: That's what's up! 1204 00:49:17,570 --> 00:49:18,558 TROY: I know you're busy, so I don't wanna 1205 00:49:18,558 --> 00:49:19,626 take too much of your time, 1206 00:49:19,793 --> 00:49:21,795 but the vibes are pretty good in there, huh? 1207 00:49:21,961 --> 00:49:23,730 - Uh, sure. - That was me DJing. 1208 00:49:23,897 --> 00:49:24,898 But look. 1209 00:49:25,980 --> 00:49:27,200 So I know, you know, the Rotary Club thing 1210 00:49:27,200 --> 00:49:28,535 didn't really go to plan. 1211 00:49:28,702 --> 00:49:30,136 You took a lot of my kids out of rehearsal for that. 1212 00:49:30,303 --> 00:49:31,604 I get that and I'm sorry, 1213 00:49:31,604 --> 00:49:33,540 and I'm still perfecting the formula here, 1214 00:49:33,540 --> 00:49:36,543 but I've recently had, like, a surge of ideas, 1215 00:49:37,430 --> 00:49:38,778 you know, that would bring some additional revenue. 1216 00:49:38,945 --> 00:49:41,514 You know, one of 'em is, like, maybe we send the kids 1217 00:49:41,681 --> 00:49:45,510 into the city to do, like, singing telegrams. 1218 00:49:45,218 --> 00:49:46,653 Okay. Incredibly dangerous. 1219 00:49:46,820 --> 00:49:48,221 Maybe we do like remote students. 1220 00:49:48,221 --> 00:49:49,389 But, okay. I'm sorry. I'm sorry. I'm sorry. 1221 00:49:49,389 --> 00:49:50,490 TROY: Maybe, maybe... 1222 00:49:50,490 --> 00:49:52,359 We don't need any of these ideas, okay, Troy? 1223 00:49:52,359 --> 00:49:53,626 We don't need any of these ideas. 1224 00:49:53,626 --> 00:49:54,694 Yeah. 1225 00:49:54,694 --> 00:49:55,929 Your mother managed to keep this place running 1226 00:49:56,620 --> 00:49:57,964 in the face of a lot of financial trouble 1227 00:49:57,964 --> 00:49:59,199 and never once did she compromise 1228 00:49:59,199 --> 00:50:01,668 the artistic vision to save money. Okay? 1229 00:50:01,835 --> 00:50:03,503 Right. (STUTTERS) You know, that's kind of what 1230 00:50:03,503 --> 00:50:05,472 I'm trying to get after. 1231 00:50:05,472 --> 00:50:07,700 Yes. No, no, no. I understand. 1232 00:50:07,700 --> 00:50:08,808 I understand that. But what you don't understand 1233 00:50:08,808 --> 00:50:10,477 is the importance of what we do here, okay? 1234 00:50:10,477 --> 00:50:12,812 This place is for people who need it, okay? 1235 00:50:12,812 --> 00:50:14,414 People who aren't accepted anywhere else. 1236 00:50:14,414 --> 00:50:16,249 You are not one of those people, Troy. 1237 00:50:16,249 --> 00:50:17,951 You are not one of us. 1238 00:50:25,892 --> 00:50:27,694 - (SIGHS) - (SOFT MUSIC PLAYING) 1239 00:50:30,630 --> 00:50:31,197 Becks-Di? 1240 00:50:32,165 --> 00:50:34,670 Rebecca... Oh. Not her. 1241 00:50:38,171 --> 00:50:39,973 Be sure to cherish these relationships, okay? 1242 00:50:39,973 --> 00:50:41,341 'Cause they're gone in a flash. 1243 00:50:42,842 --> 00:50:44,440 Just wanted you to know that. 1244 00:50:44,440 --> 00:50:45,211 CAROLINE: Of course, she's gonna cry. 1245 00:50:45,211 --> 00:50:46,846 I'm laying her off 'cause she cries too much. 1246 00:50:46,846 --> 00:50:48,982 - TROY: Mrs. Krauss. - Oh. Hi. 1247 00:50:48,982 --> 00:50:50,183 Dope that you made it. 1248 00:50:50,950 --> 00:50:54,187 (CHUCKLES, STAMMERS) I'm happy to be here. 1249 00:50:54,354 --> 00:50:55,522 - Yeah. - Yeah. 1250 00:50:55,689 --> 00:50:58,858 So, um, things have taken a bit of a turn here 1251 00:50:58,858 --> 00:51:01,995 and I've been thinking about the offer. 1252 00:51:02,362 --> 00:51:03,363 Me too. 1253 00:51:03,930 --> 00:51:04,931 A lot. 1254 00:51:05,980 --> 00:51:06,666 Yeah. Um... 1255 00:51:07,767 --> 00:51:09,502 I just feel like it would be a, 1256 00:51:10,303 --> 00:51:11,404 you know, lucrative 1257 00:51:11,404 --> 00:51:13,273 and mutually beneficial partnership. 1258 00:51:14,140 --> 00:51:15,408 Like for the both of us though. 1259 00:51:17,430 --> 00:51:19,913 Wow. Well, that's great. (CHUCKLES) 1260 00:51:20,460 --> 00:51:22,615 So, like, does the offer still stand? 1261 00:51:22,782 --> 00:51:23,783 Yes, Troy. 1262 00:51:24,451 --> 00:51:25,952 Barnswell would love to work with you. 1263 00:51:25,952 --> 00:51:27,870 Wow! 1264 00:51:27,220 --> 00:51:28,321 - Yeah. - Nice. 1265 00:51:28,321 --> 00:51:30,590 I have to say I'm super excited to work with someone 1266 00:51:30,590 --> 00:51:33,159 who knows the TUVs of deal making. 1267 00:51:33,326 --> 00:51:34,694 Did you just say the TUVs? 1268 00:51:35,662 --> 00:51:37,497 Trust. You won't regret it. And vibes. 1269 00:51:37,497 --> 00:51:38,798 Trust. Won't regret it. Vibes. 1270 00:51:38,798 --> 00:51:40,467 You've been watching my vlogs? 1271 00:51:40,667 --> 00:51:42,302 (CHUCKLES) Religiously. 1272 00:51:42,469 --> 00:51:43,503 Stop. 1273 00:51:44,704 --> 00:51:45,872 The GoPro loves you. 1274 00:51:47,207 --> 00:51:48,475 - Don't understand. - SEBASTIAN: I'm here 1275 00:51:48,475 --> 00:51:50,210 - having a wonderful time. - CHRISTOPHER L: Devon! 1276 00:51:51,111 --> 00:51:52,112 SEBASTIAN: Where? 1277 00:51:52,112 --> 00:51:53,813 (CHRISTOPHER L AND SEBASTIAN GASP) 1278 00:51:54,781 --> 00:51:55,915 (STUTTERS) It's not what it looks like. 1279 00:51:55,915 --> 00:51:57,250 SEBASTIAN: What the hell is this? 1280 00:51:57,250 --> 00:52:00,120 We were supposed to be manifesting. It's a full moon. 1281 00:52:00,286 --> 00:52:01,287 They were saying no one at theater camp 1282 00:52:01,287 --> 00:52:02,322 could play football. 1283 00:52:02,322 --> 00:52:04,257 I'm just proving to them that I could. 1284 00:52:04,591 --> 00:52:06,126 (UPBEAT DANCE MUSIC PLAYING) 1285 00:52:06,126 --> 00:52:07,927 (ALL CHEERING) 1286 00:52:19,105 --> 00:52:20,106 (CAR HORN HONKS) 1287 00:52:20,106 --> 00:52:21,274 (REBECCA-DIANE GROANS) 1288 00:52:24,177 --> 00:52:25,211 Oh, my God. 1289 00:52:31,551 --> 00:52:33,553 Good morning, girlboss. 1290 00:52:33,553 --> 00:52:36,356 Coffee. You've gone crazy. 1291 00:52:36,356 --> 00:52:37,457 TROY: I'm wild. 1292 00:52:38,491 --> 00:52:39,993 - Oh, man. - CAROLINE: Mmm. 1293 00:52:40,694 --> 00:52:41,695 Wow. 1294 00:52:42,195 --> 00:52:43,163 Thank you. 1295 00:52:43,697 --> 00:52:46,833 So, last night was pretty hot, huh? 1296 00:52:47,000 --> 00:52:48,435 (CHUCKLES) It was really hot. 1297 00:52:48,435 --> 00:52:50,136 You were so bussin'. 1298 00:52:50,303 --> 00:52:52,605 I came here just to do work 1299 00:52:52,772 --> 00:52:54,741 and I ended up meeting someone 1300 00:52:55,642 --> 00:52:57,310 - who took my breath away. - Same. 1301 00:52:57,310 --> 00:52:58,611 Then, like, shoved it back in my mouth. 1302 00:52:59,120 --> 00:53:00,747 God, I just feel like I can really, like, 1303 00:53:01,715 --> 00:53:03,817 reach my full potential here. You know. 1304 00:53:03,983 --> 00:53:05,552 Yeah. Me too. 1305 00:53:05,719 --> 00:53:09,456 With Barnswell's backing, like, I can finally, 1306 00:53:10,123 --> 00:53:11,524 you know, start to implement 1307 00:53:11,524 --> 00:53:13,590 some real change around this place. 1308 00:53:15,280 --> 00:53:16,863 Troy, don't you remember the agreement 1309 00:53:16,863 --> 00:53:18,331 that you signed last night? 1310 00:53:18,998 --> 00:53:21,434 Yeah, it was to get us out of the foreclosure. 1311 00:53:21,434 --> 00:53:23,903 (FRANTIC MUSIC PLAYING) 1312 00:53:26,873 --> 00:53:28,408 Welcome to Tech Week, campers. 1313 00:53:28,408 --> 00:53:30,510 (ON SPEAKERS) Performances are just a few days away, 1314 00:53:30,510 --> 00:53:33,179 so let's stay focused on bringing those shows to life. 1315 00:53:33,179 --> 00:53:35,515 And if you have any issues, you look for Glenn. 1316 00:53:35,515 --> 00:53:36,616 I'm sure he'll have time to help you. 1317 00:53:36,616 --> 00:53:38,318 - MAN 1: (ON RADIO) Glenn. - Go for Glenn. 1318 00:53:38,318 --> 00:53:39,986 LAINY: Glenn, we need you in props. 1319 00:53:39,986 --> 00:53:41,540 MAN 1: Glenn, where's our bush? 1320 00:53:41,540 --> 00:53:43,156 MAN 2: Glenn, where's my damn wagon wheel? 1321 00:53:43,490 --> 00:53:44,491 MAN 1: Glenn? 1322 00:53:44,491 --> 00:53:45,592 WOMAN: Glenn, what's your 20? 1323 00:53:45,592 --> 00:53:46,760 There's a leak in the lobby. 1324 00:53:46,760 --> 00:53:49,290 MAN 1: Glenn, we're missing the king's cane. 1325 00:53:49,162 --> 00:53:50,230 (MUSIC STOPS) 1326 00:54:01,107 --> 00:54:02,275 (MUSIC RESUMES) 1327 00:54:02,275 --> 00:54:03,810 Oh, my God, Gigi, move it along. 1328 00:54:03,810 --> 00:54:05,111 - I'm trying. - This is not giving. 1329 00:54:05,111 --> 00:54:07,547 I'm trying, okay? My nails are gonna break. 1330 00:54:07,547 --> 00:54:09,683 RITA: (ON RADIO) Glenn, Glenn, 1331 00:54:09,683 --> 00:54:12,180 the smoke machine is out of control. 1332 00:54:13,553 --> 00:54:15,210 GLENN: Zeroing in on the source. 1333 00:54:15,155 --> 00:54:16,189 (CHILDREN COUGHING) 1334 00:54:16,189 --> 00:54:18,858 Oh, God, I'm dodging pilgrims left and right. 1335 00:54:24,230 --> 00:54:25,231 Nice. 1336 00:54:25,465 --> 00:54:27,133 - Thank you. - MAN 1: Glenn? 1337 00:54:27,467 --> 00:54:28,468 Go for Glenn. 1338 00:54:28,468 --> 00:54:29,569 AMOS: (ON MIC) Darla, can you just move 1339 00:54:29,569 --> 00:54:30,704 a little bit to your right? 1340 00:54:30,870 --> 00:54:32,972 Just scooch the... Yes, bring the bassinet. That's right. 1341 00:54:33,440 --> 00:54:34,808 REBECCA-DIANE: See? And I think it should just 1342 00:54:34,808 --> 00:54:36,443 be a little bit to the left. 1343 00:54:36,876 --> 00:54:38,478 I think it just doesn't make sense. 1344 00:54:39,279 --> 00:54:40,280 Darla, step to the right. 1345 00:54:40,480 --> 00:54:41,848 REBECCA-DIANE: No, I think we had discussed 1346 00:54:41,848 --> 00:54:42,949 that everything would be on the left 1347 00:54:42,949 --> 00:54:44,170 for this number, so let's just... 1348 00:54:44,170 --> 00:54:45,118 We're gonna go ahead and put it where we... 1349 00:54:45,118 --> 00:54:46,186 Darla, this is your director speaking. 1350 00:54:46,186 --> 00:54:47,287 You're gonna go ahead and move to the right 1351 00:54:47,287 --> 00:54:48,355 - with the bassinet. - Co-director here as well. 1352 00:54:48,555 --> 00:54:50,623 And just move on over to the left 1353 00:54:50,623 --> 00:54:52,492 and get too far on that side 1354 00:54:52,492 --> 00:54:53,927 so we can't quite bring you back. 1355 00:54:53,927 --> 00:54:56,620 Joan's whole world has been established stage right. 1356 00:54:56,620 --> 00:54:57,897 So you're gonna take two steps to the right. 1357 00:54:57,897 --> 00:54:59,733 That's where we always play her hero moments. 1358 00:54:59,733 --> 00:55:01,434 Now cheat out. Cheat out. 1359 00:55:01,601 --> 00:55:02,936 REBECCA-DIANE: (WHISPERING) Why are you acting like this? 1360 00:55:03,703 --> 00:55:05,939 I'm just a little bit tired of co-directing with a ghost. 1361 00:55:06,573 --> 00:55:07,574 Well, I'm not a ghost. 1362 00:55:07,574 --> 00:55:09,776 I am a human person that is alive. I am here. 1363 00:55:09,776 --> 00:55:11,110 I care about this show. 1364 00:55:11,244 --> 00:55:13,913 Do you? I wouldn't have any idea. 1365 00:55:13,913 --> 00:55:15,849 You've been completely absent 1366 00:55:15,849 --> 00:55:17,150 since the beginning of the session, okay? 1367 00:55:17,150 --> 00:55:18,518 And I need to run my rehearsal now. 1368 00:55:18,985 --> 00:55:19,986 So, thank you. 1369 00:55:20,860 --> 00:55:21,154 Darla, let's just run the song, okay? 1370 00:55:21,154 --> 00:55:22,288 You're fine right there. 1371 00:55:22,689 --> 00:55:23,723 Music, please. 1372 00:55:24,557 --> 00:55:26,292 (GENTLE PIANO MUSIC PLAYING) 1373 00:55:26,292 --> 00:55:27,660 (SIGHS DEEPLY) 1374 00:55:36,469 --> 00:55:39,500 (SINGING) Thought my dreaming was done 1375 00:55:39,506 --> 00:55:42,142 All I needed was one 1376 00:55:42,308 --> 00:55:46,146 Revelation to show me my boy 1377 00:55:46,780 --> 00:55:50,917 That my life had truly begun 1378 00:55:51,840 --> 00:55:53,553 So I offer the sun 1379 00:55:54,540 --> 00:55:58,910 Salutation Hello to my Troy 1380 00:55:58,525 --> 00:56:02,429 I will build this theatrical place 1381 00:56:04,164 --> 00:56:08,935 Giving children a safe, loving space 1382 00:56:10,300 --> 00:56:13,973 It will grow from the magic and grace 1383 00:56:14,374 --> 00:56:17,877 That I see in your face 1384 00:56:18,440 --> 00:56:19,450 Rebecca-Diane. 1385 00:56:19,312 --> 00:56:20,814 Rebecca-Diane, can I talk to you? 1386 00:56:20,814 --> 00:56:21,948 No, I'm in the middle of tech. 1387 00:56:21,948 --> 00:56:23,160 Just... 1388 00:56:23,160 --> 00:56:24,150 - Troy. - Real quick. Real quick. 1389 00:56:24,150 --> 00:56:25,952 DARLA: (SINGING) Know your dream's never done 1390 00:56:26,119 --> 00:56:28,321 You're my moon and my sun 1391 00:56:28,822 --> 00:56:32,525 My foundation, my beautiful Troy 1392 00:56:32,692 --> 00:56:35,662 TROY: Hey. Look. I'm sorry for even asking. 1393 00:56:35,829 --> 00:56:39,566 I feel really weird even bringing this up. 1394 00:56:40,333 --> 00:56:42,135 I don't have time. We're in the middle of tech week. 1395 00:56:42,302 --> 00:56:43,803 - TROY: No, I get that. - So just tell me what's up. 1396 00:56:43,970 --> 00:56:44,971 I get that. I just... 1397 00:56:46,639 --> 00:56:48,475 Do you think you could give my mom a message for me? 1398 00:56:48,641 --> 00:56:49,743 Yeah, for sure. I'll give your mom a message. 1399 00:56:49,876 --> 00:56:51,770 TROY: No, no, no. Please. It's really important. 1400 00:56:51,770 --> 00:56:52,145 Troy. 1401 00:56:52,145 --> 00:56:53,413 - I hear that. - TROY: It's really important. 1402 00:56:53,413 --> 00:56:54,447 REBECCA-DIANE: I just don't have time. 1403 00:56:54,447 --> 00:56:55,582 Just tell her I need her help. 1404 00:56:55,582 --> 00:56:57,183 Say, "Troy needs your help." 1405 00:56:57,350 --> 00:56:59,185 Five, six, seven, eight. 1406 00:56:59,185 --> 00:57:00,620 We're going towards the nose. 1407 00:57:01,421 --> 00:57:03,189 Live it up and step. 1408 00:57:03,356 --> 00:57:05,925 Step towards the nose. Head to the nose. 1409 00:57:06,920 --> 00:57:08,895 I don't choose when she comes inside of me. 1410 00:57:09,620 --> 00:57:10,397 Okay, but can you just try? 1411 00:57:10,563 --> 00:57:11,965 Mom, please! 1412 00:57:13,166 --> 00:57:15,100 - What are you doing? - You said she was in you. 1413 00:57:15,680 --> 00:57:17,203 I'm not that... I'm not... That's not... 1414 00:57:17,404 --> 00:57:18,638 Tell her it's important. Just tell her... 1415 00:57:18,638 --> 00:57:19,806 Please tell her it's important. 1416 00:57:19,806 --> 00:57:20,874 Tell her it's really important. 1417 00:57:20,874 --> 00:57:21,975 Okay. Okay, I'm gonna... All right. 1418 00:57:22,142 --> 00:57:23,176 I just need to talk to her. 1419 00:57:23,343 --> 00:57:24,411 - Okay. - Okay. 1420 00:57:28,648 --> 00:57:29,649 (IMITATES JOAN) Troy. 1421 00:57:30,450 --> 00:57:31,518 Mom? 1422 00:57:31,718 --> 00:57:32,852 It's your mom. 1423 00:57:33,186 --> 00:57:34,154 Mom. 1424 00:57:34,854 --> 00:57:36,790 Thank God. It's so good to hear your voice. 1425 00:57:37,323 --> 00:57:40,593 I know it's been a minute since we've chatted. 1426 00:57:41,528 --> 00:57:42,562 Um... 1427 00:57:45,432 --> 00:57:46,499 I miss you. 1428 00:57:47,500 --> 00:57:48,735 Kind of a lot. 1429 00:57:49,436 --> 00:57:52,138 You know, I'm sorry for not trying harder 1430 00:57:52,138 --> 00:57:54,908 to understand what you were doing here 1431 00:57:54,908 --> 00:57:56,776 with this place and this camp. 1432 00:57:56,776 --> 00:57:58,778 I was a kid, you know. I just wanted to 1433 00:57:59,346 --> 00:58:00,847 go to sleepovers at Dakota's house 1434 00:58:00,847 --> 00:58:02,549 and set cool away messages 1435 00:58:02,549 --> 00:58:03,883 and make my Sims have *** and... 1436 00:58:04,170 --> 00:58:05,510 (IN NORMAL VOICE) Troy, you said there was something 1437 00:58:05,510 --> 00:58:06,119 that you actually needed. 1438 00:58:06,119 --> 00:58:07,487 - You're right. I always do this. - And it was urgent. 1439 00:58:09,550 --> 00:58:10,323 Look, I should have tried harder 1440 00:58:10,323 --> 00:58:12,258 to understand what you were doing here. 1441 00:58:12,425 --> 00:58:15,161 Because, you know, I get it. 1442 00:58:15,328 --> 00:58:16,796 These people are really weird. 1443 00:58:17,397 --> 00:58:18,465 Especially Rebecca-Diane. 1444 00:58:18,998 --> 00:58:20,333 But they're wonderful. 1445 00:58:21,901 --> 00:58:24,370 Look, I messed up, Mom. Okay? 1446 00:58:25,271 --> 00:58:28,800 And I'm really sorry, and I hope you forgive me. 1447 00:58:28,541 --> 00:58:30,100 And I really need your advice right now, 1448 00:58:30,100 --> 00:58:31,378 but I'm sorry I sold the camp. 1449 00:58:34,800 --> 00:58:35,810 Hey. 1450 00:58:35,248 --> 00:58:36,516 AMOS: (ON MIC) Rebecca-Diane? 1451 00:58:36,683 --> 00:58:37,817 What'd my mom say? 1452 00:58:39,452 --> 00:58:40,453 What the... 1453 00:58:41,554 --> 00:58:42,555 (TROY SIGHS) 1454 00:58:44,891 --> 00:58:46,920 (EXHALES DEEPLY) 1455 00:58:46,593 --> 00:58:48,962 Rebecca-Diane, we are at a standstill. 1456 00:58:49,229 --> 00:58:50,230 Good work, you guys. 1457 00:58:50,230 --> 00:58:51,297 REBECCA-DIANE: Yes? 1458 00:58:52,650 --> 00:58:53,199 Welcome back. 1459 00:58:54,340 --> 00:58:55,268 Uh, we need to see the finale now. 1460 00:58:55,635 --> 00:58:56,736 - Yeah. - We are out of time. 1461 00:58:56,903 --> 00:58:58,505 - So we need to hear it. - Let's do the finale tomorrow. 1462 00:58:58,672 --> 00:58:59,739 REBECCA-DIANE: Sounds good? 1463 00:58:59,739 --> 00:59:00,874 Okay, well, tomorrow's our only chance 1464 00:59:00,874 --> 00:59:01,941 to run the entire show. 1465 00:59:01,941 --> 00:59:03,576 So I at least need to hear it musically, 1466 00:59:03,576 --> 00:59:04,778 so I can block something, 1467 00:59:04,778 --> 00:59:05,979 and these kids can start to learn it. 1468 00:59:05,979 --> 00:59:07,213 - (GROANS) - Because tomorrow they have 1469 00:59:07,213 --> 00:59:08,682 to run it top to bottom and then perform it. 1470 00:59:08,682 --> 00:59:11,170 So let's hear the finale song, please. 1471 00:59:11,317 --> 00:59:12,318 It's just so unfortunate, 1472 00:59:12,318 --> 00:59:13,520 because we do not have the track, 1473 00:59:13,520 --> 00:59:14,788 so that we don't have any way to play the song. 1474 00:59:14,788 --> 00:59:16,389 So you can just sing it for us. 1475 00:59:16,656 --> 00:59:17,724 I've lost my voice. 1476 00:59:17,724 --> 00:59:19,959 Okay, well... You're gonna have to find it again. 1477 00:59:19,959 --> 00:59:22,262 And we have this. So you can just 1478 00:59:23,196 --> 00:59:24,864 play it yourself for us. Okay? 1479 00:59:25,799 --> 00:59:28,340 You love this. 1480 00:59:29,269 --> 00:59:30,270 There you go. 1481 00:59:31,237 --> 00:59:32,939 Who's excited to hear the finale? 1482 00:59:32,939 --> 00:59:34,341 (ALL CHEERING) 1483 00:59:37,811 --> 00:59:38,945 (AMOS CLEARS THROAT) 1484 00:59:38,945 --> 00:59:40,146 And what is it called? 1485 00:59:42,882 --> 00:59:44,250 It's called... 1486 00:59:46,860 --> 00:59:47,870 "Camp." 1487 00:59:48,722 --> 00:59:49,723 That's original. 1488 00:59:54,361 --> 00:59:56,620 (PLAYING ZITHER) 1489 00:59:56,663 --> 01:00:00,100 (SINGING) Girl with an open Snapple 1490 01:00:02,535 --> 01:00:06,306 A boy who's looking down 1491 01:00:07,173 --> 01:00:11,344 We all come here for 1492 01:00:11,511 --> 01:00:13,813 Summertime 1493 01:00:16,383 --> 01:00:17,384 Camp 1494 01:00:18,952 --> 01:00:20,653 Isn't home 1495 01:00:24,124 --> 01:00:25,258 But isn't it? 1496 01:00:26,326 --> 01:00:27,660 In a way 1497 01:00:28,962 --> 01:00:31,164 It kind of is 1498 01:00:31,498 --> 01:00:32,932 Oh, it 1499 01:00:34,401 --> 01:00:38,905 Kind of is 1500 01:00:39,873 --> 01:00:41,775 Let's raise a toast 1501 01:00:41,941 --> 01:00:44,210 But in the glass isn't alcohol 1502 01:00:44,210 --> 01:00:47,380 It's something more profound than alcohol It's truth 1503 01:00:47,547 --> 01:00:49,382 Drums, boom, boom, boom. 1504 01:00:49,382 --> 01:00:51,284 (IMITATES DRUMS PLAYING) 1505 01:00:51,785 --> 01:00:52,786 Flute. 1506 01:00:52,786 --> 01:00:54,154 (IMITATES FLUTE PLAYING) 1507 01:00:54,688 --> 01:00:55,689 Sustained. 1508 01:00:55,889 --> 01:00:57,991 (RESUMES FLUTE PLAYING) 1509 01:00:57,991 --> 01:01:00,593 (SINGING) All coming together for 1510 01:01:02,195 --> 01:01:03,163 Boom. 1511 01:01:14,641 --> 01:01:15,875 What the **** was that? 1512 01:01:17,177 --> 01:01:18,445 It was the finale. 1513 01:01:19,279 --> 01:01:20,280 You're telling me that's something 1514 01:01:20,280 --> 01:01:21,514 that you wrote before just now? 1515 01:01:23,830 --> 01:01:25,118 That's the song that you needed time away 1516 01:01:25,118 --> 01:01:26,486 from meaningful traditions, 1517 01:01:26,619 --> 01:01:28,221 missing time with the kids, 1518 01:01:28,922 --> 01:01:31,324 ruining the process of creating this piece together 1519 01:01:31,658 --> 01:01:33,727 because you've been running off working on the finale. 1520 01:01:33,893 --> 01:01:34,894 It was that? 1521 01:01:35,895 --> 01:01:37,300 Rebecca, I'm not an idiot, okay? 1522 01:01:37,300 --> 01:01:38,980 You made that up. 1523 01:01:38,765 --> 01:01:39,966 So I'm just trying to understand 1524 01:01:39,966 --> 01:01:41,701 what you thought we were gonna do today. 1525 01:01:41,701 --> 01:01:42,902 You were just gonna have these kids 1526 01:01:42,902 --> 01:01:44,404 have no ending to the show? 1527 01:01:44,404 --> 01:01:46,406 You said, "I got the finale. I can do it." 1528 01:01:46,706 --> 01:01:48,375 So I trusted you like I always do. 1529 01:01:48,842 --> 01:01:49,876 What have you been doing all this time? 1530 01:01:49,876 --> 01:01:51,778 I got a job, okay? 1531 01:01:53,546 --> 01:01:56,490 What, like you're tutoring kids in singing? 1532 01:01:56,490 --> 01:01:57,217 What are you talking about? 1533 01:01:57,217 --> 01:02:00,186 I just signed a two-year contract with Duchess Cruises. 1534 01:02:00,720 --> 01:02:03,490 I'm a featured soloist in Cole Porter on the Waves. 1535 01:02:03,490 --> 01:02:05,225 So yeah, I've been a little distracted. 1536 01:02:05,859 --> 01:02:07,994 AMOS: Sorry, you're taking a performance job? 1537 01:02:07,994 --> 01:02:09,362 Since when are you taking performance jobs? 1538 01:02:09,362 --> 01:02:10,930 Because I wanna be a performer! 1539 01:02:10,930 --> 01:02:11,998 Okay, I thought we were both 1540 01:02:11,998 --> 01:02:13,500 full-time teachers aspiring to be performers. 1541 01:02:13,500 --> 01:02:15,100 When is that gonna happen? 1542 01:02:15,100 --> 01:02:16,369 I wanna perform. 1543 01:02:16,369 --> 01:02:18,710 Well, that's great. I just wish maybe you'd told me. 1544 01:02:18,710 --> 01:02:19,973 I always thought maybe we'd make that decision together 1545 01:02:19,973 --> 01:02:21,740 - like we do most things. - It's impossible 1546 01:02:21,740 --> 01:02:22,175 to tell you anything because you interrupt 1547 01:02:22,175 --> 01:02:23,343 - everything that I say. - That's not true. 1548 01:02:23,343 --> 01:02:24,511 I do not interrupt everything that you say, Rebecca. 1549 01:02:24,511 --> 01:02:25,679 I'm just trying to share my feelings with you... 1550 01:02:25,679 --> 01:02:26,746 Every single thing that I... 1551 01:02:26,746 --> 01:02:28,810 ...the way that I have for 15 years. 1552 01:02:28,810 --> 01:02:30,250 - Every single thing that I... - That's not true, Rebecca. 1553 01:02:36,423 --> 01:02:37,557 Everything that I say. I am unable to... 1554 01:02:37,557 --> 01:02:38,725 That's not true, Rebecca. That is not true. 1555 01:02:38,725 --> 01:02:40,560 How could you do this to me? 1556 01:02:41,695 --> 01:02:42,696 You? 1557 01:02:43,430 --> 01:02:44,864 This has nothing to do with you. 1558 01:02:45,532 --> 01:02:46,766 Exactly. Why would you do something 1559 01:02:46,766 --> 01:02:48,680 that has nothing to do with me? 1560 01:02:49,335 --> 01:02:51,471 Let that statement just sit in the space. 1561 01:02:52,539 --> 01:02:54,400 It looks great. I stand by it. 1562 01:02:54,400 --> 01:02:55,575 I mean... (STUTTERS) What? 1563 01:02:55,709 --> 01:02:56,976 I don't understand what you're getting at. 1564 01:02:56,976 --> 01:02:58,378 I just want something else. That should be okay. 1565 01:02:58,378 --> 01:03:00,130 That's really nice for you, Rebecca, but you shouldn't 1566 01:03:00,130 --> 01:03:01,381 leave the best kids in the camp in the lurch 1567 01:03:01,381 --> 01:03:02,615 with no show to perform. 1568 01:03:02,615 --> 01:03:03,983 - Okay, I've... - That was selfish. 1569 01:03:03,983 --> 01:03:05,385 I make sacrifices for them. 1570 01:03:05,385 --> 01:03:07,821 Because they're talented and they deserve it. 1571 01:03:07,821 --> 01:03:09,689 I sacrifice everything else in my life 1572 01:03:09,689 --> 01:03:11,524 for this job and for them. What do you sacrifice? 1573 01:03:11,524 --> 01:03:13,660 I got a callback for Juilliard. 1574 01:03:18,231 --> 01:03:21,801 And I didn't go because I wanted to be here with you. 1575 01:03:22,302 --> 01:03:24,437 You've just kinda been lying to me for like, 10 years. 1576 01:03:29,642 --> 01:03:30,744 I'm happy for you, Rebecca. 1577 01:03:30,744 --> 01:03:31,811 I'm thrilled for you. 1578 01:03:32,645 --> 01:03:34,848 I think it's great that you've left these kids 1579 01:03:35,115 --> 01:03:36,116 with no show 1580 01:03:36,683 --> 01:03:38,840 and all for a cruise. 1581 01:03:39,219 --> 01:03:41,540 A non-narrative piece on a cruise. 1582 01:03:45,392 --> 01:03:46,693 (DOOR OPENS) 1583 01:03:48,328 --> 01:03:49,696 (FOOTSTEPS APPROACHING) 1584 01:03:51,164 --> 01:03:52,165 - Excuse me. - Hi. 1585 01:03:52,866 --> 01:03:55,368 Um... Guys, this is a teardown. 1586 01:03:55,869 --> 01:03:57,937 Um, can we get this up? Can we see what's under here? 1587 01:03:57,937 --> 01:03:59,539 Yeah, we're gonna tear the... 1588 01:03:59,539 --> 01:04:00,874 - TROY: Maybe don't. Maybe... - ...the place down. 1589 01:04:00,874 --> 01:04:03,109 - Let's see what's under here. - TROY: Do we need to do this? 1590 01:04:03,109 --> 01:04:04,611 Let's talk this out first. 1591 01:04:04,611 --> 01:04:05,845 I don't think we need to do that. 1592 01:04:05,845 --> 01:04:07,180 Sorry, we're in the middle of rehearsal. 1593 01:04:07,180 --> 01:04:09,416 Hi. We're in the middle of something too. Hi. 1594 01:04:09,416 --> 01:04:10,917 Troy, what's going on? 1595 01:04:11,251 --> 01:04:12,452 No, it... Everything's fine, guys. 1596 01:04:12,452 --> 01:04:14,254 Everything is gonna be okay. 1597 01:04:14,254 --> 01:04:16,423 - It doesn't look okay. - ALICE: No, it's not. 1598 01:04:16,423 --> 01:04:17,757 No, it's not. What are they doing? 1599 01:04:17,757 --> 01:04:20,260 Listen, I know this place meant a lot to you. 1600 01:04:20,260 --> 01:04:21,828 But I do hope you'll consider 1601 01:04:21,828 --> 01:04:24,297 joining the Lakeside family next summer. 1602 01:04:24,297 --> 01:04:25,598 ALICE: No. 1603 01:04:25,598 --> 01:04:27,300 - What does that mean? - Not happening, lady. 1604 01:04:27,300 --> 01:04:29,402 Troy, you sold the camp to Lakeside? 1605 01:04:29,402 --> 01:04:31,237 It's more of a partnership. 1606 01:04:31,237 --> 01:04:33,740 - Demolition is next week. - Just stop. Please, stop. 1607 01:04:33,740 --> 01:04:34,841 Next week? Tell them... 1608 01:04:34,841 --> 01:04:36,109 CHRISTOPHER L: Can she be gone now? 1609 01:04:36,109 --> 01:04:39,179 Please. Nobody wants you here. 1610 01:04:39,179 --> 01:04:40,380 CHRISTOPHER S: Get her and her 1611 01:04:40,380 --> 01:04:42,215 knockoff Chanel bag out of here. 1612 01:04:42,215 --> 01:04:44,500 TROY: It will be okay. 1613 01:04:46,519 --> 01:04:48,855 (JAZZ MUSIC PLAYING) 1614 01:05:28,995 --> 01:05:30,397 CLIVE: Cheer up, kids. 1615 01:05:31,398 --> 01:05:33,990 (JAZZ MUSIC PLAYING OVER SPEAKERS) 1616 01:05:39,973 --> 01:05:41,141 MACKENZIE: This is like, my first time sneaking out. 1617 01:05:41,141 --> 01:05:42,375 SEBASTIAN: Shh! Guys. 1618 01:05:42,375 --> 01:05:43,543 ALICE: Shush! 1619 01:05:43,843 --> 01:05:45,311 DARLA: I know we're all scared right now 1620 01:05:45,311 --> 01:05:46,713 and we don't know if the show's happening. 1621 01:05:46,713 --> 01:05:48,281 I heard that the Lakeside kids 1622 01:05:48,281 --> 01:05:49,716 get to be in all the shows now, too. 1623 01:05:49,716 --> 01:05:52,552 Lainy told me that Troy smokes drugs. 1624 01:05:52,552 --> 01:05:54,540 I heard, that they're cutting all of the tone-deaf kids. 1625 01:05:54,540 --> 01:05:55,255 SEBASTIAN: Hey, guys. 1626 01:05:55,255 --> 01:05:56,623 Rumors are rumors. 1627 01:05:57,424 --> 01:05:59,759 This could be our last week here. Maybe ever. 1628 01:06:00,260 --> 01:06:02,195 So let's make our mark while we can. 1629 01:06:02,195 --> 01:06:03,730 We don't know what's gonna happen. 1630 01:06:03,897 --> 01:06:05,632 But as Joan always says, 1631 01:06:05,799 --> 01:06:07,233 summers come and go. 1632 01:06:07,400 --> 01:06:09,669 But what happens on this stage, 1633 01:06:10,737 --> 01:06:11,971 that's eternal. 1634 01:06:24,451 --> 01:06:25,585 AMOS: Jesus. 1635 01:06:25,585 --> 01:06:27,687 Hey, sorry to bother you, 1636 01:06:27,687 --> 01:06:29,255 but are we planning on rehearsing later? 1637 01:06:29,823 --> 01:06:31,658 Let's see. Our composer has deserted us 1638 01:06:31,658 --> 01:06:34,361 and I refuse to tell a slapdash, 1639 01:06:34,361 --> 01:06:36,620 trainwreck version of Joan's story, 1640 01:06:36,620 --> 01:06:37,564 so, no. 1641 01:06:37,731 --> 01:06:38,965 The show is dead in the water. 1642 01:06:39,199 --> 01:06:42,302 Okay, well, I have this Zoom director's session 1643 01:06:42,302 --> 01:06:44,370 for a movie about a pregnant gymnast. 1644 01:06:44,370 --> 01:06:46,539 They're already filming, and someone dropped out. 1645 01:06:46,539 --> 01:06:48,274 And I was wondering if you could help me? 1646 01:06:49,309 --> 01:06:50,510 I... 1647 01:06:51,277 --> 01:06:53,580 I can't stomach industry sides right now. 1648 01:06:53,580 --> 01:06:55,949 So just let me hang my shirts in peace. 1649 01:07:00,787 --> 01:07:04,157 I could really use your help with the characterization. 1650 01:07:07,427 --> 01:07:08,828 What are the character's allergies? 1651 01:07:09,396 --> 01:07:10,397 What? 1652 01:07:10,397 --> 01:07:11,765 Oh, God, we have a lot of work to do. 1653 01:07:11,765 --> 01:07:13,733 Let's get a notebook, and let's start taking some notes. 1654 01:07:14,934 --> 01:07:16,360 Wow, "one of," I'd love to know 1655 01:07:16,360 --> 01:07:17,270 who these other teachers are. 1656 01:07:21,741 --> 01:07:23,576 (LIVELY MUSIC PLAYING) 1657 01:07:23,576 --> 01:07:25,780 (INDISTINCT CONVERSATION) 1658 01:07:25,845 --> 01:07:26,846 DEVON'S DAD: Here he comes. 1659 01:07:27,347 --> 01:07:29,150 Hi, baby! 1660 01:07:29,150 --> 01:07:30,583 (DEVON'S DAD CHUCKLES) 1661 01:07:30,583 --> 01:07:31,718 DEVON: Hey, Dads. 1662 01:07:31,718 --> 01:07:33,253 DEVON'S DAD: Oh, God, I missed you. 1663 01:07:33,253 --> 01:07:35,121 (INDISTINCT CONVERSATION) 1664 01:07:37,991 --> 01:07:40,994 - (KNOCK AT DOOR) - TROY: My guy, massive news. 1665 01:07:41,695 --> 01:07:43,163 I think I figured out how to save the camp. 1666 01:07:43,163 --> 01:07:44,330 How? 1667 01:07:44,330 --> 01:07:46,990 So I was going over the Barnswell deal that I signed, 1668 01:07:46,990 --> 01:07:47,967 like all last night and this morning 1669 01:07:47,967 --> 01:07:51,370 and I noticed they only take possession of the camp 1670 01:07:51,370 --> 01:07:53,440 if the bank forecloses. 1671 01:07:53,440 --> 01:07:56,309 Caroline just assumed that we would fail. But the truth is 1672 01:07:56,309 --> 01:07:58,611 we still can come up with the money to hold off the bank. 1673 01:07:59,279 --> 01:08:01,414 And how do you expect us to find this money, Troy? 1674 01:08:01,414 --> 01:08:04,317 That is where the en-Troy-preneurship comes in. 1675 01:08:04,484 --> 01:08:06,520 - Right. - I sent out an email blast 1676 01:08:06,520 --> 01:08:07,320 to my ride or dies, 1677 01:08:07,320 --> 01:08:08,621 the Founding Ballers, 1678 01:08:08,621 --> 01:08:10,357 and I invited them to the show. 1679 01:08:10,357 --> 01:08:11,925 Right? These guys are like 1680 01:08:11,925 --> 01:08:14,361 primo business influencers, Glenn. 1681 01:08:14,361 --> 01:08:15,595 So if they come here, 1682 01:08:15,595 --> 01:08:17,731 and they see our little freaky-deakies 1683 01:08:17,731 --> 01:08:19,999 in action, crushing Joan, Still, 1684 01:08:20,433 --> 01:08:21,668 they'll have to invest. 1685 01:08:21,668 --> 01:08:22,936 They'll be emptying their pockets. 1686 01:08:22,936 --> 01:08:25,872 Yeah, no, they sound, uh, extremely legit. 1687 01:08:25,872 --> 01:08:26,973 Yeah. 1688 01:08:27,730 --> 01:08:28,908 Um, and I think it's nice that you wanna do this for the camp 1689 01:08:28,908 --> 01:08:30,744 and for your mom, 1690 01:08:30,744 --> 01:08:33,680 but we don't have any creative visionaries left. Okay? 1691 01:08:33,680 --> 01:08:35,348 What are you talking about? Yes, we do. 1692 01:08:36,683 --> 01:08:37,784 We have you, Glenn. 1693 01:08:39,152 --> 01:08:40,220 Show everyone how much 1694 01:08:40,220 --> 01:08:41,621 they've been underestimating you. 1695 01:08:42,188 --> 01:08:43,256 Finish the job. 1696 01:08:43,256 --> 01:08:45,759 CHILDREN: Yes! SEBASTIAN: Totally, Glenn. Come on, Glenn. 1697 01:08:45,759 --> 01:08:46,926 Glenn, you got this. 1698 01:08:46,926 --> 01:08:48,128 Come on, Glenn. 1699 01:08:48,595 --> 01:08:49,896 TROY: What do you say, man? 1700 01:08:58,238 --> 01:08:59,606 (LIVELY MUSIC CONTINUES) 1701 01:09:07,800 --> 01:09:08,848 What's up, my little dollar ballers? 1702 01:09:09,150 --> 01:09:10,160 It's your boy Salem here 1703 01:09:10,160 --> 01:09:12,285 with my other Founding Ballers out here. 1704 01:09:12,285 --> 01:09:13,553 And we're out here checking 1705 01:09:13,553 --> 01:09:15,422 on a potential investment opportunity. 1706 01:09:15,422 --> 01:09:18,240 Things are a little crazy, and your boy, Salem... 1707 01:09:18,240 --> 01:09:19,559 I'm feeling a little volatile. 1708 01:09:19,559 --> 01:09:20,994 So I'm gonna take a chance, 1709 01:09:20,994 --> 01:09:22,696 - and we're gonna see some little kids... - Ballers. Wow. 1710 01:09:22,696 --> 01:09:23,830 Given the current ecosystem of the crypto... 1711 01:09:23,830 --> 01:09:25,650 The whole squad. What's up, Salem? 1712 01:09:25,650 --> 01:09:26,533 Yeah, give me a second here. Yeah, I'm just gonna finish this one quick. 1713 01:09:26,533 --> 01:09:27,634 Yeah, yeah, totally. 1714 01:09:27,634 --> 01:09:29,135 What's bussin'? What's bussin'? 1715 01:09:29,135 --> 01:09:30,470 Hey. What's bussin', guys? 1716 01:09:30,470 --> 01:09:31,538 I can't believe you guys came. 1717 01:09:31,671 --> 01:09:32,672 Yeah, man. Thanks for having us. 1718 01:09:32,672 --> 01:09:34,374 - I've seen like every vlog. - Oh, yeah? Yeah. Yeah. 1719 01:09:34,374 --> 01:09:35,608 I got your merch. I have that shirt. 1720 01:09:36,676 --> 01:09:38,440 Heard she's the lead in this one. 1721 01:09:38,278 --> 01:09:40,680 TROY: I just wanna say thank you all for all your hard work 1722 01:09:40,680 --> 01:09:41,948 in the last 24 hours. 1723 01:09:41,948 --> 01:09:44,184 I look around and I see a lot of prepared faces. 1724 01:09:44,184 --> 01:09:45,819 I'd say no pressure, but... 1725 01:09:46,586 --> 01:09:47,821 it's a little bit of pressure. 1726 01:09:48,455 --> 01:09:50,290 You know? Gigi, you got anything? 1727 01:09:50,957 --> 01:09:53,590 Um, I would like to say that I was very angry 1728 01:09:53,590 --> 01:09:54,661 with you guys a couple hours ago. 1729 01:09:55,610 --> 01:09:56,730 Uh, but I'm over it. 1730 01:09:56,963 --> 01:09:58,298 All right, guys. Put your hands in. Come on. 1731 01:09:58,465 --> 01:10:01,340 - One, two, three! - ALL: Joan, Still! 1732 01:10:01,134 --> 01:10:03,136 (ALL CHEERING) 1733 01:10:04,204 --> 01:10:05,205 BOY: Let's do this! 1734 01:10:08,375 --> 01:10:10,610 Sorry. Uh, can someone just tell me 1735 01:10:10,610 --> 01:10:12,879 like, the status on this woman? 1736 01:10:13,790 --> 01:10:15,382 Is she alive or dead? 1737 01:10:19,520 --> 01:10:20,530 You're a liar. 1738 01:10:23,656 --> 01:10:24,657 Excuse me? 1739 01:10:25,492 --> 01:10:26,493 A very good one. 1740 01:10:28,161 --> 01:10:30,296 I think you'd make a fantastic agent. 1741 01:10:30,697 --> 01:10:32,532 I'm trying to get my company off the ground. 1742 01:10:33,990 --> 01:10:34,300 Think about it. 1743 01:10:35,468 --> 01:10:36,469 I'm always here. 1744 01:10:39,606 --> 01:10:40,607 Excuse me. 1745 01:10:47,914 --> 01:10:50,500 (INTRIGUING MUSIC PLAYING) 1746 01:10:54,621 --> 01:10:56,356 (FRANTIC MUSIC PLAYING) 1747 01:10:58,191 --> 01:11:00,727 AMOS: Kids. Kids, have you seen Darla? Darla anywhere? 1748 01:11:03,530 --> 01:11:04,564 Darla! 1749 01:11:05,165 --> 01:11:06,166 Darla! 1750 01:11:09,102 --> 01:11:10,336 Darla, you have to go on. 1751 01:11:10,503 --> 01:11:11,905 (PANTING) You see what they're doing? 1752 01:11:12,720 --> 01:11:13,730 They're ruining our show. 1753 01:11:13,306 --> 01:11:14,641 Why are you leaving? 1754 01:11:14,641 --> 01:11:16,476 I'm sorry. I'm sorry, Amos, okay? 1755 01:11:17,177 --> 01:11:18,812 You must be Amos. 1756 01:11:19,346 --> 01:11:22,480 Oh, my granddaughter has had 1757 01:11:22,480 --> 01:11:23,717 the best time with you this summer. 1758 01:11:24,451 --> 01:11:26,853 We have got the most gushing letters. 1759 01:11:26,853 --> 01:11:28,922 Well, she said you were a little tough on her, but... 1760 01:11:29,456 --> 01:11:31,910 her craft has never been better. 1761 01:11:31,758 --> 01:11:32,759 Oh, um... 1762 01:11:32,759 --> 01:11:33,960 Hurry up and say your goodbyes, honey. 1763 01:11:33,960 --> 01:11:36,196 Quickly, because we don't wanna catch traffic. (KISSES) 1764 01:11:41,935 --> 01:11:43,737 You always told me that I needed 1765 01:11:43,737 --> 01:11:45,605 to open myself up to character roles, 1766 01:11:45,772 --> 01:11:48,441 that ingénue isn't everything. 1767 01:11:49,409 --> 01:11:52,479 I listened, and I booked the job. 1768 01:12:06,260 --> 01:12:07,494 Maybe I'll see you next summer. 1769 01:12:19,105 --> 01:12:20,173 (ENGINE STARTS) 1770 01:12:25,278 --> 01:12:27,280 Good evening, AdirondACTS. 1771 01:12:27,847 --> 01:12:29,582 (AUDIENCE CHEERING) 1772 01:12:31,985 --> 01:12:34,487 Special shout-out to my crew, Founding Ballers. 1773 01:12:34,487 --> 01:12:35,822 Thanks for coming out. 1774 01:12:35,822 --> 01:12:37,957 As most of you know, 1775 01:12:38,158 --> 01:12:39,626 my name is Troy, 1776 01:12:39,793 --> 01:12:43,329 and I've been blessed with having an amazing mother. 1777 01:12:43,496 --> 01:12:45,650 - A woman... - Oh, my God. 1778 01:12:45,231 --> 01:12:46,933 ...all of you know and love. 1779 01:12:46,933 --> 01:12:50,537 Unfortunately, she is unable to be with us tonight. 1780 01:12:51,304 --> 01:12:52,672 So we've decided 1781 01:12:53,730 --> 01:12:56,176 to bring the show to her via a live feed. 1782 01:12:56,343 --> 01:12:58,178 Give it up for Joan! 1783 01:13:06,520 --> 01:13:07,687 She really looks good. 1784 01:13:08,154 --> 01:13:09,489 I think she's lost weight. 1785 01:13:10,230 --> 01:13:11,324 I think so, too. 1786 01:13:11,491 --> 01:13:13,960 Our kids have worked their little butts off all summer 1787 01:13:13,960 --> 01:13:17,330 to do my mom's story justice and to hopefully bring you 1788 01:13:17,497 --> 01:13:19,766 the best night of your lives. Are you ready? 1789 01:13:20,166 --> 01:13:22,135 (ALL CHEERING) 1790 01:13:22,135 --> 01:13:23,636 This one's for you, Mom. 1791 01:13:23,803 --> 01:13:27,107 Let's blow the roof off that ICU! 1792 01:13:31,277 --> 01:13:34,314 CHORUS: (SINGING) Joan then 1793 01:13:34,748 --> 01:13:37,784 Joan now 1794 01:13:38,151 --> 01:13:41,321 Joan does 1795 01:13:41,554 --> 01:13:44,357 Somehow 1796 01:13:44,924 --> 01:13:47,930 Troy, it's me. Troy, it's me. 1797 01:13:47,761 --> 01:13:49,295 You know, I don't think this show is gonna work out. 1798 01:13:49,295 --> 01:13:50,930 - Shh. - Joan will 1799 01:13:51,970 --> 01:13:52,980 Shh. Are you playing a game? 1800 01:13:52,265 --> 01:13:55,101 Joan can 1801 01:13:55,435 --> 01:14:00,240 Joan still 1802 01:14:01,174 --> 01:14:02,676 Tonight we take you to the start 1803 01:14:02,676 --> 01:14:04,644 of our great founder's beating heart. 1804 01:14:04,911 --> 01:14:06,846 Our tale begins in '63. 1805 01:14:06,846 --> 01:14:08,882 A young girl and her father flee. 1806 01:14:09,282 --> 01:14:11,451 Though planes could fly and girls could vote, 1807 01:14:11,851 --> 01:14:14,200 for some reason, they took a boat. 1808 01:14:18,324 --> 01:14:20,694 CHORUS: (SINGING) America 1809 01:14:20,860 --> 01:14:23,363 America 1810 01:14:23,530 --> 01:14:25,965 We're sailing to America 1811 01:14:26,166 --> 01:14:30,236 In 1963 1812 01:14:31,771 --> 01:14:33,807 Oh, my little Joan, come. 1813 01:14:33,973 --> 01:14:35,742 Look at the horizon. 1814 01:14:35,909 --> 01:14:38,778 Think of all the possibilities that await you. 1815 01:14:38,945 --> 01:14:41,214 (SINGING) In America 1816 01:14:41,781 --> 01:14:43,583 Enlightened nation 1817 01:14:43,750 --> 01:14:47,420 Where even women get education 1818 01:14:47,420 --> 01:14:50,390 From clean to cook, every skill you need 1819 01:14:50,390 --> 01:14:52,759 Don't fret, I'll tell the recipes 1820 01:14:52,759 --> 01:14:54,427 'Cause women cannot read 1821 01:14:54,427 --> 01:14:56,730 Hey! Women cannot read 1822 01:14:56,730 --> 01:14:58,732 Women cannot read 1823 01:14:58,732 --> 01:15:01,735 A, B, C, D, she don't know 'Cause women cannot read 1824 01:15:01,901 --> 01:15:03,200 MACKENZIE: Okay, I know there's something better 1825 01:15:03,136 --> 01:15:04,137 DEVON: America 1826 01:15:04,237 --> 01:15:05,405 MACKENZIE: Than to cook and do the cleaning 1827 01:15:05,405 --> 01:15:06,506 DEVON: Enlightened nation 1828 01:15:06,506 --> 01:15:08,141 - But I look at every letter - Where even women 1829 01:15:08,141 --> 01:15:09,943 - And I wanna know its meaning - Get education 1830 01:15:09,943 --> 01:15:11,111 I'm wrestling with these words 1831 01:15:11,111 --> 01:15:12,178 DEVON: From clean to cook 1832 01:15:12,312 --> 01:15:13,380 That I'm an inch away from knowing 1833 01:15:13,380 --> 01:15:14,481 DEVON: Every skill you need 1834 01:15:14,481 --> 01:15:15,849 My eyes are moving back and forth 1835 01:15:15,849 --> 01:15:18,985 The sense of it is growing 1836 01:15:19,986 --> 01:15:21,788 (STUTTERS) 1837 01:15:22,455 --> 01:15:25,792 - Jifka was shot! - (CHORUS GASP) 1838 01:15:26,259 --> 01:15:27,327 CHORUS: (SINGING) Maybe she can read 1839 01:15:27,327 --> 01:15:29,162 - No way! - Maybe she can read 1840 01:15:29,396 --> 01:15:31,765 DEVON: That's luck A, B, C, D, she can't know! 1841 01:15:31,931 --> 01:15:33,299 CHORUS: Or maybe she can read! 1842 01:15:33,900 --> 01:15:35,535 (AUDIENCE CLAPPING IN DISTANCE) 1843 01:15:36,690 --> 01:15:37,570 So Joan ended the affair 1844 01:15:37,570 --> 01:15:39,205 with her astrology professor 1845 01:15:39,205 --> 01:15:40,240 and she used her diploma 1846 01:15:40,240 --> 01:15:41,508 to get a job as a mailroom clerk 1847 01:15:41,508 --> 01:15:43,510 at the New York Stock Exchange. 1848 01:15:44,244 --> 01:15:46,279 (INDISTINCT, OVERLAPPING CHATTER) 1849 01:15:47,470 --> 01:15:48,810 SEBASTIAN: If I'm not making money, 1850 01:15:48,810 --> 01:15:49,249 then I'm losing money. 1851 01:15:49,249 --> 01:15:51,518 If I'm losing money, you're losing your job 1852 01:15:51,518 --> 01:15:52,852 and you're all fired! 1853 01:15:55,388 --> 01:15:57,123 (SINGING) From my corner in the mailroom 1854 01:15:57,123 --> 01:15:58,391 Under the ground I hear 1855 01:15:58,391 --> 01:15:59,659 CHORUS: The Wall Street noise! 1856 01:15:59,659 --> 01:16:02,620 It's a beautiful sound Sorting letters, getting older 1857 01:16:02,620 --> 01:16:04,931 Makin' minimum pay While the brokers get richer 1858 01:16:04,931 --> 01:16:06,299 I could listen all day 1859 01:16:06,299 --> 01:16:09,169 When you buy, it's the feeling Of a-jumpin' to the ceiling 1860 01:16:09,502 --> 01:16:12,105 CHORUS: Buy the stock Buy the stock 1861 01:16:12,205 --> 01:16:13,239 Buy the stock 1862 01:16:13,340 --> 01:16:14,574 Then martini time, boys. 1863 01:16:14,574 --> 01:16:17,911 (SINGING) Will I ever be part of the Wall Street noise? 1864 01:16:17,911 --> 01:16:19,913 (BROADWAY MUSIC PLAYING) 1865 01:16:19,913 --> 01:16:21,414 It's a shimmy in the shoulders 1866 01:16:21,414 --> 01:16:22,982 When you talk to the shareholders 1867 01:16:22,982 --> 01:16:25,385 Guiltless greed is one of life's great joys 1868 01:16:25,385 --> 01:16:28,455 Maybe someday I'll stomp In the Wall Street 1869 01:16:28,455 --> 01:16:31,291 Noise 1870 01:16:32,859 --> 01:16:35,562 They messed up one little turn, but it's okay. 1871 01:16:35,562 --> 01:16:36,629 I didn't see it. 1872 01:16:36,629 --> 01:16:37,797 I think we should just move forward. 1873 01:16:37,797 --> 01:16:39,199 (SINGING) Sell the stocks shareholders buy 1874 01:16:39,199 --> 01:16:40,333 Sell the stocks shareholders buy 1875 01:16:40,333 --> 01:16:41,901 Sell the stocks, shareholders! 1876 01:16:41,901 --> 01:16:44,104 And as Joan rose through the ranks of the company 1877 01:16:44,104 --> 01:16:46,706 and her profits grew and grew, 1878 01:16:46,706 --> 01:16:49,420 so did she! 1879 01:16:50,744 --> 01:16:52,245 (SCATTERED CLAPPING) 1880 01:16:58,852 --> 01:17:00,220 Is that the tech guy? 1881 01:17:02,155 --> 01:17:04,657 Somebody get me portfolios on line four. 1882 01:17:06,159 --> 01:17:08,328 I'll be in my corner office. 1883 01:17:08,495 --> 01:17:10,764 - Sure thing, boss. - Let's do this. 1884 01:17:10,764 --> 01:17:12,298 (SINGING) You do this You do that 1885 01:17:12,298 --> 01:17:14,401 Fix that graph and get me stats 1886 01:17:14,401 --> 01:17:17,137 CHORUS: She's a stock broker Deep down and dirty dealing 1887 01:17:17,137 --> 01:17:18,805 Got the checks Got the cash 1888 01:17:18,805 --> 01:17:20,540 And I'm smashing that glass ceiling 1889 01:17:20,540 --> 01:17:22,275 CHORUS: Now she's part of this sound 1890 01:17:22,275 --> 01:17:23,943 And I found my voice 1891 01:17:24,110 --> 01:17:27,380 CHORUS: As she's making people millions Screwing innocent civilians 1892 01:17:27,380 --> 01:17:30,216 With her fab flap and brilliance In the Wall Street 1893 01:17:31,584 --> 01:17:32,585 Noise! 1894 01:17:33,253 --> 01:17:34,688 (AUDIENCE CHEERING) 1895 01:17:43,430 --> 01:17:45,365 (DISCO MUSIC PLAYING) 1896 01:17:47,367 --> 01:17:49,200 CHORUS: Studio 54! 1897 01:17:49,369 --> 01:17:51,137 Dark room Bright lights 1898 01:17:51,338 --> 01:17:53,173 Debbie Harry wearing tights 1899 01:17:53,173 --> 01:17:55,208 CHORUS: Stiff drink High heels 1900 01:17:55,208 --> 01:17:57,110 David Geffen doing deals 1901 01:17:57,110 --> 01:18:00,814 CHORUS: Lovers and strangers and big chandeliers 1902 01:18:00,814 --> 01:18:02,849 Got no home to go to 1903 01:18:02,849 --> 01:18:04,951 So I'm staying here 1904 01:18:04,951 --> 01:18:07,153 - CHORUS: Live it up - Like there's no tomorrow 1905 01:18:07,153 --> 01:18:09,622 CHORUS: Tomorrow, give it up 1906 01:18:09,622 --> 01:18:11,157 GLENN: To the groovy 1907 01:18:11,157 --> 01:18:12,892 - CHORUS: Disco glittery light - Disco glittery light 1908 01:18:12,892 --> 01:18:14,600 CHORUS: Live it up 1909 01:18:14,600 --> 01:18:17,970 'Cause if there's no tomorrow 1910 01:18:17,970 --> 01:18:18,565 Nothing matters to me 1911 01:18:18,565 --> 01:18:21,368 So get lost inside the boogie tonight 1912 01:18:23,737 --> 01:18:24,938 And cue cocaine. 1913 01:18:25,105 --> 01:18:26,139 CHORUS: (SINGING) Live it up 1914 01:18:26,139 --> 01:18:28,241 Don't you have school tomorrow? 1915 01:18:28,241 --> 01:18:29,509 CHORUS: Give it up 1916 01:18:29,509 --> 01:18:31,845 Suddenly, the disco doesn't feel right 1917 01:18:31,845 --> 01:18:35,248 CHORUS: Give away The troubles and the sorrow 1918 01:18:35,248 --> 01:18:36,483 Someone's gotta save ya 1919 01:18:36,483 --> 01:18:38,852 From degenerate behavior tonight 1920 01:18:38,852 --> 01:18:40,820 Quick. Give me your hand, little girl. 1921 01:18:40,820 --> 01:18:42,550 I'll save you. 1922 01:18:42,550 --> 01:18:43,356 I'm an artiste, 1923 01:18:43,356 --> 01:18:45,458 and artistes don't need saving. 1924 01:18:45,458 --> 01:18:49,290 Sometimes they do! 1925 01:18:53,990 --> 01:18:54,934 Wow, Joan. You were right. 1926 01:18:54,934 --> 01:18:57,370 I guess I did need your help. 1927 01:18:57,470 --> 01:18:59,105 Have you ever considered becoming... 1928 01:19:00,106 --> 01:19:01,474 a teacher? 1929 01:19:03,343 --> 01:19:07,147 GLENN: (SINGING) I'll make it through tomorrow 1930 01:19:08,810 --> 01:19:11,117 Only gonna have three cocktails a week 1931 01:19:12,552 --> 01:19:15,922 I'll quit my job tomorrow 1932 01:19:16,823 --> 01:19:20,193 These children matter to me 1933 01:19:20,360 --> 01:19:23,797 So I'll apply to SUNY 1934 01:19:24,297 --> 01:19:28,702 Tonight 1935 01:19:29,402 --> 01:19:30,503 Jesus, he's good. 1936 01:19:31,571 --> 01:19:34,574 (SINGING) Thought my dreaming was done 1937 01:19:34,741 --> 01:19:37,410 All I needed was one 1938 01:19:37,577 --> 01:19:41,514 Revelation to show me my boy 1939 01:19:42,150 --> 01:19:43,183 (WHISPERING) That kid's good. 1940 01:19:43,350 --> 01:19:44,484 I'm gonna make him a star. 1941 01:19:44,651 --> 01:19:46,219 I was actually just thinking the same thing. 1942 01:19:46,386 --> 01:19:50,790 GLENN: Now I offer this sun Salutation 1943 01:19:51,191 --> 01:19:53,626 Hello to my Troy 1944 01:19:53,793 --> 01:19:56,290 I will build this theatrical place 1945 01:19:56,196 --> 01:19:57,197 Hey. 1946 01:19:58,310 --> 01:19:59,632 Hey, do you like this? 1947 01:20:00,500 --> 01:20:02,435 I'm over here, I'm like... (SNORES, CHUCKLES) 1948 01:20:03,970 --> 01:20:05,338 CHRISTOPHER S: And finally, 1949 01:20:05,338 --> 01:20:07,974 after selling her father's beloved pierogi recipe 1950 01:20:07,974 --> 01:20:09,376 for a small fortune, 1951 01:20:09,542 --> 01:20:11,778 Joan purchased a beautiful plot of land 1952 01:20:11,945 --> 01:20:14,481 located right in the middle of the Adirondack Mountains. 1953 01:20:18,184 --> 01:20:21,187 This land is beautiful. 1954 01:20:21,521 --> 01:20:23,690 And the stage could go here. 1955 01:20:25,250 --> 01:20:28,940 And all the children looking for somewhere to belong. 1956 01:20:28,862 --> 01:20:31,310 I can almost see them. 1957 01:20:32,866 --> 01:20:35,902 (SINGING) A girl with an open Snapple 1958 01:20:36,369 --> 01:20:39,372 A boy who's looking down 1959 01:20:39,806 --> 01:20:43,430 The faces and the memories 1960 01:20:43,209 --> 01:20:47,213 That we have from right now 1961 01:20:47,681 --> 01:20:50,917 Raise a glass for everyone 1962 01:20:51,840 --> 01:20:53,953 That will come through these halls 1963 01:20:54,788 --> 01:20:57,123 But in the glass isn't alcohol 1964 01:20:57,290 --> 01:20:59,726 It's something more profound 1965 01:20:59,893 --> 01:21:01,394 And the halls aren't halls at all 1966 01:21:01,561 --> 01:21:03,229 Of course, they're trees 1967 01:21:03,396 --> 01:21:04,464 And lakes 1968 01:21:04,964 --> 01:21:08,702 And birds 1969 01:21:09,436 --> 01:21:11,237 CHORUS: We all fly 1970 01:21:11,404 --> 01:21:15,709 To find a place we can belong 1971 01:21:15,875 --> 01:21:17,510 We all fly 1972 01:21:17,510 --> 01:21:22,382 To find a place we can call home 1973 01:21:23,850 --> 01:21:26,653 Camp isn't home 1974 01:21:28,154 --> 01:21:31,291 But is it kind of? 1975 01:21:31,458 --> 01:21:33,493 Kind of it is 1976 01:21:33,660 --> 01:21:36,396 I think it kind of is 1977 01:21:36,863 --> 01:21:39,332 BOTH: Camp isn't home 1978 01:21:40,967 --> 01:21:44,370 But is it kind of? 1979 01:21:44,370 --> 01:21:48,641 I think it kind of is 1980 01:21:50,176 --> 01:21:53,446 Where every kid picked last in gym 1981 01:21:53,613 --> 01:21:55,949 Finally makes the team 1982 01:21:56,216 --> 01:21:58,985 BOTH: Where square pegs find their holes 1983 01:21:59,152 --> 01:22:01,988 And outcasts find their dreams 1984 01:22:02,155 --> 01:22:05,250 BOTH: It's a melting pot where belting girls 1985 01:22:05,191 --> 01:22:07,727 And boys in tiny shorts 1986 01:22:08,610 --> 01:22:10,430 CHORUS: Come to find forever friendships 1987 01:22:10,597 --> 01:22:13,566 Just four hours from New York 1988 01:22:13,566 --> 01:22:15,100 We all fly 1989 01:22:15,100 --> 01:22:19,272 To find a place we can belong 1990 01:22:19,272 --> 01:22:20,840 We all fly 1991 01:22:20,840 --> 01:22:25,979 To find a place we can call home 1992 01:22:25,979 --> 01:22:28,140 A place we can call Joan 1993 01:22:28,140 --> 01:22:30,383 Camp isn't home 1994 01:22:31,785 --> 01:22:34,888 But is it kind of? 1995 01:22:34,888 --> 01:22:36,823 Kind of it is 1996 01:22:36,990 --> 01:22:39,826 I think it kind of is It kind of is 1997 01:22:39,826 --> 01:22:43,763 Camp isn't home 1998 01:22:43,763 --> 01:22:46,566 But is it kind of? 1999 01:22:46,566 --> 01:22:50,837 I think it kind of is 2000 01:22:52,172 --> 01:22:55,141 We all fly 2001 01:22:55,709 --> 01:22:57,644 Camp taught me that my words are powerful. 2002 01:22:57,811 --> 01:22:59,979 Without camp, I would've never known 2003 01:22:59,979 --> 01:23:01,881 I could sing a high F above middle C. 2004 01:23:02,716 --> 01:23:04,170 At camp, I learned that 2005 01:23:04,170 --> 01:23:05,418 you don't have to be pretty to be talented. 2006 01:23:05,418 --> 01:23:06,553 It's just a bonus. 2007 01:23:08,855 --> 01:23:09,856 (WHISPERING) I'm sorry. 2008 01:23:09,989 --> 01:23:11,925 - I'm sorry. - You finished the song. 2009 01:23:12,692 --> 01:23:13,927 It's so beautiful. 2010 01:23:14,940 --> 01:23:15,328 I did it for you. 2011 01:23:16,620 --> 01:23:18,698 You should do whatever you wanna do 2012 01:23:18,698 --> 01:23:20,166 and pursue your dreams, okay? 2013 01:23:20,867 --> 01:23:22,168 I'm going to stay here. 2014 01:23:22,168 --> 01:23:24,204 If there is a here, I belong here. 2015 01:23:25,380 --> 01:23:26,639 Well, I'll come back all the time. 2016 01:23:26,740 --> 01:23:27,841 - Promise? - I promise. 2017 01:23:28,800 --> 01:23:29,109 You're not getting rid of me. 2018 01:23:29,409 --> 01:23:30,176 Glenn is amazing. 2019 01:23:30,343 --> 01:23:31,611 Glenn is so good, it makes me upset. 2020 01:23:31,778 --> 01:23:33,780 - It's insane. - It makes me upset. 2021 01:23:33,780 --> 01:23:35,315 (VOCALIZING) 2022 01:23:35,982 --> 01:23:38,118 CHORUS: (SINGING) We all fly 2023 01:23:41,321 --> 01:23:43,123 Camp isn't home 2024 01:23:45,458 --> 01:23:50,196 But is it kind of? Kind of it is 2025 01:23:50,363 --> 01:23:52,899 I think it kind of is 2026 01:23:53,660 --> 01:23:55,702 Camp isn't home 2027 01:23:56,936 --> 01:24:03,760 But is it kind of? I think it kind of is 2028 01:24:05,450 --> 01:24:08,214 Camp isn't home But is it kind of? 2029 01:24:09,149 --> 01:24:13,787 Kind of it is I think it kind of is 2030 01:24:13,953 --> 01:24:15,655 Camp isn't home 2031 01:24:17,924 --> 01:24:20,593 But is it kind of? 2032 01:24:20,593 --> 01:24:24,964 I think it kind of is 2033 01:24:26,166 --> 01:24:27,667 I hope I see you next summer. 2034 01:24:28,735 --> 01:24:30,170 Thanks for being so hard on me. 2035 01:24:30,303 --> 01:24:31,805 I know it was for a good reason. 2036 01:24:31,805 --> 01:24:33,907 Harness this pain and use it in the future, okay? 2037 01:24:36,609 --> 01:24:38,445 CHORUS: (SINGING) Camp isn't home 2038 01:24:38,445 --> 01:24:41,348 But is it kind of? 2039 01:24:41,348 --> 01:24:45,919 I think it kind of is 2040 01:24:47,887 --> 01:24:50,990 Joan, Still 2041 01:24:56,496 --> 01:24:58,198 - (MUSIC ENDS) - (ALL CHEERING) 2042 01:25:03,336 --> 01:25:04,337 TROY: Yeah. 2043 01:25:05,672 --> 01:25:06,940 AMOS: That's lit! 2044 01:25:22,589 --> 01:25:24,570 (AUDIENCE CHEERING) 2045 01:25:28,561 --> 01:25:30,597 - WOMAN: Bravo! Bravo! - She's awake! 2046 01:25:31,898 --> 01:25:34,340 I have no idea what this was, 2047 01:25:34,200 --> 01:25:36,736 who set this up, why I'm watching this, 2048 01:25:36,936 --> 01:25:38,710 but what a pleasure! 2049 01:25:38,710 --> 01:25:40,373 What a thrill! What talent! 2050 01:25:40,373 --> 01:25:41,608 Uh, must have set it up in the wrong room. 2051 01:25:41,608 --> 01:25:42,776 You lifted my spirits, kids. 2052 01:25:42,942 --> 01:25:44,100 Yeah, that was my bad. 2053 01:25:44,210 --> 01:25:46,613 And Joan, what a woman she is. 2054 01:25:46,780 --> 01:25:48,581 But Joan, Still, right? 2055 01:25:48,715 --> 01:25:50,183 That is something to celebrate. 2056 01:25:50,183 --> 01:25:52,752 I can't wait to see you on Broadway. 2057 01:25:52,752 --> 01:25:54,688 You kids are wonderful. 2058 01:25:54,688 --> 01:25:56,890 You're all going to be big, big stars! 2059 01:25:58,291 --> 01:25:59,959 (BETTER NOW BY POST MALONE PLAYING) 2060 01:26:08,340 --> 01:26:09,169 (GASPS) 2061 01:26:09,602 --> 01:26:11,271 Don't let Troy run the camp! 2062 01:26:11,871 --> 01:26:13,506 Oh, you're up, huh? 2063 01:26:14,174 --> 01:26:15,975 I just saw a whole show about your life. 2064 01:26:15,975 --> 01:26:17,577 The kids did an amazing job. 2065 01:26:17,744 --> 01:26:19,646 (SINGING) Camp isn't home 2066 01:26:19,646 --> 01:26:21,247 Oh, what a song. 2067 01:26:21,247 --> 01:26:23,316 You slept through it. I watched it. 2068 01:26:23,316 --> 01:26:25,251 Well, um, do you know why I'm here? 2069 01:26:26,453 --> 01:26:27,454 No. 2070 01:26:27,454 --> 01:26:29,255 ( BETTER NOW CONTINUES) 2071 01:28:01,781 --> 01:28:04,170 (FRANTIC JAZZ MUSIC PLAYING) 2072 01:31:25,518 --> 01:31:27,153 REBECCA-DIANE: (SINGING) Bye class 2073 01:31:27,587 --> 01:31:29,356 We're done 2074 01:31:31,224 --> 01:31:35,628 The ghosts of our past selves are done 2075 01:31:35,862 --> 01:31:39,466 We are gone, we are gone 2076 01:31:39,466 --> 01:31:42,102 We are now new people 2077 01:31:42,268 --> 01:31:44,804 We are now new people 2078 01:31:44,971 --> 01:31:49,743 We are now the children of the plants 2079 01:31:52,412 --> 01:31:53,947 REBECCA-DIANE: Thank you guys so much. 2080 01:31:54,581 --> 01:31:56,549 I'll see you next week. 2081 01:31:56,716 --> 01:31:58,651 Or tomorrow. I don't remember.